The Squid's Ear Magazine


Mecha Fixes Clock: Beau Comme un Aeroport (Tour de Bras)

Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.
 

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Personnel:



Philippe Lauzier-alto saxophone, bass clarinet

Elwood Epps-trumpet

Jean Rene-alto saxophone

Pierre-Yves Martel-feedback

Bernard Falaise-guitar

Guillaume Dostaler-piano

Michel F. Cote-drums, feedback, microphones


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Label: Tour de Bras
Catalog ID: TDB90006cd
Squidco Product Code: 18237

Format: CD
Condition: New
Released: 2013
Country: Canada
Packaging: Cardstock gatefold foldover
Recorded by Tour de Bras at Studio 270, Montreal.

Descriptions, Reviews, &c.

"Recorded at Coté's preferred studio, Montreal's Studio 270, Beau comme un aéroport is a suite of songs, the titles of which allude to air travel ("se maintenir en l'air coûte que coûte," "turbulence du dimanche," "au terme de l'ascension," "petite perte d'altitude"). We do not normally think of airports as beautiful, however, and the music does not seem strictly programmatic, but one can find musical analogues with air travel if one chooses to do so. The middle section of "Turbulence du dimanche," a rather tranquil piece, is dominated by a line of long notes from Epps, and Coté clattering on toms. (Perhaps Sundays are known for having very little turbulence.) "Atlas des brumes" has an African feel to the beat, bass droning underneath, trumpet line of long, purely played notes, Dostaler vamping sparely. "Tour des anges" begins with Epps and Dostaler playing solo lines before Coté enters with a splash of cymbal followed by a rising burst of feedback, which, with Dostaler's offbeat phrasing, creates a sense of impending doom. "Egalité de la resistance des ailes" has a gamelan-feel built around Martel's viola da gamba and Lauzier's alto, a polyrhythmic play. "Sur le siège d'a côté 22F" has Epps blowing air through his trumpet to simulate snoring. "Ostinato aierienne" is a gentle, peaceful ending, which one wishes all flights to have."-Musicworks Magazine


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Artist Biographies

"Composer, improviser, instrumentalist (clarinet & saxophone) and sound artist, Philippe Lauzier participates in several projects that tour regularly in Canada and Europe, but also in USA, Latine America and Australia. In his solo and collective work, his ideas incorporate influences of contemporary musical languages as well as sounds from non-Western sources. Creative extended techniques, complex drones from which polyphonies emerge, and a certain compositional rigour are typical of his style. His interest for collaborative intermedia practices also leads him to create sound installation pieces, live performances for contemporary dance, theater music and many sound designs for visual art projects. Philippe lives in Montreal, Quebec."

-Philippe Lauzier Website (http://www.philippelauzier.com/bio)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean René. Born Victoriaville, Québec, 1956. Residence: Montréal, Québec. Performer (viola), Conductor.

Jean René has a Bachelor's degree in composition from the Université de Montréal. He has studied viola and conducting; Raffi Armenian, Michel Longtin, and Bruno Guiranna were his professors. From 1991 to 2002, he was associate principal violist with l'Orchestre Métropolitain de Montréal. He still freelances with a number of ensembles. Since 1990 he has collaborated with many artists, including André Duchesne, Pierre Cartier, Jean Derome and René Lussier. He also headed the group from the Ensemble SuperMusique for the Symphony of the Millennium."

-ActuelleCD (http://www.actuellecd.com/en/bio/rene_je/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Pierre-Yves Martel. Born Vanier, Ontario, Canada, 1979. Residence: Montréal, Québec. Composer, Performer (viola da gamba, double bass, objects)

Following a unique artistic path, Pierre-Yves Martel is constantly renewing his musical identity and practice. Though a instrumentalist, he identifies himself first and foremost as a sound artist whose work oscillates between perpetual research and experimentation. It is in this spirit that he has revisited the viola da gamba, utilizing this traditional instrument in new contexts and thus reengaging it with the contemporary world. Having created an authentic musical language through non-conventional techniques and instrumental preparations, he also works outside of instrumental music altogether, using a variety of objects rife with new sonic possibilities, from contact-mics and speakers to motors, wheels, surfaces and textures."

-ActuelleCD (http://www.actuellecd.com/en/bio/martel_pi/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bernard Falaise. Born Montréal, Québec, 1965. Residence: Montréal, Québec. Composer, Performer (guitar).

Bernard Falaise was born in Montréal, where he currently lives. He plays electric guitar, composes and improvises - all with evident joy - for Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups. He has written for the Ensemble contemporain de Montréal (ECM), Quartango and the Isis Quartet, and has created music for exhibitions, television, the theatre and dance. Allergic to labels, Falaise explores acid rock, twelve-tone waltzes and industrial tangos with equal enthusiasm."

-ActuelleCD (http://www.actuellecd.com/en/bio/falaise_be/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guillaume Dostaler studied classical piano at the École de musique Vincent-d'Indy in Montréal. Since the beginning of the 1980s he has played in many jazz, musique actuelle, and funk groups with musicians drawn from both the local and the international scenes, such as Jean Derome, Michel Ratté, Yannick Rieu, Malcolm Goldstein, Butch Morris, Karen Young, and Greg Abatte. He took part in the performance of Nathalie Derome's Les 4 ronds sont allumés with René Lussier in 1999; in the same year he began playing with the rock/funk group Cosmik Débris. In 2000 he took part in the Les Moyens du Bord project with poet Patrice Desbiens and René Lussier as well as in Pierre Hébert's etching-on-film improvisation project. Since 2001 he has participated in René Lussier's Grand Vent project with François Chauvette, Maxime Lepage, Tom Walsh, and Lori Freedman and in the funk/techno group Rollan 77 with Benoît Charest, François Chauvette, and Maxime Lepage. He has also collaborated on music for films, plays, dance performances, and radio broadcasts and has taken part in a number of large-scale events. He can be heard on a number of compact discs."

-Ambiances Magnetiques Website (https://www.actuellecd.com/en/bio/dostaler_gu/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Initially a radio character, drummer, and composer, Michel F. Côté became a member of the collective Ambiances Magnétiques in 1988. Since that time, his activities have got encompassed free of charge improvisation along with his groupings Bruire and Klaxon Gueule, sound-art collaborations with Diane Labrosse and Christof Migone, and composing for dance, movie theater, and film. Côté was raised with rock and roll, admiring drummers like Led Zeppelin's powerhouse John Bonham and Yes/Ruler Crimson's man-of-finesse Costs Bruford. But he initial got into the music globe through radio, starting to transmit programs of innovative music in the first '80s at Montreal's community place, CIBL. In 1985, he begun to are a researcher and web host for "Chants Magnétiques" and afterwards "Musique Actuelle" at Radio-Canada, Canada's nationwide francophone radio. A music buff, he sucked in a huge selection of noises and affects, developing his drumming abilities but most of all his studio appearance. In 1988, Côté became the 8th person in Ambiances Magnétiques and documented his first recording beneath the name Bruire. An clothing of unpredictable geometry centered across the drummer, Bruire reinvented itself with each recording. Côté's evolution like a musician could be witnessed through the deconstructed pop tracks of Le Barman A Tort de Sourire (1989) towards the sensitive miniatures of Les Fleurs de Léo (1992) as well as the abstract improvised compositions on L'Âme de l'Objet (1995), a focus on in his discography. In the meantime, Côté started to create incidental music for theatre, dance, and film. This facet of his function quickly became probably the most time-consuming and commercially, aswell as artistically, practical, though it intended employed in the shadows. Since 1995 he is a regular collaborator of playwright/filmmaker Robert Lepage, composing and carrying out the music for the play Les Sept Branches de la Rivière Ota, carrying out in the theatrical cabaret Zulu Period, and composing as well as Bernard Falaise the music of his film Nô. The drummer also caused the dance troupe Carbone 14, and playwrights Wajdi Mouawad and Brigitte Haentjens. The single recording Compil Zouave culls excerpts from these different ratings. In the past due '90s, Côté created a pastime in live consumer electronics and shifted his music toward freer and more-textural pastures. A cooperation with sound designer and Avatar member Christof Migone (Vex, 1998) activated an exploration of the electro-acoustic improvisation that created in Austria and Germany at the same. This fresh vision is recorded on Muets, the next recording by his trio Klaxon Gueule (with Falaise and Alexandre St-Onge)."

-MusicianBio (https://musicianbio.org/michel-f-cote/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. insistance du vide 3:38

2. se maintenir en l'air coute que coute 1:38

3. passage des oies 3:04

4. turbulence du dimanche 3:15

5. course reflechie du vent 2:15

6. atlas des brumes 6:02

7. ostinato aerien #2 1:38

8. tout des anges 2:30

9. egalite de la resistance des ailes 2:11

10. sur le siege da cote 22F 2:35

11. au terme de l'ascension 4:10

12. petite perte d'altitude 3:33

13. ostinato aerien #1 2:03

Related Categories of Interest:


Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
Musique Actuelle
Michael F Cote
Septet recordings
Canadian Composition & Improvisation

Search for other titles on the label:
Tour de Bras.


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