Composer Lucier's score instructs the players to go to an outside environment and record by any means the sound situations of those environments, then in performance re-create, solely by means of your voices, instruments and memory, those outside sound situations.

Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Kare Kolberg was a pioneer of electroacoustic music in Norway, having written the first Norwegian work for computers in 1973; this CD presents works from 1969-2003 written for the Polish Radio Experimentral Studio, blending and expanding on concepts of concrete music.

A series of electroacoustic compositions from composer Slawomir Kupczak, combining the sounds of instruments via electronic means to create new hybrid sounds of alien character, released in carefully building works from near-minimal to unsettling eruptions of sound.

Composer Petit in an opus dealing with the dynamic of resonance and its incidences: a microphonic exploration of a single sound body made to resonate by means of different types of percussion, building a dramatic story from sampled and processed percussive elements.

Seven sonnets from William Shakespeare in a 50-minute song cycle that unfolds as an evocative journey using the perceptive words written in 1609 as a basis for compositions for quartet and countertenor, bringing depth and new appreciation to The Bard's sentiments.

Composer Zygmaunt Krause pays hommage to Polish art theoretician, painter, pioneer of the Constructivist avant-garde, and creator of the theory of Unism, Wladyslaw Strzeminski, through pieces performed by the Polish Radio National Symphony Orchestra, Silesian String Quartet, &c.

A diverse set of radio compositions by three Warsaw artists from different fields of art -- Martin Masecki, Wojtek Zra ka-Kossakowski and Martin Lenarczyk -- who reconstruct and commemorate the memory of Poland's most famous composer, Frederic Chopin.

In 2004 Charlegmane Palestine updated his 1977 work "Schlingen Blangen", a piece that could be played for days nonstop in "sonic constant chemical acoustic + architectural evolution + transformation in space", here in the version from that year's Angelica Festival.

Features: The Expanding Universe of Yamantaka // Sonic Titan; Yamantaka // Sonic Titan; The Retro Aesthetic of Le Revelateur; JOYFULTALK (Drip Audio); Muuixx; Hard Rubber Orchestra; Festival International de Musique Actuelle de Victoriaville; Allison Cameron and Contact; plus live and recorded reviews.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

Acoustic hallucinations for violin and piano from the duo of violinist Erkki Veltheim and pianist Anthony Pateras, exploring spectral techniques throughout extended temporal structures to generate unrelenting harmonic waves that create a singular psycho-harmonic texture.

Taking their name from composer Guillaume de Machaut, Quentin Biardeau directs his saxophone quartet as they reinterpret his 1365 polyphonic mass "Messe de Nostre Dame", using the resonance of the the Abbey of Noirlac, France to enhance these beautifully paced compositions.

Five new or recent pieces from composer Jurg Frey, alongside his 1993 work "In Memoriam Cornelius Cardew", all performed by pianist Philip Thomas, presenting slowly unfolding compositions emphasizing the physical space and time within which sounds are situated.

Six musicians from the UK Fluxus group Apartment House, including Philip Thomas (piano), Bridget Carey (voila), Anton Lukoszevieze, Simon Limbrick (percussion), present several realizations of composer Joseph Kurdirka's pieces, including text scores and fully-notated works.

Making extensive use of sampling and computer electronics, composer and guitarist Tim Brady combines a major work for 20 guitars on his debut record for Ambiances Magnetiques.

Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.

Tzadik's series reinterpreting John Zorn's Masada compositions releases the 24th "Book of Angels", performed by Klezmerson, a Mexico-based ensemble led by violist & composer Benjamin Shwartz, who founded the group in 2003 to integrate music from a Mexican standpoint.

The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

Jack's son is an avant hip-hop/breaks project created at the end of 2003 by Diego Martinez, Mexican young producer who also works under the name Lumenlab.

An excellent quartet of 4 female improvisers creating mysterious landscapes, bizarre spaces and surprising topography using dual pianos, flute, melodica, trombone & alphorn.

Harpist Gabriele Emde began performing contemporary music by exceptional 20th century artists in the early 80s; in this collection recorded from 1985 to 1987 she presents one of Cage's "Landscape" pieces, a major work by Hans Otte, and several short pieces by Lou Harrison.

Works from Italian composer Clare Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program titled "A Failed Entertainment" commissioned by Quaturo Diotima; plus 6 works for contemporary ensembles.

Vocalists DB Boyko and Christine Duncan turn gibberish into improvised poetry while accompanied by drummer Jean Martin who uses multi-timbered objects to create beautiful and absurd music.

Tim Brady with Bradyworks and Quatuor Molinari in a CD/DVD release of four synchronized musical, video & theater works, ambitious and fascinating compositional pieces.

A collection of narrative and experimental sound worlds for solo trumpet, born out of improvisation and organized through thoughtful collaborations with composers from Canada to Argentina.

Keith Wood's Hush Arbors with bassist Jason Ajemian, guitarist Leon Dufficy, and drummer Ryan Sawyer, in their 2nd Ecstatic Peace album of driving avant-folk songs and instrumental sections.

Michel F Cote, Bernard Falaise, Alexandre St-Onge, Christof Migone, and Sam Shalabi, all members of the excellent group Klaxon Gueule, in a minimalist release of improv.

An album of electro-acoustic compositions written for and recorded by New York City music ensembles and performers: MIVOS Quartet; Wet Ink Ensemble; Timetable Percussion; Jessie Marino.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Bojan Vuletic composed these works based on lines from Baudelaire's "Les fleurs du mal", a remarkable set of songs sung by Vera Westera over the excellent musicianship of Zeena Parkins on harp, Nate Wooley on trumpet, and Bojan Vuletic handling the odd instrument.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

The Ex were in Ethopia in 2010 for their "Free the Jazz" saxophone project, here presenting Mats Gustafsson on baritone saxophone, Paal Nilssen-Love on drums, and Mesele Asmamaw on krar, a stringed bowl-shaped lyre.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Composer John Zorn presents two books of "Madrigals" scored for six acappella female voices, rich and seductive compositions intertwining voices in beautiful, electrifying and riveting ways through 10 works inspired by the 19th century British poetry of Percy Bysshe Shelley.

Antoine Beuger, Burkhard Schlothauer, Chico Mello, Jurg Frey, Kunsu Shim, Michael Pisaro, and Thomas Stiegler participate in this realization of Christian Wolff's compositions to make sounds or draw sounds out of stones, alone or with other surfaces, acoustically or amplified.

One composition each from Antoine Beuger and John Cage performed on the oboe by Kathryn Gleasman Pisaro; Beuger's work presents tones in regular intervals offset by silence; Cage's piece uses pitch and tone color with microtonal inflections, mutes and harmonic fingerings.

Antoine Beuger's minimalist work for American painter Marcia Hafif, known for her monochrome paintings, in 24 tonal works each 3 minutes long using stationary waves of eight frequencies from a different octave and punctuated by silence.

A portrait of instrument builder and microtonal composer Harry Partch presented through representative work, in a beautiful limited 180g vinyl LP with a 12 page booklet of rare photos and essays, plus an MP3 download; essential listening from an extraordinary composer.

Edwin Alexander Buchholz performs this beautiful work by John Cage on accordion, originally written for the Japanese sho, where sounds are single tones and chords, up to six part harmonies, or as Cage wrote, "sounds brushed into existence as in oriental calligraphy".

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.

Composer Jurg Frey's 1988 work "String Quartet" realized by Nadia Francavilla, Clemens Merkel, Stephanie Bozzini and Isabelle Bozzini, exploring ideas of audibility: the moment when sound waves move in space and the air touches the body.

Henri Pousseur was associated with Pierre Froidebise and Andre Souris, and worked closely with Karlheinz Stockhausen through the 50s and 60s; this LP presents early electronic compositions from 1954-1972, a fascinating and diverse set of works from this important composer.

Carl Ludwig Hubsch (tuba); Ole Schmidt (bass clarinet); Chris Weinheimer (bass flute); Robert Schleisiek (piano); and Tom Lorenz (vibraphone) interpret Christian Wolff's composition based on "Union Maid", a song from the 1920's, transforming the work through temporal expansion.

Early compositions from John Cage performed on accordion by Edwin Alexander Buchholz and violin by Joanna Becker, presenting "Dream" (1948); "In a Landscape" (1948); "Six Melodies" (1950); and "Souvenir" (1983).

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

John Cage's "Empty Words" (1974) is drawn from the Journals of Henry David Thoreau, written in four parts: Part I omits sentences, Part II omits phrases, and Part III omits words. Part IV, which omits syllables, leaves us nothing but a virtual lullaby of letters and sounds.

The duo Contour of Stephen Altoff (trumpet) & Lee Forrest Ferguson (percussion) perform Antoine Beuger's "dedekind duos" dedicated to mathematician Julius Wilhelm Richard Dedekind; and Jurg Frey's "22 Sachelchen" or "small things", 22 focused miniature compositions.

John McAlpine performs composer Tom Johnson's beautiful piano cycle "Counting Keys", using mathematical progressions to create the structure of its 5 movements; plus 8 parts from his "Organ and Silence for Piano"; and two other compositions using mathematical processes.

Two works from composer Frey performed by Montreal's string ensemble Quatuor Bozzini: "String Quartet No. 3", a minimal work of colors, sensations, shadows, durations; and "Unhorbare Zeit" exploring durations without sound, or empty volumes, to achieve lucidity and transparency.

Pianist Samuel Vriezen performs Tom Johnson's work presenting what Johnson describes as a natural phenomenon within a musical scale: progressions in 1 to 5 voices of all possible combinations of notes with each voice being limited to 3 steps, a perfect 4th or a perfect 5th.

Christian Wolff initiated his "Microexercises" series when the Miniaturist Ensemble asked for a piece with no more than 100 notes in it; he went on to create 21 more pieces, 13 of which are performed here by the South African duo of Beat Keller & Reza Khota on electric guitar.

Three extended compositions using field recordings and electronic processing from Vanessa Rossetto and Matthew Revert, using obscure references in song titles to mask subtle dovetailing and transitioning of concrete sound and mysterious tones.

A fascinating collaboration from two minimalist/Wandelweiser figures: Christian Wolff on prepared piano, whistles, and stones, and Michael Pisaro on guitar, harmonica and stones, recording together in Caimbridge, MA for two extended works, "Looking East" and "Looking West".

The second release on Intakt pairing pianist Ulrich Gumpert and percussionist Gunter Baby Sommer in an album that borrows from blues, boogie-woogie, hard bop, German folk songs, and free jazz.

Drummer Barry Altschul joins saxophonist Jon Irabagon and bassist Peter Brendler in an incredible trio of free improvisation and hard playing that's not afraid to put a little cheesecake on the cover.

An amazingly creative quartet led by composer and reedist Jan Klare with trumpeter Bart Maris, bassist Wilbert de Joode and drummer Michael Vatcher recording in the studio in Bruxelles, Belgium.

Beautifully packaged PAL DVD of 6 films by Elio Martusciello (Taxonomy) including two original texts by Tim Hodgkinson & Sebastiano Giacobello & visual works by Ester Curcio & Ale Sordi.

New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

The Spring 2016 issue of Canada's best creative music magazine covering composed, improvised and experimental music. Articles include: Juan Camilo Vasquez' Caliope (canto de las abejas); First-Place Winner, Musicworks' 2015 Electronic M...

Electroacoustic composer and performer Anthony Pateras in a beautiful 5-CD box set documenting a broad variety of works from ensembles to solo work, an excellent overview of one of Australia's most vital composers and performers.

A 6 part work based on immersive listening with a smartphone featuring a GPS and audio headphones made during a train trip across the Arc Jurassien, developed into 6 rich and detailed compositions, performed with violinist Julia Eckhardt and cellist Silvia Platzer.

Using saxophone and electronics in unexpected ways, Warszawa composer Kamil Szuszkiewicz's 9 movement "Robot Czarek" is described as a "sound cartoon", using odd punctuation of voice and effected interactive instrumental interjections to tell his libretto's strange tale.

Polish conceptual composer Zygmunt Krauze meets pianist John Tilbury, who studied in Warsaw in the 1960s, and returned in 2015 for a residency; this delicate and beautiful work was recorded at the Concert Studio of Polish Radio in Warsaw with 4 pianos and a percussionist.