The trio of Peter Brotzmann, Massimo Pupillo (Zu) and Paal Nilssen-Love seriously tearing it up at the Casa del Jazz in Rome, December 2008.

Unreleased material from legendary European players Peter Brotzmann (sax), Fred Van Hove (piano) and Han Bennink (drums), captured live in 1971 for intensely heavy playing at the 2nd Internationales New Jazz Meeting Auf Burg Altena, and in detailed studio work at Radio Bremen.

Emphasizing the lyrical aspects of free jazz, the superb trio of Peter Brotzmann on alto & tenor sax and taragato, Fred Hopkins on bass, and Rashied Ali on drums, recorded this album in 1991, now remastered to bring this exceptional music back to the foreground.

A 1987 performance between legendary German free-jazz saxophonist/clarinetist Peter Brotzmann and the late legendary American free-jazz guitarist Sonny Sharrock performing live at Jamkulturfabrik in Esch/Alzette, Luxembourg.

Distilling the trio of Brotzmann/Noble/Edwards into a duo, saxophonist Brotzmann and drummer Noble recorded this powerful set of free improvisations live at Ateliers Claus, Brussels on January 19th, 2013.

Victoriaville celebrated European Free Jazz legend Peter Brotzmann's 70th birthday by presenting two concerts: one solo, and one with the amazing Trio Roma of Massimo Pupillo and Paal Nilssen-Love, both presented on this essential 2 CD release.

Frequent William Parker sideman alto saxophonist Rob Brown on his 1st Aum Fidelity solo record, studio recordings of the ensemble he put together for the 2006 Vision Festival.

"After a free jazz investment for many years, now something entirely different. Avant-garde? Composer / improviser Rob Brown says it's an irrelevant categorization nowadays. Instead of the conventional sax-bass-drums combo of the New Thi...

The NY trio of alto saxophonist Rob Brown, pianist Craig Taborn, and drummer Nasheet Waits performing at the Sons d'Hiver Festival in 2010, insprired and powerful group interplay.

Nine pieces recorded live over the course of three days by a quintet of artists and composers (Derome, Boisvert, Fradette, Tetreault).

Thirteen new compositions by Michel F Cote that are tightly linked together by a poetic text, with Jean Derome, Diane Labrosse, Claude Lamothe, Robert Marcel Lepage, Rene Lussier, Ikue Mori, and Claude St-Jean.

A ridiculously spirited, lovingly raucous tribute to Merle Haggard from saxophonist Bryan Murray's eccentric band with Jon Irabagon (sax), Jon Lundbom (guitar), Moppa Elliott (bass) and Danny Fischer (drums), with Doc Chadbourne on vocals, banjo and dobro.

New York's most decorated avant-country instrumental Merle Haggard cover band featuring Bryan Murray and Jon lrabagon on sax, Jon Lundbom on guitar, Moppa Elliott on bass and Danny Flscher on drums.

Jazz, country and western music converge in unexpected ways in the 2nd release from the quintet of saxophonists Bryan Murray & Jon Irabagon, guitarist Jon Lundbom, bassist Moppa Elliott, and drummer Danny Fischer.

Arthur Bull (guitars) and Daniel Heikalo (guitars, percussion) in six guitar duets and five other tracks in which the guitars pair up with Heikalo's percussion.

The first release by the duo of guitarists Arthur Bull and Daniel Heikalo which is a series of free improvisations that are presented without any editing or post-processing.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Tin Hat Trio founder Burger in an eclectic and wonderfully informed set of film cues, with help from Marc Ribot, Eyvind Kang, Carla Kihlstedt, Kenny Wollesen, &c.

A concert featuring exceptional unaccompanied solo improvisations by John Russell (guitar), Phil Minton (voice), John Edwards (double bass), Lol Coxhill (saxophone) and Chris Burn (piano, percussion) followed by an impromptu performance as a quintet.

Unconvention improvisation fueled by the influence of contempary compositions from bassist Simon H. Fell, pianist Philip Thomas, and prepared pianist Chris Burn.

Beautifully slow drifting compositions for clarinet, ARP 2600, piano and prepared piano from the duo of Anthony Burr and Anthony Pateras, drawing on Cage and Feldman in these expansive and tranquil works that create beautiful and quietly exotic sound environments.

The 3rd in a series of 5 suites from pianist Dave Burrell commemorating the people and events of the American Civil War, a mature and passionate work performed in a duo with NY trombonist Steve Swell, performed live at the Rosenbach Museum and Library in Philadelphia.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

This duo arose from the meeting between two violists avid to confront with their instrumental double to create a common sound universe from the same instrument played by two different personalities.

Drummer/percussionist Tony Buck and saxophonist John Butcher are the common elements in these two trios, one with guitarist Burkhard Stangl, and one with pianist Magda Mayas, using imaginative and unusual approaches to improvisation.

Live recordings of this incredible improvising trio as influenced by a 'tempestuous' storm buffeting & rattling the windows of the church in which the performance took place.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

British saxophone phenomenon John Butcher meets Vancouver's premiere bassist Torsten Müller and drummer Dylan van der Schyff for an amazing live set at the Western Front.

The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass.

Percussionist Mark Sanders and saxophonist John Butcher in recordings from two concerts: the 2010 Freedom of the City festival in London, and a year later at Southampton University; exceptionally expressive and technically unique playing.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

A live recording at the Jazzfest Trondheim, Trondelag Senter for Samtidskunst, in May 2015 from the freely improvising duo of John Butcher and contrabassist Michael Duch, a superb extended concert of incredible reed technique and concept anchored by Duch's flexible bass work.

1999 release of the trio of John Butcher on soprano & tenor sax, Phil Durrant on violin, and John Russell on guitar, meticulous improvisation using outrageous technique, "unorthodox thematic development and off-center interplay which at times is odd and surreal".

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

Bynum's trio with bassist John Hebert and drummer Gerald Cleaver, explorative and informed recordings from Firehouse 12, music on the forefront of modern improvisation.

Taylor Ho Bynum with NY players Matt Bauder, Mary Halvorson, Jessica Pavone, &c. documenting live & studio performances recorded at The Rotunda in Philadelphia and New Haven's Firehouse 12.

The 1st of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 CDS of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

2006 recordings from this avant Serbian folk band singing in English, Serbian, French, German, Czech and Japanese, naive and intellectual approaches to songwriting.

Frode Gjerstad leads a trio with Roger Turn on drums and Borre Molstad on tuba, performing live at Cafe MIR in Oslo as part of the Blow Out Festival in 2013, in a single extended improvisation of energetic playing underpinned by the atypical tuba and drums rhythm section.

A thoroughly modern and bizarre two-act opera about three struggling roommates in Brooklyn performed with Jason Cady, Mary Halvorson, Tomas Fujiwara, Jessica Pavone, Tim Dahl, Ben Holmes, Katie Young, &c.

Live recordings from LOFT in Cologne, 2007 of this quartet of collective improvisers including Brazilian saxophonist Yedo Gibson and pianist Veryan Weston.

Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials.

Early compositions from John Cage performed on accordion by Edwin Alexander Buchholz and violin by Joanna Becker, presenting "Dream" (1948); "In a Landscape" (1948); "Six Melodies" (1950); and "Souvenir" (1983).

Edwin Alexander Buchholz performs this beautiful work by John Cage on accordion, originally written for the Japanese sho, where sounds are single tones and chords, up to six part harmonies, or as Cage wrote, "sounds brushed into existence as in oriental calligraphy".

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.

Guitarist Adam Caine's trio with bassist Tom Blancarte and drummer John Wagner in studio recordings of eight original Caine compositions, great driven modern jazz.

Belgian pianist based in Oslo, Jonas Cambien's Trio with Andre Roligheten on reeds and Andreas Wildhagen on drums, in an album of unique compositions using simple ideas yielding complex improvisation & dialog, named for the Dougal Dixons book "After Man: A Zoology of the Future".

Portugese violist Joao Camoes, living in Paris, in a duo with Jean-Marc Foussat on electronics and voice, which he approaches like those of the acoustic improvised music and free jazz; the two present two long works where Foussat processes and extends Camoes' sound.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Drummer Cappozzo and trumpeter Perraud met at Tours "La Chapelle at St. Anne" in 2009 to record this strong album of extended improvisation merging conventional and extended techniques.

Active since 2013, this ever-changing band was formed by multi-reedist Joachim Badenhorst, blending jazz, post-rock, noise, lo- fi, psychedelica, and ambient music into a potent brew, as heard here in this septet rendering performing live at the 2015 Ljubljana Jazz Festival.

Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces.

A joyfully engaged example of this sax/drum/piano trio's Melodic Improv Music performing live in St. Petersburg Russia, part of an intense and inspired tour of Russia in 2010.

Canadian alto saxophonist Francois Carrier's 3rd FMR release, with long-time companion Michel Lambert (drums) plus flautist Neil Metcalfe, guitarist Daniel Thompson and bassist Guilaume Viltard, recording in the beautiful acoustics of St leonards Church, London.

The first of two volumes documenting Canadian alto saxophonist Francois Carrier and the trio of Michel Lambert on drums and Alexy Lapin on piano in their 2010 tour of Russia, here performing at DOM Cultural Center and Nikitskaya Jewish Cultural Center.

The second of two volumes documenting Canadian alto saxophonist Francois Carrier and the trio of Michel Lambert (drums) and Alexy Lapin (piano) in their 2010 tour of Russia, performing at Nikitskaya Jewish Cultural Center, ESG-21, and JFC Jazz Club.

Originally intended as a trio recording, when the 3rd player missed the Nepal Jazzmandu Jazz Festival, saxophonist Francois Carrier and drummer Michael Lambert carried on as a duo, these recordings from two sets displaying their impressive "freely melodic" approach to improvised music.

After their "Live in Russia" volumes, eloquent French Canadian saxophonist and creative drummer Michel Lambert present 9 new improvisations recorded at Resonance studios in their home town of Montreal, a tremendous dialog between these two free yet lyrical players.

The inimitable trio of saxophonist Francois Carrier (also on Chinese oboe), drummer Michel Lambert and bassist John Edwards, joined by pianist Steve Beresford for a European tour, here recorded at London's Vortex Club for a powerful and diverse album of creative free improv.

Canadian saxophonist Francois Carrier in a trio with bassist Pierre Cote and drummer Michel Lambert, plus pianist Bobo Stenson performing live at the 2002 Vancouver Jazz Festival.

Carta reminds of Low to Six by Seven, Plumerai, Charles Atlas &c. in the tradition of mid-1990s moody pop/slowcore/indie rock/post rock bands.

Kent Carter (double bass) leads a string trio comprised of Albert Maurer (violin) and Katrin Mickiewicz (viola) in an enchanting set of recordings made in Koln, Sers, and Bonn during 2004.

Kent Carter (double bass) leads Carl Zingaro (violin) and Francois Dreno (viola) in a string trio with touches of classical chamber, jazz, and European folk music. Albrecht Maurer (violin) and Emmanuelle Roch (viola) later join Carter in two pieces.

Both volumes of trumpeter Bobby Bradford and clarinetist John Carter's remarkable concerts from 1979 in Los Angeles and 1982 in Worcester, MA, dramatically improved audio quality from their original issue.

Between 1973 and '76 Sunday afternoons at Rudolph's Fine Art Center hosted the superb John Carter Trio with son Stanley Carter on bass and Chris Carter on cymbals; these live recordings were originally released in a limited LP in 1977, now reissued with a rare '77 radio broadcast.