A tribute to John Coltrane from bassist Dominic Duval, tenor saxophone Jimmy Halperin and drummer Brian Willson with compositions like "Giant Steps", "Moments Notice", Naima" &c.

In the same mode as the "Monkinus" album, this is a new reincarnation of Monk's tunes arranged and performed by bassist Dominic Duval and saxophonist Jimmy Halperin.

The 4th release by EKG (Bruckmann/Karel) presents live electroacoustic recordings extracted and restructured by Bruckman, emphasizing the electronic nature of their work.

A fresh, enthusiastic and very pertinent vision of the big band model from this large orchestra with a diverse and uniquely European spirit, but globally identifiable as excellent jazz.

Intricate interactions in free improv from the Portugese trio of violist Joao Camoes, cellist Miguel Mira (Open Field String Trio, Nuovo Camerata), and pianist Rodrigo Pinheiro (Red Trio), focused on the balance between contrasting counterpoint, polyrhythms and fluid soundscapes.

Bridging the East and West, with Miya Masaoka on koto and Xu Fengxia on guzheng representing the East, and Larry Ochs on sax, Didier Petite on cello, and Sylvain Kassap on clarinet representing the West; exhiliarating and exotic global improvisation.

The finale for the 2012 "Extreme Rituals" concert was this performance, where each artist used a wireless EEG headset to send brainwave signals to audio engineers who transformed them into audio, as the performers sculpt sound using meditative and ecstatic trance states.

Composer Jason Eckardt presents "Subject", a work that confronts "enhanced interrogation" techniques using sound and light, plus other works including a 6 part piece about glossolalia ("Tongues"), performed by JACK, ICE, and the Oberlin Contemporary Music Ensemble.

Virtuoso double bassist John Eckhardt in eight performances of polyphonic and other-worldly explorations showing the instrument's breadth of sonic potential.

Ecstasy Mule's demented improv blues in a maxi-single presenting 3 version of "Missouri Couple seeks Law Against Hunting + Drinking" from 3 NYC performances.

French artists Michel Edelin (flute), Jacques Di Donato (reeds), Jean-Jacques Avenel (bass) and Simon Goubert (drums) in a melodic and creative jazz album that surprises in beautiful and unusual compositional structures.

Flautist Michel Edelin's Trio with Jean-Jacques Avenel and John Betsch, and guest alto saxophonist Steve Lehman performing a set of originals and one Monk in France, 2008.

Citing their influences as Bill Frisell, Paul Motian, John Zorn, and Steve Lacy, the Brussels-based bassless jazz trio of Quentin Stokart (guitar), Mathieu Robert (sax), and Nicolas Chkifi (drums) play lyrical and intelligently restrained music.

Portugal bassist Ze Eduardo's trio in a set of compositions that includes jazz versions of animated televisions series, including a great cover of The Simpson's theme.

UK European free improv in-demand double bassist John Edwards in what is surprisingly his first solo album, recorded by John Wall at his Utterspalm studio.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

Since 2012 the free improvising duo of vocalist Geraldine Eguiluz and double bassist Stephane Diamantakiou have worked together, taking themes from the jazz songbook as a starting point for free form improvisations of a fragile and unpredictable nature.

Wind and reed player Mary Ehrlich's excellent Rites Quartet with Hank Roberts (cello), Michael Sarin (drums) and James Zollar (trumpet) in a set of lyrical compositions that borrows from jazz and downtown NY traditions.

NY multi-reed and wind player Marty Ehrlich joins forces with pianist and accordionist Hankus Netsky along with Jerome Harris and Marcus Rojas for an album at the nexus of Jazz and the Jewish tradition.

Markus Eichenberger directs his fellow artists to change what they are doing, but does not dictate what they do next, leaving ample room for an unpredictable performance that was many transformations.

Clarinetist Markus Eichenberger's beautiful solo work "Half Time" work is a foray into a landscape of memory using the instrument in traditional and unconventional ways.

New York drummer Harris Eisenstadt's new ensemble crosses the country with Chicago flutist Nicole Mitchell, NY & West Coast bassist Mark Dresser, and NY bassoonist Sara Schoenbeck, blending orchestral instruments in chamber and improvising contexts.

New York drummer Harris Eisenstadt revives his trio with trombonist Jeb Bishop and bassist Jason Roebke, adding tenor saxophonist Tony Malaby, recording in the studio after two concerts at John Zorn's venue The Stone in 2015, heard in here in momentous and heartfelt jazz.

The second album of the trio founded by drummer and composer Harris Eisenstadt with Ellery Eskelin (tenor saxophone) and Angelica Sanchez (piano) performing a set of Eisenstadt compositions referencing Joseph Conrad, Schoenberg, &c.

This is the 2nd release by Eisenstadt's stable working quintet Canada Day with Nate Wooley, Matt Bauder, Chris Dingman and Eivind Opsvik, named by ex-Torontonian drummer Eisenstadt for playing its first gig on Canada Day 2007.

Released along with "Canada Day Octet", this new release presents drummer Eisenstadt's quintet with Nate Wooley (trumpet), Matt Bauder (sax), Chris Dingman (vibes) and Garth Stevenson (bass) in an album of great tunes and spirited playing.

The first release of drummer Eisenstadt's Canada Day quintet with trumpeter Nate Wooley, saxophonist Matt Bauder, vibraphonist Chris Dingman, and bassist Eivind Oipsvik.

Drummer Eisenstadt in a NY based African influenced quintet with trumpeters Taylor Ho Bynum and Nate Wooley, Mark Taylor on French Horn and Josh Sinton on baritone sax.

Drummer Eisenstadt's September trio with pianist Angelica Sanchez and saxophonist Ellery Eskelin in a release of thoughtful, creative, meaningful and lovely music.

Drummer Harris Eisenstadt's beautiful nonet album contemplates Japanese woodbock print art through captivating compositions in a "Birth of the Cool" mode.

One of the strangest items in the Takayanagi (New Direction Unit) discography:- an acoustic guitar nontet playing covers of South American tango, milonga, vals, rumba, &c.

An important new recording in the continuing advancement of jazz from the trumpeter Amir ElSaffar and tenor saxophonist Hafez Modirzadeh.

NY based Iraqi-American trumpeter ElSaffar in an emotionally charged work that invokes ancient Iraqi musical traditions and frames them in a modern jazz setting.

NY trumpeter Amir ElSaffar's Two Rivers Ensemble, exploring the juncture between jazz and music of the Middle East through sophisticated and lyrically stunning music, here focusing on revolution, civil war, and sectarian violence; a culture's struggle for survival.

The latest chapter in trumpeter Amir ElSaffar's continuing investigation into the tonal systems of Middle Eastern cultures within a jazz context, in a quintet with Ole Mathisen (sax), John Escreet (piano), Francois Moutin (bass) & Dan Weiss (drums).

Trumpeter Amir ElSaffar and his quintet expand the sonic possibilities of jazz by building on the modal music of the Iraqi maqam, adding a microtonal harmonic and melodic language influenced by the pitch-flexibility of Middle Eastern music.

Frequent Squidco in-store performer Electric Bird Noise returns defying expectation with an album of new wave dance & 1970s synth experiments, taking influence from bands like New Order, The Cure, Depeche Mode, Duran Duran, & Gary Numan

Electric Bird Noise (Brian Lea McKenzie) goes back to his guitar roots for a challenging record built from dissonant chords, which McKenzie refers to as "elevator music for art galleries"; hypnotically jarring music creating a unique sonic tapestry.

A collection of southeast darkwave & post rock band Electric Bird Noise (Brian Lea McKenzie) from 2000-2010, cinematic, richly eclectic, and absorbing instrumental music.

Underground drone, guitar and electronic artist Brian McKenzie in two extended works of beautifully building sound, the first primarily electronic and building, the second melodic and spacious using gorgeous guitar riffs.

Jean Martin and Christine Duncan lead this Toronto collective with more than 60 choir members in a stunning improvisational setting, here performing at Christ Church Deer Park with NY bassist William Parker.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

Guitarist Liberty Ellman leads a sextet with Steve Lehman (alto sax), Jose Davila (tuba), Stephan Crump (bass), Jonathan Finlayson (trumpet) and Damon Reid (drums) in a diverse collection of eight original compositions of energetic, lyrical and informed NY jazz.

Using electronics and voice, composer & sound artist Gtanit Elyakim presents a diverse set of compositions in collaboration with other acoustic, voice and electronic artists, a superb debut for an artist interested in aspects of the human and the digital paradigm.

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

Harpist Gabriele Emde began performing contemporary music by exceptional 20th century artists in the early 80s; in this collection recorded from 1985 to 1987 she presents one of Cage's "Landscape" pieces, a major work by Hans Otte, and several short pieces by Lou Harrison.

The Empty Cage Quartet in 2 compositions that incorporate improvisational systems based on harmonic palindromes & melodic sequences derived from the cycles of the Mayan calendar

West Coast jazz musicians Mears, Tiner, Kikuchi and Johnson in a fiery set of original compositions from shuffle swing to free jazz blowouts, liner notes by Leo Smith.

17 succinct improvisations recorded in 2000 from the trio of the late and legendary German free improvising bassist Peter Kowald, West Coast bassist Damon Smith, and alto saxophonist Marco Eneidi, powerful and lyrical improv with a nod to Ayler amidst brilliant playing.

The Ensemble Fur Neue Musik Zurich perform the works of modern women composers: Katharina Rosenberger; Ada Gentile; Carmen Maria Carneci; Liza Lim; and Noriko Hisada.

Switzerland's 10-piece contemporary classical Ensemble Montaigne adapt 7 compositions from Anthony Braxton, blurring the lines between improvisation and composition in captivating ways.

Jean Derome, Joane Hetu, Danielle Palardy Roger, Alexandre St-Onge and Martin Tetreault each composed works for this stellar group of nine Montreal-based musique actuelle players, a startling and wonderful release of style, approach and concept.

A collection of 14 excerpts taken from five different concerts between 1998 and 2004 by Ensemble SuperMusique that include improvised and composed music as well as improvisation frameworks.

Montreal's most creative large ensemble, led by Joane Hetu & Daniell Palardy Roger, in their 5th release presenting works composed between 1976-2015 featuring twenty musicians playing in different combinations, showing the creative breadth and skills of this amazing band.

The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.

The duo of saxophonist Christoph Erb, best known for his work with the Manuel Mengis Group 6, and French-Japanese violist Frantz Loriot, for five open-minded, technically fascinating and musically unique duos recorded in the studio in Switzerland, 2015.

Recorded live, this collaboration of saxophonist Daniel Erdmann and drummer Samuel Rohrer with Vincent Courtois on cello, and Frank Mobus on guitar, blends jazz, rock, and chamber approaches in beautifully panoramic improvisation of subtle yet capricious intent.

Drummer Gerry Hemingway and saxophonist Ellery Eskelin have been performing improvised duo music for some years, here beautifully recorded in 6 studio improvisations.

2015 recordings of tenor saxophonist Ellery Eskelin's trio with Gary Versace on organ and Gerry Hemingway on drums, an ebullient set live at the Jazz Festival in Willisau, Switzerland, sequencing Count Basie, Victor Young, Ernie Burnett, and Thelonious Monk tunes.

A mercurial and beautiful record from the trio led by tenor saxophonist Ellery Eskelin, with pedal steel guitarist Susan Alcorn and bassist Michael Formaneck with a unique, introspective and lovely group sound.

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

Fifty tracks, one minute and three seconds long each, of open circuit electronics miniatures from sound and noise artists Bryan Eubanks, an unusual suite that challenges the senses and expectations of a suite of sound.

A double CD release of works from Italian composer Franco Evangelisti, who was specifically interested in scientific theories behind sound; recordings include work with David Tudor and Eberhard Blum.

NY baritone saxophonist Charles Evans wrote this through-composed 9 part work for soprano saxophone great David Liebman, who joins Evans in a quartet with pianist Ron Stabinsky and bassist Tony Marino, performing a chamber jazz work of strong melody and subtle allure.

Baritone saxophonist Charles Evans artfully navigates seven ballads, from standard pieces such as "Body and Soul" and "Chelsea Bridge" to 2 original compositions, in a band with Moppa Elliott (bass), Eli Hludzik (drums), Neil Shah (piano), and Eric Dutko (guitar).

NYC trumpeter Peter Evans and bassist Tom Blancarte play very experimental improvisation pushing the boundries, density and speed of free improv interaction.

The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.

NY trumpeter Evans' 1st recording as a leader with guitarist Brandon Seabrook, bassist Tom Blancarte & drummer Kevin Shea, mixing 50-60's jazz and noise in wild and kinetic free improv.

Trumpeter Evan's Quartet with Ricardo Gallo, Tom Blancarte and Kevin Shea at the 2009 Jazz em Agosto Festival brilliantly restructuring jazz standards into collective compositions.

The second release from NY trumpeter Peter Evans Quintet with Ron Stabinsky on piano, Tom Blancarte on bass, Sam Pluta on live electronics, and Jim Black on drums, an epic and amazingly sophisticated album based on Frank Herbert's novel of the same name.

A sequel to his highly-acclaimed 1st solo trumpet CD "More is More", demonstrating extreme creative and technical skills in studio and concert settings.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

The second release by the trio of Evidence (Pierre Carter, Jean Derome, Pierre Tanguay) who are devoted to the great jazz music of Thelonious Monk.

A tribute to the music of Thelonious Monk by the group Evidence, comprised of Pierre Cartier (bass), Jean Derome (reeds) and Pierre Tanguay (drums).

After 14 years this Montreal trio dedicated to the works of Thelonius Monk, comprised of Jean Derome on alto and baritone sax, Pierre Cartier on electric bass, and Pierre Tanguay on drums, returns with 11 exuberant recordings including "Brilliant Corners", "Pannonica", &c.