Rare recordings of beat/cut-up writers and artists William S. Burroughs and Brion Gysin, comprised of the complete recording of Burroughs reading live in Liverpool in 1982, plus performances by Brion Gysin of a selection of his permutated poems, as well as home recordings made by the pair in Paris in 1970, taken from original tapes in The British Library collection.

The fourth release in Die Schachtel's Decay Music series is Italian composer Giovanni Di Domenico's Downtown Ethnic Music, a tapestry of synthetic and acoustic sources in a 4th world/Jon Hassell mode, with rhythms from drummer João Lobo, vocals by Pak Yan Lau and Patshiva CIE women choir, the horns of Ananta Roosens and Jordi Grognard; a gorgeous album of detailed ambience and atmosphere.

Music inspired by artist, teacher, writer and civic protestor Robert Henri (1865-1929) who in the early 1900s exhibited against the restrictive academic requirements of the National Academy of Design, from the free improvising trio of bassist Michael Bisio, Kirk Knuffke on cornet and Fred Lonberg-Holm on cello & electronics, in a mix of Bisio compositions and collective improvisations.

Cellist Janel Leppin arranged this moving, passionate and magnificently genre-blurring work by pedal steel guitarist Susan Alcorn, recorded at a live performance during her residency at Issue Project Room in 2012 with Anthony Pirog on guitar, Janel Leppin on cello, Jessika Kenney on vocals, Eyvind Kang on viola, Skuli Sverrisson on bass, and Doug Wieselman on clarinets.

In 2012 the trio of composers Iancu Dumitrescu and Ana-Maria Avram, both performing on computers, and Stephen O'Malley on electric guitar, entered the GRM Paris studios to develop this work, depicting in sound The Veil Nebula--the results of a massive supernova--heard in this working session including verbal conduction as the three developed the piece.

A split LP between two GRM associates: Florian Hecker in a work of computer-generated sound with resynthesized situated texture recordings, drawing on the history of computer synthesis; and cellist Okkyung Lee in an overture of cello multiplications, fragmentations, and duplications creating incredible tension in interacting layers of sound.

The second incarnation of Frisque Concordance, formed in 1992 by Georg Graewe & John Butcher and currently the quartet of Butcher on tenor & soprano saxophones, Graewe on piano, Wilbert de Joode on double bass and Mark Sanders on drums, in a 2-CD set, the first a superb studio set recorded in Vienna in 2017, the second a live concert at the 2018 Konfrontationen Festival in Nickelsdorf.

Two works from Paris-based electroacoustic composer Michèle Bokanowski (b. 1943 and who studied with Pierre Schaeffer) recorded by the artist in 2008 and 2018, "Rhapsodia" an hypnotic work of looping structures and rich strains of muted melody, while "Battements Solaires" is the edgy soundtrack to the award-winning film of the same name by her husband Patrick Bokanowski.

A fascination for clouds may have influenced French electroacoustic composer Lionel Marchetti in the composition of his incredible "Micro-Climat", a journey through concrete and acousmatic sound with a sense of open environments, perfectly paired on this LP with the epic journey presented to the listeners in his expansive and impressionist work "La Grande Valée".

Originally issued on vinly LP in 1986 and at last reissued on vinyl, this incredible band emerged post-Henry Cow, initiated by alumni Chris Cutler (drums) and Lindsay Cooper (reeds), plus bassist Bill Gilonis, Zeena Parkins on harp, and four outstanding vocalists taking on Chris Cutler's insightful texts: Phil Minton, Dagmar Krause, Sally Potter, and Robert Wyatt.

This album of improvised music was born out of mutual appreciation and admiration for the respective art forms of Ann Coman and experimental sound artist Barry Chabala, who performed original guitar improvisations while Coman intuitively created visual artworks from those performances, then reversing the process where Chabala interpreted Coman's art as visual scores.

Three works for four pianists presented on two CDs from late New York School and radical outsider, composer Julius Eastman--"Evil Nigger", "Gay Guerilla" and "Crazy Nigger"--performed by internationally renowned pianists Nicolas Horvath, Melaine Dalibert, Stephane Ginsburgh and Wilhem Latchoumia, recorded live in 2019 at the Festival Musica in Strasbourg, France.

Opening Performance Orchestra, the Czech avant noise music group from perform an electronic interpretation of composer Phill Niblocks's work "Four Walls Full of Sound", recorded in the studio the day after a live performance at the 2017 Ostrava Days Festival of New and Experimental Music.

Recorded at the Nickelsdorf Konfrontationen Festival 2018 and formed by Austrian musician Christof Kurzmann, the quartet of Kurzmann performing on lloopp and voice, Sofia Jernberg on voice, Martin Brandlmayr on drums and Joe Williamson on double bass question the political situation of the European refugee crisis in a brilliantly emotional and inspired performance.

2020 Repress! Composer and musician Joshua Abrams brings together a variety of artists and instruments to create an album of different styles and traditions centered around the North African ceremonial instrument the guimbri.

The first album from 2006 of the Ember electro-acoustic improvising chamber jazz-oriented quartet of Urs Leimgruber on soprano & tenor saxophones, Alexander Schubert on guitar, electronics & percussion, Oliver Schwerdt on piano, percussion, guitar & electronics, and Christian Lillinger on drums & percussion; an album of insightful and meticulous interaction.

Performed at the Angelica Contemporary Music Festival in Bologna, Italy in 2019 and recorded with superb fidelity, drummer/percussionist Fritz Hauser joined with xylophonist Sergio Armaroli for an enthralling performance that balances chamber jazz forms with fully free exploration, avant yet embraceable as two interact in exquisite and authoritatively unhurried ways.

A series of trios and duos between Italian vibraphonist Sergio Armaroli, trombonist Giancarlo Schiaffini and saxophonist Harri Sjöström performing on soprano and sopranino, the three developing a compositional language based around phrases and propositions applied toward the creation of events through notes and timbre intended to create moods and sensations.

On their first concert as a duo in 2014, alto saxophonist Michael Attias and pianist Simon Nabatov recorded these five creatively lyrical improvisations at iBeam in Brooklyn, Nabatov on the keys and inside the piano and both using tremendous technique in a mix of perky and introspective free expression, including an extended work that melds into Herbie Nichol's "Spinning Song".

Naming each track for the teeth of a different type of zip-fastener (curved, triangular, saggitate, &c) Swiss double bassists Daniel Studer and Peter K. Frey improvise a fascinating set of interlocking and intersecting abstractions, recorded live at at Kronen Galerie, in Zurich as the two celebrated their 20th anniversary as a duo through a series of 10 half-hour concerts.

Ganelin Trio saxophonist joins with the UK improvising duo of pianist Carolyn Hume & drummer Paul May, with percussionist Oleg Yudanov rounding out this sophisticated quartet of chamber-oriented collective free improvisation, their studio debut alternating three concise conversations with two extended works, each unfolding in great detail through expressive technique.

A series of diverse landscapes in the voluptuaries of guitarist Brandon Seabrook and pianist Simon Nabatov, evoking an imaginary garden of sensual pleasures expressed through dialogs running the gamut from elegant lyricism of lush and languid interaction to quirky runs of playful inventiveness; an elegantly complex and always sophisticated set of exchanges.

The first release from the Barcelona-based trio of Matthias Muller (trombone), Ricardo Tejero (saxophone), and Vasco Trilla (percussion), the band examining "physics, metaphysics, and the root causes of tension that hold our world together" through fully improvised improvisation using unusual voicing, textures, modes of expression and techniques.

NY drummer Devin Gray provides the compositions for this EP with his Cloudsounds trio of Ingrid Laubrock performing on tenor and soprano saxophones and Corey Smythe on piano, the sophisticated structures leading the improvisers into almost chamber jazz territory, with a light playfulness and warm interaction, Gray's intriguing rhythms shifting and propelling their music.

A uniquely voiced free improv trio of strings and drums from the New York City trio of violinist Jessica Pavone, guitarist Wendy Eisenberg and drummer Devin Gray, each a distinctive leader in their own right who use their instruments in unusual and technically superb ways, here in a concise set of collective improvisations of an edgy and exploratory style.

Recorded in the fall of 2019 as a statement to help expand awareness and work for a future free from gun violence, composed in response to several gun violence incidents, performed at Douglass Recording in Brooklyn with the trio of Ralph Alessi on trumpet, Angelica Sanchez on piano, and Devin Gray on drums and providing the compositions, each title expressing his concern.

After moving to NYC in the early 60s, filmmaker Michael Snow was introduced the music of saxophonist Albert Ayler's Trio with bassist Gary Peacock & drummer Sunny Murray, inviting them and trumpeter Don Cherry, trombonist Rudd and altoist John Tchicai to record these three brilliant freely improvised tracks, parts of which would be used in his art film "New York Eye and Ear Control".

A powerful and effusive jazz rocking and danceable album of instrumentals and songs from the Italian/International J & F Band of drummer Tiziano Tononi, bassist Joe Fonda, plus guitarists David Grissom, Bobby Lee Rodgers & Scott Sharrard, keyboardist Pee Wee Durante, violinist Emanuele Parrini and saxophonist Jon Irabagon, recording in New Haven, CT; get it on!

Following their first record with this powerful blues rock & jazz album, the Italian/US J & F Band of Tiziano Tononi (drums), Joe Fonda (bass), drummer/percussionist Jaimoe and Pach, Peewee Durante (keys), Alberto Mandarini (trumpet), Beppe Caruso (trombone) and Gianluigi Paganelli (tuba), with guest guitarist David Grissom and vocalist Lamar Williams Jr.

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

Developed over outdoor sessions performed during the summer of 2020 around NYC, this is the first release from the duo of multi-instrumentalist Daniel Carter and acoustic guitarist Jessica Ackerley, their warm collaboration heard in effortless interactions inspired by the dream-like, meditative approach in both improviser's playing; lovely.

Performing at Bimhuis in 2013, the trans-Atlantic quintet of Roy Campbell on trumpet, flugelhorn & flute, John Dikeman on saxophone, Raoul van der Weide on cello & percussion, Peter Jacquemyn on bass & voice and Klaus Kugel on drums, perform an extended, energetic and dynamic set of free improvisation, with intricate melodies and beautifully rich transitions.

A lyrical piano trio album from three seasoned Argentinian-born improvising musicians -- Leo Genovese on piano, Mariano Otero on bass and Sergio Verdinelli on drums -- each contributing compositions to the album, along with one piece by Luis Alberto Spinetta, with whom Verdinelli has performed extensively; a lovely and sophisticated album of modern jazz.

The Chicago trio of tenor saxophonist Jake Wark, pianist Matt Piet and drummer Bill Harris in a forceful and exuberant trio that grew out of the weekly free improvisation workshop "Sound of the City" at Constellation, initially a collective that developed a set of compositions from each member, presented here in their exceptional and exciting debut album.

Reminding of Downtown NY bands in the vein of No Safety or Curlew, this Chicago/NY 7-piece blurs rock, jazz and funk forms with intelligent and often satirical lyrics, upbeat and joyful music that defies categorization through groove-based songs that playfully critique while keeping it all danceable and fun, in a wonderfully talented and enjoyable album.

A companion 3" CD to the Karacho! album, with an additional dynamic improvisation from the same concert, the Big Bad Brotzmann Trio bringing together master multi-reedist Peter Brötzmann, here on tenor saxophone & clarinet, with pianist Oliver Schwerdt, also playing percussion & little instruments, and drummer/percussionist Christian Lillinger.

A trio sounding much larger than its three contributors--Oliver Schwerdt on grand piano, percussion & little instruments, Baby Sommer on drums, cymbals & percussion and Barry Guy on double bass--captured in concert at naTo, in Leipzig, Germany in 2019 for a joyful and assertive album of collective free improv that merges contemporary, free and jazz idioms seamlessly.

A truly diverse set of improvisations, from solo work to large scale ensemble, as Euphorium_Freakestra are joined by European Free Jazz legends, drummer Baby Sommer and double bassist Barry Guy, in a band with leader & pianist Oliver Schwerdt, plus Bertrand Denzler, Burkard Beins, John Eckhardt, Pierre-Antoine Badaroux, Patrick Schanze, Daniel Beilschmidt & Freidrich Kettlitz.

The second step in this evolutionary project, the title referring to "noisy bustle; Riot" started with the trio of wind & reed player Ernst-Ludwig Petrowsky, pianist Elan Pauer and drummer Christian Lillinger (Radau!), then expanded to this quintet with two double bassists-John Edwards & Robert Landfermann--captured live at naTo/ in Leipzig, Germany in 2015.

A quintet configuration of New Old Luten, the core of Ernst-Ludwig Petrowsky on sax, clarinet and Romanian shepherd's flute and Christian Lillinger on drums & percussion, with Elan Pauer on piano & little instruments, and both John Edwards & Robert Landerfmann on double bass, performing the first set of a 2015 evening at naTo/ in Leipzig, Germany.

This evolutionary project titled as "loud, colorful hustle & bustle" started with the trio of wind & reed player Ernst-Ludwig Petrowsky, pianist Elan Pauer and drummer Christian Lillinger (Radau!), then expanded to a quintet with two double bassists-John Edwards & Robert Landfermann--and here as a septet with saxophonist Urs Leimgruber and trumpeter Axel Dšrner.

Eschewing his many monikers (Birg Borgenthal, Elan Pauer and Ra Ra da Boff) pianist Oliver Schwerdt steps away from EUPHORIUM_freakestra, uses his given name, and takes the stage of the Bauhaus building in Dessau where such legends as Fred van Hove and Alexander von Schlippenbach have played, to record these four exemplary and extended, kinetic & free solo piano improvisations.

A double CD of pianist, Euphorium label-leader and EUPHORIUM_freakestra leader Oliver Schwerdt in a double CD of solo recordings in the studio in Leipzig, 3 extended improvisations and 1 concise piece titled "Prestige" I & II and "No Smoking" I & II, remarkably concentrative work displaying an acute and extraordinarily inventive approach to improvisation.

One year after the 2013 recording by New Old Luten Quintet, Tumult!, the exceptional free jazz grouping of Ernst-Ludwig Petrowsky on sax & clarinet, Elan Pauer on grand piano & percussion, John Edwards & Robert Landfermann on double bass and Christian Lillinger on drums, took the stage at naTo, in Leipzig to record this energetic and strongly percussive followup.

Ra Ra da Boff is an alter ego for keyboardist Oliver Schwerdt, here performing on electric organ in a trio with trumpeter Axel Dörner and percussionist Roger Turner, the three turning free improvisation on its ear through extended and unusual approaches to their instruments in an impressionistic set of three impressive and slowly tumultuous extended conversations; exemplary!

Active and informed improvisations on acoustic guitar from Jean Claude "JC" Jones, label leader of the Kadima Collective and also known as a double bassist, though his roots are in the guitar, which he has returned to with vigor since 2016, performing on lap-style prepared acoustic and prepared Spanish guitar, heard here in 13 concise pieces titled by single words.

Two Chicago compatriots--established drummer/percussionist Adam Shead and newcomer to the Chicago improvised scene, saxophonist and multi-reedist Chris Moore, in an expressive album of sax & drum interaction, thoughtful interactions in twelve succinct dialogs that focuses on the depth of their conversation through clear expression and response.

A 60 page book and CD from sound artist Jason Kahn, the audio composition representing an interconnected set of sound impressions focused on the Indian city of Varanasi, using field recordings of life on the street, the people, animals & music heard there, into the holy sites of the city, the school rooms, ending with a cremation and inevitable quiet at end of day.

Four impressive free improvisations of tremendous mastery and advanced and unusual technical skill from the trio of Axel Dorner on trumpet, Elan Pauer on piano & percussion and Christian Lillinger on drums & percussion, performing at naTo, in Leipzig, Germany in 2013, augmented on one track by John Edwards knocking on the venue door.

A 3" CD of three technically impressive, intricate improvisations: first in a solo piano piece by pianist Oliver Schwerdt, followed by a duo with drummer & percussionist Christian Lillinger with Schwerdt also on small instruments, ending in a piano trio format with double bassist Robert Landfermann, a high-speed affair of quick-witted interplay and almost telepathic communication.

A tumultuously wonderful free jazz epic recorded in Leipzig in 2013 from original New Old Luten founders, saxophonist & clarinetist Enrst-Ludwig Petrowsky and drummer Christian Lillinger, the band configured as a quintet with Elan Pauer taking on the piano role plus percussives, and the dual and powerful double bassists John Edwards and Robert Landfermann.

Opening with a powerful solo set from pianist Elan Pauer, this album was released on the occasion of Pauer's 80th birthday, revealing itself to be the incredible free jazz quintet of of Pauer, Ernst-Ludwig Petrowsky on clarinet & shepherds' flutes, both John Edwards & Robert Landfermann on double bass, and Christian Lillinger on drums & percussion.

A 3" CD-EP of the New Old Luten Trio, expanded into a quintet by the addition of two double bassists--John Edwards and Robert Landfermann--to the lineup of Euro Free Jazz reedist Ernst-Ludwig Petrowsky, pianist Elan Pauer (aka Oliver Schwerdt) and drummer/percussionist Christian Lillinger, in the warm-up set before the concert yielding the album Tumult!.

Ominous and dense with layers of strata intended for nighttime listening, the German quartet of Axel Dorner on trumpet & electronics, Matthias Lorenz on cello, and both Robert Landfermann and John Edwards on double bass recorded these four tremendous electroacoustic improvisations at their live performance at naTo in Leipzig, Germany in 2013.

The title referencing a Blind Willie McTell entreaty to himself, Elliott Sharp's contemporary blues project Teraplane truly "kicks" in 8 burning pieces of concentrated guitar work from Sharp, solo and in overdub, recording in Studio zOaR while performing on electric guitar, vong co guitar, lap steel guitar, console steel guitars, mandocello, mandola, basses & drum programming.

Known as a percussionist, Bay Area improviser Charles K. Noyes' first part of his Crimes In High Places is performed on electric & resonator guitars plus amplified guqin, expanding on the innovations of Derek Bailey in free-form non-idiomatic playing as he works to create a personal language on the instrument, presenting a dark and creatively foreboding vision.

An algorithmic composition for Elliott Sharp's Orchestra Carbon modeled on biological paradigms of growth and reproduction, recorded at Tonic in 2001 with a large ensemble of instrumentalists including Ned Rothenberg, Steve Swell, Jim Pugliese, Andy Laster, &c. and programmers and sampler performers including David Weinstein, R. Luke Dubois, and Zeena Parkins.

An insightful look at the history of New York composer, saxophonist and guitarist Elliott Sharp, "Sixteen Pieces in the Shape of a Memoir" as Sharp looks back at his musical influences and approach to playing and composing, with observations on music, art, politics and technology, a fascinating set of essays from a vanguard artist's point of view.

Originally released in 2001, Elliott Sharp's production of this 3-CD set collects 171 1-minute pieces from international artists over a vast field of musical approaches, with contributors including Christian Marclay, Eric Mingus, Fred Frith, Harry Smith, Henry Kaiser, Ikue Mori, Jack Womack, Jad Fair, Joey Baron, Marc Ribot, Merzbow, Phill Niblock, Zeena Parkins, &c. &c.

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples.