The Squid's Ear Magazine

Schwerdt, Oliver / Baby Sommer / Barry Guy

One For My Baby And One More For The Bass [2 CDs]

Schwerdt, Oliver / Baby Sommer / Barry Guy: One For My Baby And One More For The Bass [2 CDs] (Euphorium)

A trio sounding much larger than its three contributors--Oliver Schwerdt on grand piano, percussion & little instruments, Baby Sommer on drums, cymbals & percussion and Barry Guy on double bass--captured in concert at naTo, in Leipzig, Germany in 2019 for a joyful and assertive album of collective free improv that merges contemporary, free and jazz idioms seamlessly.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Oliver Schwerdt-grand piano, percussion, little instruments

Gunter Baby Sommer-drums, cymbals, percussion

Barry Guy-bass


Click an artist name above to see in-stock items for that artist.




Label: Euphorium
Catalog ID: EUPH 077
Squidco Product Code: 30662

Format: 2 CDs
Condition: New
Released: 2020
Country: Germany
Packaging: Digipack - 3 panel w/ booklet
Recorded at naTo, in Leipzig, Germany, on December 9th, 2019, by Robert Amarell.

Descriptions, Reviews, &c.

"After finishing my contribution to the late work of Ernst-Ludwig Petrowsky by organizing some trios and the three great quartets called Tumult! Karwall! Rabatz! (2013-15) I was thinking of formulating a new chapter of my adventurous vast ensemble E U P H O R I U M _ f r e a k e s t r a. Considering the forthcoming cast soon I began to feel very happy. I just had discoverd that although sharing all main production spaces of the international improvised music scene for over forty years my ancient buddy Baby did never before share a concrete bandstand with Barry Guy! Familiar with the specific personal performances of both men it was obvious that we had missed indeed a dream team of that sort of drum'n'bass combined forces in Free Jazz music spheres so far. On a splendid 16th december iin 2016 my task became fullfilled. Besides their very first meeting at the edge of the electric organist Daniel Beilschmidt (listen to the opener of the 3-CD-Opus Grande Casino!) they also played a very nice piece within a trio featuring myself on the extended grand piano (Interflug/Intershop). Hence scheduled a whole concert set for the piano trio setting in the next year we had to deal with an adjournment. The original date had to be canceled because of health problems of Maya Homburger, Barry's well-esteemed wife. One year late everything was fine - listen!

On my own accout I additionally want to note some facts why I am sounding like that: besides the experience of the full decade of interplay with Petrowsky and Christian Lillinger as well as the two duos I did with Baby in 2011 and 2017 (the latter instead of the planned trio with Barry) the grand piano parts presented here summarize three other turbo blowing ingredients of increased possibilities: 1st my intense solo studies in 2015 (Prestige/No Smoking and Storming Bauhaus), 2nd the preparation for and the performance of the trio/quintet concert with Peter Broetzmann in 2017 (Biturbo!, Karacho!) and, 3rd, the preparation for the trio/quintet concert with Akira Sakata in 2018 (once to be released as Siren, Sticks & Circus and Tornado!) which was scheduled directly the day after the music documented with the album you're holding in your hands now! So on that evening Sakata had just arrived form Japan and had already taken seat in the auditorium as Maya was becoming very enthusiastic about the set growing. And directly in front of us Hans-Juergen Noack one of the main figures of the second generation of GDR jazz artists was sitting in the legendary first row of the naTo keen on experiencing our music for musicians. But take a chance by yourself to let it in. This fine documentation of our interplay will always be a pleasure."-Oliver Schwerdt, Euphorium Records


Artist Biographies

"Oliver Schwerdt (born 13 November 1979) is a German musicologist and musician (piano, percussion) in the field of free improvisation.

Born in Eisenach, Schwerdt attended school in Eisenach until his university entrance qualification and received classical piano lessons at the municipal music school there. He did his military service as a piano accompanist in the training music corps of the German armed forces. He began his studies of music and cultural sciences as well as art history at the Leipzig University in 1999 and completed them in 2006 with a master's thesis on Georg Simmel and Dadaism submitted to Klaus Christian Köhnke [de]. In 2012 he received his doctorate from Sebastian Klotz at the Institute for Musicology at the University of Leipzig [de], for which he also worked as a lecturer. His dissertation focuses on the musical strategies of central actors in the scene of free improvised music in the wake of Free Jazz and their spatial theoretical interpretation. He has taught at the Museum of Musical Instruments of Leipzig University and with the Bauhaus Dessau Foundation.

From his musicological work, Schwerdt identified the challenge facing contemporary museum practice in relation to the "reinvention of the drum set combination" as they are "in European improvised music" of the 20th century became reality. He is committed to securing the "acutely endangered, historically so delicate, aesthetically highly fascinating and epistemologically valuable object complexes". the first generation of European free jazz or contemporary improvised music. As an author of music-critical articles, Schwerdt wrote for the Neue Musikzeitung, the Jazzthetik [de] and the Jazzzeitung [de], among others. He also wrote accompanying texts for albums by Günter Sommer/Wadada Leo Smith and Alexander von Schlippenbach/Evan Parker/Paul Lovens and Urs Leimgruber. In 2003 he founded the publishing house Euphorium Productions.

Since 1999 Schwerdt has been artistic director of the EUPHORIUM_freakestra, a project ensemble between contemporary improvisation, jazz, Neue Musik and theatre with Günter Sommer, Friedrich Schenker, Rudi Mahall, Paul Rutherford, Ernst-Ludwig Petrowsky, Frank Möbus, Wadada Leo Smith, Axel Dörner, Barre Phillips, Alexander von Schlippenbach, Evan Parker, Paul Lovens, Sven-Åke Johansson, Ulrich Gumpert, Manfred Hering, Dietmar Diesner, Roger Turner, Barry Guy, Akira Sakata and others worked together. At the 2009 33. Leipziger Jazztage, he performed with the project Transatlantic Freedom Suite Tentets at the Leipzig Opera.

From the project ensemble the quartet ember with Urs Leimgruber developed, Alexander Schubert and Christian Lillinger. From 2006 to 2016 Schwerdt worked with Lillinger and Petrowsky in the New Old Luten Trio. The recording of Petrowsky's late works, documented from 2013 to 2015 with the albums Tumult!, Krawall!, Rabatz! in a quintet formation expanded by the double bassists John Edwards and Robert Landfermann received great attention. With Schubert and Friedrich Kettlitz, Schwerdt operates the electrified Noise-Ensemble trnn.

In 2006, Schwerdt received the Leipzig Jazz Young Talent Scholarship of the Marion-Ermer-Foundation for his performance as pianist and ensemble leader. The critics Ken Waxman (Jazzword) and Rigobert Dittmann (Bad Alchemy) hear reminiscences of Oscar Peterson, Bill Evans, Cecil Taylor and Alexander von Schlippenbach in Schwerdt's piano playing.

Schwerdt uses the following pseudonyms: Edithrakneff Weinermond, Frautastem!, Ingrid Ingulfwieher, Rita Deixis, Solveig Reberp-Klamt and Elan Pauer."

-Wikipedia (https://en.wikipedia.org/wiki/Oliver_Schwerdt)
12/3/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Günter "Baby" Sommer (born 25 August 1943 in Dresden) is a German jazz drummer.

He studied music in Dresden. He rose to fame in the GDR. He is part of the European free jazz avantgarde. He was part of the trio with Conny Bauer and Peter Kowald. He is now professor for drums and percussion in Dresden. The drummer and composer Christian Lillinger was one of his former students. The album Three Seasons "(HGBS 2014 with Michel Godard and Patrick Bebelaar) was awarded " Album of the Year 2014 " by The New York City Jazz Record."

-Wikipedia (https://en.wikipedia.org/wiki/G%C3%BCnter_Sommer)
12/3/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Barry John Guy (born 22 April 1947, in London) is a British composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He also taught at Guildhall School of Music.

Born in London, Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey and trombonist Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-standing partnership with saxophonist Evan Parker, which led to a trio with drummer Paul Lytton which became one of the best-known and most widely travelled free-improvising groups of the 1980s and 1990s. He was briefly a member of the Michael Nyman Band in the 1980s, performing on the soundtrack of The Draughtsman's Contract.

Guy's interests in improvisation and formal composition received their grandest form in the London Jazz Composers Orchestra. Originally formed to perform Guy's composition Ode in 1972 (released as a 2-LP set on Incus and later, in expanded form, as a 2-CD set on Intakt), it became one of the great large-scale European improvising ensembles. Early documentation is spotty - the only other recording from its early years is Stringer (FMP, now available on Intakt paired with the later "Study II") - but beginning in the late 1980s the Swiss label Intakt set out to document the band more thoroughly. The result was a series of ambitious, album-length compositions designed to give all the players in the band maximum opportunity for expression while still preserving a rigorous sense of form: Zurich Concerts, Harmos, Double Trouble (originally written for an encounter with Alexander von Schlippenbach's Globe Unity Orchestra, though the eventual CD was just for the LJCO), Theoria (a concerto for guest pianist Irène Schweizer), Three Pieces, and Double Trouble Two. The group's activities subsided in the mid-1990s, but it was never formally disbanded, and reconvened in 2008 for a one-off concert in Switzerland. In the mid-1990s Guy also created a second, smaller ensemble, the Barry Guy New Orchestra.

Guy has also written for other large improvising ensembles, such as the NOW Orchestra and ROVA (the piece Witch Gong Game inspired by images by the visual artist Alan Davie).

His current improvising activities include piano trios with Marilyn Crispell and Agusti Fernandez. He has also recorded several albums for ECM, which often focus on the interface between improvisers and electronics, including his work in Evan Parker's Electro-Acoustic Ensemble and his own Ceremony.

Guy's session work in the pop field includes playing double bass on the song "Nightporter", from the Japan album Gentlemen Take Polaroids.

He is married to the early music violinist Maya Homburger. After spending some years in Ireland, they now live in Switzerland. They run the small label Maya, which releases a variety of records in the genres of free improvisation, baroque music and contemporary composition.

Guy's jazz work is characterised by free improvisation, using a range of unusual playing methods: bowed and pizzicato sounds beneath the bass's bridge; plucking the strings above the left hand; beating the strings with percussion instrument mallets; and "preparing" the instrument with sticks and other implements inserted between the strings and fingerboard. His improvisations are often percussive and unpredictable, inhabiting no discernible harmonic territory and pushing into unknown regions. However, they can also be melodious and tender with due regard for harmonic integration with other players, and at times he will even play with a straight jazz swing feel.

Similarly, in his concert works, Guy manages to alternate harmonic and rhythmic complexity worthy of 1960s experimentalists such as Penderecki and Stockhausen with joyous, often ecstatic, melody. Works such as "Flagwalk" for string orchestra and "Fallingwater - Concerto for Orchestra" display Guy's compositional skill in handling extended forms and writing for large instrumental groups.

Some of his compositions, such as "Witch Gong Game" for ensemble, use graphic notation in conjunction with cue cards to lead performers into playing and improvising material from numbered sections of the score.

He is also an architect."

-Wikipedia (https://en.wikipedia.org/wiki/Barry_Guy)
12/3/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. One For My Baby And One More For The Bass 24:54

2. On The Road Again (Ausfluge Zum Interhotel) 17:30

3. The Last Song (Air) 5:19

CD2



1. One For My Baby And One More For The Bass 24:54

2. On The Road Again (Ausfluge Zum Interhotel) 17:30

3. The Last Song (Air) 5:19

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Collective Free Improvsation
Piano & Keyboards
Percussion & Drums
Trio Recordings
Staff Picks & Recommended Items

Search for other titles on the label:
Euphorium.


Recommended & Related Releases:
Sergio Armaroli, Francesca Gemmo & Barry Guy
First Visit At Sotto Il Mar
(ezz-thetics by Hat Hut Records Ltd)
Italian improvisers vibraphonist Sergio Armaroli and pianist Francesca Gemmo, first heard as a quartet on ezz-theticÕs Prismo, collaborate with legendary UK double bassist Barry Guy in this deeply conversational trio recorded at the Sotto Il Mare Studio, blending jazz, classical modernism, and free improvisation in a spontaneous performance of intent listening.
Dorner, Axel / Oliver Schwerdt / Julian Sartorius
Jul Fuel
(Euphorium)
The title refers to the dynamic addition of drummer and percussionist Julian Sartorius, whose energy injects 'jet fuel' into this bassless, windless trio's live 2021 performance at naTo in Leipzig, Germany, with Euphorium label leader Oliver Schwerdt igniting the grand piano and Axel Dörner's thrillingly unconventional slide trumpet playing adding to the burn & mdash; exceptional!
Schwerdt, Oliver / Barry Guy / Baby Sommer
Fucking Ballads
(Euphorium)
An enthusiastic and energetically powerful trio meeting between three masters--Oliver Schwerdt on grand piano & percussion, Barry Guy on double bass and Baby Sommer on drums & percussion--performing live in 2021 at naTo, in Leipzig for two extended improvisations of remarkable communication, incredible virtuosity, but most importantly, incredible and compelling creative drive!
Yannatou, Savina / Julius Gabriel / Agusti Fernandez / Barry Guy / Ramon Lopez
In the Light Of The Current Myth
(Listen! Foundation (Fundacja Sluchaj!))
During double bassist Barry Guy's time in Porto Portugal with the Blue Shroud Band, he also took time to join in the studio with a quintet of like-minded improvisors — Savina Yannatou on vocals, Julius Gabriel on tenor & baritone saxophones, Agusti Fernandez on piano, and Ramon Lopez on drums — to record this exceptional collective improv session.
Guy, Barry / Ken Vandermark
Occasional Poems [2 CDs]
(Not Two)
Capturing an exciting and cohesive live performance at Krakow's Alchemia club, documenting the first duo encounter between Chicago reedist Ken Vandermark and UK bassist Barry Guy, in nine spontaneous duets and soliloquies; Guy's dynamic bass explorations and Vandermark's versatility converge in an inspired interplay of rhythmic energy, textural innovation, and lyrical intensity.
Great Sakata Quintet (Sakata / Schwedt / Eckhardt / Borghini / Lillinger)
Circus [3'' CD]
(Euphorium)
After three Luten and two Brotzmann quintets, pianist Oliver Schwerdt, drummer Christian Lillinger and two double bassists--John Eckhardt and Antonio Borghini--invite Japanese multi-reedist and vocal improviser Akira Sakata to join them in concert at naTo, in Leipzig for a wild concert, releasing a monumental improvisation in a full length CD and a 2nd set on 3" CD.
Guy, Barry Blue Shroud Band
All This This Here
(Listen! Foundation (Fundacja Sluchaj!))
The title and text drawn from Samuel Beckett's last poem and meditation on language, "what is the word" and also his "Brief Dream", plus a poem from Barra O Seaghdha and two 18th century Edo Haikus, Barry Guy's exquisite work about life in transit through eight movements is performed with a stellar ensemble including Agusti Fernandez, Maya Homburg, Lucas Niggli, Percuy Pursgolve, &c.
EUPHORIUM_freakestra (feat Wadada Leo Smith / Barre Phillips)
Free Acoustic Supergroup (Chicago New York Berlin, Dresden Luzern Leipzig) [2 CDs]
(Euphorium)
The incredibly creative EUPHORIUM_freakestra as a mid-size ensemble performing at naTo in Leipzig, Germany are joined by legendary free jazz players, Wadada Leo Smith on trumpet and Barre Phillip on double bass, extending the incredible assemblage of players including Oliver Schwerdt, Axel Dorner, Ernst-Ludwig Petrowsky, Urs Leimgruber, Christian Lillinger, Gunter Baby Sommer & Michael Haves.
Kimura, Izumi / Artur Majewski / Barry Guy / Ramon Lopez
Kind Of Shadow
(Listen! Foundation (Fundacja Sluchaj!))
Complementing their 2022 release Kind Of Light, recorded the same day at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw in 2021 after their performance at the Ad Libitum Festival, the quartet of Izumi Kimura on piano, Artur Majewski on trumpet & electronics, Barry Guy on bass and Ramon Lopez on drums & percussion release this magnificent 11-part improvisation.
Kimura, Izumi / Artur Majewski / Barry Guy / Ramon Lopez
Kind Of Light
(Listen! Foundation (Fundacja Sluchaj!))
After performing at the Ad Libitum Festival 2021, FSR's Maciej Karlowski organized this recording at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw, bringing together four masterful improvisers from four countries: pianist Izumi Kimura (Japan/Ireland), cornetist Artur Majewski (Poland), bassist Barry Guy (The UK) and drummer/percussionist Ramon Lopez (Spain).
Guy, Barry and Friends
Krakow 2018 [5 CD BOX SET]
(Not Two)
Two days of concerts in 2018 at Alchemia Club, in Krakow, Poland and a recording at Radio Krakow the next day from English composer, band leader and a bass player Barry Guy, in varying configurations at Alchemia of duos & trios with some of Europe & The UK's leading improvisers, culminating in an 11-piece ensemble at Radio Krakow performing the large work "For To End Yet Again".
Big Bad Brotzmann Trio (feat John Edwards / John Eckhardt)
Hot Ass / Sexy Legs [3'' MINI CD]
(Euphorium)
Two recordings from naTo in Leipzig, Germany, the first an energetic free jazz romp from the Big Bad Brötzmann Trio of Peter Brötzmann on tenor sax & taragato, Oliver Schwerdt on piano & percussion and Christian Lillinger on drums & percussion; then a furtively powerful double bass duo between John Edwards and John Eckhardt, a tour de force of extended technique and deep sound.
EUPHORIUM_freakestra
Soundz Offfe Drzk Wahuh [2 CDs]
(Euphorium)
In many ways a prelude to the EUPHORIUM_freakestra to come, this double album of Oliver Schwerdt's open-minded ea-improv big band was recorded in Eisenach, Germany in 2000, in Bellers, Germany in 2001 and finally in Leipzig in 2001 & 2002; despite the vastly different band configuration the concepts of the Freakestra are clear in these spectacular recordings.
Euphorium_freakestra
Die Abenteuer des Birg Borgenthal
(Euphorium)
An early assemblage of the EUPHORIUM_freakestra led by pianist Oliver Schwerdt in a 2000 concert at Hochschule fur Musik und Theater in Leipzig, each work part of a fictional narrative of a figure called Birg Borgenthal, realized through a combination of improvisation and contemporary chamber music, orchestrated for 3 pianists, 2 guitarists, and 3 singers and narrators.
EUPHORIUM_freakestra
Dal Ngai
(Euphorium)
An early EUPHORIUM_freakestra performance recording at naTo, in Leipzig, Germany, in 2002 and 2003, in an 11-piece electroacoustic band that includes electric guitar, a full brass and horn front end, synth, electric bass, drummers including Gunter Baby Sommer and a percussionist, in a great blend of funky electronics and powerful free improvisation.
Euphorium_freakestra
2 Trios & 2 Babies
(Euphorium)
Two drummerless trios meet two drummers in this incredible 2006 concert at naTo, in Leipzig, one from trumpeter Matthias Mainz, cello player Matthias Lorenz and bass player Michael Haves, the other from Fabian Niermann on tenor saxophone, Konrad Gruneberg on double bass and Oliver Schwerdt on the grand piano, the drummers Christian Lillinger & Gunter Baby Sommer.
Friedrichsschwerdt (Kettlitz / Schwerdt)
Gay - Wir Saunawirt
(Euphorium)
The curious album of Friedrich Kettlitz, co-founder of Euphorium_Freakestra, reciting his poems (in German) set in 25 miniature recordings, also performing on english worker's flute, pling, metal kettle, felt head mallet, temple bell, in a duo with Oliver Schwerdt on piano, as well as small percussive devices, voice, slide whistles, a zither, and little cubic cardbox.
Schwerdt, Oliver / Gunter Sommer
Dry Swing / Tandem Spaces
(Euphorium)
Three duos--"Tandem Spaces"--and two solos--"Dry Swing"(s)-between drummer Gunter Baby Sommer, who was celebrating his 70th birthday the year of this recording, and younger generation pianist and Euphorium label-leader Oliver Schwerdt, the duos an exciting set of exchanges often building to high speed, with Schwerdt's solo work engrossingly intricate and quick-witted.
Lillischwerdt
Small Pauer [3'' CD]
(Euphorium)
A 3" CD of three technically impressive, intricate improvisations: first in a solo piano piece by pianist Oliver Schwerdt, followed by a duo with drummer & percussionist Christian Lillinger with Schwerdt also on small instruments, ending in a piano trio format with double bassist Robert Landfermann, a high-speed affair of quick-witted interplay and almost telepathic communication.
Martinez, Lucia / Agusti Fernandez / Barry Guy
Bosque de Niebla [2 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
After the Desalambrado duo album album between Spanish pianist Agustí Fernandez and drummer/percussionist Lucía Martinez, Fernandez enjoined UK bassist Barry Guy to record with them while he was in Spain working on his Via Augusta; the results are this album of mysterious environments that lead to intense and exciting interaction, expansive improv through Martinez' percussive elements.
Parker, Evan ElectroAcoustic Ensemble (w/ Sainkho Namtchylak)
Fixing the Fluctuating Idea
(Les Disques Victo)
Evan Parker's Electroacoustic Ensemble, merging reeds, strings and percussion with live signal processing to create something indescribably transformative is further amplified with the addition of free improvising vocalist and Tuvan throat singer Sainkho Namtchylak, adding an unearthly layer of interaction and transmogrification to this incredible 1996 FIMAV performance.
Oxley, Tony
February Papers
(Discus)
Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.
Various Artists (Guy / Leandre / Mazur / Nilssen-Love / Kaucic / Fernandez / Gustafsson / Vandermark / Trzaska / Brotzmann / Ste Swell / Holmlander / Homburger)
Not Two... But Twenty [5 CDs in Wooden Box]
(Not Two)
Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.
London Jazz Composers Orchestra
That Time
(Not Two)
Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.
Parker, Evan / Barry Guy / Paul Lytton
Concert In Vilnius
(NoBusiness)
Three British free jazz giants, having worked in a number of configurations and as a trio over many decades, are caught live in the Russian Drama Theater during the 2017 Vilnius Jazz Festival--Evan Parker on soprano & tenor saxophones, Barry Guy on bass, and Paul Lytton on drums, for four improvisations of nuance and surprise, incredible mastery, and profound conversation.
Fernandez, Agusti
River Tiger Fire [4 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
Recorded at the 2014 Ad Libitum Festival in Warsaw, pianist and composer Agusti Fernandez was invited to perform four concerts in celebration of his 60th birthday, choosing his working trio Aurora for once concert, a solo performance of "El Laberint de la Memoria", his electroacoustic Thunder trio, and a large ensemble conduction: "River, Tiger Fire".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC