Clean Feed's 2nd LP is their 4th Angles release, expanding saxophonist Martin Kuchen's band to 9 pieces with Mattias Stahl, Johan Berthling, Alexander Zethson, Mats Aleklint, Eirik Hegdal, Goran Kajfes, and Magnus Broo in an album of rare expressiveness and power.
A ridiculously spirited, lovingly raucous tribute to Merle Haggard from saxophonist Bryan Murray's eccentric band with Jon Irabagon (sax), Jon Lundbom (guitar), Moppa Elliott (bass) and Danny Fischer (drums), with Doc Chadbourne on vocals, banjo and dobro.
A 1990 release on Frode Gjerstad's Circulasione label capturing the original Detail quartet ( Gjerstad-sax, John Stevens-drums, Johnny Dyani-bass and Bobby Bradford-cornet) performing live in the UK, an amazing example of this international band's abilities.
Chicago's leading free jazz DKV Trio of Ken Vandermark (reeds), Hamid Drake (drums) and Kent Kessler (bass) are joined by European Free Jazz leaders Mats Gustafsson (reeds), Paul Nilssen-Love (drums) and Massimo Pupillo (bass).
Influenced by Cecil Taylor, Kaja Draksler is a Slovene piano player living in Amsterdam, performing inside and out of the piano in a unique style that approaches performing as a vision of the piano as a miniature orchestra.
The latest chapter in trumpeter Amir ElSaffar's continuing investigation into the tonal systems of Middle Eastern cultures within a jazz context, in a quintet with Ole Mathisen (sax), John Escreet (piano), Francois Moutin (bass) & Dan Weiss (drums).
Drawing together improvisers from the American South - 60's AACM drummer Alvin Fielder hails from Jackson, Mississippi with trombonist Dave Dove and saxophonist Jason Jackson and bassist Damon Smith from Houston - for six dynamic and captivating improvisations.
The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.
The nearly telepathic rapport between Norwegians Frode Gjerstad (sax), Paal Nilssen-Love (percussion) and Jon Rune Strom (bass) was captured in Stavanger, Norway in 2011, six group improvisations of succinct and spectacular free music.
German reeidst Frank Gratkowski in a trio with West Coast percussionist Jerome Bryerton and bassist Damon Smith, in an album of free music that blends the sensibilities of free improv with contemporary compositional music.
Two concerts from an eight-year gap in the published recordings of the ISKRA 1903 trio of Paul Rutherford (trombone), Philipp Wachsmann (violin & electronics) and Barry Guy (bass & electronics), masterful improvisation blending acoustics and electronics.
An intense look at veterans of color from the last decade's wars in Iraq and Afghanistan performed with lyricist Mike Ladd, Maurice Decaul, Lynn Hill, Guillermo & Pamela Z, plus the band of Liberty Ellman (guitar), Kassa Overall (drums) and Okkyung Lee (cello).
With links to Foton Quartet, Rob Mazurek, Nicole Mitchell, Keith Rowe, Kevin Drumm, Matt Bauder, &c, the Polish & German quartet of Anna Kaluza (sax), Artur Majewski (trumpet), Rafal Mazur (guitar) & Kuba Suchar (drums) perform a perfect blend of bebop, free forms, west coast jazz and free improvisation.
An incredible and twisted journey in sound from sonic explorers Graham Lambkin and Jason Lescalleet, who alternately hypnotize and startle the listeners in a series of "photographs" documenting their personal histories in sound.
The electroacoustic improvising trio Looper of Martin Kuchen (sax & pocket radio), Ingar Zach (percussion) and Nikos Vleiotis (cello & video) presenting four intense and extended works recorded in the studio.
The debut recording from NY pianist Matt Mitchell, in a duo with drummer Ches Smith on drums, percussion & vibes, 15 inventive original compositions written to push Mitchell's technical skills in improvisational settings, each an ingenious little puzzle.
The long-running duo pairing of Mats Gustafsson (The Thing, Peter Brotzmann Chicago Tentet, etc) and Thurston Moore (Sonic Youth, Chelsea Light Moving, Dream/Aktion Unit, etc) in a limited LP of power and sound.
Percussionist Tatsuya Nakatani presents thirteen pieces that take the listener on an expedition in the modern use of percussion, beautifully paced with rich sound, unexpected harmonic properties, fascinating punctuation, a mesmerizing journey.
The Necks trio of Chris Abrahams (piano), Tony Buck (drums) and Lloyd Swanton (bass) return to their evolving improvisation format, with ethereal arco harmonics, mesmeric piano riffs, subliminal pulses, twittering electronics, and even an arco bass choir.
NY based German-French bassist Pascal Niggenkemper in a European septet with reedist Frank Gratkowski, pianist Eve Risser, violist Frantz Loriot, vibraophonist Els Vandeweyer, voicals Emilie Lesbros, and drummer Christian Lillinger recording at the Loft, Cologne.
NY based pianist Angelica Sanchez in a stunning and intimate duo with legendary free improv trumpeter Wadada Leo Smith, an album of superb conversation that flows naturally from their work together in Leo Smith's projects Golden Quartet and Organic.
The 2nd Aggregat album expands the first release's trio of Elliott Sharp (just on reeds this time), Brad Jones (bass) and Ches Smith (drums) into a quintet with Nate Wooley (trumpet) and Terry L. Green (trombone) for an amazing set of free jazz compositions.
An Australian improvising string chamber trio combing pure energy, dynamic sensibilities and a bombastic approach to percussive attack, with Jon Rose (violin), Clayton Thomas (bass) and Mike Majkowski (bass).
In 2000, saxophonist Mats Gustafsson and curator John Corbett organized a 16-piece free music big-band featuring key members of the Chicago and Swedish scenes, recording these two impressive, ecstatic, and explosive works.
Two iconic New York players - saxophonist John Zorn and guitarist Thurston Moore - meet for the first time, presenting seven exhilarating improvisations of great diversity, inventiveness, sonic power, and creative drive.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
New York drummer Harris Eisenstadt's new ensemble crosses the country with Chicago flutist Nicole Mitchell, NY & West Coast bassist Mark Dresser, and NY bassoonist Sara Schoenbeck, blending orchestral instruments in chamber and improvising contexts.
The GGRIL is a Canadian ensemble of musicians who experiment with various forms of interactions possible in an orchestra without a conductor, bringing together a dozen musicians from different backgrounds.
Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.
An unusual Jamie Saft release in our catalog (and Veal's!), a kid's album of original and traditional songs, recorded with wife Vanessa Saft, and featuring Rob Machold on percussion, Lonesom Bert on vocals & guitar, and Kenny Wollesen on drums.
The second full length from Kingston's New Zion Trio bringing together Reggae and Jazz musicians Jamie Saft (piano/keyboards), Brad Jones (acoustic bass), and Craig Santiago (drums) with special guest H.R. Human Rights, legendary vocalist of Bad Brains.
Recorded and performed without loops, overlays or other technological aid, Norwegian drummer and composer Ola Djupvik explores his limits in a mix of European free improvisation, minimalism and contemporary composers like John Cage and Morton Feldman.
Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.
The Swedish duo of reedist Roland Keijser and drummer Raymond Strid performing live in Stockholm at Club Yellow Bell applying modern strategies to traditional works and a few jazz standards including "Monk's Mood".
"Battle Pieces" was conceived as a background for an improviser, using linguistics, tape processes & aleatoric concepts to fashion an ever-shifting composition that supplies the soloist with information within the context of an ever-changing series of densities, velocities and silences.
Acoustic hallucinations for violin and piano from the duo of violinist Erkki Veltheim and pianist Anthony Pateras, exploring spectral techniques throughout extended temporal structures to generate unrelenting harmonic waves that create a singular psycho-harmonic texture.
A book of drawings, prints and diagrams by Eli Keszler made in conjunction with the presentation of the NEUM installation at the South London Gallery, consisting of over 65 drawings, sketches and diagrams as well as 3 silk screened inserts.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
Jason Viseltear, based in NYC, makes violins, violas, and cellos for both contemporary and period / baroque performance. Inexplicably, Mr. Dorgon dedicated this work to him, a piece of sound and noise, perhaps constructed using string instruments; perhaps not.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.
Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.
From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!
A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.
A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.
Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.
The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.
Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.
Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).