"Composer, trumpeter, santur player, vocalist, and bandleader Amir ElSaffar has been described in the New York Times as "the celebrated trumpeter and composer who explores vital connections between jazz and Arabic music." A recipient of the Doris Duke Performing Artist Award and US Artist Fellowship, and Hodder Fellowship at Princeton University, ElSaffar has earned an international reputation for his work combining jazz and western classical music with the microtonal Maqam music of Iraq and the Middle East.

His six piece Two Rivers ensemble and 17-piece Rivers of Sound orchestra, combining Western and Arabic instrumentation and musical languages, have released five critically acclaimed albums and have toured throughout the U.S., Europe, and the Middle East. ElSaffar has also composed numerous works for chamber ensembles, symphony orchestras, jazz and Middle Eastern music ensembles, and transcultural works for Flamenco, Gnawa, and Raga musicians, and has made recent forays into electronic music, in addition to composing for dance, film, and theater.

ElSaffar is an expert trumpeter conversant not only in the language of contemporary jazz, but has created new techniques to play microtones and ornaments idiomatic to Arabic music. He was a member of Cecil Taylor's large ensembles from 2002 to 2005, and has performed in the ensembles of Archie Shepp, Vijay Iyer, Danilo Perez, and Anthony Davis.

ElSaffar is an expert trumpeter conversant not only in the language of contemporary jazz, but has created new techniques to play microtones and ornaments idiomatic to Arabic music. He was a member of Cecil Taylor's large ensembles from 2002 to 2005, and has performed in the ensembles of Archie Shepp, Vijay Iyer, Danilo Perez, and Anthony Davis.

Additionally, ElSaffar plays the santur (Iraqi hammered dulcimer) and sings, and is one of the few living performers of the centuries old, now endangered, Iraqi maqam tradition. His traditional Iraqi Maqam ensemble Safaafir, has been active since 2005, and now works with Hamid Al-Saadi, the undisputed master vocalist and authority of the Iraqi Maqam who recently relocated from Baghdad to New York.

Described as "an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble," (All About Jazz), ElSaffar is an important voice in an age of cross-cultural music making. ElSaffar has received commissions from the MAP Fund, Arab Fund for Arts and Culture (AFAC), Newport Jazz Festival, Metropolitan Museum of Art, Chamber Music America, Jazz Institute of Chicago, and is composer-in-residence at the Royaumont Foundation in France in 2017-2019.

ElSaffar's most recent release, Rivers of Sound: The Other Shore (2021, OutHere Records) features his 17-piece Rivers of Sound Orchestra, consisting of musicians from a variety of musical backgrounds. Using resonance as its governing principle, the music incorporates elements of maqam modal music of the Middle East with jazz and other contemporary musical practices to create a unique microtonal musical environment that moves beyond the notions of style and tradition into a realm of uninhibited musical communication. Each musician of the orchestra interacts with the group through the combination of improvisation and composition, the merging of musical languages, maqam and polyphony, toward the goal of reaching a collective state of Tarab, or musical ecstasy.

The Rivers of Sound Orchestra is an expansion of ElSaffar's six-piece Two Rivers Ensemble. Active since 2006, this sextet explores the juncture between jazz and music of the Middle East. Their 2015 album, Crisis (Pi Recordings), was commissioned by the Newport Jazz Festival was commissioned by the Newport Jazz Festival, where at its 2013 premiere, it made a clear emotional connection to the audience, receiving a rousing standing ovation after just the first piece.

ElSaffar has a wide compositional palette and has worked with a variety of different ensembles and musical formats. His compositions for chamber ensemble include: Ashwaaq (2014) based on Sufi poetry of Ibn Arabi, for Syrian vocalist Khaled Al-Hafez and the Tana String Quartet, which premiered at the Avignon and Aix Festivals in France; Interstices (2017) composed for Ictus ensemble, which premiered at Royaumont in France and had subsequent performances at the Brugge Concertgebow in Belgium'; and Ahwaal (2018), composed for the Lutosloawski Quartet as part of the Jazztopad Festival in Wroclaw, Poland. His work, Maqam/Brass Resonance, for seven winds and percussion, was commissioned by the Berlin Jazz Festival in 2017. He has also composed works for symphony orchestra, including: Suite on the Green (2018, New Haven Symphony Orchestra), Cornu Luminis (2018, Eastern Sierra Symphony, Aix Festival), Two Rivers Symphonic Suite (2020, Amarillo Symphony) and Dhikra (2024 Mostly Mozart Festival Orchestra).

He has also worked with various transcultural ensembles. His 2019 piece "Luminiscencia," consisted of Flamenco vocalist Gema Caballero and dancer Vanesa Aibar, as well as electronics musician Lorenzo Bianchi-Hoesch and Amir's sister, Dena, on violin, viola, and Iraqi fiddle. The work premiered at the Flamenco Biennale in the Netherlands, and toured throughout Europe. That same year, he premiered "Transe" with Tunisian Stambeli (Gnawa) musicians, musicians from Mali, and Ivory Coast, and others at the Dream City Festival in Tunis. He has also worked extensively with Raga musicians, including a long-term project with Brooklyn Raga Massive entitled RagaMaqam, that premiered at Mass MoCA and Lincoln Center Out-of-Doors, as well as composing a original music for the Bharatanatyam dance troupe, Ragamala.

Born near Chicago in 1977 to an Iraqi immigrant father and an American mother, ElSaffar was drawn to music at a young age, listening incessantly to LPs from his father's collection, which included Louis Armstrong, Ella Fitzgerald, and the Blues Brothers Soundtrack (but interestingly, no Iraqi music). His first musical training was at the age of five, singing in a Lutheran church choir at the school he attended. His mother, an avid lover of music, introduced him to the music of Bach and Haydn, and taught him to sing and play American folk songs on ukulele and guitar. ElSaffar eventually found his calling with the trumpet in his early teens.

Chicago offered many opportunities for the young trumpeter: he attended DePaul University, earning a degree in classical trumpet, and had the opportunity to study with the legendary principal trumpeter of the Chicago Symphony Orchestra, Bud Herseth. As a trumpeter of the Civic Orchestra of Chicago, ElSaffar worked with esteemed conductors such as Pierre Boulez, Mstislav Rostropovich, and Daniel Barenboim, and recorded on the latter's 1999 Teldec release "Tribute to Ellington," with members of the Chicago Symphony and Don Byron. Additionally, ElSaffar gained experience playing regularly in Chicago's Blues, Jazz, and Salsa clubs.

He moved to New York at the turn of the century where he performed in the ensembles of jazz legend Cecil Taylor. He also performed with Vijay Iyer and Rudresh Mahanthappa, who were in the early stages of their careers, making forays drawing upon their ancestral background toward forging a new sound.

Amir gradually found himself drawn to the Musical Heritage of his Father's native country: Iraq. In 2001, after winning the Carmine Caruso Jazz Trumpet Competition, he funded a trip to Baghdad to find and study with the few surviving masters of the Iraqi Maqam. Some were still in Baghdad, but he discovered that most had left the country. Amir spent the next five years pursuing these masters across the Middle East and Europe, learning everything he could about the tradition. During this period he learned to speak Arabic, sing maqam, and play the santoor. His main teacher during this period was vocalist Hamid Al-Saadi, currently the only living person who has mastered the entire Baghdadi Maqam tradition.

In 2006 ElSaffar founded Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. Later the same year, ElSaffar received commissions from the Painted Bride Arts Center in Philadelphia and from the Festival of New Trumpet Music (FONT), to compose Two Rivers, a suite invoking Iraqi musical traditions framed in a modern Jazz setting. ElSaffar has since received commissions from the Jazz Institute of Chicago (2008), the Jerome Foundation (2009), Chamber Music America (2009), Present Music (2010), The Metropolitan Museum of Art (2013), The Newport Jazz Festival (2013), Morgenland Festival (2013) and the Royaumont Foundation (2014), creating works integrating Middle Eastern tonalities and rhythms into an contemporary contexts.

He currently leads four critically-acclaimed ensembles: The 17-piece Rivers of Sound Orchestra; Two Rivers, which combines the musical languages and instrumentation of Iraqi Maqam and contemporary jazz; the Amir ElSaffar Quintet, performing ElSaffar's microtonal compositions with standard jazz instrumentation; Safaafir, the only ensemble in the US performing and preserving the Iraqi Maqam in its traditional format; and The Alwan Ensemble, the resident ensemble of Alwan for the Arts, specializing in classical music from Egypt, the Levant, and Iraq. In addition, he has worked with jazz legends Cecil Taylor and Archie Shepp, and prominent jazz musicians, Danilo Perez, Mark Dresser, Gerry Hemingway, Marc Ribot, Henry Grimes, and Oliver Lake."

"Ole Mathisen is a saxophonist, composer and teacher, with a strong background in jazz. He earned a Master's Degree from the Manhattan School of Music, where he studied arranging with Maria Schneider, composition with Ed Green, and saxophone with Bob Mintzer, and he holds a Bachelor's Degree from Berklee College of Music. Ole is the Director of the Louis Armstrong Jazz Performance Program at Columbia University, where he also has been teaching saxophone and directing ensembles since 2005.

In 2020 Norsk Musikforlag published his etude collection "Book of Mirrors - 18 Rhythmic and Intervallic Studies for Saxophone."

In 2009 he was awarded Chamber Music America's New Jazz Works Grant, which resulted in Mirage, a multi-movement chamber jazz piece based on illusive rhythmic layers. Mirage premiered at Miller Theatre in New York City. It was recorded live by NPR and featured on the radio shows JazzSet with Dee Dee Bridgewater and Jazzklubben with Erling Wicklund. Other awards include the ASCAP Plus Awards (2004, 2005, 2007, 2008, and 2009), The DANY Arts Grant (2006) from the Danish Government, the Tono Work Stipend (1999, 2014) from the Norwegian Composers Rights Organization, Artist Educational Stipend (1993) from the Norwegian Government, Faculty Association Award (1987) from Berklee College of Music, Phil Woods Incentive Award (1984) from Berklee College of Music.

Ole has worked on over 100 CD releases and has composed several movie and television scores."

"Over the course of his career, John Escreet has earned a reputation as one of the most active and diverse pianist/composers working in jazz and improvised music. His prolific output is reflected over the course of 7 diverse and critically acclaimed albums - the most recent being The Unknown which partners his working Trio (with John Hébert on bass and Tyshawn Sorey on drums) with the iconic free-jazz saxophonist Evan Parker.

Bursting on to the scene with his 2008 debut album Consequences, Escreet quickly earned a reputation as one of the most exciting new pianist/composers to have emerged in recent years, with Downbeat magazine proclaiming "John Escreet's recent debut Consequences signals the jumpstart of a new voice in jazz." Similar praise followed for his 2010 sophomore release Don't Fight The Inevitable, of which the New York Times' Ben Ratliff said "... on an ambitious second album, the pianist John Escreet seems to be thinking about where jazz can go next. He's using lots of structure and instrumental texture, cruising through different languages, straight-ahead and free and in between; it's like a tour of the last 25 years of serious jazz." 2011 saw two releases - The Age We Live In, and Exception To The Rule, followed by 2013's Sabotage and Celebration, all of which received widespread international critical acclaim. The latest addition to this impressive catalog is 2014's Sound, Space and Structures.

As well as being a leader of prolific output, Escreet is also a much sought-after sideman. He has toured extensively with Antonio Sanchez's Migration band, recording on his 2013 Cam Jazz release New Life. He has also contributed his pianistic skills to the working bands of David Binney, Amir ElSaffar, Tyshawn Sorey, and Jamie Baum among many others.

In 2009, John was a recipient of the prestigious Chamber Music America New Jazz Works Grant, as well as the CMA/ASCAP Award for Adventurous Programming in 2011. In 2013, Escreet was commissioned by the Jazz Gallery to write a new work as part of their Residency/Commissions for 2012-2013, for which he wrote an extended work for string quartet and piano trio. 2014 saw John being awarded the Mid Atlantic Arts Foundation USArtists International grant to tour with his Quartet, and recently in 2015 he was elected an Associate of the Royal Academy of Music (ARAM), his Alma Mater - awarded to past students who have distinguished themselves in the music profession and made a significant contribution to it in their particular field.

John continues to forge ahead with multiple projects and recordings, ranging from his Trio, to his Quintet (known as The John Escreet Project), to collaborative projects with Los Angeles-based pop duo KNOWER, to the most recent collaboration with British free-jazz icon Evan Parker, as well as his recent forays into writing extended works for strings."

"Francois Moutin was born in Paris. His early interest in music was encouraged by his parents. At age 5, Francois began studying guitar, then piano by age 11. The acoustic bass became his most lasting passion as a teenager. Also studying mathematics and physics, Francois received a college degree in engineering and earned a doctorate in physics at the age of 24. Then he elected to become a professional musician.

Three years later, as a member of the legendarey Martial Solal's Trio, Francois was recognized as one of the finest young bass players in Europe. At 29, he began co-leading the Quintet Moutin with his twin brother Louis, a top echelon Jazz drummer. This project has evolved into the Moutin Reunion Quartet. With this band, the brothers are touring extensively around Europe and the United States. The third album of the Moutin Reunion Quartet "Something Like Now" (after "Power Tree" and "Red Moon"), was released in September 2005.

When he was still living in Paris, Francois worked non-stop with the greatest musicians of this age : Martial Solal, Michel Portal, Antoine Herve, Daniel Humair, André Ceccarelli, Eric Lelann, Jean-Michel Pilc, Christian Escoude. He has also performed with Peter Erskine, Randy Brecker, Niels Lan Doky, Mino Cinelu, Dave Liebman, John Abercrombie, Toots Thielemans, Didier Lockwood, Larry Schneider, Aldo Romano, James Moody, Terry Lyne Carrington, Richard Galliano, Bernard Lubat, Aaron Scott, George Brown, Sunny Murray, Michel Legrand, Archie Shepp, Claude Nougaro, Trilok Gurtu, Bob Berg, Birelli Lagrene, Wladimir Kosma, Marius Constant, Markus Stockhausen, L'ensemble Inter Contemporain. François has performed in every important European Jazz Festival, and he has toured in over 30 countries around the world.

In November 1997, Francois moved his base to New York where he has found steady work in live performance and studio sessions with the premier artists on the New York Jazz Scene. A partial list of their names reads like the yellow pages of Jazz : Franck Wess, Jimmy Heath, Monty Alexander, Benny Powell, Don Alias, Mike Stern, Lew Soloff, Steve Kuhn, Joe Locke, Billy Hart, Jeff Tain Watts, Victor Lewis, Billy Drummond, Richie Beirach, Dave Liebman, Oliver Lake, Harry Belafonte, Odean Pope, James Hurt, Ari Hoenig, Jean-Michel Pilc, Rick Margitza, Franck Kimbrough, Joel Frahm, Greg Tardy, Gene Jackson, Dave Binney, Rudresh Mahanthappa, Vijay Iyer, Adam Rogers, David Gilmore, Ben Monder, John Hart, Billy Drews, Jamie Haddad, Steve Hass Bob James... Francois has also recorded and performed with Arab Music star Simon Shaheen. He is a familiar presence on the stages of such establishments as Sweet Rhythm, Jazz Standard, Birdland, Village Vanguard, Blue Note, Knitting Factory, Zinc Bar, Jazz Gallery, Tonic, Smoke, Lincoln Center, Town Hall, New York Symphony Space, Museum of Modern Art. François has also appeared in some major Jazz Festivals around the coutry like Newport JVC Jazz Festival, Bell Atlantic Jazz Festival in New York, Freihoffer Jazz Festival in Saratoga Spring, Detroit Jazz Festival, Monterey Jazz Festival, San Francisco Jazz Series, or Kansas City Jazz Festival."

"Shifting Foundation grantee Dan Weiss has been hailed as one of the top five jazz drummers in The New York Times, and his large ensemble recording "Fourteen" made the top ten list of their best recordings of 2014. Weiss's innovative drumming and forward thinking compositions have been pushing musical limits for years.

With his piano trio, he's released two recordings entitled, "Now Yes When" (2006) and "Timshel" (2011), which have been critically acclaimed for their unique approach to song structure and endless creative improvisation. Weiss also leads his sixteen piece large ensemble that features some of NYC's most gifted musicians. The two albums " Fourteen" (2014) and "Sixteen: Drummers Suite" (2016) released on the Pi record label have made numerous critic polls. His newest project features Craig Taborn, Matt Mitchell, Ben Monder, and Trevor Dunn and is an amalgam of jazz, metal, and new music. The recording will be released on the Pi record label in the Spring of 2018.

Weiss has been studying tabla under Pandit Samir Chatterjee for twenty years. He has performed with the legendary Ashish Khan and Ramesh Misra and recorded a solo tabla cd "3dcd" (2007). Weiss recorded two groundbreaking cds "Teental Drumset Solo" (2005) and "Jhaptal Drumset Solo" (2011) where he performs classical Indian repertoire on drum set.

Weiss was named 'The Top Up and Coming Percussionist' 2 years in a row in the 60th and 61st annual Downbeat's Critic's Poll and earned a spot in Modern Drummer's coveted Top 5 Jazz Drummers of 2014."