"Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation."

"Sue Lynch runs 'The Horse Improvised Music Club' with Adam Bohman and Hutch Demouilpied. www.horseimprovclub.wordpress.com/.Since 2014, The horse has been based at IKLECTIK Art Lab, so this and other projects have been in conjunction with Eduard Solaz. Lynch is currently a member of David Petts-'Remote Viewers',with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost,Hutch Demouilpied,Richard Sanderson,Steve Noble and Sharon Gal. Sue Lynch is organiser and arranger for Hogcallin' a Mingus tribute ensemble, performing at the London 2016 Jazz Festival.

In 2015 she performed with Maria Vatentina's opera 'Mannequin'. She has recently performed as part of Tarek Atoui's 'Reverse Collection' at The Tate Modern, with Pat Thomas,Mark Harwood, Angharad Davies + Luke Younger. Sue Lynch is currently one of the featured musicians in Julie Kjaer's Interviews with Female Musicians on The London Improv Scene for The British Music Collection."

"During the late noughties Crystabel Efemena Riley toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins - human and drum. An interest in dimensional patterns existing on (and off) different skin surfaces, exploring the idea of 'care and uncare': layered skins, recycled drum skins, smetled sculptures, other metallics and electronics. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright, together they created the sounds for Edward George's Black Atlas film at the Warburg Institute."