Leading his new quartet Elephant, trumpeter Adam O'Farrill presents a forward-looking jazz session of original compositions that shift fluidly between rhythmic drive and abstraction, where contrasting textures, layered structures, and expressive interplay animate a dynamic ensemble sound shaped by subtle electronic elements and a contemporary, cross-genre sensibility.
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Adam O'Farrill-trumpet, electronics, fender rhodes
Yvonne Rogers-piano, synthesizer
Walter Stinson-double bass
Russell Holzman-drums
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Label: Out Of Your Head Records
Catalog ID: OOYH 042 LP
Squidco Product Code: 37398
Format: LP
Condition: New
Released: 2026
Country: USA
Packaging: LP
Recorded at Reservoir, New York, New York, on September 13th, 14th, and 15th, 2024, by Patrick Dillett.
"This superb band stretch time into abstraction as easily as they can generate dance rhythms- sometimes doing both within the space of a few bars. In fact, their creative core revolves around such contrasts, less as a conceptual framework than simply because it sounds good."-Peter Margasak, The Wire
"Shifting gears again, trumpet maestro Adam O'Farrill pivots from the all-star ensemble he put together to sketch out a forward-looking vision inspired by Depression-era music to fronting a stars-in-the-making quartet assimilating the music of today. Yvonne Rogers (piano, synthesizer), Walter Stinson (double bass) and high school friend Russell Holzman (drums) make up a new ensemble O'Farrill has christened ELEPHANT, and that's the name of their inaugural album, too.
The young band (O'Farrill himself is 31) reflects a Gen Y perspective of jazz but with the added advantage of the leader being raised by musician parents; father Arturo O'Farrill is a prominent Latin jazz pianist/bandleader as was his father Chico O'Farrill. Thusly, the younger O'Farrill's interests range from Afro-Cuban and film scores to electronic and art rock, and his wide scope of influences are filtered into something sounding completely fresh and imaginative.
Stinson and Holzman plays a staccato counterpoint to Rogers' flowing figure for "Curves and Convolutions," introducing something strange but strangely alluring from the get-go. O'Farrill lets it all sink in before making the lunge into a solo excursion the moves the band from passivity toward brashness.
The "Sea Triptych" trilogy uses water as a metaphor for this fluidly changing music. The rhythmic charge of "Along the Malecon" part is countered by O'Farrill's echoing horn, sounding as if it is bellowing across the sea. The trumpeter uses effects differently for "The Three of Us, Floating," simulating the sensation of meditation. The final section, "Iris Murdoch," is rhythmically active, with O'Farrill and Rogers very much involved with that playing in tight unison.
The influence of Radiohead shows up on "Eleanor's Dance"; even as it's all-acoustic, there's still this electronic pulse to it. "Herkimer Diamond" is an example of O'Farrill deceptive composing and arranging acumen: the drum 'n' bass gallop in one corner, the Rogers/Stinson interaction in another and O'Farrill's floating, muted trumpet completes this mosaic. He cunningly waits until the end to reveal the whole motif.
"The Return" takes its time to take flight but once it does, O'Farrill is cooking with jet fuel. His trumpet soars high for "Thank You Song," attentively building up to the crescendo.
O'Farrill can write the charts, yes, but has an ear for other people's fine works particularly of those identified with cinematic scores, such as groundbreaking Japanese electronic pop artist Ryuichi Sakamoto. Sakamoto's "Bibo No Aozora" gets a perceptive recasting, O'Farrill's trumpet leaving a commanding resonance balanced by Rogers' tender comping and Holman's drums that subtly puts an edginess that goes up against the airy aura of the song.
Adam O'Farrill's daring to innovate new jazz with disparate non-jazz components isn't borne out of flinging stuff at the wall to see what sticks but from the acumen to conceive it and execute it with confidence. That's why he pulled it off in 2025 with For These Streets and he did it again using a completely different approach for ELEPHANT."-S. Victor Aaron
Also available as a Compact Disc.Artist Biographies
• Show Bio for Adam O'Farrill "Adam O'Farrill is a trumpet player and composer from Brooklyn, NY. As a trumpeter, he has performed and/or recorded with artists such as Rudresh Mahanthappa, Mary Halvorson, Arturo O'Farrill, Mulatu Astatke, Brasstracks, Stephan Crump, Onyx Collective, Anna Webber, and Samora Pinderhughes. As a composer and bandleader, he has led the quartet, Stranger Days, comprised of Chad Lefkowitz-Brown, Walter Stinson, and Zack O'Farrill. Their eponymous debut (2016, Sunnyside Records) was inspired by film and literature, while the follow-up album, El Maquech (2018, Biophilia Records) covered everything from Mexican folk music to Irving Berlin, as well as O'Farrill's original compositions. Both were critically acclaimed, with the New York Times writing of the first release, "Marshaling a sharp band of his peers, Mr. O'Farrill establishes both a firm identity and a willful urge to stretch and adapt.". The latter album was listed as one of the best jazz albums of 2018 by the NPR Jazz Critics Poll, The Boston Globe, and Nextbop. Adam's newest project, Bird Blown Out of Latitude, is an electro-acoustic nonet, playing original music inspired by the feeling of being pushed off a perceived path. O'Farrill comes from a rich musical background, with his grandfather being the Afro-Cuban-Irish composer and arranger Chico O'Farrill, his father being the cultural boundary-pushing composer and pianist Arturo O'Farrill, his mother Alison Deane being a classical pianist and educator, and his brother Zack O'Farrill being a drummer, composer, and educator. Adam is of Mexican, Cuban, and Irish heritage on his dad's side, and Eastern European Jewish and African-American on his mom's side. This, combined with growing up in a place of immense cultural diversity, has shaped his tendency to break stylistic borders within not only his original music, but also in terms of who he works with a sideman. O'Farrill was subject of an article in Jazztimes entitled, "Adam O'Farrill Does Not Play Latin Jazz", where he spoke about the unfair treatment and pigeonholing of Latinx musicians. Adam made his professional recording debut on Chad Lefkowitz-Brown's debut album, Imagery Manifesto, in 2013. In 2015, he appeared on two critically acclaimed records; Rudresh Mahanthappa's Bird Calls and Arturo O'Farrill's Cuba: The Conversation Continues. Adam toured internationally with Mahanthappa's band from 2014 to 2017, performing at the Newport Jazz Festival, Chicago Symphony Hall, North Sea Jazz Festival, Cape Town International Jazz Festival, and more. In 2016, in addition to releasing Stranger Days, O'Farrill appeared on Stephan Crump's album, Rhombal, also garnering acclaim. Other projects he has recorded include Stimmerman (eponymous debut), Olli Hirvonen's New Helsinki, Gabriel Zucker's Weighting, and Onyx Collective's Lower East Suite Part One. Adam will also be featured on upcoming albums from Mary Halvorson, Anna Webber, Raf Vertessen, Thomas Champagne, and Idan Morim. Adam studied at Fiorello H. LaGuardia High School, and obtained his Bachelor of Music degree from the Manhattan School of Music. He's studied trumpet with Jim Seeley, Nathan Warner, and Thomas Smith, and composition with Reiko Fueting and Curtis Macdonald. In 2014, O'Farrill won 3rd place honors at the Thelonious Monk Institute Jazz Trumpet Competition. He was also a recipient of the ASCAP Herb Albert Young Jazz Composer Award in 2013. ^ Hide Bio for Adam O'Farrill • Show Bio for Yvonne Rogers "Yvonne Rogers is a pianist, composer, and multimedia artist from Maine, now based in Brooklyn, New York. Described as a "Fresh, new voice on piano," (Paul Acquaro, The Free Jazz Collective), she is in demand as both a side-person and bandleader in New York and beyond. She has performed at venues and festivals including the Jazz Gallery, Roulette Intermedium, the Blue Note, Mezzrow, Smalls, Bar Bayeux, the Kennedy Center, NYC Winter Jazz Fest, Jamboree (ES), Porgy and Bess (AT), Birdseye (CH), the DC Jazz Festival, the Deer Isle Jazz Festival, and the Rochester International Jazz Festival. She has performed with artists including Ralph Alessi, Linda May Han Oh, Ingrid Laubrock, Harish Raghavan, Sara Serpa, and more. Yvonne is a 2024 Next Jazz Legacy Awardee, a grant recognizing outstanding women in jazz founded by Terri Lyne Carrington and facilitated by New Music USA. She is a commissioned artist for the 2025 Duck Creek Arts Music Series, where she will premier new music for her quartet. Yvonne was a member of the 2021/2022 Focusyear Band in Basel, Switzerland, where she performed with jazz masters including Kris Davis, Sullivan Fortner, Tineke Postma, Jorge Rossy, Larry Grenadier, Lionel Loueke, Chris Cheek, Elena Pinderhughes, Miguel Zenón, and more. Yvonne has been awarded a variety of other opportunities and accolades including the 2025 Betty Carter Jazz Ahead Residency, the 2024 Herb Alpert Young Jazz Composers Award from ASCAP, Dee Dee Bridgewater's Woodshed Network Residency, Ralph Alessi's School of Improvised Music, and the Sisters in Jazz Combo in which she worked with Ingrid Jensen. In October 2022 she was commissioned by the Big Basel Festival and Fondation Beyeler to compose and conduct a piece for large ensemble inspired by a Louise Bourgeois sculpture. A 2021 graduate of the Eastman School of Music and the University of Rochester, Yvonne holds two degrees: a Bachelor of Music in Jazz Piano Performance from the studio of Gary Versace and a Bachelor of Arts in African and African American Studies. Currently Yvonne performs with Ingrid Laubrock's "Lilith," Adam O'Farrill's "Elephant," and Alden Hellmuth's "Good Intentions," as well as leading her quartet. Her debut album "Seeds" was released in 2023 on Relative Pitch Records and is available on Bandcamp and all other streaming platforms. Yvonne's work is rooted in improvisation and play. Growing up on the rural Maine coast, Yvonne began writing music that followed the meditative patterns and systems of nature before having any conventional understanding of theory or harmony. She carries this sense of creative abandon with her wherever she is in the world." ^ Hide Bio for Yvonne Rogers • Show Bio for Walter Stinson A New York-based double bassist active in the city's creative music community, Walter Stinson works across jazz and free improv contexts, contributing a flexible, responsive voice to ensembles ranging from structured modern jazz groups to more exploratory, collective improvisations. ^ Hide Bio for Walter Stinson • Show Bio for Russell Holzman A Brooklyn-based drummer and improviser, Russell Holzman is known for his dynamic, textural approach to rhythm, performing widely in forward-thinking jazz and experimental settings, where his playing balances driving momentum with nuanced, interactive sensitivity. ^ Hide Bio for Russell Holzman
4/29/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/29/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. Curves And Convolutions 6:50
2. Sea Triptych (Along the Malecon) 2:31
3. Sea Triptych (The Three of Us, Floating) 4:46
4. Sea Triptych (Iris Murdoch) 3:30
5. Eleanor's Dance 3:11
SIDE B
1. Herkimer Diamond 6:12
2. The Return 11:49
3. Thank You Song 4:52
April 2026
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