![Gate, The : Amost Live [CASSETTE + MAGAZINE] (Imploding Sounds) Gate, The : Amost Live [CASSETTE + MAGAZINE] (Imploding Sounds)](https://www.teuthida.com/productImages/misc4/36836.jpg)
A cryptic live document from The Gate's expanded lineup — Dan Peck, Tom Blancarte, Brian Osborne and guests — casting subharmonic dread, electroacoustic rupture, and dirge-like trance into two versions of the same ritual, where Almost Live blurs performance and fabrication and the Marston Mix sinks the remains into deeper, uncharted gloom, accompanied by a fractured visual zine of equal disquiet.
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Dan Peck-composer, performer
Tom Blancarte-composer, performer
Brian Osborne-composer, performer
Cecilia Lopez-performer
Sam Pluta-performer
Aki Onda-performer
Jeff Snyder-performer
Zach Rowden-performer
Click an artist name above to see in-stock items for that artist.
Label: Imploding Sounds
Catalog ID: IS#901
Squidco Product Code: 36836
Format: MAGAZINE + CASSETTE
Condition: New
Released: 2025
Country: USA
Packaging: Cassette with direct shell printing and 24 page art booklet of strange, retro and demonic artwork. Limited edition of 100 copies.
Recorded live in the US, in 2023.
"Almost Live is a limited edition blue tint cassette of 100 with direct shell imprinting and comes with a zine."-Imploding Sounds
Almost Live is a murky transmission from the outer territories of The Gate, captured during live performances in the US in 2023 and reconfigured into a dual-form document: a blue-tinted cassette with direct shell printing, and a companion 'zine packed with distressed, surreal imagery. Core members Dan Peck, Tom Blancarte, and Brian Osborne expand their soundworld with collaborators Cecilia Lopez, Sam Pluta, Aki Onda, Jeff Snyder, and Zach Rowden, forging a mass of sound that hovers between ritual, decay, and sonic hallucination.
Side A presents Almost Live, a performance that may or may not be what it claims — live, staged, or sabotaged in the edit — where the group's signature low-frequency dread and industrial dirge are punctured by electroacoustic ruptures and ghost signals. Side B refracts the same material through the enigmatic Marston Mix, a darker, more subterranean drift in which details erode, resurface, and dissolve like memory under pressure. With no explanation offered, the listener is left to wander a world where presence and illusion trade masks, underscored by the bleak surrealism of the accompanying zine.
This is The Gate at their most ominous and abstract: less performance than invocation, less album than artifact.
Artist Biographies
• Show Bio for Dan Peck "Dan is a tubist currently living and working in New York City. Since his move there in 2005, he has been active as a soloist, improviser, and sideman in a wide variety of settings. Dan's current interests are in experimental music and improvisation, and he has performed at many of New York City's most respected venues for creative music including The Stone, Roulette, and Issue Project Room. Dan has collaborated with many New York artists, including Tony Malaby, Nate Wooley, Michael Attias, Ben Gerstein, Tom Rainey, Peter Evans, Kris Davis, Ingrid Laubrock, and Matthew Welch. Recent projects include recordings with Tony Malaby's Novela (Clean Feed), Harris Eisenstadt's Canada Day Octet (482 Music), and Jeff Newell's New Trad Band. Dan will also be on a forthcoming Anthony Braxton release, featuring music from the Falling River Series in small ensembles from Wesleyan University. Dan currently leads a trio comprised of himself, Tom Blancarte (bass) and Brian Osborne (percussion). The group plays a mix of freely improvised music and his compositions, some of which are influenced by music of the Doom Metal genre. Their debut LP, "Acid Soil", is out on the Heat Retention Records label. In March of 2011, the Trio completed a 9 day tour of the midwest/east coast. Equally at home in more traditional jazz settings, Dan plays in the old-timey jazz band Grandpa Musselman and His Syncopators. The Syncopators appear frequently at high society events in and around New York City, and in 2007 took part in the Jazz at Aspen Festival, directed by bassist Christian McBride. Dan also plays a lot of contemporary music. He has premiered solo tuba works at St. Bartholomew's Church, Merkin Hall, and The Stone. In 2009, Dan was featured as part of Kagel Nacht, a celebration of the music of composer Mauricio Kagel, in which he performed two of Kagel's solo works, Atem and Mirum. As an orchestral performer, Dan has played under great conductors such as James Levine and Herbert Blomstedt, and has worked personally with composers such as Helmut Lachenmann and Alvin Lucier. Dan is a member of the International Contemporary Ensemble, and has also worked with the American Composers Orchestra, Signal Ensemble, New York City Ballet, New World Symphony, and the Tanglewood Festival Orchestra. Dan recently recorded a DVD of Iannis Xenakis' chamber music for Mode Records, with the International Contemporary Ensemble and percussionist Steven Schick conducting. Currently, Dan plays on the Broadway musical Chicago, and is adjunct-faculty at New Jersey City University." ^ Hide Bio for Dan Peck • Show Bio for Tom Blancarte "For over a decade, Texan bassist Tom Blancarte has been contributing a vivid pallet of dark frequencies to New York's creative music scene, both as a freelance performer as well as a member of bands such as the electro-acoustic jazz ensemble the Peter Evans Septet, the banjo-shred power trio Seabrook Power Plant, New Timbralist free jazz noise trio Totem, an eerie post-apocalyptic duo with wife Louise Dam Eckardt Jensen (The Home of Easy Credit), improv doom tuba trio The Gate and Danish post-punk improv quartet Sweet Banditry. A native of the Texas Hill Country in Austin, Texas, his formative years included a steady diet of fantasy and sci-fi novels, comic books and video games, and later on a total immersion in death and black metal. Accordingly, Blancarte has cultivated a demented and visceral instrumental practice that transcends the experimental bass canon and pushes improvisatory art to new extremes. He has toured extensively throughout Europe and North America, playing venues that range from dingy squatted basements to international festivals. Recently, he has begun to perform improvised solos on the bass as an exciting new area of exploration, started reacquainting himself with the euphonium (his first instrument), as well as starting the Denmark-based record label Marsken Records. He is on the faculty at the Music and Theater Folk School in Toftlund, Denmark. He lives in Toftlund with his wife and daughter." ^ Hide Bio for Tom Blancarte • Show Bio for Brian Osborne "Percussionist/Sound Artist, Brian Osborne currently plays with the tuba fronted doom improv trio The Gate, the electronics and drums duo, Hatchers, as well as with a Duo with guitarist, Nick Millevoi. After spending his youth covering punk bands in basements and playing in Orchestra at school, Brian went on to obtain a BM in Percussion Performance from the North Carolina School of the Arts. While there and drumming in the avant rock band Rompecabeza, Brian became interested in improvised/free music. In 2001, after spending a few years split between New York City and Lexington, KY, Brian settled in Brooklyn, began studying with Milford Graves, and performing Javanese Gamelan Music through the Indonesian Consulate. Brian started Heat Retention Records in 2003 which has 38 releases to date. Brian has played with Michael Barker, Robert Beatty, Tom Blancarte, Daniel Carter, Tim Dahl, Peter Evans, Paul Flaherty, Frode Gjerstad, Michael Thomas Jackson, Oliver Lake, Joe McPhee, Nick Millevoi, Dan Peck, Kevin Shea, Tamio Shiraishi, Jeffrey Shurdut, Panagiotis Spoulos, Nate Wooley, Spencer Yeh, George Steeltoe Ensemble, Wretched Worst, Sharks with Wings, Blastocyst, Paper Legs, Reverse Mouth, Dosdedos and more." ^ Hide Bio for Brian Osborne • Show Bio for Cecilia Lopez Cecilia Lopez is a composer, musician and multimedia artist from Buenos Aires, Argentina currently based in New York. She works across the media of performance, sound, installation and the creation of sound devices and systems. Lopez holds an MFA from the Milton Avery Graduate School of the Arts, Bard College and an MA from Wesleyan University in composition (2016). Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Roulette Intermedium, Issue Project Room, Ostrava Days Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012, Experimental Intermedia, Fridman Gallery (NY), Kunstnernes Hus (Oslo, Norway) and the XIV Cuenca Biennial, among others. She was a Civitella Ranieri fellow in 2015 and has participated in various international residency programs.In 2019, Lopez curated the intermedia festival Folly Systems coproduced by Roulette Intermedium and Outpost Artists Resources that featured 11 international artists. Collaborators include Carmen Baliero, Aki Onda, Brandon Lopez, John Driscoll, Carrie Schneider and Lars Laumann among others. ^ Hide Bio for Cecilia Lopez • Show Bio for Sam Pluta "Sam Pluta is a New York City-based composer, laptop improviser, electronics performer, and sound artist. Though his work has a wide breadth, his central focus is on the laptop as a performance instrument capable of sharing the stage with groups ranging from new music ensembles to world-class instrumental improvisers. By creating unique interactions of electronics, instruments, and sonic spaces, Pluta's vibrant musical universe fuses the traditionally separate sound worlds of acoustic instruments and electronics, creating sonic spaces which envelop the audience and resulting in a music focused on visceral interaction of instrumental performers with reactive computerized sound worlds. As a composer of instrumental music, Sam has written works for Wet Ink Ensemble, International Contemporary Ensemble, Yarn/Wire, Timetable Percussion, Mivos Quartet, RIOT Trio, Ensemble Dal Niente, Jessie Marino, Mantra Percussion, TAK, Dave Eggar, and Prism Saxophone Quartet. His compositions range from solo instrumental works to pieces for ensemble with electronics to compositions for large ensemble and orchestra. In addition to acoustic and electro-acoustic works, Pluta has written extensive solo electronic repertoire ranging from multi-channel acousmatic compositions to solo laptop works with video to laptop ensemble compositions for up to 15 players. As an improviser, Sam has collaborated with some of the finest creative musicians in the world, including Peter Evans, Evan Parker, Ikue Mori, Craig Taborn, Jim Black, Anne La Berge, and George Lewis. Sam is a member of multiple improvisation-based ensembles, the jazz influenced Peter Evans Quintet, the free improvisation-based Rocket Science (with Evan Parker, Craig Taborn and Peter Evans), the analog synth and laptop duo exclusiveOr (with Jeff Snyder), his longstanding duo with Peter Evans, and the New York City-based power group Sonic Overload (with Jim Altieri, Dan Peck, Tom Blancarte, Peter Evans, and Jeff Snyder). Sam has also performed with the Evan Parker Electro-Acoustic Ensemble. With these various groups he has toured Europe and America and performed at major festivals and venues, such as the Lucerne Festival in Switzerland, the Moers and Donaueshingen Festivals in Germany, Bimhuis in Amsterdam, and The Vortex in London. Sam is the Technical Director for the Wet Ink Ensemble, a group for whom he is a member composer as well as principal electronics performer. As a performer of chamber music with Wet Ink and other groups, in addition to his own works, Sam has performed and premiered works by Peter Ablinger, Karlheinz Stockhausen, Katharina Rosenberger, George Lewis, Ben Hackbarth, Alvin Lucier, Chiyoko Szlavnics, Alex Mincek, Kate Soper, and Eric Wubbels among others. Dr Pluta studied composition and electronic music at Columbia University, where he received his DMA in 2012. He received Masters degrees from the University of Birmingham in the UK and the University of Texas at Austin, and completed his undergraduate work at Santa Clara University. His principal teachers include George Lewis, Brad Garton, Tristan Murail, Fabien Levy, Scott Wilson, Jonty Harrison, Russell Pinkston, Lynn Shurtleff, and Bruce Pennycook. A dedicated pedagogue, Sam teaches Composing with Sound and Technology and Improvisation at Bennington College. From 2011-15 he directed the Electronic Music Studio at Manhattan School of Music, and has taught Music Humanities and The History of Sound Art at Columbia University. For the past 15 years he has taught composition, musicianship, electronic music, and an assortment of specialty courses at the Walden School, where he also serves as Director of Electronic Music and Academic Dean." ^ Hide Bio for Sam Pluta • Show Bio for Aki Onda "Aki Onda is a composer, performer, visual artist, and curator. Onda was born in Japan and currently resides in New York. He is particularly known for his "Cassette Memories" - works compiled from a "sound diary" of field-recordings collected by using the cassette Walkman over a span of last quarter-century. He creates compositions, performances, and visual artworks from those sound memories. Onda often works in interdisciplinary fields and collaborates with filmmakers, visual artists, and choreographers. His on-going projects include "Nervous Magic Lantern" with Ken Jacobs, improvisation trio with Michael Snow and Alan Licht, visual-sound installation/performance with Raha Raissnia, and site-specific happening with Akio Suzuki. Onda has performed at The Kitchen, MoMA, P.S.1 MOMA, ISSUE Project Room (New York), Time-Based Art Festival (Portland), Images Festival (Toronto), ICA (London), Louvre Museum, Palais de Tokyo, Fondation Cartier (Paris), Argos, Bozar, Wiels (Brussels), International Film Festival Rotterdam, Nam June Paik Art Center (Seoul), Sound Live Tokyo (Tokyo) and many others. Onda is also active as a curator. He is a director of TPAM (Performing Arts Meeting in Yokohama) in Japan, and organized major performances and exhibitions throughout North America." ^ Hide Bio for Aki Onda • Show Bio for Jeff Snyder "Jeff Snyder (b.1978) is a composer, improviser and instrument-designer living in Princeton, New Jersey, and active in the New York City area. As founder and lead designer of Snyderphonics, Jeff designs and builds unusual electronic musical instruments. His creations include the Manta, which is played by over 150 musicians around the world; the JD-1 Keyboard/Sequencer, which was commissioned as a specialty controller for Buchla synthesizers; and the custom analog modular synthesizer on which he regularly performs. Jeff is a member of experimental electronic duo exclusiveOr, avant jazz group The Federico Ughi Quartet , improvisatory noise trio The Mizries, and laptop ensemble Sideband. He fronts the band Owen Lake and the Tragic Loves as his electro-country alter-ego, Owen Lake. He also composes alternate-reality Early Music for an ensemble of his invented instruments. In 2009, Jeff co-founded an experimental music record label, Carrier Records , which continues to release strange and exciting experimental music. In 2011, he received a doctorate with distinction in Music Composition from Columbia University. He currently is the Director of Electronic Music at Princeton University, and the Director of PLOrk , the Princeton Laptop Orchestra." ^ Hide Bio for Jeff Snyder • Show Bio for Zach Rowden Zach Rowden is a bassist and violinist from Richmond, Virginia now living in New Haven, Connecticut who works at Tri-Centric Foundation. He studied at University of Hartford. He is known for the group Tongue Depressor with Henry Birdsey. ^ Hide Bio for Zach Rowden
10/20/2025
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10/20/2025
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10/20/2025
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10/20/2025
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10/20/2025
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10/20/2025
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10/20/2025
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Track Listing:
SIDE A
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1. Almost Live 35:04br>
SIDE B
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1. Almost Live - Marston Mix 35:24
Cassettes
Book
Improvised Music
Free Improvisation
Compositional Forms
Electro-Acoustic
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