The Squid's Ear Magazine


Foster / Crawford / Sullivan: Against Proper Objects (Relative Pitch)

The debut of saxophonist Michael Foster, guitarist and banjo player Webb Crawford, and drummer Joey Sullivan, a free trio whose quirky yet technically impressive improvisations shift from sax shouts and overblown tones to frenetic banjo and guitar textures, driven by metallic percussion into a dense but dynamic interplay that combines raw energy with finely detailed, unpredictable explorations.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Michael Foster-tenor saxophone, soprano saxophone

Webb Crawford-tenor banjo, electric guitar

Joey Sullivan-drums


Click an artist name above to see in-stock items for that artist.




UPC: 5904224874421

Label: Relative Pitch
Catalog ID: RPR1234
Squidco Product Code: 36626

Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold
Tracks 1-5 recorded at Stevie Studios, in Philadelphia, PA, on November 8th, 2024, by Lucas Knapp.

Track 6 recorded St. Lydia's in Brooklyn, NY, on December 5th, 2024, by Zosha Warpetha.

Descriptions, Reviews, &c.

The debut of saxophonist Michael Foster, guitarist/banjoist Webb Crawford, and drummer Joey Sullivan captures the raw energy and unpredictable inventiveness of New York's free music scene. Foster's arsenal of extended techniques collides with Crawford's jagged shifts between banjo and guitar, while Sullivan drives the trio with metallic textures and fractured pulses. The result is quirky yet technically assured, balancing wild bursts of sound with precise detail, and marking the group as a distinctive new force in collective improvisation.



"On their debut release, Foster shifts fluidly between tongue slaps, overblown tones, and powerful tenor saxophone screams, while Crawford alternates between non-idiomatic splatter, frenzied banjo maneuvers, and dense, elusive bursts of tangled noise. Meanwhile, Sullivan crafts a metallic clatter that establishes its own expansive sonic territory."-Relative Pitch


Artist Biographies

"Michael Foster is a saxophonist and multi-instrumentalist working in the fields of free improvisation, noise, free jazz, graphic & video notation, performance art, and other forms of weird music.

Foster utilizes extensive preparations of his saxophone, augmenting it with amplification, objects, balloons, drum heads, vibrators, tapes, and samples as a method of subverting and queering the instrumentŐs history and traditional roles.

His current ensembles include duos with cellist Leila Bordreuil, percussionist Ben Bennett, poet/vocalist Lydia Lunch, vocalist Anais Maviel, Richard Kamerman, The Ghost (with Henry Fraser & Connor Baker), Barker Trio (with Tim Dahl, James Ilgenfritz, & Andrew Barker), While We Still Have Bodies (with Sean Ali, Ben Gerstein, & Flin van Hemmen), Weasel Walter Large Ensemble, and BDM (with Ben Bennett and David Grollman).

Selected notable venues he's performed at include Bowling Green State University (Ohio), The Stone (NYC), BimHuis (NL), Jazzfestival Groningen (NL), Fabrica Brao de Prata (PT), Death By Audio (NYC), Studio Loos (NL), Betalevel (Los Angeles), Webster Hall (NYC), XI20 (LT), Jazzclub Erfurt (DE), and many more."

-Michael Foster Website (http://michaelfostermusic.com/)
8/20/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"I'm a guitarist and instrument-builder. I like playing free-improvised music, Piedmont-style fingerpicking, and percussive/noisy stuff. I've built stringed instruments ranging from electric guitars, basses and mandolins to modern reconstructions of historical instruments and instruments made from repurposed materials or found objects. In 2017, I worked with the Massachusetts Museum of Contemporary Art to restore the instruments of Gunnar Schonbeck as part of an interactive exhibit. I built replicas of Schonbeck's "Triangular cellos" for Bennington College, and have taught instrument-building workshops at The Cooper Union, Connecticut College, and the Bennington Museum. I also work as a guitar repair technician."

-Webb Crawford Website (https://www.webbcrawford.com/bio)
8/20/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joey Sullivan is a drummer and organizer based in Philadelphia focusing on free improvisation. He plays drums in groups like Bark Culture, The Ghost, Florry, Violet Salon III, and often works with improvisers such as Victor Vieira-Branco, Brandon Lopez, TJ Borden, James McKain, Sandy Ewen, Michael Foster, and countless others."

-Joey Sullivan Website (https://www.instagram.com/racktom/)
8/20/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Step 1 Grease the Hooks 05:44

2. Step 2 Tighten the Head 04:41

3. Step 3 Align Resonators 07:11

4. Step 4 Shift Brackets to Proper Scale 08:11

5. Step 5 Apply Shellac in Accordance 03:45

6. Step 6 Shave the Body 09:59

Related Categories of Interest:


Improvised Music
Free Improvisation
Collective & Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Beeferman / Evans / Foster / Hirsch
GLOW
(Tripticks Tapes)
In the midst of pandemic, NY pianist & keyboardist Gordon Beeferman jumped on an opportunity to record in the studio, assembling saxophonist Michael Foster and drummer/percussionist Michael Evans to record with free improvising vocalist and story-teller Shelley Hirsch, whose nimble narratives guide these eleven interesting vignettes of far-ranging musical and sonic sources.
Koketsu, Masayo / Nava Dunkelman / Tim Berne
Poiesis
(Relative Pitch)
A first-time meeting in the studio for alto saxophonists Tim Berne and Masayo Koketsu with percussionist Nava Dunkelman, captured in a dynamic session of collective free improvisation where contrasting approaches — Berne's grounded tone, Koketsu's extended techniques, and Dunkelman's textural percussion — intertwine with clarity and spontaneous expression.
Bennett, Ben / Michael Foster / Jacob Wick
Carne Vale
(Relative Pitch)
With alliterative titles beginning with "To blowe wyth the nose and to snorce", percussionist Ben Bennett, saxophonist Michael Foster, and trumpeter Jacob Wick create an uncompromising tapestry of extended techniques and visceral interplay, through raw and dynamic exploration of texture, space, and sound that blurs boundaries between energy, silence, and collective improv.
Butcher, John / Florian Stoffner / Chris Corsano
The Glass Changes Shape
(Relative Pitch)
A remarkable concert in 2023 at The Loft in Cologne, Germany, a superb example of collective free improvisation using extraordinary and masterful technique between UK saxophonist John Butcher, Swiss guitarist Florian Stoffner and NY drummer Chris Corsano, also performing on half clarinet; nine conversations of sophisticated and astute communication.
Ghost, The Michael Foster's (Foster / Radichel / Sullivan)
Vanished Pleasures
(Relative Pitch)
Following NY saxophonist Michael Foster's interest in free jazz, noise and the pre-AIDS era of sexual freedom in the gay community, expressed in a sax-bass-drums trio with Philadelphia double bassist Jared Radichel and drummer Joey Sullivan, drawing on pre-composed structures, melodies, samples, and improvisation to reflect both the joy and anxiety of the queer experience.
Alcorn, Susan / Patrick Holmes / Ryan Sawyer
From Union Pool
(Relative Pitch)
Taking the dual role of soaring guitar lines and savagely deep string foundations, Susan Alcorn joins clarinetist Patrick Holmes and drummer Ryan Sawyer for this invigorating 2022 concert at Union Pool in Brooklyn, their unique instrumentation providing clarity to each performer's contribution through their dynamic and often wildly energetic collective interplay.
Pulverize the Sound (Evans, Peter / Tim Dahl / Mike Pride)
Black
(Relative Pitch)
Appropriately recorded at Seizures Palace in Brooklyn, the 3rd release from the NY trio Pulverize the Sound of Peter Evans on trumpet, Tim Dahl on electric bass and Mike Pride on drums & glockenspiel, expands on this 10 year working band's assertive approach to collective free improv, doing so with innovation, breathtaking technical skill and a wide range of mood and texture.
Foster, Michael
The Industrious Tongue
(Relative Pitch)
It's not just the tongue that drives these compellingly irascible and unexpected sounds from the saxophone, augmented at times by samples and oscillators, as NY saxophonist Michael Foster applies technique beyond extended to a tenor and soprano saxophone, in two multi-part works of solo utterance: "Libidinal Fragments" in seven parts, and "Celluloid Nightmares" in two.
Ali / Foster / Lopez / Wallace
The Inflatable Leviathan [CASSETTE w/ DOWNLOAD]
(Tripticks Tapes)
The first studio recording for the performing quartet of New York improvisers, Cecilia Lopez (synthesizer), Michael Foster (tenor & soprano saxophones), Sean Ali (double bass) and Eli Wallace (upright piano), taking listeners on an inflating journey from "Stratosphere" to "Exosphere" through unorthodox approaches, from sparse intensity to dense textural interaction.
Hocevar, Dre
Surface Of Inscription
(Clean Feed)
Composer and drummer Dre Hocevar brings an unusual sense of unity, logic and purpose to his improvised work resulting from a number of distinct compositional procedures, performed by vocalist Charmaine Lee, pianist Elias Stemeseder, brass player Weston Olencki reedist Michael Foster, and electronics artist Bernardo Barros, a unique and rewarding album.
Morris, Joe
Shock Axis
(Relative Pitch)
A limited edition release of guitarist Joe Morri's new NY-area aggressive improvising trio with younger players Dave Parmelle on drums and Chris Cretella on electric bass, shredding with awesome technical skill and intense harmonic and melodic force, really powerful stuff!
Fujiwara, Tomas / Ben Goldberg / Mary Halvorson
The Out Louds
(Relative Pitch)
The first release from the NY/West Coast trio of Tomas Fujiwara on drums, Ben Goldberg on clarinet, and Mary Halvorson on guitar, a collaborative improv of lyrical and nuanced improv, using great skill and sophistication in dialog that takes unexpected twists and turns.
Bourdreuil, Leila / Michael Foster
The Caustic Ballads
(Relative Pitch)
Two bright stars of DIY Brooklyn improvisers with unusual approaches to their instruments through extended techniques, processing and odd acoustic effects from saxophonist Michael Foster and cellist Leila Bourdreuil, together since 2009 creating racous & beautiful sound.
Morris / Fernandez / Wooley
From The Discrete To The Particular
(Relative Pitch)
An incredible trio of two New York improvisers - Joe Morris on guitar and trumpeter Nate Wooley - with European free improv legend pianist Augusti Fernandez, for 7 remarkable free improvisations of astounding skill.
AYCH (Jim Hobbs, Mary Halvorson, Taylor Ho Bynum)
As The Crow Flies
(Relative Pitch)
From NY and Boston the Aych group (pronounce as "H", a letter shared by all 3's names) presents three improvisers representing some of the best of the new breed of modern jazz based players in a trio without bass and drums.



Customers Who Bought This Item Also Bought:
Porter, Katie
Conversation No. 1 / Collecting Rocks from the Places We've Been
(Relative Pitch)
A deeply introspective solo endeavor from New York bass clarinetist Katie Porter, blending live playing with layers of previously recorded bass clarinet for a slow-moving, richly textured improvisation; the artist creates an intimate, deep-register conversation that unfolds with emotional subtlety and immersive soundscapes.
Gjerstad, Frode / Alexander von Schlippenbach / Dag Magnus Narvesen
Seven Tracks
(Relative Pitch)
A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.
Mayas, Magda / Jim Denley
One Another
(Relative Pitch)
An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.
Hockley, Liam (Avram / Chrysakis / Dumitrescu / Radulescu)
Pulse Tide
(Aural Terrains)
Canadian clarinetist Liam Hockley, a dedicated advocate for new and experimental music, performs compositions on a relatively obscure member of the clarinet family, the basset horn, alone and in layers of up to seven horns, in pieces from Romanian spectral composers Ana Maria Avram, Iancu Dumitrescu, and Horatiu Radulescu, along with a contemporary work by Thanos Chrysakis.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC