The Squid's Ear Magazine


Prevost, Eddie / Alan Wilkinson: So Are We, So Are We (Matchless)


 

Price: $18.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:


product information:

Personnel:



Eddie Provost-drums

Alan Wilkinson-alto, baritone saxophones


Click an artist name above to see in-stock items for that artist.




UPC: 502049206820

Label: Matchless
Catalog ID: MRCD68
Squidco Product Code: 6845

Format: CD
Condition: New
Released: 2006
Country: Great Britain
Packaging: Jewel Tray
Recorded at Barefoot Studios, London, England on 10 January and 20th Mach 2006, by Mick Ritchie

Descriptions, Reviews, &c.

"[...] The music Eddie Prévost and Alan Wilkinson are making here is neither extreme, nor ambiguous, nor is it self-consciously convoluted. Indeed, in comparison to much of what passes muster as commercial music, it is devastatingly straightforward and approachable. But it constantly allows for the possibility of other states. It trembles with potential, and thus never exhausts its unequivocal possibilities.

Almost every artistic form, whether it is the five act tragedy or the string quartet, has one work which ranges across it like the Great Wall of China, magnificent but also an obstacle to those who presume to follow. Hamlet or King Lear might serve in the first case; one of the late Beethoven opus numbers in the latter. By the same token it is hard to think of an album of saxophone and percussion duos without thinking of John Coltrane's and Rashied Ali's Interstellar Space. It is a magnificent piece of music, and a constant challenge to those who have followed. But it also acts as a barrier, not necessarily to musicians, certainly to those who listen to and cherish music. Coltrane's late opus numbers were the product of a spiritual quest that seemed tinged with a Faustian urge to know everything. The association with Ali took him out beyond the basic time-codes of jazz, then Western music, then any other systematised metrical language.

To some extent, without in any way explicitly addressing Interstellar Space Prévost and Wilkinson have responded to it by bringing their language back into a human realm, to a space in which the specifics of making a particular sound at a particular moment is more important than the metaphysical import of those sounds, and to the excluded middle of what can only be called "ethical" music-making. That is not to say, music with a moral function or conclusion, but rather music that addressed itself to the fundamental ethical question, which is how we address each other, how we communicate needs, desires, concerns and ambitions, and how we make that language available to others as an ongoing discourse."-Brian Morton, from the liner notes


Artist Biographies

"Born Ilford,East London, 22 August 1955; soprano, alto and baritone saxophones, voice.

After a short period in Manchester, deciding that the possibilit of a career in librarianship was not for him, Alan Wilkinson moved to Leeds in 1975 to undertake a Fine Arts degree, concentrating on painting. Shortly after completing his degree he began playing the alto saxophone and joined the group Crow with Mathew Coe (aka Xero Slingsby), Richard Ward, and long-time associate, drummer Paul Hession. Following a short tour of Belgium and Holland, he decided to quit painting and concentrate on the saxophone. In 1979 he formed the group Art, Bart & Fargo with Hession and tenor sax player Pete Malham,experimenting with playing a wide range of other instruments, mainly percussion, and mixing composition with pure improvisation. After playing in England, Belgium and Germany the trio disbanded after three years.

In 1982 Wilkinson attended the Improvised Music Summer School in South Wales and this introduced him to musicians such as Peter Brötzmann, Barry Guy, Fred Van Hove, Keith Tippett, Phil Wachsmann and Radu Malfatti among others. This led directly to gigs on the London improvised music scene, a trio with Paul Hession and Japanese pianist Akemi Kuniyoshi, and many gigs with drummer Steve Hubback in a wide variety of combinations. In 1983, in duo with Hession, he appeared at the 10th annual Free Music festival in Antwerp, Belgium and at the Holland Art Initiative in Eindhoven. The same year he was among the original organisers of the Termite Club in Leeds, specialising in improvised and experimental music and performing arts. A trio with Steve Noble and Tony Moore existed from 1985 to 1988, having toured in Britain, Belgium, Holland and Denmark and in 1985 Wilkinson also joined the large improvising ensemble The Ubiquity Orchestra. From 1987 to 1989 Wilkinson's activities included a widely toured quartet with Willi Kellers, Christoph Winckel and Alex Maguire (through to 1992); a tour of England and Wales with Phil Durrant, Thebe Lipere, Will Evans, Louis Moholo and Keith Tippett; gigs with Mick Beck's large group Feet Packets; and a tour of England with Alex Maguire's nine-piece Cat o'Nine Tails.

Alan Wilkinson has been invited to play in Derek Bailey's Company on a number of occasions, firstly in 1987 on a tour of Switzerland and Italy with Steve Noble, Barre Phillips and Ernst Reijseger; again in 1988 at the ICA in London in a Company Week which included Dennis Palmer, LaDonna Smith, Gregg Bendian and Milo Fine; and in 1993 he helped organise and participated in Company Week at the Place Theatre with, among others, Don Byron, Robyn Schulkowski, Ikue Mori and Phil Minton. Other associations have included a stint with the John Law Quartet; playing with the London group Ya Basta; Real Time, with artist Gina Southgate and drummer Mark Sanders joined occasionally by Maggie Nicols or Susanna Ferrar. He has also played solo gigs since 1991.

Alan Wilkinson is probably best known as a member of the take no prisoners Hession/ Wilkinson/Fell trio formed with the addition of Simon Fell to the longstanding duo in 1989. Though perhaps correctly typified as a high energy power trio - starting loud and then opening the throttles - and the recorded evidence goes some way to support this proposition, there are not only areas of respite in the playing but also an interest in fitting the group into new situations. For example, in 1996 a short UK tour took place in June with US guitarist Joe Morris (with a CD forthcoming on Incus); and in November the trio appeared in an incendiary, ear-numbing, exhausting and hugely enjoyable interchange with Derek Bailey at the annual Termite Festival in Leeds: a gig that the organiser's attempted unsuccessfully and on several occasions to end prematurely (this being Sunday night in a pub in the UK), finally resorting to flashing the room lights and talking loudly; Derek Bailey, having been sat head down in concentration for the uninterrupted 40 minutes of the second piece then looking up blinking, seemingly surprised at the near panic. The following night, Wilkinson and Fell undertook a four date tour of the UK with a quartet completed by Peter Brötzmann and Willi Kellers, reprising a similar tour by the same musicians in 1994."

-EFI (http://www.efi.group.shef.ac.uk/mwilkins.html)
5/23/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. On Green Street (17:09)

2. East. East, East London (13:33)

3. Supa, Supa (14:43)

4. For Marlene (10:14)

5. So Are We, So Are We (18:18)



Total playing time 73:59

Related Categories of Interest:

Matchless
Improvised Music
European Improvisation, Composition and Experimental Forms
October 2006
London & UK Improv & Related Scenes
Free Improvisation

Search for other titles on the label:
Matchless.


Recommended & Related Releases:
Other Recommended Releases:
Edwards, John / N.O. Moore / Eddie Prevost / Alan Wilkinson
EMPoWered
(577 Records)
A live performance from London's I'klectik by British musicians John Edwards (double bass), N.O. Moore (guitar), and Eddie Prévost (drums), who have a long-standing history as a trio known for both energetic playing and extraordinary introspection, here expanded with saxophonist Alan Wilkinson for two outstanding performances of technical mastery and deep communication.
Wilkinson, Alan / Dirk Serries
One In The Eye [2 CDs]
(A New Wave of Jazz)
With an obvious pleasure at their pairing, both in the studio in Belgum in 2019 and at a live concert at A New Wave Of Jazz festival at the Hundred Years Gallery in London, 2020, acoustic guitartist Dirk Serries and multi-reedist Alan Wilkinson explore a range of styles and techniques through diverse melodic and abstract expression in pursuit of new forms of expression.



Customers Who Bought This Item Also Bought:
Prevost, Eddie
Loci Of Change
(Matchless)
Dorham, Kenny
Round About Midnight At The Cafe Bohemia To Matador - Revisited
(ezz-thetics by Hat Hut Records Ltd)
Revisiting and remastering two essential albums from New York hard bop trumpeter Kenny Dorham, a tremendous musican who died much too young but left a legacy of 20 albums as a leader, here in his 1956 Blue Note album in a sextet that included Bobby Timmons and Kenny Burrell, and his 1963 United Artists Jazz album in a quintet with Jackie McLean, Bobby Timmons, Teddy Smith and JC. Moses.
Space (Ullen / Bergman / Lund)
Embrace the Space
(Relative Pitch)
A startlingly exciting album of piano trio jazz from three creative innovators, in the followup to the 2022 debut of the Swedish Space Trio of Lisa Ullen on piano, Elsa Bergman on double bass and Anna Lund on drums, recording in the studio for eight collective improvisations of extremely well matched, highly interactive and exhilarating modern improv.
Wilkinson / Prevost / Moore / Edwards + Catchpole
Do Disturb (Concerts at Cafe OTO)
(Matchless)
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of NO Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
Prevost, Eddie
Collider: Or, Whose Drum is it, Anyway?
(Matchless)
A series of impressive improvised solo drum performances by AMM/Matchless leader Eddie Prévost performed at Network Theatre in London, 2012, three pieces with each demonstrating a different characteristic of his remarkably creative and technically virtuosic playing, first with drum sticks, then with "Hands, brush, hands", and finally "Sticking it too".
Allbee, Liz / John Butcher / Ignaz Schick / Marta Zapparoli
Lamenti Dall'infinito [VINYL]
(NI-VU-NI-CONNU)
The 4th of NI-VU-NI-CONNU's 5-LP John Butcher series and part of a 2 night residency at ausland in Berlin coinciding with his 65th birthday, tenor & soprano saxophonist John Butcher is joined in a quartet by electroacoustic improvisers, trumpeter Liz Allbee, Ignaz Shick on turntables, sampler & electronics and Marta Zapparoli on tapes, reel-to-reel tape machines and antennas.
Agnel, Sophie / John Butcher
La Pierre Tachee [VINYL]
(NI-VU-NI-CONNU)
The 2nd of NI-VU-NI-CONNU's 5-LP John Butcher series, the duo of pianist Sophie Agnel and soprano & tenor saxophonist John Butcher is informed by previous collaborations as a duo and in a trio with cellist Márkos Albert, here in a superb 2019 concert of balanced tension and intense interaction captured at Ausland in Berlin, a meeting of two perfectly matched improvisers.
Prevost, Eddie Band (w/ Hawkins / Gold / Mattos)
Bean Soup and Bouquets
(Matchless)
Their 1st album released in 1977 on Spotlite Records label, the free jazz quartet led by PrŽvost on drums, Geoff Hawkins on tenor saxophone, Gerry Gold on trumpet & flugelhorn, and Marcio Mattos on double bass, released two live albums on the Matchless label before disbanding; this live album from Cata OTO in London in 2020 reunites the band for a solid concert 42 years after.
Butcher, John / Eddie Prevost
Visionary Fantasies
(Matchless)
A series of inspired solo and duo performances from AMM founder, percussionist Eddie Prevost and free improvising saxophonist John Butcher, captured live at London's Iklectik in 2018, splitting the album between solo and duo work as the two morph their instruments into incredible sonic devices, with intense concentration and dialog nothing short of fantastic.
Polyorchard
Red October [CASSETTE w/DOWNLOAD]
(Out and Gone Music)
Polyorchard founder and double bassist David Menestres leads the quartet of Jeb Bishop on trombone, Shawn Galvin on percussion, and Laurent Estoppey on saxophone, using skills drawn from both improvisation and compositional music to present six free dialogs showing intent listening amongst the four as they create complex, interweaving, sophisticated statements; impressive!
Camoes, Joao / Jean-Luc Cappozzo / Jean-Marc Foussat
Autres Paysages
(Clean Feed)
"Autres Paysages" or "Other Landscapes" pins the description on the rich, turbulent, and mesmerizing music this trio creates, with French violist Joao Camoes and Jean-Marc Foussat on the EMS Synthi AKS collaborating for their 3rd album, joined by trumpeter Jean-Luc Cappozzo, as acoustics and electronics subsume and survive seamlessly in an inspired set of recordings.
Sirius (Tembe / Trinite)
Acoustic Main Suite Plus The Inner One
(Clean Feed)
A beautifully complex album of resonant improvisation from Swazi born trumpeter Yaw Tembe, who is committed to bring Africa to the Portuguese free music scene, Yaw, along with Paris veteran percussionist/objects manipulator Monsieur Trinitee, blend patient sonic environments with percussive platforms and both meditative and scrabbly trumpet work; an absorbing release.
Lencastre's, Joao Communion 3 (Lencastre / Sacks / Opsvik)
Movements In Freedom
(Clean Feed)
Communion is Portuguese drummer and composer Joao Lencastre's project to bring musicians from the American and international jazz scenes together, here in his 3rd release presenting a piano trio with two New Yorkers--pianist Jacob Sack and Norwegian bassist living in New York, Eivind Opsvik--for 3 Lencastre compositions, 1 Ornette Coleman piece, and 6 collective compositions.
Fraser, Nick (w/ Malaby / Downing / Clutton)
Is Life Long?
(Clean Feed)
Toronto drummer Nick Fraser leads the quartet of Tony Malaby on saxophones, Andrew Downing on cellos, and Rob Clutton on bass in their 3rd album together, presenting 6 Fraser original compositions, using both string players to create unique harmonic environments over which they combine lyrical and contemporary approaches to jazz and improv.
Rave, Ada Trio (w/ Nicola L. Hein / Wilbert De Joode)
The Sea, the Storm and the Full Moon
(Clean Feed)
Mixing free jazz and and open-minded collective improv using unusual techniques from Argentinian-born, Amsterdam-based saxophonist Ada Rave and her trio with German prepared guitarist Nicola L. Hein and Netherland bassist Wilbert De Joode, blending lyrical formats as she seeks new paths in the combination of written composition and spontaneous improvisation.
FCT Trio meets Carlos Atti (Atti / Graziano / Evangelista / Cusa)
From Sun Ra to Donald Trump
(Clean Feed)
With humorous titles referencing everything from Sun Ra to Donald Trump, Italian drummer Francesco Cusa's quartet with Carlo Atti (sax), Simone Graziano (piano) and Gabriele Evangelista (bass), reimagine the concepts of traditional jazz standards and formats into contemporatry approaches of composition and playing, in a serious and lyrical album of modern creative jazz.
Tree Ear (Strinning / Troller / Hemingway)
Witches Butter
(Clean Feed)
After percussionist and composer Gerry Hemingway migrated to Luzern, Switzerland he joined forces with the creative improvising community in that city, in particular with guitarist Manuel Troller and saxophonist and bass clarinetist Sebastian Strinning, the trio taking the name Tree Ear, blending free and idiomatic improv in bold, uncommon and spellbinding ways.
Swell, Steve (w/ Brown / Hwang / Ulrich / Boston / Pugliese)
Music for Six Musicians: Hommage a Olivier Messiaen
(Silkheart)
Steve Swell presents an homage to composer Olivier Messiaen in a sextet with Rob Brown (saxophone), Jason Kao Hwang (violin & viola), Robert Boston (piano & organ), Tomas Ulrich (cello), and Jim Pugliese (drums & percussion) performed live at Metro Baptist Church in NYC, 2017, a presentation of encompassing and passionate free music that knows little boundary.
Bishop, Jeb / Dan Ruccia
Scratch Slice Jag
(Out & Gone Records)
Trombonist Jeb Bishop and North Carolina-based Out & Gone Collective member, violist Dan Ruccia, after touring and performing with Eugene Chadbourne, Dan Lilley, and David Menestres, found their sound so compatible that they recorded this duo album using the languages of free jazz, chamber music, and extended improvisations to create something unexpected and rare.
Remote Viewers, The
Last Man In Europe
(Remote Viewers)
The saxophone-heavy UK improvising band Remote Viewers returns to a trio format, with founders David Petts on tenor sax and Adrian Northover on soprano sax, plus John Edwards on double bass, as the stripped-down band employs signature harmonic territory and compositional approaches, making this a distinctively concentrated and welcome Remote Viewers album.
Frey, Jurg
Collection Gustave Roud [2 CDs]
(Another Timbre)
A double CD with five beautiful pieces that engage with the work of the extraordinary French-Swiss poet Gustave Roud, with performers including Dante Boon, Stefan Thut, Andrew McIntosh and Jurg Frey himself, 10 compositions that Frey wrote in the manner that Roud would, roaming with a sketchbook and developing the pieces based on impressions of his surroundings.
Barbares (Bopp / Foussat / Petit / Sato)
Debris d'orgueil
(Fou Records)
Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.
Morris, Joe
Shock Axis
(Relative Pitch)
A limited edition release of guitarist Joe Morri's new NY-area aggressive improvising trio with younger players Dave Parmelle on drums and Chris Cretella on electric bass, shredding with awesome technical skill and intense harmonic and melodic force, really powerful stuff!
Starlite Motel (Alberts / Saft / Haker-Flaten / Nilssen)
Awosting Falls [VINYL]
(Clean Feed)
Scandinavian and American musicians join together to form this quartet, with Kristoffer Berre Alberts on saxes, Jamie Saft on organ and keys, Ingebrigt Haker-Flaten on electric bass, and Gard Nilssen on drums & electronics, for an album of spacey and groove oriented jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC