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Butcher, John / Pat Thomas / Dominic Lash / Steve Noble: Fathom
Butcher, John / Pat Thomas / Dominic Lash / Steve Noble:
Fathom

(577 Records -- USA )


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The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

Butcher, John / Pat Thomas / Dominic Lash / Steve Noble: Fathom [COLORED VINYL]
Butcher, John / Pat Thomas / Dominic Lash / Steve Noble:
Fathom [COLORED VINYL]

(577 Records -- USA )


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The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

Consorts: Distinctions
Consorts:
Distinctions

(Spoonhunt -- UK )


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Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink!

Convergence Quartet (Bynum / Einsenstadt / Hawkins / Lash): Song / Dance
Convergence Quartet (Bynum / Einsenstadt / Hawkins / Lash):
Song / Dance

(Clean Feed -- Portugal )


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Cornetist Taylor Ho Bynum, drummer Harris Eisenstadt, pianist Alexander Hawkins and bassist Dominic Lash converge for 9 pieces of avant-jazz and free music.

Convergence Quartet, The: Live In Oxford
Convergence Quartet, The:
Live In Oxford

(FMR -- Great Britain )


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The Convergence Quartet (Taylor Ho Bynum, Harris Eisenstadt, Alexander Hawkins and Dominic Lash) in their first FMR CD performing inspired modern jazz live in Oxford.

Convergence Quartet, The: Slow and Steady
Convergence Quartet, The:
Slow and Steady

(NoBusiness -- Lithuania )


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The Convergence Quartet with Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dominic Lash (bass) and Harris Eisenstadt (drums) performing live at the Vortex Jazz Club in November, 2011 as part of the London Jazz Festival.

Cundy, Chris: Gustav Lost
Cundy, Chris:
Gustav Lost

(FMR -- Great Britain )


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A melodic set of improvisations composed by bass clarinetist Chris Cundy, using approaches for songwriting to create compelling jazz compositions, in a band with Fyfe Dangerfield on piano, Mat Martin on guitar, Hannah Marshall on cello, Mark Sanders on drums and Dominic Lash on bass.

Frey, Jurg / Magnus Granberg: Early to Late
Frey, Jurg / Magnus Granberg:
Early to Late

(Another Timbre -- UK )


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New ensemble pieces by Jurg Frey and Magnus Granberg played by Ensemble Grizzana, commissioned by Another Timbre with the request that both start from the same two fragments of early music, one by Johannes Ockeghem, the other by William Byrd, each composer producing fascinatingly different pieces that both contain echoes of the source material.

Holy Quintet, The (Change / Drouin / Lash / Lazardiou / Ryan): Borough
Holy Quintet, The (Change / Drouin / Lash / Lazardiou / Ryan):
Borough

(Mikroton Recordings -- Russia )


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The meeting of Johnny Chang (viola), Jamie Drouin (suitcase modular synth), Dominic Lash (double bass), Dimitra Lazaridou-Chatzigoga(zither, and David Ryan (bass clarinet) recording at Bourough welsh Congregational Chapel, in London in 2013, recorded by Another Timbre label leader Simon Reynell, for a unique merging of disparate approaches to ea-improv.

Lash, Dominic / Pat Thomas: New Oxford Brevity
Lash, Dominic / Pat Thomas:
New Oxford Brevity

(Spoonhunt -- UK )


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After twenty years of collaboration including bands BleySchool, The Locals and Valid Tractor, this is surprisingly the first duo recording between British improvisers, pianist Pat Thomas and Dominic Lash, the latter more typically on double bass but here on electric guitar, and Thomas on the grand piano at St. Anne's College in Oxford, as the two improvise six fascinating dialogs.

Lash, Dominic Quartet (w / Carmona / Tejero / Ward): Limulus
Lash, Dominic Quartet (w / Carmona / Tejero / Ward):
Limulus

(Spoonhunt -- UK )


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Honing their conversation in their third release as a band, British double bassist Dominic Lash's Quartet with Javier Carmona on drums & percussion, Ricardo Tejero on alto saxophone and Alex Ward on electric guitar are heard live at Cafe OTO in London, Lash providing all compositions and arrangements over six wide-ranging, edgy and innovative improvisations; outstanding!

Locals, The (Thomas, Ward / Thomas / Lash / Hasson-Davis): The Locals Play The Music Of Anthony Brax
Locals, The (Thomas, Ward / Thomas / Lash / Hasson-Davis):
The Locals Play The Music Of Anthony Braxton

(Discus -- UK )


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An upbeat and energetic performance at the Konfrontation Festival, Ulrichsberg in 2006, featuring six early compositions by Anthony Braxton, arranged by pianist Pat Thomas and performed by the quintet of superb improvisers and interpreters Alex Ward on clarinet, Evan Thomas on electric guitar, Dominic Lash on electric bass, and Darren Hasson-Davis on drums.

Maroney, Denman / Dominic Lash: All Strung Out
Maroney, Denman / Dominic Lash:
All Strung Out

(Kadima -- Israel )


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Double bass and hyperpiano meet in a transatlantic collaboration between pianist Denman Maroney and bassist Dominc Lash, a combination of exhilarating technique and invention from two remarkable players.

Russell, John / John Butcher / Dominic Lash: But everything now left before it arrived
Russell, John / John Butcher / Dominic Lash:
But everything now left before it arrived

(Meenna -- Japan )


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A live performance at the 2010 GIO Fest III in Glasgow, UK, from three of the UK's leading free improvisers--late guitarist John Russell, John Butcher on saxophones and Dominic Lash on double bass--a superb concert in five improvisations of incredible technical skill through both energetic and restrained passages, a brilliant example reminding us of the loss of the great guitarist.

Ryan, David (Crosby / Innocenti / Lash): Fields And Refrains
Ryan, David (Crosby / Innocenti / Lash):
Fields And Refrains

(Aural Terrains -- UK / EU )


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A collection of three modified solo pieces and one collective performance with a minimalist aesthetic through compositions by David Ryan, performed by William Crosby on guitar, Luca Innocenti on church organ & Hammond organ and Dominic Lash on contrabass, each score allowing for interpretation and improvisation, particularly the final collaborative piece.

Seen, The: For Sake Of Joy Of Study Of Oneself Together
Seen, The:
For Sake Of Joy Of Study Of Oneself Together

(Confront -- UK )


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Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions.

Thomas, Pat / Dominic Lash / Tony Orrell: BleySchool [VINYL]
Thomas, Pat / Dominic Lash / Tony Orrell:
BleySchool [VINYL]

(577 Records -- USA )


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Referencing the deceptively simple and memorable melodies of pianist Paul Bley, the trio of Pat Thomas on piano, Dominic Lash on double bass, and Tony Orrell on drums & percussion pay homage to the late pianist through his own work, plus compositions from Cara Bley, Ornette Coleman, Duke Ellington, and one collective improvisation; a sensitive and lyrical modern jazz album.

 
Tin (Dominic Lash / Axel Dorner / Roger Turner):
Uncanny Valley

(Confront -- UK )


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A new trio at the time, TIN is trumpeter Axel Dorner, bassist Dominic Lash, and drummer/percussionist Roger Turner, captured live in three locations during their 2015 UK tour, presenting masterful avant improvisations of sound-oriented work using an immense technical vocabulary to creative inventive and captivating dialog.



The Squid's Ear Magazine

The Squid's Ear Magazine

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