The Squid's Ear Magazine
Autumn Hat Sale!
105 ezz-thetics by Hat Hut, Ltd @ $10 off each!




Vandermark 5: A Discontinuous Line (Atavistic)


 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 6.00 units

Sample The Album:


product information:

Personnel:



Ken Vandermark-baritone saxophone, Bb clarinet, bass clarinet

Dave Rempis-alto and tenor saxophones

Fred Lonberg-Holm-cello

Kent Kessler-bass

Tim Daisy-drums


Click an artist name above to see in-stock items for that artist.




Label: Atavistic
Catalog ID: ALP 173CD
Squidco Product Code: 6920

Format: CD
Condition: New
Released: 2006
Country: USA
Packaging: Jewel Tray

Descriptions, Reviews, &c.

"A Discontinuous Line is the first studio recording of the new incarnation of the Vandermark 5, Chicago-based multi-instrumentalist Ken Vandermark's most enduring and versatile ensemble. The Vandermark 5 has been an acoustic quintet since trombonist/guitarist Jeb Bishop dropped the electric instrument from his arsenal in 2001, taking his final leave last year. With the arrival of cellist Fred Lonberg-Holm, the group once again has the capacity to deliver the electronic maelstroms that made them famous outside of the jazz world in the late 1990s.

Lonberg-Holm is equally at home playing gorgeous straightahead melodies or experimenting with subtle electronic effects. With an occasional touch of distortion, he summons a sound long gone from the band's palette. Hearing those churning power chords once again backing the group on its more visceral excursions is breathtaking.

Vandermark has been playing more baritone with each passing album; it is beginning to sound like his best horn. Saxophonist Dave Rempis, a taut and visceral improviser, every bit Vandermark's equal, continues to astound. Bassist Kent Kessler and drummer Tim Daisy drive this unit with force. Dynamically restrained during the group's neo-classical excursions, they are equally capable of pulverizing grooves that belong in seedy rock clubs, rather than uptown jazz joints.

Vandermark's expansive writing isn't bound by genre constraints. His intricate compositions and consistently surprising arrangements embrace a narrative writing tradition removed from the rote conventions of head-solo-head formats and simple AABA song forms.

[...]

Alternating between brisk free bop, bluesy noir, spare neo-classicism, gritty funk and pulverizing rock rhythms, this ensemble is unhampered by stylistic boundaries. Combining infectious melodies, driving momentum, heady call and response, inventive arrangements and furious collective improvisation, A Discontinuous Line demonstrates why the V5 has been Vandermark's most enduring ensemble."-Troy Collins, AAJ


Get additional information at All About Jazz

Artist Biographies

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dave Rempis was born in Wellesley, Massachusetts on March 24th, 1975. He began his musical studies at the age of 8, inspired by a family friend who played clarinet in local Greek bands, and by Zoot, of the Muppets Band, to pick up saxophone. During high school he performed in his town, district, and all-state bands and wind ensembles, as well as in a jazz combo at a local music school.

In 1993, Rempis began a degree in classical saxophone at Northwestern University with Frederick Hemke. Finding this environment stifling, Rempis quickly ditched the music degree to pursue studies in anthropology and ethnomusicology. As part of these studies, he spent a year at the International Centre for African Music and Dance at the University of Ghana, Legon, studying African music and ethnomusicology. He also continued to perform with many different types of groups, ranging from highlife and reggae bands while in Ghana, to jazz, free jazz, funk, and contemporary music ensembles at home. He graduated from Northwestern in 1997.

Upon graduating, Rempis decided to focus on performing, and in March of 1998 at the age of 22 was asked to replace veteran saxophonist Mars Williams in the well-known Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe playing clubs, concert halls, and festivals on both continents.

During his tenure with The Vandermark Five, Rempis also began to develop the many Chicago-based groups and international collaborations for which he's currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Many of these groups have been documented on the Okkadisk, 482 Music, Not Two, Clean Feed, Solitaire, and Utech record labels. Past collaborations have included performances with Paul Lytton, Axel Dörner, Peter Brötzmann, Hamid Drake, Steve Swell, John Tchicai, Roscoe Mitchell, Fred Anderson, Kevin Drumm, Paal Nilssen-Love, Nels Cline, Tony Buck, and Joe McPhee. Rempis has been named regularly since 2006 in the annual Downbeat Critics's Poll as a "rising star" on alto saxophone, and as a "rising star" and "established talent" on baritone saxophone.

Aside from performing, Rempis is also active as a presenter. Since 2002, he's curated a weekly Thursday-night concert series for the Elastic Arts Foundation. The series has featured over 500 concerts by some of the best improvisers from around the world, while maintaining a focus on up-and-coming local musicians. In late 2005, Rempis helped form the presenters' collective Umbrella Music, working with a small group of musicians and presenters in Chicago to provide better playing opportunities for creative and improvising musicians. As part of this group, he organized the annual Umbrella Music Festival from 2006-2014.

Rempis is also one of the main organizers of the indie-rock Pitchfork Music Festival, a 60,000-person event which takes place in Chicago's Union Park every July."

-Dave Rempis Website (http://daverempis.com/bio/)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Fred Lonberg-Holm (born 1962) is an American cellist based in Chicago. He relocated from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on many rock, pop, and country records. Lonberg-Holm currently leads the Valentine Trio, with Jason Roebke (bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album Terminal Valentine, in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson.

He coordinates and directs performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group, but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwritten signs. The lightbox contains a light bulb for each musician which Lonberg-Holm switches on or off to suggest when they should play. Collective groups of which Lonberg-Holm is a member include Terminal 4 who released an album, in 2003, called When I'm Falling that received four and a half stars, and AMG Album Pick by Allmusic, and it was reviewed by Allmusic's Joslyn Layne, The Boxhead Ensemble, Pillow, the Lonberg-Holm/Kessler/Zerang trio (with Kent Kessler and Michael Zerang), and the Dörner/Lonberg-Holm duo (with Axel Dörner).

Among groups led by other people, he is a member of the Vandermark 5, the Joe McPhee Trio, the Peter Brötzmann Chicago Tentet, Keefe Jackson's Fast Citizens, and Ken Vandermark's Territory Band. When he lived in New York, Lonberg-Holm frequently collaborated with the rock group God Is My Co-Pilot pianist and composer Anthony Coleman as well as multi-instrumentalist Paul Duncan of Warm Ghost. In Chicago, he has worked with Jim O'Rourke, Bobby Conn (on "Llovessonngs" [1999] and "The Golden Age" [2001]), The Flying Luttenbachers, Lake Of Dracula, Wilco, Rivulets, Mats Gustafsson, Sten Sandell, Jaap Blonk, John Butcher, and a great many others.

Lonberg-Holm's concert works have been premiered by William Winant, Carrie Biolo, the Austin New Music Co-Op, Subtropics Ensemble, Duo Atypica, the Schanzer/Speach Duo, New Winds, Paul Hoskin, Kevin Norton, the E.S.P. Ensemble, and others. His scores for dance have been performed at the Brooklyn Academy of Music and Dance Theater Workshop as well as many other venues. He is a former composition student of Anthony Braxton and Morton Feldman. He performed improvised music in the role of a troubled composer who finds inspiration in the love of a couple he spots on the street in a short film for the Playboy channel."

-Wikipedia (https://en.wikipedia.org/wiki/Fred_Lonberg-Holm)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kent Kessler (born January 28, 1957 in Crawfordsville, Indiana) is an American jazz double-bassist, best known for his work in the Chicago avant-garde jazz scene.

Kessler, born in Crawfordsville, Indiana, grew up on Cape Cod and began playing trombone at age ten. He and his family moved to Chicago when he was 13, and a few years later Kessler became intensely interested in jazz. While attending St. Mary Center for Learning High School, he began taking lessons from Kestutis Stanciauskas (Streetdancer) in electric bass and jazz theory in the middle of the 1970s. In 1977 he formed the ensemble Neutrino Orchestra with percussionist Michael Zerang and guitarists Dan Scanlan and Norbert Funk. He spent three months in Brazil during 1980-81 and spent time studying intermittently at Roosevelt University in Chicago; he and Zerang also formed a group called Musica Menta, which played regularly at Link's Hall.

Kessler began playing double bass in the 1980s and it became his primary instrument when he was asked in 1985 to join the NRG Ensemble, who toured Europe and recorded for ECM Records under the leadership of Hal Russell until his death in 1992. In 1991, he gigged with Zerang and guitarist Chris DeChiara; in need of a hornist, they called Ken Vandermark, who had been considering leaving the Chicago scene. Kessler and Vandermark would go on to collaborate extensively on free jazz and improvisational projects such as the Vandermark 5, the DKV Trio and the Steelwool Trio. In the 1990s and afterwards he worked with Chicago musicians such as Hamid Drake, Fred Anderson, and Joe McPhee, and also with European musicians such as Peter Brötzmann, Mats Gustafsson, Misha Mengelberg, and Luc Houtkamp.

In 2003, Kessler released a solo album, Bull Fiddle, on Okka Disk. Kessler performs alone on nine of the twelve tracks, and with Michael Zerang on three."

-Wikipedia (https://en.wikipedia.org/wiki/Kent_Kessler)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tim Daisy (percussion) has been an active member of Chicago' s creative music scene since moving there in 1997. He has performed, composed, recorded, and toured with many of the city's celebrated musicians and ensembles, including the Engines, KLANG, the Rempis Percussion Quartet, the Resonance Ensemble, and the Vandermark 5. In addition, Tim maintains an active composing schedule, writing for his own bands (such as Vox Arcana and Group 4-34) as well as contributing music to a number of collaborative projects- including chamber groups, jazz ensembles, dance, and film. He has had the fortunate experience to perform and record with many great improvisers both from around the world, including: Fred Anderson, Jim Baker, Jeb Bishop, Magnus Broo, Xavier Charles, James Falzone, Erik Friedlander, Per-Ake Homlander, Fred Lonberg-Holm, Nate McBride, Joe McPhee, Dave Rempis, Steve Swell, Mikolaj Trzaska, Havard Wiik, Waclaw Zimpel, and Michael Zerang. Besides a regular concert schedule in Chicago, Tim has toured throughout North America and Europe, and has performed at numerous international music festivals."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



// 1. Convertible, Version One (for Charles Eames) // 2. Reciprocal (for Santiago Calatrava) // 3. La Dernier Cri (for Elliot Carter) // 4. Some Not All (for Phillip Wilson) // 5. Aperture (for Walker Evans) // 6. Morricone (for Sergio Leone) // 7. Convertible, Version Two (for Ray Eames) 8. The Ladder (for Giorgio De Chirico)

Related Categories of Interest:

Atavistic
Improvised Music
Jazz
October 2006
Ken Vandermark
Chicago Jazz & Improvisation
Quintet Recordings
Quintet Recordings

Search for other titles on the label:
Atavistic.


Recommended & Related Releases:
Other Recommended Releases:
Rempis / Piet / Daisy
Throw Tomatoes
(Astral Spirits)
Bringing together two live shows from 2017 of the trio of Chicago luminaries, Dave Rempis on saxophones, Tim Daisy on drums, and Matt Piet on piano, in an exhilarating album of free jazz that shows the excitement of all three in what are only their 3rd and 4th live gigs together, each driving the other to enthusiastic heights amidst contemplative and playful moments.
Carl, Rudiger Inc.
King Alcohol (New Version) [2 CDs]
(Corbett vs. Dempsey)
The debut album of Rudiger Carl is an assertive studio session of brilliant free jazz from 1972, with Carl on tenor saxophone, Gunter Christmann on trombone, and Detlef Schonenberg on drums, presenting a great example of early European Free Improv, remastered from the original tapes and issued on CD for the first time, with a 2nd CD of previously unreleased bonus tracks.
Rara Avis (Ken Vandermark / Stefano Ferrian / Simone Quatrana / Luca Pissavini / Sec)
Rara Avis
(Not Two)
Chicago multi-reedist Ken Vandermark in a quintet with Italian musicians Stefano Ferrian (tenor saxophone), Simone Quatrana (piano), Luca Pissavini (double bass), and SEC_ (Revox tape recorder, instant sound treatment) in an uninhibited live concert in 2013 at Dragon Club in Poland.
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Worse For The Wear
(Aerophonic)
The fifth release from the international power trio of Dave Rempis (sax), Fred Lonberg-Holm (cello & electronics) and Paal Nilssen-Love (drums) in a rewarding release of heavy grooves, offset by introspective soundscapes and moments of quiet beauty.
Made to Break
Cherchez la Femme
(Trost Records)
The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.
Rempis / Abrams / Ra
Aphelion
(Aerophonic)
Showcasing the working trio of saxophonist Dave Rempis, Joshua Abrams on bass, guimbri and small harp, and percussionist Avreeayl Ra, in a uniquely voiced trio balancing beauty and power.
Rempis / Daisy Duo, The
Second Spring
(Aerophonic)
Since 1997 drummer Tim Daisy and saxophonist Dave Rempis have worked together as part of the vital Chicago improvising scene, heard here in these superb duo sessions of great technical, musical, and inventive skills.
Vandermark / Gregorio / Bishop / Morris / &c
Pipeline
(Corbett vs. Dempsey)
In 2000, saxophonist Mats Gustafsson and curator John Corbett organized a 16-piece free music big-band featuring key members of the Chicago and Swedish scenes, recording these two impressive, ecstatic, and explosive works.
Made to Break
Lacerba [VINYL]
(Clean Feed)
The electroacoustic quartet of Christof Kurzmann (electronics), Devin Hoff (bass), Ken Vandermark (reeds) and Tim Daisy (drums) performing live in Lisbon, an innovative and significant band developing new languages for improvisation.



Customers Who Bought This Item Also Bought:
Transit (Arnal / Misterka / Radding / Wooley)
Quadrologues
(Clean Feed)
New York's Transit with Jeff Arnal, Seth Misterka, Reuben Radding and Nate Wooley, intelligently designed, unpredictable static and the hyper active free-jazz!
Forsyth, Chris / Wooley, Nate
The Duchess of Oysterville
(Creative Sources)
Skeleton Crew
Learn to Talk and Country of Blinds [2 CDs]
(Recommended Records)
Threadgill, Henry's Zooid
Up Popped the Two Lips
(Pi Recordings)
Great record from Threadgill's Zooid ensemble, an all-acoustic group with guitar, cello, oud, tuba and drums, along with the leaders saxophone and flute. Beautiful compositions, nicely played.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC