"Carla Kihlstedt (born 1971) is an American composer, violinist, vocalist, and multi-instrumentalist, originally from Lancaster, Pennsylvania and currently working from a home studio on Cape Cod.

She is a founding member of Tin Hat Trio (1997, renamed Tin Hat), Sleepytime Gorilla Museum, The Book of Knots, Causing a Tiger and Rabbit Rabbit. Other musical projects include 2 Foot Yard, Charming Hostess and Minamo (Carla Kihlstedt & Satoko Fujii). She is a recognized classical composer who has performed with the International Contemporary Ensemble (ICE), has worked occasionally on projects with Tom Waits and Fred Frith, and recorded numerous albums as a guest or session musician. Kihlstedt has studied at the Peabody Conservatory of Music, San Francisco Conservatory of Music, and Oberlin Conservatory of Music.

In February 2012 she founded Rabbit Rabbit with her husband (and former Sleepytime Gorilla Museum drummer) Matthias Bossi. Rabbit Rabbit released their debut album, Rabbit Rabbit Radio - Vol. 1 in 2013. The band revolves around a song-a-month subscription website called Rabbit Rabbit Radio."

"Matthias Bossi, voice, percussion, and keyboards (Dennis, MA), has played drums in Skeleton Key, Sleepytime Gorilla Museum, Fred Frith's Cosa Brava, and The Book of Knots, and made records with John Vanderslice, St. Vincent, Pretty Lights and The Tiger Lillies. His video game production company with bassist/engineer Jon Evans, Ridiculon, has written soundtracks for the video game "The Binding of Isaac: Rebirth" and soon to be released "The Binding of Isaac: Afterbirth" "Super Meat Boy: 5th Anniversary" and "Super Meat Boy: Forever."

As an actor, Matthias has worked with the Shotgun Players, Pickle Family Circus, and action theatre pioneers Erika Shuch and Joe Goode. His current voiceover work can be heard on the sensational "Little Baby's Ice Cream" commercials, and also on a guided tour of Golden Gate Park produced by the SF-based audio walk company, Detour.

In February 2012, Matthias founded Rabbit Rabbit with his wife Carla Khilstedt. Rabbit Rabbit released their debut album, Rabbit Rabbit Radio - Vol. 1 in 2013. The band revolves around a song-a-month subscription website called Rabbit Rabbit Radio."

"Jeremy Flower (Composer, Electronics, Guitar, Keyboards) is a multi-instrumentalist and composer of acoustic and electronic music. His work with electronics has landed him on stage as a guest artist with the Atlanta and Chicago Symphony Orchestras, the Santa Fe Opera, LA Philharmonic, Konzertgebau, Curtis Institute, St. Luke's, American Composers Orchestra as well as with world-renowned electronic producers in experimental, ambient and minimal techno genres. Flower has been commissioned by the Chicago Symphony Orchestra for their Music NOW series, James Sommerville and the Hamilton Philharmonic for their new music festival What Next?, and Carnegie Hall's Weill Institute. He has written music for the feature documentary Animas Perdidas. He is part of David Krakauer's Ancestral Groove project, which explores the heritage of traditional Jewish music through the lens of the modern experience fusing Klezmer with hip-hop, jazz, and house music. He has collaborated extensively with Argentine-American composer Osvaldo Golijov, helping to create electronic parts for the Grammy-nominated song cycle Ayre (2006) and one-act opera Ainadamar which won two Grammys (2007). Both of these works have been recorded for and released by Deutsche Grammophon. Flower and Golijov also collaborated on the film score for Francis Ford Coppola's 2007 film, Youth Without Youth, a composition for the opening of WNYC Radio's new performance space, and the score for Coppola's 2009 film Tetro, and the yet unreleased film Twixt."

"I'm Jon Evans. I love making music. After graduating from Berklee College of Music in 1991, I moved to California and quickly became part of the burgeoning music scene in the San Francisco Bay area. Over the next 20 years, I found myself recording and touring internationally with Linda Perry, Tori Amos, Paula Cole, Chris Cornell, Sarah McLachlan and others. The pull to spend more time back east was strong, so when the opportunity to build a studio in a bucolic setting presented itself, I jumped at the chance. At Brick Hill, whether I'm producing and mixing records, or composing with Stellwagen Symphonette and Ridiculon, it feels like anything is possible."