Pianist Joel Futterman presents a compelling suite of concise yet intricately connected solo improvisations, weaving sustained resonances, sharp staccato gestures, shifting dynamics, and evolving tonal relationships into a richly reflective musical journey that continuously transforms while maintaining a strong sense of unity and expressive depth.
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Each track is a complete unedited first take with no overdubs.
Label: Squid Note Records
Catalog ID: SQN 002
Squidco Product Code: 37115
Format: Digital
Condition: New
Released: 2025
Country: USA
Packaging: Digital Release on Bandcamp
Recorded in Virginia Beach, March & April, 2025, by James Jones. Mixed by Stephen Schmidt. All compositions by Joel Futterman (BMI).
"I have been following avidly Joel Futterman's evolving pianism and attendant aesthetic developments since 2011, more sporadically before that, and while each release is unique within the parameters of his pianistic syntax, this one comprises an entirely different narrative. While so many of Futterman's odysseys transcend the half-hour, the longest on this collection of vignettes doesn't reach 11 minutes. Similarly brief exhortations bring several of his discs to a close, but they constitute a concluding consideration or query. These 19 aphorisms, themselves comprising aphorisms within, stand as a serialization of Futterman's art in restatement and radical departure, a galaxy of ideas starkly related to one another.
These miniatures, astonishing in recurrence and requiring the deepest listening to hear it, summarize in each instant as much as they portend. In recent years, Futterman has expanded, elasticized, his exploration of the overtone. The album's opening sonorities ring those narrative changes, the first blissfully outside of conventional tonality fading to a near-silence broken only by a harmonically related chord in sharp staccato. The succeeding sustains, gentle in their repose, birth the merest fragment of a melody, Webernian in its briefly emotive import and then subsumed by yet another staccato chord which will return, appended, moments later. Changing tempo and dynamic level, sustain and staccato become opposing forces, and only at the very end does a sense of "tonal" resolution occur with a single sustain pitch and an ascending arpeggiation that sets the entire keyboard in vibration.
The album thrives on similar long-term relationships while continuously expanding them beyond any perceived boundaries, constantly thwarting expectations. The sustained opening of the fourth vignette prepares the way for the fifth's rapid-fire invocations and sudden descent into an entirely unanticipated and sparsely mysterious texture. The 9th piece's recurrent circular melody stands in direct contrast to the vast interregistral points and slashes confronting us in the 10th's rhythmically varied intricacies. Each piece reflects its antecedent and consequent, just as each component of each piece reflects its surroundings. The whole is a pathway of mirrors, signposts, dialogues, connections and resolutions leading ultimately, inexorably, to the breathtaking ballad at the discs conclusion. It is simultaneously the first vignette's antipode and counterpart, the end and the beginning a unity of purpose and execution."-Marc Medwin
Each track is a complete unedited first take with no overdubs.
Artist Biographies
• Show Bio for Joel Futterman "Joel Futterman, Piano and Indian Flute Determined to push the limits of the piano to techniques never heard in jazz, Joel began a 25-year regimen of practicing 8-10 hours a day. During this period, he developed a three-hand technique based on completely autonomous playing between the hands. With more than 70 recordings, he is considered one of the most innovative yet enigmatic new music pianists. Known for his spirited, highly imaginative, and innovative piano technique, Joel Futterman is an internationally recognized veteran pioneer into the frontiers of spontaneous, improvised music. He is considered one of the foremost inventive and adventurous artists shaping the creative, progressive music scene today. Futterman continuously pushes the limits of the piano as he explores new musical horizons. He has performed across North America and Europe including at such noted music festivals as the Tampere Jazz Festival in Finland, the Vision Festival in New York, the New Orleans Jazz & Heritage Festival, and the Guelph Festival in Canada. He has performed with such notable jazz innovators as Jimmy Lyons, Rahsaan Roland Kirk, Paul Murphy, Joseph Jarman, Richard Davis, William Parker, Alvin Fielder, and Hal Russell; as well as Edward 'Kidd' Jordan, with whom he has had a highly productive association. For many years, Futterman has also played the Indian Wooden Flute. Joel Futterman was born in Chicago, IL. He grew up and lived in Chicago until 1972. Joel had piano lessons from about age 9-11, then continued playing on his own, eventually studying theory and harmony with Alan Swain. Joel met Clarence (Gene) Shaw when he was 18 and studied with Clarence for two years. Clarence was an important influence at the time. One night Clarence invited Joel to his home for a party. He introduced Joel to Charles Mingus. Joel recalls that Mingus gripped his hand firmly and stared up at the ceiling. Joel attended University of Illinois in Chicago obtaining a (B.S.). Herman Finer, professor of political science, was a profound influence and encouraged Joel to pursue his creative endeavors. While Joel was in college, his mother passed away and he isolated himself and began practicing 12 to 16 hours a day. Practicing was the only comfort for him at this time. Joel attended Northeastern University in Chicago and worked on an MS in Education. He was nine hours short of receiving the degree when he decided to leave Chicago. Joel did receive an MS in Education with an endorsement in Reading at Old Dominion University in 1975. In 1972, Joel moved to Virginia, where he resides today, in a personal quest to develop his creative voice. His first album, CAFETERIA, was released in 1980 to considerable acclaim due to its originality. Since then, his recordings have included a number of jazz legends, such as Jimmy Lyons, Richard Davis, Hal Russell, William Parker and others. In 1994, photographer Michael Wilderman introduced Joel to Edward 'Kidd' Jordan, and since then Joel has enjoyed many rewarding musical collaborations with Kidd and drummer Alvin Fielder. Also, Joel Futterman has had a deep association with artist Ike Levin, founder of the Charles Lester Label." ^ Hide Bio for Joel Futterman
1/27/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Absorb Part 1 29:06
2. Absorb Part 2 23:27
3. Absorb Part 3 09:19
4. Absorb Part 4 12:05
Digital Releases
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Piano & Keyboards
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