After studying saxophone at the "Conservatory of Lausanne, Switzerland, where he received in 1994, a concert license (master of arts soloist) Swiss saxophonist established in Greensboro in 2010, Laurent Estoppey, devoted himself mostly to contemporary music, but performs and teaches classic saxophone repertoire and transcriptions of baroque music.

Numerous collaborations with composers have led him to create at least one hundred works. Now his musical activity is divided between written music and improvisation, and it occurs throughout Switzerland, many European countries, but also in Canada, USA, Argentina, Guatemala and South Africa.

He works with the following orchestras: Orchestre de la Suisse Romande Orchestra (from 2008 to the present, conducted by Marek Janowski, Kazuki Yamada...), Lausanne Chamber Orchestra (1998 to the present (Christian Zacharias...) Basel Symphony, UBS Verbier Festival Orchestra (1999 James Levine) Timisoara, Orchestra of the State of Lithuania, Lausanne Sinfonietta, NEC - Chaux-de- Fonds-Contrechamps Geneva, Staatskapelle Weimar (2010, Heinz Holliger)

Estoppey has founded and developed several chamber music groups including: DILEMME (saxophone / piano with Myriam Migani), ST15 (saxophone / piano with Virginie Falquet) DEGRE21 (saxophone / guitar with Antonio Albanese), 1+1 (duo- concept Anne Gillot, recorders), compagnie CH.AU (set of nine musicians) and the 4TENORS (saxophone quartet with Vincent Daoud, Rico Gubler and Lars Mlekusch). A collaboration with saxophonist Dr.Steve Stusek (professor at UNCG) as well as the foundation of COLLAPSS (Collective for Happy Sounds) in Greensboro are his main activities in the United States. Additionally he is regularly invited to play with the saxophone quartet Basel ARTE Quartet and is a member of baBel ensemBle.

His improvisational collaborations involve meetings and concerts with musicians from all backgrounds. Many groups he has worked with are still alive today, including: HipNoiz51 (DJ, drums, saxophone, clarinet, bass and electronics) BETTY'S QUARTET (two saxophones, two voices Antoine Auberson, Anne-Sylvie Casagrande and Edmée Fleury), YET TRIO (Lingling Yu, pipa and Dragos Tara, doublebass), and Zkrabuj et chou et pâté (saxophone / percussion with LucMüller)

Estoppey as also worked alongside many independant musicians such as Jacques Demierre, Pierre Favre, Pierre Audétat, Malcolm Braff, Urs Leimgruber, Fritz Hauser and Nick Didkovsky.

He is a guest musician of the Russian theatrical troupe Akhe with whom the show "Wet Wedding" was presented in Geneva, Nice, London, Stockholm, and Mexico.

His discography includes sixteen recordings

His interest in all contemporary arts has led him to collaborate with many artists in interdisciplinary projects including, among others, projects with Georges Haldas (literature), Olivier Saudan (painting and video), Francis Baudevin Stephan Perrinjaquet, Tatiana Rihs, Claudia Comte, Christopher Cassidy, Samantha DiRosa (visual arts) Heidi Bunting, Christine Cruchon, Brianna Taylor (dance), Gil Pidoux (literature and theater).

As an educator, Estoppey used to teach saxophone from beginners to master students for around twenty years in many music schools in Switzerland. He is regularly invited to lead improvisation workshops for musicians of all levels and all instruments, as well as saxophone, improvisation and contemporary music masterclasses.

He has a real passion to share his love for art and music with children as well as teenagers and adults.

As a composer, Estoppey writes music for concerts, but also sound installation and video art.

His piece NFM for saxophone ensemble was recently performed by UNCG saxophone studio and UNCSAx Ensemble.""

"Daniel Levin is "one of the outstanding cellists working in the vanguard arena" (All About Jazz), "ridiculously fluent, virtually overflowing with ideas" (New York City Jazz Record) and "very much the man to watch." (Penguin Guide to Jazz). No matter what setting he plays in, cellist Daniel Levin occupies a musical space bordered by many kinds of music, but fully defined by none of them.

"Demonstrating an impressive breadth of texture and contrast, the cellist Daniel Levin comes well prepared for a career in jazz's contemporary avant-garde." (Nate Chinen, The New York Times).

Elements of European classical music, American jazz, microtonal and new music, and European free improvisation all figure prominently in his unique sound. As critic John Sharpe observes in The New York City Jazz Record, "he invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. His technique is unquestioned and he revels in the physicality of the instrument. Those with an adventurous streak or interest in the outer reaches of the cello universe will find much to savor."

Born in Burlington, Vermont, he began playing the cello at the age of six. In 2001, he graduated with a degree in Jazz Studies from the New England Conservatory of Music, and arrived on New York City jazz scene shortly therafter. Since then, Daniel has developed his own unique voice as a cellist, improviser, and composer. Ed Hazell noted upon release of Levin's first record as a leader, "Cellist Daniel Levin is a major new voice on his instrument and in improvised music." He has performed and/or recorded with Billy Bang, Borah Bergman, Tim Berne, Anthony Braxton, Gerald Cleaver, Andrew Cyrille, Mark Dresser, Ingebrigt Haker Flaten, Tony Malaby, Mat Maneri, Joe Morris, William Parker, Ivo Perelman, Warren Smith, Ken Vandermark, and many others. Daniel is the recipient of a 2010 Jerome Foundation award."