
Five years after their debut, co-leaders Anna Webber and Angela Morris return with a 19-piece large ensemble recording that showcases their next-level compositional voices, unfolding through the "Just Intonation Etudes for Big Band" suite and a series of richly orchestrated works that balance drones, contrapuntal density, rhythmic blasts, and lyrical themes in an adventurous exploration of sound and structure.
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Anna Webber-tenor saxophone, flute, conductor
Angela Morris-tenor saxophone, flute, conductor
Jay Rattman-alto saxophone, soprano saxophone, clarinet, flute
Charlotte Greve-alto saxophone, flute, clarinet
Adam Schneit-tenor saxophone, clarinet
Lisa Parrott-baritone saxophone, bass clarinet
Nolan Tsang-trumpet
Ryan Easter-trumpet
Jake Henry-trumpet
Kenny Warren-trumpet
Tim Vaughn-trombone
Zekkereya El-Magharbel-trombone
Jen Baker-trombone
Reginald Chapman-trombone
Yuhan Su-vibraphone
Dustin Carlson-guitar
Marta Sanchez-piano
Adam Hopkins-bass
Jeff Davis-drums
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UPC: 84356192504
Label: Out Of Your Head Records
Catalog ID: OOYH 037
Squidco Product Code: 36758
Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold w/ 16-page booklet
Recorded at The Bunker Studio, in Brooklyn, New York, on August 15th and 16th, 2024, by Aaron Nevezie.
"It has been a five-and-a-half year wait since the debut of this large ensemble co-led by Anna Webber and Angela Morris on saxes and flutes. Both Are True, released in early 2020, was an album of the year. So did they do it again with Unseparate? Yeah, they did.
Webber and Morris lead their outfit through a varied set of harmonic and rhythmic structures, including drones, staccato blasts, soaring melodies that become spiky, and dense contrapuntal passages. The Big Band includes four additional players on woodwinds, four on trumpets, four on trombones, and individuals on vibraphone, guitar, piano, bass, and drums. A group of this size adds a richness and depth to the compositions, with Webber and Morris taking measures so that the overall sound is tight and any chaos remains controlled.
The first 25 minutes of the album is the Just Intonation Etudes for Big Band suite, which has four distinct parts each progressively longer than the last. The first, "Unseparate 1", consists of long-held reed and horn notes in the form of thick, introspective chords. The second, Pulse, lives up to its name being rhythmically driven in a Braxtonian fashion by horn blasts as well as bass and drums. Webber and Morris collaboratively solo before the track incorporates a group melody. Timbre is next, initially taking the tension down a notch with slower patterns and a looser structure. Eventually the tempo increases and the full band joins to support a sax solo over shifting harmonic layers and motifs. Metaphor completes the suite with a distinctive melancholy tune that is accentuated throughout by a sax lead and different side themes before descending into a free-form blowout. The group then returns to variations on the main theme but with wailing horns in support.
"Unseparate 1" is just the first in four short pieces of the same name. "Unseparate" 2, 3, and 4 each contribute a brief statement in line with the Webber / Morris aesthetic but with a smaller subset of the band. "Unseparate 4" is a particularly outside example, including just abstract warbling from the two leaders.
A standout track is Microchimera, written by Morris as a reflection of biological and other bonds between parent and child. It Incorporates guitar strumming in a idyllic intro before falling into organized dissonance. The track then takes on another life with flute soloing over a different set of rhythmic constructs. Not unlike parenting, the nature of this piece evolves significantly over time.
This album is dense, energetic, full of ideas, intelligently written, and enthusiastically played. Webber and Morris are two next-level composer / performers who should be on everyone's short list."-Mike, AMN Review
Get additional information at AMN Reviews
Artist Biographies
• Show Bio for Anna Webber "Reedist Anna Webber, a Brooklynite by way of British Columbia, is one of the most exciting new arrivals on the New York avant-garde jazz scene in the past couple years. Her second album, SIMPLE, demonstrates the inextricable link between her improvising and her compositions; her detail-rich writing recalls the work of elders as disparate as Tim Berne and Henry Threadgill, and her busy motion evokes a fizzy sort of exhilaration.-Peter Margasak, Chicago Reader Anna Webber is an integral part of a new wave of the Brooklyn avant-garde jazz scene. A saxophonist and flutist who strives for the unexpected, she has furthermore consistently proven herself to be a unique and forward-thinking composer with releases such as 2014's SIMPLE (Skirl Records) and 2013's Percussive Mechanics. Binary, the follow-up to SIMPLE which features bandmates John Hollenbeck and Matt Mitchell, further establishes Webber as a compelling improvisor and composer." ^ Hide Bio for Anna Webber • Show Bio for Angela Morris "If Brooklyn's music circles draw a venn diagram, Angela Morris thrives in the loop between avant-jazz, new music, and pop. As composer and multi-instrumentalist, (known mostly as saxophonist, she grew up playing violin) she has performed throughout North America and Europe everywhere from basements to arenas. The Webber|Morris Big Band, her 18-piece jazz big band, performs original compositions by Morris and co-leader Anna Webber. The New York Times praised their "ambitious original compositions" and "jagged-edged band that has begun to turn musicians' heads." The ensemble will release their debut album Both Are True on Greenleaf Music in 2020. Morris' vocal group Rallidae has released two albums: 2016's Turned, and Was on the NYC-based label Gold Bolus Recordings and 2014's Paper Birds, which AllAboutJazz called "a genuinely distinctive, and entertaining, combination of sounds and words... An exceptional debut by and exciting and innovative new band." As a co-leader, Morris is a member of TMT, a trio with Cat Toren on piano and Anthony Taddeo on drums, who recently released Asleep in the Dust - an art book and double CD collaboration with visual artist Jerry Birchfield. Another collaborative trio, Motel released like you always do, I always did too (Prom Night Records) 2017. And the band Skellettes with Nathaniel Morgan (saxophone), Jason Ajemian (bass) and Booker Stardrum (drums) performs at Winter Jazzfest in 2020. Since 2016, Morris has organized the monthly, multi-disciplinary, experimental concert series Brackish - music & art at St. Lydia's Dinner Church in Brooklyn. Morris performs with Jessica Pavone String Ensemble, and performed on their 2019 debut album Brick and Mortar. She has performed with Myra Melford in duo and other formats. She is a frequent collaborator and touring band member with "cosmic synth-folk" musician Helado Negro, appearing on his records Private Energy (Expanded), This is How You Smile, and Helado Negro and the Smile Band - Live at KCRW. A 2019 Composer Fellow at Gabriela Lena Frank Creative Academy of Music, Morris has also been artist-in-residence at Willapa Bay AiR, the Atlantic Center for the Arts, and the Banff Centre. She holds an MA in Music Composition from the Aaron Copland School of Music at CUNY Queens College in New York and BA in Jazz Studies from Humber College in Toronto. She is an alumna of the BMI Jazz Composer's Workshop lead by Jim McNeely and studied composition with Darcy James Argue." ^ Hide Bio for Angela Morris • Show Bio for Jay Rattman "Jay Rattman, a multi-instrumentalist improvisor and composer in New York City, has performed at Jazz @ Lincoln Center, Carnegie Hall, and the Coachella Festival, in addition to appearing on NPR's Sound of Young America, WNYC's Soundcheck, The Late Show, and The Tonight Show. A recipient of an ASCAP Young Jazz Composer Award, Rattman holds bachelors and masters degrees from Manhattan School of Music, which presented him with the William H. Borden award for outstanding accomplishment in jazz. In demand in settings as diverse as traditional jazz, klezmer, big bands, free improvisations, creative jazz, and classical chamber music, he has performed or recorded with artists as disparate as Bob Dorough, Feist, Nellie McKay, Stefon Harris, and the José Limón Dance Company. A member of the klezmer band "Zlek" and Phil Woods's Festival Orchestra, he leads a jazz quartet that plays members' original music. As a member of the Manhattan Saxophone Quartet, he has premiered pieces by David Noon, Marc-Antonio Consoli, Jeffrey Nytch, and J. Mark Stambaugh among others." ^ Hide Bio for Jay Rattman • Show Bio for Charlotte Greve "Charlotte Greve is a New York-based alto saxophonist and composer originally from Germany. With a unique concept of tone and composition, she has been making a mark on both the Brooklyn and German jazz scenes. Charlotte has released seven albums as a leader of her bands Lisbeth Quartett and Wood River, two of which received an ECHO Jazz. Further projects in New York are the Alto Saxophone quartet Asterids with Alto colleagues Caroline Davis, Oscar Noriega and Caleb Curtis as well as a trio with Vinnie Sperrazza and Chris Tordini called The Choir Invisible. Side-woman appearances include bands such as Matt Pavolka's Horn's band, Big Heart Machine and Vinnie Sperrazza's Apocryphal. Born in 1988, Greve began playing classical flute at the age of eight and picked up the saxophone at the age of sixteen. She received her undergraduate degree at the Jazz Institute Berlin in 2012. The same year, she moved to New York City where she completed a masters degree in Jazz performance. Greve's most important teachers and mentors throughout her artistic journey have been John Hollenbeck, Mark Turner, Greg Cohen, and Billy Drewes." ^ Hide Bio for Charlotte Greve • Show Bio for Lisa Parrott "As an expatriate Australian who has shown that she can succeed on the competitive New York jazz scene, alto and baritone saxophonist Lisa Parrott has been based in New York since the early '90s. In 2021, Lisa received a Chamber Music America Performance Plus grant for her new harmolodic septet, 'We Love Ornette'. The grant included workshops with drummer and son of Ornette Coleman, Denardo Coleman, and a subsequent recording. After spending two days recording at Samurai Hotel in November 2022, the 'We Love Ornette' debut recording will be released in 2023. In 2022, Lisa was honored to play and act in the inaugural sold out run of the HERE Theater's NYC production of Taylor Mac's 'The Hang' that was described by the New Yorker as a dada drag jazz opera extravaganza!" ^ Hide Bio for Lisa Parrott • Show Bio for Nolan Tsang "Nolan Tsang is an improvisor, trumpet player and composer based in NYC, who draws influence equally from contemporary classical and jazz pioneers alike, bringing cohesive spontaneity and excitement to every musical setting. Nolan's projects include Trumpetcello, an innovative New Music duo that integrates live electronics, dynamic improvisation and traditional chamber music experience, to forge new repertoire and synthesize the avant-garde jazz and contemporary classical genres. He also leads Body Bag, a jazz-punk band that reimagines baroque and punk musical forms in a traditional jazz quintet setting. As a sideman, Nolan has performed at venues ranging from Dizzy's Club Coca-cola to Joe's Pub, with a slew of New York musicians, ranging from New York veterans Dave Liebman, Wycliffe Gordon, John Colliani, to the younger big band leaders of this era, Liberte-Anne, Brian Krock, Elijah Schiffer, Gabriel Zucker, Noriko Ueda, Migiwa Miyajima, and the participants of the BMI workshop, formerly lead by Jim Mcneelly and Mike Holober. As a soloist, Nolan has recently performed at Carnegie Hall and National Sawdust as the titular character in John Palladino's reimagined arrangement of Stravinsky's Soldier's Tale, presented by the Eco Music Big Band, a politically minded ensemble, which whom Nolan has recorded three CD's, and most recently, an epic jazz opera commenting on the European Debt Crisis, produced by Kabir Sehgal." ^ Hide Bio for Nolan Tsang • Show Bio for Kenny Warren "Denver born trumpeter Kenny Warren has been active in New York's improvised music scene since 2006. His playing is rooted in jazz and draws heavily from American and international folk music traditions. He has released two LPs with his songwriting outfit Laila and Smitty which Bird is the Worm calls "massively genuine and unabashedly heart-on-the-sleeve open and honest". He also leads The Kenny Warren Quartet which was featured in the Festival of New Trumpet Music (2016) and whose debut album "Thank You for Coming to Life" was released in 2017 on Whirlwind Recordings. Kenny has toured internationally and studied in the Balkans with legendary brass band Slavic Soul Party, whom he joined in 2008. In 2016, SSP released a re-imagining of Duke Ellington's Far East Suite and has held a weekly residency at Barbes in Brooklyn for over a decade. Kenny has recorded with the Middle Eastern Maqam-Jazz band Nashaz, played and recorded with indie rock icons like The Walkmen and Spoon, toured with The Budos Band, and was featured on the soundtrack of the highly acclaimed film Beasts of the Southern Wild. He is a teaching artist with Carnegie Hall's Musical Connections, and co-curator of the weekly experimental music series A.E. Randolph Presents. Kenny has recorded a handful of records of his own music as a collaborator with ZhirtZ n ZkinZ and NOOK, and is in demand as a sideman in a number of New York music circles. Recent projects include: Ben Stapp's Zozimos, Brad Shepik's Balkan Peppers, The Angela Morris & Anna Webber Big Band, The Sway Machinery, The Sandra Weiss Quintet, The Myk Freedmans, Big Butter and The Eggmen, Andy Biskin's 16 tons, The Rob Brown Quartet, Antlers and Capillaries, and duos with Jeremiah Lockwood, Bobby Avey and Tony Malaby." ^ Hide Bio for Kenny Warren • Show Bio for Jen Baker "Jen Baker, trombonist/composer, has collaborated with artists all over the world in site-specific mixed media performance, concert halls, solo and chamber commissions. As an improviser she is featured on the soundtrack to Werner Herzog's Oscar-nominated Encounters at the End of the World. She has performed internationally in festivals and has toured with Arijit Singh, Karole Armitage, and Mansour, and new music ensembles S.E.M., TILT brass, and the mobile ensemble Asphalt Orchestra (founding member). Her forthcoming book, Hooked on Multiphonics aides composers and trombonists in understanding and executing the deep complexities of multiphonics." ^ Hide Bio for Jen Baker • Show Bio for Yuhan Su Yuhan Su (蘇郁涵) is a vibraphonist and composer from Gongguan, Miaoli, Taiwan, now based in New York City. After moving to Taipei at age 18, she relocated to the United States in 2008 to study at the Berklee College of Music, launching her recording career soon after. Her albums as a leader include Flying Alone (Inner Circle Music), A Room of One's Own, and City Animals (Sunnyside Records), praised for their compositional depth and modern jazz lyricism. City Animals won a Golden Indie Music Award for Best Album in 2019 and received multiple jazz nominations. Su is active in New York's creative music scene, collaborating in ensembles such as Brian Krock's Big Heart Machine and Miho Hazama's M_Unit, while continuing to perform internationally as both a bandleader and a sought-after improviser. ^ Hide Bio for Yuhan Su • Show Bio for Dustin Carlson "Dustin Carlson is a Brooklyn based guitarist and composer who creates musical artworks.Dustin has performed with: Ches Smith, Anna Webber, Mike Bisio, Michael Attias, Susan Alcorn, Kim Cass, Jeremy Viner, Bruce Harris, and others." ^ Hide Bio for Dustin Carlson • Show Bio for Marta Sanchez "Born and raised in Madrid, Spain, pianist and composer Marta Sánchez is actively working in the contemporary creative music scene in New York City and around the globe. Charting a significant path through her innovative and original music, she has reached an international audience, gaining significant global recognition. Marta's main project, her quintet, was created soon after she moved to New York, and since then has released four albums: "Partenika" (2015), "Danza Imposible" (2017), and "El Rayo de Luz" (2019) with the Spanish label Fresh Sound and SAAM (Spanish American Art Museum) with Whirlwind Recordings. All of the albums received high praise from American press. "Partenika" received great reviews from The New York Times, Downbeat, All Music, All About Jazz,and many more. Not only that, but the recording was selected by The New York Times as one of the 10 best albums of 2015, including all genres, and it was also included on the lists of the best recordings of the year from the Jazz Journalist Association, Downbeat and All Music. The quintet's next work, "Danza Imposible" was reviewed and highly praised in the famous public radio program"Fresh Air", it got 4 stars from DownBeat, an excellent review from The New York TImes, on Nate Chinen's program at WBGO, and it was also included in some lists of the best of 2017. "El Rayo de Luz" was also included in the The New York Times list of the Best 10 jazz albums of 2019, it was the editor's pick of the December issue of Downbeat, got a four stars review also in Downbeat from Giovanni Russonello, it was featured on WBGO's program "The Checkout" and a long etc. SAAM (Spanish American Art Museum) was reviewed at The New York Times, Wall Street Journal, Downbeat, Jazzwise and a long etc. After "Danza Imposible", Marta's music has been the subject of articles in publications including Jazziz and The New York Times. In addition to her quintet, Marta recently released a new record with her trio, featuring Savannah Harris on drums and Chris Tordini on bass, titled "Perpetual Void" on the Intakt label. The album has been widely praised, including receiving 4.5 stars from Downbeat. Marta has toured the United States, Europe, South America, and Central America, performing as a leader or as a sideman at prestigious venues and prominent festivals such as the North Sea Jazz Festival in the Netherlands, Jazzaldia in San Sebastian, Inntone in Austria, Eurojazz in Mexico City, Eurojazz in Athens, Jazz Festival Vitoria Gasteiz, Winter Jazz Festival in New York, and Madrid, among many others. In the United States, she has performed at some of the most prestigious clubs including the Carnegie Hall, Blue Note, Village Vanguard, Birdland, Roulette, Dizzy's Jazz, The Jazz Gallery, The 55 Bar, Smalls, Mezzrow among many others. Furthermore, Marta has been actively collaborating with other artists, playing and recording in David Murray's Quartet, Maria Grand's duo, and the Anna Weber and Angela Morris Big Band, among others.. She received prizes for the best soundtrack for short film in the festivals Alcalá de Henares, Curtficcion in Barcelona and Palma de Mallorca. In 2017 and 2021 she received the prestigious grant for a residency from the MacDowell Colony, where Marta wrote prepared piano repertoire." ^ Hide Bio for Marta Sanchez • Show Bio for Adam Hopkins "Adam Hopkins: Bassist, composer, educator, and semi-professional parallel parker from Baltimore MD-the Land of Pleasant Living. Relocated to Brooklyn NY in 2011, but Baltimore will always be home. Extended Bio: Adam Hopkins is a bassist, composer, and educator born and raised in Baltimore MD and relocated to Brooklyn NY in 2011. He has extensive experience performing jazz and improvised music and has played with professional orchestras in Maryland, Virginia, Michigan, Pennsylvania, and the DC metro area. Adam currently appears in a number of NYC-based ensembles both as a leader and sideman. As a sideman he closed 2017 with performances led by Henry Threadgill as well as a European tour with John Hollenbeck's Claudia Quintet. He performs regularly with BeepHonk, Laila & Smitty, Anna Webber's Rectangles, Danny Gouker's Signal Problems, Christopher Hoffman Trio, Kate Gentile Mannequins, Dustin Carlson's Air Ceremony, Ideal Bread, Patrick Breiner's Double Double & Practical Mysticism. He currently leads three NYC-based bands (Adam Hopkins' Crickets, Bells + Wires, and Party Pack ICE) - for more information about any of these groups please refer to the Projects section of this site. Adam has studied double bass with many great performers and teachers of the instrument, including Michael Formanek, Jeffrey Weisner, Jack Budrow, Rodney Whitaker, and Sam Cross and additional studies with Drew Gress and Gary Thomas. In August of 2018 Adam will launch his own record label called Out Of Your Head Records, with the intention of releasing his own albums, and albums of music he loves made by his friends. Also there will be t-shirts and stickers, because who doesn't love t-shirts and stickers? In addition to being a performer he has extensive experience as a curator. In 2009 he co-founded an improvised music collective called the Out of Your Head Collective, which maintained weekly performances in Baltimore for 5+ years at The Windup Space. Upon moving to New York in 2011 he started a Brooklyn-based chapter which involved over 100 of the city's greatest improvisers. He currently co-curates a weekly performance series in Crown Heights called A.E. Randolph Presents, now in its fourth year, and previously curated the weekly performance series 65Fen. Adam held a faculty position at Loyola University for six years as a professor of double and electric bass, music theory, ear training, and jazz ensembles. Currently he teaches privately in his home studio and designs improvisation-based workshops for business through sfz Creative, a company he co-founded with musical associates Eric Trudel and Danny Gouker. He holds a graduate performance diploma from Peabody Conservatory in Jazz Studies, a master's degree from Michigan State University in Orchestral Bass Performance, and a bachelor's degree from James Madison University in Music Industry." ^ Hide Bio for Adam Hopkins • Show Bio for Jeff Davis "Percussionist/composer Jeff Davis has established himself in New York as a vital contributor to the local and international creative music scenes. Jeff is widely sought out for his unique, textural approach to the drum set, as well as for his power and intensity. As a featured member of a number of creative ensembles in New York, Davis has recorded for such labels as Clean Feed, Fresh Sound/New Talent, Green Leaf, Loyal Label, Jazzaway, and innova records. These ensembles include the Jesse Stacken Trio, Michael Bates Outside Sources, Kirk Knuffke Quartet, Landon Knoblock Trio/Quartet, Ben Holmes Quartet, Pascal Niggenkemper 'Newfield' trio, Pedro Giruado Jazz Orchestra, Pete Robbins' Unnamed Quartet, Jon Irabagon's Outright!, Eivind Opsvik's Overseas, Tone Collector(Tony Malaby, Eivind Opsvik, Jeff Davis), the RIDD Quartet, Kris Davis Quartet, and the Ryan Keberle Organ Group. In addition to these working bands, Davis has also performed with such artists as Tony Malaby, Chris Speed, Gebhard Ullmann, Brad Shepik, Ralph Alessi, and Ron Horton. Davis has toured Europe and China and has performed at several prominent jazz festivals, including the North Sea Jazz Festival, Oslo Jazz Festival, the Vancouver Jazz Festival, and the Earshot Jazz Festival. He performs regularly in various New York listening rooms, such as the Stone, the Jazz Standard, the Jazz Gallery, Birdland, NuBlu, Barbes, Zebulon, the Knitting Factory, Joe's Pub, the Iridium, and the 55-Bar. Jeff Davis is currently leading and composing for his own ensemble, featuring New York greats Tony Barba, Kirk Knuffke, Jon Goldberger, Kris Davis, and Eivind Opsvik. This group of like minded improvisers recorded for Davis' debut CD in June of 2007, and is set to be released on Tuesday, March 30th 2010 for the record label, Loyal Label. The music from this group ventures to blur the line between composition and improvisation, and highlights equally the individual soloist as well as collective improvisation. Jeff also leads a trio/quartet featuring Matt Pavolka, Oscar Noriega, and Jon Goldberger. Originally from Greeley, Colorado, Jeff Davis began playing marimba at the age of nine and later studied classical percussion at the University of Northern Colorado. While in Colorado, Jeff had the opportunity to study and perform with ECM recording artist/pianist Art Lande and trumpet great Ron Miles. Davis holds a Masters degree from the Manhattan School of Music." ^ Hide Bio for Jeff Davis
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Track Listing:
1. Just Intonation Etudes for Big Band - Unseparate 1 2:19
2. Just Intonation Etudes for Big Band - Pulse 5:46
3. Just Intonation Etudes for Big Band - Timbre 7:19
4. Just Intonation Etudes for Big Band - Metaphor 10:43
5. Mist/Missed 7:36
6. Unseparate 2 1:24
7. Microchimera 10:39
8. Unseparate 3 3:08
9. Unseparate 4 1:31
10. Habitual 9:57
11. Spur 7: Metamorphosis 9:42
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