Phil Klampe , aka Homogenized Terrestrials, uses acoustic instruments, sparse, often ethnic percussion, human voice and analog synth sounds to create a tapestry of emotional electronic work, eerie and dreamlike music with a warm accessibility.

Two mysteriously veiled electroacoustic improvisations recorded live at Maison des musiques, in Brussels, Belgium between performers Nicola Lancerotti, an Italian-born double bassist & sound artist, and sound artist Chiara Bacci, using glitch, veiled voices, synthetics and acousmatic sources, packaged in a sparkly green tinted cassette with download code.

The fourth Clarinet Trio release on Leo Records, and the first one in eight years, with Jurgen Kupke on clarinet, Michael Thieke on alto clarinet, and Gebhard Ullmann on bass clarinet.

A series of unusual improvisations between London free improvising trombonist Edward Lucas (Hyperion Ensemble, London Experimental Ensemble) and experimental sound artist, turntablist & percussionist Graham Dunning, merging acoustic sources with controlled feedback, objects and field recordings, pressed to dubplate to create these engagingly strange and concise dialogs.

Using small objects and contact microphones to create peacefully clacking, mewling and idiosyncratic utterances, sound artists Takamitsu Ohta and Anne-Francoise Jacques developed this installation shown in 2019 at the Bonjour! Gendaibunmei gallery in Kyoto, recorded by Jacques as a tour of the various sonic manifestations that a visitor to the gallery might experience.

Two side-long compositions from audio explorer Jeph Jerman, assembled using recordings of objects including "mouth, stone, wood, glass, metal, paper, plastic, radio" plus field recordings made through the spring and summer of 2020 in and around Cottonwood, AZ, joined with audio contributions from Doug Theriault, Chris Reider, Julie Schubert, &c.

Rapid and lucid activity of mechanical and organic activity, a mad mechanism under the control of master machinists perking the ears in inexplicable ways, from the collaboration of Japanese sound artists Rie Nakajima and Takahiro Kawaguchi, their uncredited sources seemingly a mix of motors, bells, squeaky toys, material flurries, whistles, &c. &c.; playfully fascinating.

Releasing albums at a furious pace, Brazilian/NY saxophonist Ivo Perelman continues his collaborations with some of New York's finest players, here in a quartet with Matthew Shipp on piano, William Parker on bass and Bobby Kapp on drums, in the appropriately titled 7-part "Heptagon" of lyrical free improvisation of great intensity and dialog.