Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

Pianist, vibraphonist, and composer Karl Berger presents his 2nd release in a trilogy of Tzadik CDs that started with the solo "Strangely Familiar", here in a trio with Joe Fonda on bass and Harvey Sorgen on drums, lyrical free bop jazz in 7 rich and distinctive movements.

An absolutely essential extension to the late Lindsay Cooper's discography, 2 CDs collecting rare works from projects and groups including recordings with Alfred Harth, Phil Minton, Robert Wyatt, David Thomas, Connie Bauer, Fred Frith, Chris Cutler, &c. &c.

A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.

"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.

Merging different sub-genre of NYC's rich jazz and creative music scene, drummer Tomas Fujiwara's trio with Brandon Seabrook on guitar and Ralph Alessi on trumpet furtively builds into a free jazz album of contrasting dynamics and superb playing.

The duo of Berlin clarinetists Kai Fagaschinski and Michael Thieke (The Magic I.D.) create rich, evolving soundscapes using tones and odd interjections in unison and in dissonance, dark works of subtle beauty in unique sound oriented compositions.

Three bassists converged on WNUR Studios, in Evanston, Illinois in 1998 to record these tracks, finally released after 16 years: 5 freely improvised trio sessions, 6 miniatures suggested by Kowald and performed by the trio, and 6 duos between Kowald and Lonberg-Holm.

Pianist Mathias Landaeus leads his trio with Johnny Aman on bass and Jonas Holgersson on drums through five original pieces, a mazurka by Chopin, and Leonard Cohen's "Hallelujah", an eclectic take on the piano trio blending modern techniques with both traditional and creative compositions.

Composer Liza Lim presents 3 lesser known works: "The Compass" for orchestra with solo parts for flute and didgeridoo; "Pearl, Ochre, Hair String" featuring a cello solo using a guiro bow; and "The Guest" written for recorder soloist Jeremias Schwarzer.

Percussionist Juan Pablo Carletti leads a trio with Tony Malaby on sax and Christopher Hoffman on cello, beautifully unfolding jazz that balances light and dark, melodic and free approaches with textural percussive work.

A solo electric guitar soundtrack to James Nares' film "Street" performed by Thurston Moore, freely improvising in a dynamic and impressive performance recorded live at the Rubloff Auditorium at the Art Institute of Chicago, Chicago, Illinois.

Dark, edgy and superb electric guitar work from Joe Morris in a trio with Stave Lantner on electric keyboard and Jerome Deupree on drums, the final part of what Morris calls "Big Loud Electric Guitar Trilogy" that started with "Sweatshop" and "Racket Club", following the Hendrix legacy.

Paal Nilssen-Love's Large Unit of some of Norway's brightest young improvisers in a 4 LP box set with a bonus CD & flexi disc, recorded live during their 2014 tour, performing Nilssen-Love's compositions that focus on interaction, free improvisation, sound, dynamics and energy.

Chicago cellist and composer Tomeka Reid was commissioned to create original music for the first documentary of the Imagists, mid 60's Chicago post-surrealists artists who exhibited together; Reid reworked the music into a fully realized suite for this CD release.

Free improvisation using the jazz idiom as a jumping off point from the trio of pianist Chris Abrahams (The Necks), bassist Mike Majkowski, and drummer James Waples, superb technical playing with a melodic intent and excellent pacing.

The 2nd release from the Montreal free improvising trio Joshua Zubot (violin), Bernard Falaise (guitar) and Isaiah Ceccarelli (drums/percussion) is a magnificent example of open-minded improvisation using unusual and sparkling approaches to sound and discourse.

In celebration of his 60th Birthday, Zorn asked his most acclaimed vocal collaborators to write lyrics to select compositions from his vast musical catalog, peformed by an all-star band of Zorn regulars, presented in a beautiful box set of 7" records and a 32-page book.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

UK multi-reed master Evan Parker brings an all-star electroacoustic septet to the 2014 Victoriaville Festival for the massive and wonderfully detailed two part composition "Seven", performed with Peter Evans, Okkyung Lee, George Lewis, Ikue Mori, Sam Pluta, and Ned Rothenberg.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Composer Ryoko Akama releases a 2 disc set of 23 scores in the crossroads of minimalism and sound compositions, quiet and loud, performed in a sextet with the composer herself plus Christian Muller, Cristian Alvear, Cyril Bondi, Stefan Thut, and d'incise, each section like a page in a notebook related to place, space, time or location.

A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.

The unique Biota collective continues with this beautiful album of layered and organized sound work, a beguiling mix of acoustic and electronic instrumentation that flows in unique and exquisite ways, belying the incredible detail to process and mixing.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

A multi-national trio from Slovenia (Bostjan Simon-sax), Norway (Stephan Meidell-guitar, bass & electronics) and Portugal (Luis Candeias-drums) bringing a diverse set of modern influences including electronics, alternative rock and sound/noise to excellent free improvisation.

Swiss pianist/composer Luzia von Wyl and her Ensemble of jazz and classical performers presents von Wyl's compositions that borrow from modern and early jazz, chamber music and world sources, in works that draw on her experiences traveling and performing through the world.

The fifth release from the international power trio of Dave Rempis (sax), Fred Lonberg-Holm (cello & electronics) and Paal Nilssen-Love (drums) in a rewarding release of heavy grooves, offset by introspective soundscapes and moments of quiet beauty.

The free improvising quartet of Nate Wooley (trumpet), Dave Rempis (sax), Pascal Niggenkemper (bass), and Chris Corsano (drums), bridging ridiculously great technical skills with creative curiosity and forward thinking concepts for superb results.

Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.

Four realisations of composer John Lely's simple but brilliant composition 'The Harmonics of Real Strings', a very slow glissando along the full length of one bowed string, performed by Anton Lukoszevieze; one realization for each string of the cello.

Swiss pianist/composer Luzia von Wyl and her Ensemble of jazz and classical performers presents von Wyl's compositions that borrow from modern and early jazz, chamber music and world sources, in works that draw on her experiences traveling and performing through the world.

Stockhausen's late 60s composition "Mantra" was a return to his intricately systematised approach to musical construction, expanding the possibilities and potentialities of the serial principle to allow for more melodic and embraceable compositions.