Henry Cow captured in concert between their "In Praise of Learning of Learning" and "Western Culture" releases. in concerts that featured Robert Wyatt in his last public performances.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

British tenor saxophonist Julian Arguelles in a trio with NY drummer Tom Rainey and bassist Michael Formanek, a strong group feel led by one of contemporary jazz' unique voices.

An album of controlled cacophony and slippery improvisation from the trio of Martin Klapper on amplified objects, toys & small electronics, Martin Kuchen on sopranino & soprano saxophones, snare drum resonator & metal objects, and Roger Turner on drums, small cymbals, metal and plastic, recording in Stokholm as they apparently try to build a shooting bear.

One part Sonic Youth, one part early Residents, Deluxx is the anomalous output of NY/Boston transplant Mark Peretta, a one-man band of crazy riffs and warped song-spieling.

Henry Cow's early years on the road, live recordings masterfully restored by Bob Drake, including the only known video of Henry Cow in Switzerland - amazing and essential!

After the 2019 retrospective box-set of the late 90s, legendary band The Quintet, and after the sad passing of bassist Bjornar Andresen, saxophonist Carl Magnus Neumann, guitarist Ketil Gutvik and drummer Paal Nilssen-Love decided to form a new quartet, adding bassist Ingebrigt Haker Flaten, commencing their organization with this outstanding 2020 live concert in Oslo.

Two performances by one-off groups, both featuring Evan Parker (saxophones) and Paul Rogers (double bass) -- a 1983 trio studio recording with percussionist Jamie Muir, and a 1991 quartet gig with percussionist Mark Sanders and visiting trombonist Wolter Wierbos.

Creating soundscapes from homemade instruments, Text-To-Speech, AI voices, lap steel guitar, found objects, field recording, &c., the duo of sound artists Sam Scranton from Chicago and Neil Quigley from Kilkenny, Ireland, present six unusually unfolding compositions of deceptively relaxed environments layered with mysterious elements and a sly sense of humor.

A soft blending of Ernesto Rodrigues' viola, Radu Malfatti's trombone, and Ricardo Guerreiro's fragile sine waves and computerized hums over two patiently restrained, extended works of rich subtlety and gesture.

Recorded in the studio in 2017, "Cyclic Symmetry" presents an electroacoustic trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and CS mainstay Carlos Santos on field recordings, in a minimal work suggested to be heard on infinite loop, contrasting deep silence with sections accenting the slow, interwining harmonics of both Rodrigues' string work.

Three string improvisers--Ulrike Brand on cello, Ernesto Rodrigues on viola, and Olaf Rupp on electric guitar--approach their instruments from all angles excepting the most traditional ones, from scraping and granulating to creating resonant sonic environments, an apt reflection of a journeying musician, enhanced by text and images in the CD package.

Pianist Takase continues her tributes to great American jazz musicians with a solo album of Ellington interpretations, taken from her unique perspective and style, played with great feeling and insight.