Brilliantly unusual approaches to jazz scores from Chicago bassist Jason Roebke in a quartet with legendary saxophonist and clarinetist Edward Wilkerson Jr., pianist Mabel Kwan and drummer Marcus Evans, all four also performing on metronome, and Roebke providing low-fi cassette interruptions, a fascinating merging of jazz forms and methods of making the music stop.
Originally commissioned to transcribe a few works as a surprise for Roscoe Mitchell's 2023 art exhibition at Corbett vs. Dempsey, vibraphonist Jason Adasiewicz expanded the project, recorded in his new home studio (dubbed "Hot Juice") to include 10 Mitchell compositions & favorite works, Adasiewicz performing solo as he brings new approaches to the important Mitchell song-book.
The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.
An original member of the AACM and owner & director of the Velvet Lounge jazz club leading Chicago's free and experimental music scenes, and a mentor to countless young jazz musicians, tenor saxophonist Fred Anderson is heard in the counterpart to the 2000 Unheard Music Series album, The Milwaukee Tapes, this 2nd unissued volume of material from the same 1980 concert.
Titled for the film by Rob Christopher — Roy's World: Barry Gifford's Chicago, — whose soundtrack includes segments of this album, vibraphonist and composer Jason Adasiewicz's lyrically upbeat album is performed in a quintet with Chicago mainstays, Jonathan Doyle on saxophones, Josh Berman on cornet, Joshua Abrams on bass and Hamid Drake on drums.
Focused on the music of Don Cherry and recorded at Corbett vs. Dempsey's gallery space on the closing day of an exhibit of art by Cherry's partner Moki Cherry (whose tapestry "Spirit" is the LP's cover) this concert finds drummer Hamid Drake, who lived with the Cherry family in Sweden, and Ken Vandermark on tenor sax, reworking medleys of Cherry's tunes from across his discography.
Sidelined by the pandemic in June of 2020, Downtown New York electric harp improviser Zeena Parkins began daily recordings in her home studio exploring new approaches to solo electric harp performance using pedals, objects & percussions, selecting ten of the most interesting improvisations for her contribution to Corbett vs. Dempsey's Black Cross Solo Sessions.
Contrasting the explosively experimental side to his guitar work honed through the No Wave band DNA with glimmers of the lyrical approaches to his work heard in his acclaimed songwriting albums, Brazlian/Downtown New York legend Arto Lindsay shows his wide range of interests through thirteen succinct pieces of noise and thoughtful reflection.
As prolific a drummer as Chicago-based international improviser Hamid Drake is, he has never released a solo drum album, which is finally put right with this release recorded at Experimental Sound Studio, developing strategies for these nine accomplished recordings, performed on a standard drum kit with each dedicated to prominent free jazz icon or group.
For three days in his own Discaholic Studios in Nickelsdorf, saxophonist Mats Gustafsson recorded the playing-card pieces of Peter Brötzmann--compositional prompts intended for a large group or for solo playing--performing on a cross-section of the saxophone family from sopranino to bass, and also one piece for saxophone mouthpiece, creating a set of stunning improvisations.
Known as a jazz bassist, Torbjörn Zetterberg mostly steps away from the big strings for a series of multitrack studio compositions on a variety of instruments electronic & acoustic, plus samples and voice, all performed by Zetterberg himself (with Konrad Agnas and Anna Hogberg adding input on a couple of tracks); powerful, urgent, impressive works from a truly well-rounded musician.
Two Chicago improvising cellists--Tomeka Reid & Fred Lonberg-Holm--explore the repertoire for cello music in jazz, presenting works by Fred Katz ("Pluck It"), Sam Jones ("In Walked Ray"), Ron Carter ("Rally") and Harry Babsin ("Monti-Cello"), adding 3 new, original works by Fred Lonberg-Holm and a piece by Tomeka Reid paying homage to bassist Charles Mingus & violinist Billy Bang.
Preceded by Joe McPhee's reading of two poems — "Alone Together" and "Nation Time For Real This Time" — tenor saxophonist & trumpeter Joe McPhee and cellist Tomeka Reid observe the first observance as an official US Holiday of Juneteenth, after the reading performing an emotional 33-minute improvisation that includes the 19th century hymn "Lift Every Voice and Sing".
Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c.
The fourth and final record of solo guitar works from German guitarist and instrument inventor Hans Reichel, perhaps the most lyrical of the lot as he improvises on an unusual set of guitars, including a fretless Spanish guitar, 6 & 12 string guitars with extra frets, and an electric pick-behind-the-bridge guitar; fully restored artwork includes Reichel's amusing insert.
The first reissue in three decades of the 1985 SAJ Series FMP album bringing together legendary saxophonists Steve Lacy and Evan Parker, both on soprano saxophone, for two extended improvisations of magnificent reed interactions and a final coda, performed live during Summer Music at Haus am Waldsee, in Berlin, 1985; an essential album of masterful musicianship.
A year and a half after their live debut on FMP, the German free/hard-bop quintet led by pianist Georg Graewe with Horst Grabosch on trumpet, Harald Dau on saxophones, Hans Schneider on bass and Achim Kramer on drums, recorded this studio album of extraordinary free improv presenting brilliantly intricate and exciting compositions, here in its first fully remastered reissue.
First-ever reissue of the 1976 FMP album from the adventurous German hard-bop quintet led by pianist Georg Graewe, with Horst Grabosch on trumpet, Harald Dau on saxophones, Hans Schneider on bass and Achim Kramer on drums, embracing post-bop, freebop, free jazz, and free improvisation in an exciting live recording from "Jazz Now" at the Quarter Latin in Berlin, Germany in 1976.
Documented previously on just one 7" record, the joining of Mission of Burma and post-punk vocalist Dredd Foole, aka Dredd Foole & The Din, is a focal point for Boston's early 80's DIY rock movement, here reissued, remastered and remixed from the original master tapes, along with the rest of that studio session, giving listeners the first full look at their searing and seminal work together.
A confluence of masterful playing through two soprano & two tenor saxophones plus one pocket cornet, as Evan Parker and Joe McPhee perform live in 2003 at the Chicago Cultural Center as part of the Empty Bottle Festival of Jazz & Improvised Music, weaving lines with intricately relaxed confidence and coming together for beautiful moments of lyrical connection.
A 12-inch 45rpm EP from Chicago Ken Vandermark's band Marker with guest Joe McPhee on tenor saxophone, performing the Parliament Funkadelic track "Night of the Thumpasorus Peoples" and DNA's "Egomaniac's Kiss", with Vandermark on tenor & baritone saxophones plus guitarists Andrew Clinkman & Steve Marquette, keyboardist Macie Stewart and drummer Phil Sudderberg.
Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.
One of Corbett vs. Dempsey's Black Cross Solo Sessions, Joe McPhees approaches his album recorded during pandemic lockdown in his home through tenor sax, voice, water, objects and field recordings, the center of the album a cycle of compositions by Charles Mingus, alongside works by Carla Bley and influences by Joni Mitchell, and a virtual symphony of saxes on the title track.
Brazilian singer Moreno Veloso recorded these songs from a songbook developed from his favorite artists, inspired while singing his children to sleep during pandemic, selecting lyrical songs that he performs accompanying himself on acoustic nylon-string guitar, recording the album in a corner of his living room, giving the album a beautiful intimacy and sincerity.
Extremely personal and passionate, cellist Okkyung Lee recorded this album after separation from her instrument for months as she traveled to Korea to be with her dying father during pandemic; the 9 pieces are layered with strings, instrument sounds, voice and with profound timing, creating an intensely beautiful album reflecting the anguish and loss of the time.
One of Corbett vs. Dempsey's Black Cross Solo Sessions, Ken Vandermark recorded these twelve succinct, insightful and technically superb solo recordings at his home during pandemic lockdowns, part of a new book of compositions for solo reed instruments, each piece dedicated to an artist across multiple disciplines, including Joe McPhee, Anthony Braxton, Samuel Beckett, &c.
Two European Free Improvisation legends--Prussian clarinetist Rudiger Carl and Swedish drummer Sven-Ake Johansson--join with younger double bassist Joel Grip (Umlaut Records) for three improvised "Inflections" performed live at Au Topsi Pohl in Berlin, superb examples of the historical depth of free jazz across Europe and the continuing energy each new generation brings.
Two early free jazz masterpieces from 1964 never released in their day, from Danish pianist Tom Prehn and his Kvartet with Poul Ehlers on bass, Fritz Krogh on tenor saxophone and featuring drummer Finn Slumstrup, the close mic recording bring their swinging and enthusiastic music to the foreground in an adventurous album that absolutely demands to be heard!
Beginning with an 8-member vocal incantation led by Taylor himself, this incredible reunion concert between pianist Cecil Taylor and drummer Sunny Murray was recorded by the FMP label in 1996 at the Total Music Meeting in Podewil, Berlin, an incredible display of pyrotechnical playing with an exultant excitement through three "sector" improvisations; extraordinary!
A beautiful 228 page limited edition hardcover book chronicling the last decade of artwork by saxophonist Peter Brotzmann, created spontaneously while on the road or between tours using materials at hand; featuring essays by Brotzmann, Thomas Milroth, John Corbett, Markus Muller, Sotiris Kontos, Stephen O'Malley, Heather Leigh and Karl Lippegaus.
Taking its title from the rum-running yacht on which McPhee's father sailed from Nassau to Miami, this free electroaoustic improvised concert with Joe McPhee on pocket cornet & alto saxophone, Jen Clare Paulson on viola and Brian Labycz on electronics was captured live in 2014 at the Sugar Maple in Milwaukee, Wisconsin, during Okka Fest 6, released as CvsD's first vinyl LP.
Using Rosa Barba's cello and the celluloid of a film projector as an alternative bow to create rich drones, and Chad Taylor's drum kit along with his incredible prowess with a mbira, this NY duo create an incredible set of rhythmically active soundscapes that draws their listener into a wonderfully vivid and richly flowing improvisational world; stunning!
Four books of poetry by Sun Ra: two pamphlets that accompanied early Sun Ra albums issued in the late 1950s — Jazz By Sun Ra (1957) and Jazz In Silhouette (1959) — and two published more than a decade later later by Infinity Inc./Saturn Research: The Immeasurable Equation and the very rare Extensions Out: The Immeasurable Equation Vol. II.
Recorded during the The Futuristic Sounds of Sun Ra sessions in 1961 after moving the Arkestra to the Philadelphia/NY area from his original Chicago base, these two ballads are sung by Ricky Murray, "I Struck a Match..." written by Sun Ra and very much an Arkestra tune, while "Dreamsville" is a Livingston-Mancini-Evans tune that receives Ra's big band treatment.
Part of flutist Claire Chase's project to commission a modern body of work for the instrument, this 4-CD set features 17 works by 15 composers, including the multi-part album-long composition "Pan" by Brazilian-born Marcos Balter, with works for the entire flute family from piccolo to contrabass flute; participants include Tyshawn Sorey, Vijay Iyer, Pauline Oliveros, &c.
Since 1979 cellist & trombonist Günter Christmann has led around 50 variations of "Vario", inviting musicians, actors, dancers, & filmmakers to partake; Vario 34--Christmann, Paul Loven (percussionist), Mats Gustafsson (sax), Thomas Lehn (live-electronics), and Alexander Frangenheim (bass)--first performed in 1993, and these Berlin recordings are from their 3rd meeting in 2018.
A lost gem from of British free sax and drums & percussion duo of saxophonist Larry Stabbins and percussionist Roy Ashbury, originally released in 1976 on the Bead Label, their interplay including masterful and extended techniques from Stabbins and an array of chimes, chains, wood blocks, shakers, and bowed cymbals augmenting Ashbury's kit; captivating dialog.
Philadelphia-based artist David Hartt invited songwriter & composer Van Dyke Parks to make an original arrangement of the Stephen Foster song "Old Black Joe" as part of his 2020 installation piece titled "The Histories (Old Black Joe)"; the B-side is a beautiful arrangement of "Souvenir de la Havane" by the pioneering pre-jazz American Creole composer Louis Moreau Gottschalk.
Founded in 1967 by pianist Misha Mengelberg, drummer Han Bennink, and saxophonist & clarinetist Willem Breuker, this double CD documents the earliest years of the ICP collective through live & studio recordings from 1966-71, with an impressive cast of jazz and contemporary compositional players creating a delightfully diverse set of approaches to improvisation.
UK-based violinist Phillip Wachsmann, an essential player bringing contemporary approaches of indeterminacy, conceptualism and electroacoustics to the early community of improvisers and experimentalists, in a reissue of his 1984 Bead Records album, presenting his astute and sophisticated live solo performance for violin and electronics at the Actual Festival in July 1984, London.
First ever CD reissue of the only band under bassist Peter Kowald's own name, remastered; originally released by FMP in 1972, this is exemplary European Free Jazz from one of the orignal innovators in a quartet with Peter Kowald on tuba, bass, & alphorn, Gunter Christmann and Paul Rutherford on trombones, Peter van der Locht on alto saxophone, and Paul Lovens on drums.
Unreleased material from Joe McPhee's archives, three live settings of the saxophonist and pocket trumpeter in upstate NY: a quartet with vibraphonist Ernie Bostic and the rhythm section of Tyrone Crabb and Bruce Thompson live at Vassar College; live in New Windsor with saxophonist Reggie Marks; and an outdoor concert at Poughkeepsie's Lincoln Centre.
Remastered and with the original cover, the expanded Schlippenbach Trio of pianist Alexander Von Schlippenbach, saxophonist Evan Parker on soprano & tenor, drummer/percussionist Paul Lovens, and German double bassist Peter Kowald, a stellar group captured in two incredibly inventive concerts at Third New Jazz Festival Moers and at Quartier Latin in 1974 & 1975.
Originally issued in two volumes on their own SRP Records in 1966 & 67 as In Concert At Yale University and Nommo, the duo of drummer/percussionist Milford Graves and pianist Don Pullen are heard live in in this excitingly energetic and revelatory concert at Yale University, redefining the roles of their instruments during the most exploratory period of free jazz.
A half-hour work of non-narrative radio theater featuring music and text collage, as well as Terri Kapsalis on violin and John Corbett on analog synthesizer, commissioned and recorded in the Experimental Sound Studio, Chicago in 2000 for the Outer Ear Festival.
Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.
A unique album blurring acoustic recordings from saxophonist Mats Gustafsson with the electronic machinations and rhythms of Wendy Gondeln, aka Albert Oehlen, a German experimental electronic artist, the two inviting Martin Siewert for additional guitar on two tracks, and Wolfgang Voight to remix two tracks; funky, unpredictable, amusing, and seductively tantalizing.
"This Time", "That Time" and "Next Time", the three titles from the first duo meeting of Joe McPhee on tenor saxophone and cellist Fred Lonberg-Holm, also bringing electronics, the distillation of their playing outside of Survival Unit III a revelation in intensity and unconventional creativity, fueled by magnificent playing and an empathetic rapport.
Bringing together Chicago's long partnership of saxophonists Joe McPhee and Ken Vandermark with frequent Vandermark collaborator, drummer Phil Sudderberg, and New York guitarist Arto Lindsay, meeting on a winter afternoon in a Chicago studio to record these fifteen collective, freely improvised conversations of intense energy, unexpected twists and turns, and brilliant playing.