The Squid's Ear Magazine

Hughes, Sarah

I Love This City And Its Outlying Lands [SINGLE SIDED CASSETTE]

Hughes, Sarah: I Love This City And Its Outlying Lands [SINGLE SIDED CASSETTE] (Mappa)

A contemplative solo work of subtle nuance and laden atmospheres, slowly drifting through a virtual landscape of dampened details, from London composer and improviser Sarah Hughes, performing on zither, piano, Hammond organ, sine tones, white noise, electric harpsichord, and objects, using an eBow to draw sustained tones over which delicate progressions advance.
 

Price: $9.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Sarah Hughes-composer, zither, piano, Hammond organ, sine tones, white noise, electric harpsichord, objects


Click an artist name above to see in-stock items for that artist.




Label: Mappa
Catalog ID: MAP015
Squidco Product Code: 29276

Format: CASSETTE
Condition: New
Released: 2020
Country: Slovokia
Packaging: Cassette
Recorded at SARU studios, in Oxford, UK, in 2017, by Patrick Farmer.

Descriptions, Reviews, &c.

"Panelák. Fenced square garden at the entrance. Tree limbs, dried skin of snake, snails with cracked shells. Once upon a time there were plants. Soaked orange peel in front of the door. Buzzing of door bells. Elevator drone. You count the floors while you follow the picture instructions. Capacity and weight of three-dimensional space. You are entering the apartment. Horseshoe above the door. A wooden mask next to a whistling kettle. Seashells in plastic box. Phantom signal. Sheep fur on the couch. You straighten out all the folds. Mute TV. Documentary program- wolves, octopus, worms and a shark. Clock metronome. One minute, two minutes, twenty-seven minutes. 60% polyester pyjamas. Brain-shaped smog behind the window. Smoke, dust or just fog. You put wax in one ear, cotton in the other. I love this city and its outlying lands. My romantic landscape.

Sarah Hughes' multidisciplinary arts practice, comprising composition, performance, curating and installation, revolves around the relationship between social and environmental systems of cooperation. The work draws from various contexts including ecology, feminist politics, alternative economies, land use, and protest in order to explore speculative systems of organisation and collaboration as the ground for social change.

Hughes's work has been exhibited and performed internationally, including at South London Gallery, Punt WG Amsterdam, Cass Sculpture Foundation, Supplement, and Modern Art Oxford. Her compositions have been performed by various ensembles and at various festivals including London Contemporary Music Festival, Music We'd Like To Hear, and Huddersfield Contemporary Music Festival. Realisations of her compositions have been published by Another Timbre, Suppedaneum, Melange Editions, and Consumer Waste, and broadcast on the BBC."-Mappa


Artist Biographies

"Sarah Hughes is a London-based improviser playing the chorded zither, piano and e-bow. she is part of the Loris ensemble."

-Squidco 3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



SIDE A



1. I Love This City And Its Outlying Lands 27:00

Related Categories of Interest:

Cassettes

Compositional Forms
Electro-Acoustic
Piano & Keyboards
Electronic Forms
Objects and Home-made Instruments
Ambient & Minimal Music
Solo Artist Recordings
New in Compositional Music
Cassettes

Compositional Forms
Electro-Acoustic
Piano & Keyboards
Electronic Forms
Objects and Home-made Instruments
Ambient & Minimal Music
Solo Artist Recordings
New in Compositional Music

Search for other titles on the label:
Mappa.


Recommended & Related Releases:
Evans-Weiler, Morgan
Correspondences
(Editions Verde)
The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.
Consorts
Distinctions
(Spoonhunt)
Composer Dominic Lash's Consort ensemble explores the possibilities of combining sustained-tone music, guided & free improvisation, and the relationship between acoustic and amplified sound, heard in this evolving, extended concert at Café Oto on Lash's 40th birthday, in a unique mix of acoustic & electronic instruments that even includes an amplified kitchen sink!
Other Recommended Releases:
Wilson, Kelsey
A Workmanlike Approach [CASSETTE w/ DOWNLOAD]
(Marthasville Fine Audio Recordings)
Two distinctive works of sounds and noise from Atlanta sound artist and drummer Kelsey Wilson composing extended works using field recordings collected between 2020-2022, volume/feedback and synthesizers; first a howling and heavy journey in "Bootstrap Story"; then a rich and ringing birthday party for Nick Cave that ends with haunting bells and running water.
Evans-Weiler, Morgan
Correspondences
(Editions Verde)
The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.
Lareau, Charles
Stasis (CASSETTE w/ DOWNLOAD)
(Eh?)
Sound artist Charles Lareau, a member of Naturaliste with Bryan Day, Chris Fischer & Lonnie Methe, in six solo compositions of assertive electronics and noise, using recordings, found sounds and various electronics while often incorporating his environment to add aural excitement and unexpected moments between sections of slowly shifting, static textures.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Zethson, Alexander
Pole Of Inaccessibility [2 CDs]
(thanatosis produktion)
Darkly meditative and somber compositions for the lower registers of the grand piano accompanied by synthesizer, in two extended pieces by Je Suis! and Angles 9 pianist Alexander Zethson, using the interactions between the deep piano keys and synth more as a sound source than as a distinct instrument, each reshaping the other to create a cloud of sound.
Dalibert, Melaine
Night Blossoms
(elsewhere)
French composer & pianist Melaine Dalibert's 6th solo album, works developed using an algorithmic approach to composing, such as retrograde sequences or cellular automaton, generating beautifully delicate patterns that he performs on instruments chosen for their tonal qualities, David Sylvian adding electronic coloring to the pieces "Yin" and "Yang".
Hamel, Max
First Snow [CASSETTE]
(Notice Recordings)
A live solo recording made using the amplified and processed sounds of snow, hail, and wind, captured by sound artist Max Hamel using a piezoelectric disc taped to a metal plate stuck out his window during the first snow storm of 2019, processed in real time using resonant filters, delay lines, and chaotic processors, the whole edited for these two compositions.
Legmann, Shira
Giacinto Scelsi: Suite No.9 / Quattro illustrazioni / Un Adieu
(elsewhere)
Three piano works by Italian composer Giacinto Scelsi: 'Suite No.9 "Ttai"' (1953); 'Quattro illustrazioni' (1953); and 'Un Adieu' (1978/1988); performed live in Tel Aviv by Israeli pianist Shira Legmann, who found these pieces particularly fascinating as she studied Scelsi's oeuvre, impressed by his compositional method of notating improvisations to create finished pieces.
Parkins, Zeena / Jeff Kolar
Scale
(Two Rooms Records)
Commissioned by choreographer Jennifer Monson, the collaboration of Downtown NY electric harpist and sound artist Zeena Parkins and Chicago sound artist Jeff Kolar explore the intersection of acoustic phenonema against electronic, synthetic & radio sounds, inspired by the timing of natural phenomena like ocean currents and daylight emergence; fascinating.
Roman Radkovic Collective
Televize [VINYL]
(Mappa)
A Slovokian experimental group with rock roots and a somewhat DaDa approach to unusual song forms using perplexing repetitions and interventions, led by guitarist and vocalist Roman Radkovič with Josef Novák on keyboard, Jiří Šíla on accordion, Zdeněk Řihošek on harmonica & double bass Zdeněk Caha on drums & voice, and Miloš Šandera on percussion.
Aarni, Olli
Mustikoita Ja Kissankelloja [VINYl]
(Mappa)
Translating to "Blueberries and cat bells", Finnish electronic composer Olli Aarni's sound world is quick paced and surprisingly dense considering an overall feeling of brightness, sounds flashing and swirling by in strange segments of acousmatic exhilaration, pausing form moments before seizing his listener once more with swift streams of alien soundscapes; brilliant.
Branche, Sebastien
Lignes de Fuite [CASSETTE]
(Mappa)
Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.
Gryke Pyje
Collision And Coalescence [VINYL w/ DOWNLOAD]
(Mappa)
Composers and performers Jani Hirvonen and Johannes Schebler create a complex universe in sound & melody, a veritable forest of sound referencing global and spiritual environments, using warm instrumental sources, field recordings, world percussion and extended use of the studio in a satisfying series of journeys with a mysteriously transcendental and devotional feeling.
Davies, Rhodri
Transversal Time
(Confront)
Assigning different times systems--standard time, decimal and hex time--to different musicians, harpist Rhodri Davies develops an electroacoustic improvisational environment of unusual perception and sensation, performed live in Cardiff in 2018 with Ryoko Akama, Sara Hughes, Sofia Jernberg, Pia Palme, Andre Parkinson, Lucy Railton, Pat Thomas, & Dafne Vicente.
IQ+1
Conversaphone Plus [VINYL]
(Mappa)
Describing their approach to their submersive electroacoustic music as a seance, the Czech Republic septet IQ+1 with Peter Vrba, George Bagdasarov, Veronika Hladka, Jana Kneschke, Michal Zboril, and Katerina Bilejova release their 3rd album, a mix of strings, trumpet, clarinet, harmonium, synth, electronics & field recordings, creating a virtual acousmatic music of great detail.
Hennies, Sarah (performed by Lenka Novosedlikova)
Sisters [VINYL]
(Mappa)
US Composer Sarah Hennies wrote these pieces for vibraphone for Lenka Novosedlíková to be performed at the church in Kyjatice, Slovokia, a medieval building the two discovered while traveling, and that they challenged each to bring life to the building while respecting it's contemplative character and using the psychoacoustic dimensions of space.
Farmer, Patrick
Wild Horses Think Of Nothing Else The Sea - Tape Readings [2 CASSETTES + TEXT]
(Winds Measure)
During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro-Liu.
Jerman / Salis / Sanna
KIO GE
(Confront)
A collaboration between American sound artist Jeph Jerman and Italian percussionists Paolo Sanna and Giacomo Salis, twelve intriguing short improvisations using extended techniques and lowercase approaches that include minimal textures, field recordings, abstract atmospheres and organic sounds.
Halliwell, Graham
Recorded Delivery
(Confront)
Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.
Sealed Knot, The (Beins / Davies / Wastell)
and we disappear
(Another Timbre)
For a decade this trio has created some of the most interesting electroacoustic improvisation, captured in a 38 minute performance at the Ear We Are Festival in Biel, Switzerland, 2007.



Customers Who Bought This Item Also Bought:
MAW (Meadows / Ackerley / Wallace)
Live Recordings [CASSETTE w/ DOWNLOAD]
(Notice Recordings)
Releasing their first studio work in 2020, this album presents the first two live concerts in Brooklyn and Saugerties for the ea-improv trio MAW of Frank Meadows on upright bass, Jessica Ackerley on electric guitar and Eli Wallace on prepared piano & synth, in two 2-part improvisations: the darkly heavy "Mise-en-Place" and the brighter experiments of "Opus 40".
Morris, Joe
Instantiation: Switches
(Glacial Erratic)
The 4th in improving guitarist and composer Joe Morris' Instantiation series, where each part is unique, composed with specific notated and operational components such that it impossible to perform any of them the same way twice; performed with two active Boston improvisers, trombonist Eric Stilwell (hear on Joe Morris Trio "Value") and cellist & bassist Brad Barrett.
Chabala, Barry / Lance Austin Olsen
Patterns For A Future Human
(Roeba)
Guitarist Barry Chabala merges musique concréte and improvisation, using recordings from painter and visual artist Lance Austin Olsen that Olsen recorded in his workshop while creating a series of large collaged and folded paintings--mutterings, physical sounds and other ephemera--which he sent to Chabala to use as a backdrop for these spaciously meditative guitar improvisations.
Bruckmann, Kyle
Triptych (Tautological)
(Carrier Records)
Performing on oboe, English horn and live electronics, West Coast double-reedist Kyle Bruckmann presents three extended solo works of deep electroacoustic binding, each dedicated to a writer, artist or musician: "A Spurious Autobiography for John Barth (2015)"; "An Extruded Introversion for Blixa Bargeld (2016)"; and "A Fuzzy Monolith for James Turrell (2015)".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC