Released along with "Canada Day Octet", this new release presents drummer Eisenstadt's quintet with Nate Wooley (trumpet), Matt Bauder (sax), Chris Dingman (vibes) and Garth Stevenson (bass) in an album of great tunes and spirited playing.
Canada Day III
Released in: Canada
"Canada Day has been Eisenstadt's primary vehicle for integrating his divergent interests since 2007, often yielding a rich fusion of inside and outside concepts that remain palatable to mainstream sensibilities. A masterful tunesmith with a keen ear for intriguing compositional gambits, Eisenstadt infuses his writing for the group with a strong melodic undercurrent, relying on his bandmates to expand beyond notated material into vanguard territory, balancing conventional song-craft with unfettered abstraction." - Troy Collins, reviewing Canada Day II on Point of Departure
Canada Day, a band which now has two Canadian members (Garth Stevenson and Harris), returns with another record of great tunes and spirited playing, paired with the first release by Harris' Canada Day Octet on 482 Music. Incidentally, Harris is also the drummer on Songlines' other release this month, clarinetist François Houle's new international band (Francois Houle 5 + 1, Genera). Taken together, these three records show a composer, drummer and bandleader who really loves music in all its diversity and infuses that energy and a truly distinctive voice into everything he does.
And his band members respond in kind. Check out for example Nate Wooley's remarkable Harmon mute solo on "The Magician of Lublin," where he unexpectedly inserts lone open notes for contrast and punctuation. Or Matt Bauder's solo on "Nosey Parker," which seems to assay several vintage sax styles with both real reverence and a sly sort of parodistic humor. Throughout the record there are many instances of subtle surprise, crafty interplay and underlying complexities of tone that make for a richer listening experience. No doubt this finely-tuned level of engagement is partly the result of the band living with these pieces for a year and coming directly off the road to record. Says Harris: "I'm going for something visceral for sure, and not overly solemn or serious.... I do think that the fluidity of solo approaches comes from playing the pieces enough to not have to think about what might work. Most importantly, I want the musicians to be able to run with their instincts and be themselves no matter what."
The record's overall cohesiveness, its integrating jazz drive, is certainly a result of Harris' composing and approach to band-leading: "At the beginning of a book when we're learning the songs, I try not to fix too much until we hear how different parts of pieces fit and sound together. We sort of build road maps through trial and error. I of course ask for people's input and welcome it, as they're each composer/bandleaders with strong ideas. Having said that I do generally fix things myself. I think it helps when a bandleader is decisive about road maps, solo orders, set lists, assigning cues, etc."
Some thoughts on how he fits into the jazz drumming tradition:
Related Categories of Interest:
NY Downtown & Jazz/Improv
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Shipping Weight: 2.00 units
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Catalog ID: SGL 1596-2
Squidco Product Code: 16410
Packaging: Cardstock 3 page foldover
Recorded by Sean Kelly at Water Music, Hoboken, NJ on March 7th, 2012.
Harris Eisenstadt-drums, composition
Matt Bauder-tenor saxophone
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1. Slow and Steady 3:50
2. Settled 8:23
3. A Whole New Amount of Interactivity 8:25
4. The Magician of Lublin 8:24
5. Song for Sara 6:37
6. Nosey Parker 6:58
7. Shuttle off this Mortal Coil 7:34
8. King of the Kutiriba 4:46