Mazurek, Rob Exploding Star Orchestra Featuring Roscoe Mitchell
Matter Anti-Matter, Sixty-Three Moons Of Jupiter & Electronic Works [2 CDs]
Chicago cornetist/composer Rob Mazurek leads his Exploding Star Orchestra featuring Roscoe Mitchell with Nicole Mitchell, Matana Roberts, Steve Swell, Matt Bauder, Jason Adasiewica, &c. through a colossal 8 part work, and also provides a single CD of cosmic electronics.
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Includes a color insert with two litographs: "Matter Anti-Matter I" & "Matter Anti-Matter II"
Catalog ID: R0G-051
Squidco Product Code: 18029
Format: 2 CDs
Packaging: 2 CDs in a digipak
Recorded live on May 9th, 2009 by Egidio Conde at SESC Vila Marina, Sao Paulo, Brazil.
Rob Mazurek-director, cornet, electronics, compositions
Roscoe Mitchell-alto saxophone, soprano saxophone
Nicole Mitchell-flutes, voice
Matana Roberts-alto saxophone
Matt Bauder-tenor saxophone
Jason Adasiewicz-vibraphone, tubular bells
Matthew Lux-bass guitar
Mauricio Takara-cavaquino, percussions
Guilherme Granado-samplers, marimba
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1. Lo and Volcanic 3:31
2. Europa 7:18
3. Ganymede and the Ice Parade 5:22
4. Callisto the Bear 8:27
5. Himalia as Metaphor for Joe Frazier 5:15
6. Almathea is Red 8:12
7. Elara Beneath the Underground 6:42
8. Pasiphae Gives Birth to the Minotaur 4:24
1. Cryogenics After the Land of Spirals 17:56
2. Pondering the Hidden Light 3:26
3. Stalking the Spectrum of Inevitable 17:06
4. Last Breath on the Forgotten Planet 1:08
5. Ascension Dream Phoenix 8:48
Related Categories of Interest:
Chicago Jazz & Improvisation
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Top 40 for 2013
sample the album:
"Matter or antimatter, everything is out of proportion with Rob Mazurek's music; it is larger than nature, it has no other choice but to be so, to tell the truth. Must everything really be colossal and euphoric? The answer is yes: everything must be colossal, and euphoric.... ...Wasn't the Exploding Star Orchestra created in 2005 in order to gather shattered pieces of a single celestial and musical body, Chicago, its satellites here present, the inhabitants of multi-layered formations successively assembled by Rob Mazurek, the inhabitants of the Chicago Underground, of Isotope 217, of Mandarin Movie, of Sound Is Quintet, of Starlicker, of the Pulsar Quartet, of the Skull Sessions? To gather them again on May 8th and 9th 2009 at São Paulo's Vila Mariana, on the satellite and with the inhabitants of the São Paulo Underground, and with a distant inhabitant of the Art Ensemble of Chicago, a grandmaster of gravitational fields."-Alexandre Pierrepont, excerpt from the liner notes
Includes a color insert with two litographs: "Matter Anti-Matter I" & "Matter Anti-Matter II"
At The Squid's Ear!
• Show Bio for Rob Mazurek
"Rob Mazurek is an American electro-acoustic composer, cornetist, improviser and visual artist living in Chicago, Illinois. As a composer, Rob Mazurek has written over 300 original compositions over the past 30 years, and has released 55 recordings on various labels. He currently leads a number of ensembles, including Exploding Star Orchestra, Pharoah and the Underground (featuring Pharoah Sanders), Chicago Underground, Pulsar Quartet, São Paulo Underground, Skull Sessions, Sound Is Quintet, Starlicker, Mandarin Movie and Throne of the House of Good and Evil, each of which possesses its own distinct musical personality.
He has collaborated with a wide variety of artists, such as Bill Dixon, Pharoah Sanders, Mike Ladd, Roscoe Mitchell, Yusef Lateef, Fred Anderson, Naná Vasconcelos, Mamelo Sound System, Kassin and Marcelo Camelo and others. Additionally, Rob Mazurek works as a visual artist (incorporating sound, painting and video) with numerous international performances, exhibitions and artist residencies."-Rob Mazurek Website (http://robmazurek.com/)
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• Show Bio for Roscoe Mitchell
"Roscoe Mitchell (born August 3, 1940) is an American composer, jazz instrumentalist, and educator, known for being "a technically superb Ð if idiosyncratic Ð saxophonist." The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz states that he has been "at the forefront of modern music" for the past 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast." In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Mitchell was born in Chicago, Illinois. He also grew up in the Chicago area, where he played saxophone and clarinet at around age twelve. His family was always involved in music with many different styles playing in the house when he was a child as well as having a secular music background. His brother, Norman, in particular was the one who introduced Mitchell to jazz. While attending Englewood High School in Chicago, he furthered his study of the clarinet. In the 1950s, he joined the United States Army, during which time he was stationed in Heidelberg, Germany and played in a band with fellow saxophonists Albert Ayler and Rubin Cooper, the latter of which Mitchell commented "took me under his wing and taught me a lot of stuff." He also studied under the first clarinetist of the Heidelberg Symphony while in Germany. Mitchell returned to the United States in the early 1960s, relocated to the Chicago area, and performed in a band with Wilson Junior College undergraduates Malachi Favors (bass), Joseph Jarman, Henry Threadgill, and Anthony Braxton (all saxophonists). Mitchell also studied with Muhal Richard Abrams and played in his band, the Muhal Richard Abrams' Experimental Band, starting in 1961.
In 1965, Mitchell was one of the first members of the non-profit organization Association for the Advancement of Creative Musicians (AACM) along with Jodie Christian (piano), Steve McCall (drums), and Phil Cohran (composer). The following year Mitchell, Lester Bowie (trumpet), Kalaparusha Maurice McIntyre (tenor saxophone), Favors, Lester Lashley (trombone), and Alvin Fielder (drums), recorded their first studio album, Sound. The album was "a departure from the more extroverted work of the New York-based free jazz players" due in part to the band recording with "unorthodox devices" such as toys and bicycle horns.
From 1967 Mitchell, Bowie, Favors and, on occasion, Jarman performed as the Roscoe Mitchell Art Ensemble, then the Art Ensemble, and finally in 1969 were billed as the Art Ensemble of Chicago. The group included Phillip Wilson on drums for short span before he joined Paul Butterfield's band. The group lived and performed in Europe from 1969 to 1971, though they arrived without any percussionist after Wilson left. To fill the void, Mitchell commented that they "evolved into doing percussion ourselves." The band did eventually get a percussionist, Don Moye, who Mitchell had played with before and was living in Europe at that time. For performances, the band often wore brilliant African costumes and painted their faces. The Art Ensemble of Chicago have been described as becoming "possibly the most highly acclaimed jazz band" in the 1970s and 1980s.
Mitchell and the others returned to the States in 1971. After having been back in Chicago for three years, Mitchell then established the Creative Arts Collective (CAC) in 1974 that had a similar musical aesthetic to the AACM. The group was based in East Lansing, Michigan and frequently performed in auditoriums at Michigan State University. Mitchell also formed the Sound Ensemble in the early 1970s, an "outgrowth of the CAC" in his words, that consisted mainly of Mitchell, Hugh Ragin, Jaribu Shahid, Tani Tabbal, and Spencer Barefield.
In the 1990s, Mitchell started to experiment in classical music with such composers/artists such as Pauline Oliveros, Thomas Buckner, and Borah Bergman, the latter two of which formed a trio with Mitchell called Trio Space. Buckner was also part of another group with Mitchell and Gerald Oshita called Space in the late 1990s. He then conceived the Note Factory in 1992 with various old and new collaborators as another evolution of the Sound Ensemble.
He lived in the area of Madison, Wisconsin and performed with a re-assembled Art Ensemble of Chicago. In 1999, the band was hit hard with the death of Bowie, but Mitchell fought off the urge to recast his position in the group, stating simply "You can't do that" in an interview with Allaboutjazz.com editor-in-chief Fred Jung. The band continued on despite the loss.
Mitchell has made a point of working with younger musicians in various ensembles and combinations, many of whom were not yet born when the first Art Ensemble recordings were made. Mainly from Chicago, these players include trumpeter Corey Wilkes, bassist Karl E. H. Seigfried, and drummer Isaiah Spencer.
In 2007, Mitchell was named Darius Milhaud Chair of Composition at Mills College in Oakland, California, where he currently lives. Mitchell was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival in March 2012 in Minehead, England."-Wikipedia (https://en.wikipedia.org/wiki/Roscoe_Mitchell)
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• Show Bio for Nicole Mitchell
"Nicole Mitchell (b. 1967) is a creative flutist, composer, bandleader and educator. As the founder of Black Earth Ensemble, Black Earth Strings, Ice Crystal and Sonic Projections, Mitchell has been repeatedly awarded by DownBeat Critics Poll and the Jazz Journalists Association as "Top Flutist of the Year" for the last four years (2010-2014). Mitchell's music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion through albums such as Black Unstoppable (Delmark, 2007), Awakening (Delmark, 2011), and Xenogenesis Suite: A Tribute to Octavia Butler (Firehouse 12, 2008), which received commissioning support from Chamber Music America's New Jazz Works.
Mitchell formerly served as the first woman president of Chicago's Association for the Advancement of Creative Musicians (AACM), and has been a member since 1995. In recognition of her impact within the Chicago music and arts education communities, she was named "Chicagoan of the Year" in 2006 by the Chicago Tribune. With her ensembles, as a featured flutist and composer, Mitchell has been a highlight at festivals and art venues throughout Europe, the U.S. and Canada.
Ms. Mitchell is a recipient of the prestigious Alpert Award in the Arts (2011) and has been commissioned by Chicago's Museum of Contemporary Art, the Ravinia Festival, the Chicago Jazz Festival, International Contemporary Ensemble (ICE), the Chicago Sinfonietta Orchestra and Maggio Fiorentino Chamber Orchestra (Florence, Italy). In 2009, she created Honoring Grace: Michelle Obama for the Jazz Institute of Chicago. She has been a faculty member at the Vancouver Creative Music Institute, the Sherwood Flute Institute, Banff International Jazz Workshop and the University of Illinois, Chicago. Her work has been featured on National Public Radio, and in magazines including Ebony, Downbeat, JazzIz, Jazz Times, Jazz Wise, and American Legacy.
Nicole MItchell is currently a Professor of Music, teaching in "Integrated Composition, Improvisation and Technology," (ICIT) a new and expansively-minded graduate program at the University of California, Irvine. In November 2014, ICIT was approved for the unleashing of a new MA/PhD program, which will be offered starting fall 2015. Mitchell's recent composition, Flight for Freedom for Creative Flute and Orchestra, a Tribute to Harriet Tubman, premiered with the Chicago Composers' Orchestra in December 2011 and was presented again with CCO in May 2014. She was also commisisoned by Chicago Sinfonietta for Harambee: Road to Victory, for Solo Flute, Choir and Orchestra in January 2012. Her latest commission was from the French Ministry of Culture and the Royaumont Foundation in October 2014, which supported the development and French tour of Beyond Black - a collaboration with kora master Ballake Sissoko, Black Earth Ensemble and friends. Currently Mitchell is preparing her next commission supported by the French American Jazz Exchange, entitled Moments of Fatherhood, featuring Black Earth Ensemble and the Parisian chamber group L'Ensemble Laborintus, to premiere at the Sons d'hiver Jazz Festival in late January 2015.
Among the first class of Doris Duke Artists (2012), Mitchell works to raise respect and integrity for the improvised flute, to contribute her innovative voice to the jazz legacy, and to continue the bold and exciting directions that the AACM has charted for decades. With contemporary ensembles of varying instrumentation and size (from solo to orchestra), Mitchell's mission is to celebrate the power of endless possibility by "creating visionary worlds through music that bridge the familiar and the unknown." She is endorsed by Powell flutes."-Nicole Mitchell Website (http://nicolemitchell.com/)
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• Show Bio for Matt Bauder
"Reedist and composer Matt Bauder draws upon jazz, free jazz, avant-garde, rock, and pop in his own music, as well as turning to literary and visual arts for inspiration. He studied at the University of North Texas and the University of Michigan where he earned a bachelor of fine arts in Jazz and Contemporary Improvisation. He then spent two active years on the vibrant Chicago music scene before attending Wesleyan University and receiving a masters' degree in composition under the guidance of the legendary Anthony Braxton and Alvin Lucier.
Now based in Brooklyn, Bauder is the leader of Day in Pictures, a creative jazz quintet; Paper Gardens, a chamber quartet; White Blue Yellow and Clouds, which is experimental Doo-Wop and R&B, and he is part of the collaborative trio Memorize the Sky. He has performed with Anthony Braxton, Bill Dixon, Fred Anderson, Roscoe Mitchell, Jeff Parker, The SEM Ensemble, Ken Vandermark, and Phil Minton, among others. As a sideperson he plays and records with Rob Mazurek, Harris Eisenstadt, Taylor Ho Bynum, Jason Ajemian, Neil Michael Hagerty, His Name is Alive, and Bill Brovald. His recordings as a leader and co-leader on 482 Music, Clean Feed and Eye & Ear Records have received wide critical acclaim."-Jazz Right Now (https://jazzrightnow.com/artists/artists-alphabetical/bauder-matt/)
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• Show Bio for Steve Swell
"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.
Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.
Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.
Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.
Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."-Steve Swell Website (http://www.steveswell.com/SteveSwellBio.htm)
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• Show Bio for Mauricio Takara
"Sao Paulo native Mauricio Takara, born in 1982, started playing the acoustic guitar at the age of seven. Two years later, he started playing drums. Takara played with local hard core punk bands throughout the '90s and started Hurtmold in 1998, releasing five records on the Submarine label. He put out his first solo album on Desmonta Discos in 2003 and has since released three more solo recordings on the same label, the latest bein g 2010's Sobre Todas e Qualquer Coisa . Takara has recorded with many Brazilian artists, including Nacao Zumbi, Vanessa Da Mata, Sabotage, Naná Vasconcelos and Marcelo Camelo, as well as such renowned international artists as Pharoah Sanders, Archie Shepp, Yusef Lateef, and Prefuse 73 . Besides Rob Mazurek's São Paulo Underground, Takara has also worked with such other Chicago - connected projects and artists as Exploding Star Orchestra, Jason Adasiewicz, and John Herndon . Takara has toured Europe (Sonar festi val/Barcelona, Roskilde/Denmark, Womex/Seville & Club Transmediale/Berlin), the U.S., India (World Socials Forum) and Brazil (Nublu Jazz Festival, SESC Pinheiros, and opening for Lo Borges & Milton Nascimento at Coquetel Molotov Festival). Takara is consid ered one of the leading voices in the new post - Tropicalia wave of Brazilian music."-Cuneiform Records 10/11/2017
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• Show Bio for Guilherme Granado
"Guilherme Granado, a Sao Paulo native, has played and recorded with Takara in Hurtm old (4 albums and a split disc with The Eternals on Submarine Records) as well as working with the Assembleia Ritmica de Pinheiros . Additionally, Granado performs, produces, and records under the name Bodes & Elefantes, which has released 3 albums on Subma rine Records & Catune. He has toured with Prefuse 73 and Marcelo Camelo, and collaborated with a global array of artists including Pharoah Sanders, Naná Vasconcelos, Bill Dixon, Roscoe Mitchell, High Priest (Antipop Consortium), Mamelo Sound System, Explod ing Star Orchestra, Paulo Santos (Uakti), Mike Ladd, and many others. Granado has appeared on recordings released by Universal, YB Music, Submarine. Granado is in the vanguard of Brazil's Electronic Spiritualism Sound Makers, devoted to promoting music, b eats and ideas in Brazil."-Cuneiform Records 10/11/2017
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• Show Bio for Chad Taylor
"Chad Taylor (b. 1973) is a composer, educator, percussionist and scholar who is a co-founder of the Chicago Underground ensembles. Originally from Tempe, AZ, Chad grew up in Chicago where he started performing professionally at the age of 16. Chad has performed with Fred Anderson, Derek Bailey, Cooper-Moore, Pharoah Sanders, Marc Ribot, Peter Brotzmann, Malachi Favors and many others. Chad leads his own band Circle down which debut recording was given a 5 star review by All music:
"What is remarkable is that there is no wasted motion, no histrionics or grandstanding, as pure emotion is translated to superlative music making on this most highly recommended recording, one for the ages." Allmusic.com
Chad has a BFA from the New School in Jazz Performance and a MFA in Jazz Research and History from Rutgers University."-Chad Taylor Website (http://www.chadtaylordrums.net/html/about.php)
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