ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).

Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.

Rosco Blur's groove-based jazz album with a great set of players including Paul Plimey (piano), Dylan van der Schyff (drums), spirited music with the occasional sung-spoken lyric, an album that harkens to the world of Roland Kirk with a modern edge.

The 2nd of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 LPs of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

The 1st of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 CDS of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

This amazing 7 piece band from Norway play sophisticated and intense jazz compositions led by three reed players including Jonas Kullhammar and Magnus Broo on trumpet.

Ecstasy Mule's demented improv blues in a maxi-single presenting 3 version of "Missouri Couple seeks Law Against Hunting + Drinking" from 3 NYC performances.

Three extended pieces for a free playing chamber ensemble including trombonist Bruce Fowler, flautist Ellen Burr, tuba player Mark Weaver, David Philipson on bansuri flute, &c.

Jean Martin and Christine Duncan lead this Toronto collective with more than 60 choir members in a stunning improvisational setting, here performing at Christ Church Deer Park with NY bassist William Parker.

Guitarist Falaise (Klaxon Gueule, Les Projectionnistes) in pieces that reference Aksak Maboul, Braxton, Beefheart, Donatoni, Les Granules, Nancarrow, Stravinsky, & Wyatt.

Double disc of South-African trumpeter Mongezi Feza, who worked with Robert Wyatt, Henry Cow, &c, from 1972 recordings in an amazing group of Swedish improvisers.

The new Swedish grouping of Mats Gustafsson on reeds and electronics, bassist/guitarist Johan Berthling and drummer Andreas Werlin, hypnotic and psychedelic sounding "jazz".

This very strange CD-ROM-enhanced recording combines 20 tracks of what can only be called deliciously weird music coupled with surreal visual images.

Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.

Mary Halvorson leads her Septet with Jonathan Finlayson (trumpet), Jon Irabagon (alto sax), Ingrid Laubrock (tenor saxophone), Jacob Garchik (trombone), John Hebert (bass) & Ches Smith (drums) through 6 original compositions and a Robert Wyatt cover!

Ranging from trio to septet, Herculaneum incorporates a chamber aesthetic into modern improvisational aesthetic with graceful expressiveness and compositional power.

Keefe Jackson's all-reed group Likely So with Mars William, Waclaw Zimple, Marc Stucki, Peter A. Schmid, Thomas K.J. Mejer, & Dave Rempis in 11 compositions pushing the limits of the sax & clarinet family, recorded live at the 2013 Jazzwerkstatt Festival.

2 CDs from the amazing little big band of bassist Lane, with trumpeters Nate Wooley & Taylor Ho Bynum, saxophonist David Bindman, trombonists Tim Vaughn & Reut Regev, & drummer Igal Foni.

Composer Robert Marcel Lepage arranges a film score for a full-length film by Bernard Emond that is fascinating and enchanting.

Drummer Christian Lillinger continues to adapt his band since his 2009 debut GRUND album, "First Reason", here demonstrating his strong skills as a leader, player, and composer.

Chicago's Lucky 7 with trombones from Jeb Bishop & Jeff Albert, Josh Berman on cornet, Keefe Jackson on tenor sax, Jason Adasiewicz on vibes, &c... essential jazz color and style.

Drummer and loopster Jean Martin with multi-instrumentalist Colin Fisher in a veritable orchestra of sound resources, inspired and imaginative studio work.

Six musicians play along with Wolfgang Mitterer's one hour and fifty-four minute computer track which leaves ample room for free improvisation, mixing contemporary composition with electronic and jazz music.

NY based German-French bassist Pascal Niggenkemper in a European septet with reedist Frank Gratkowski, pianist Eve Risser, violist Frantz Loriot, vibraophonist Els Vandeweyer, voicals Emilie Lesbros, and drummer Christian Lillinger recording at the Loft, Cologne.

Percussionist Niggli's group Zoom meets Arte Quartett for a set of Niggli compositions.

Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton; outstanding!

Intermedia artist Ricardo Jacinto with Nuno Torres (sax), Ricardo Jacinto (cello), Andre Sier (electronics), Dino Recio (percussion), Nuno Morao (percussion, melodica) and Joao Pinheiro (percussion, vibes) in a structured improvisation in an electro-acoustic environment.

A beautiful and evocative song cycle that meditates on themes of destruction and rebuilding, migration, falsities and undeniable truths performed with the Toomai String Quartet, and Mary Halvorson, Tomas Fujiwara and Emily Manzo.

Phantom Orchard, the duo of Zeena Parkins and Ikue Mori, is expanded with 5 performers representing some of the most exciting women in modern creative experimental music, releasing a surprising, riveting, and amazing album.

The Remote Viewers' 10th album, with David Petts, Caroline Kraabel, Sue Lynch, Adrian Northover, John Edwards, Rosa Lynch-Northover, and Adam Bohman, in mysterious works of dissonance and wonderfully idiosyncratic expression.

David Pett's Remote Viewers with 4 saxophonists and keyboards, and the rhythm section of John Edward and Mark Sanders, complete their noir trilogy with an album blending compositional and improvisational forms in mysteriously dark and satisfying forms.

Dave Petts' Remote Viewers, now a septet of 4 saxophonists, marimba, bassist John Edwards and drummer Mark Sanders, in 7 pieces blending rock and improvisational aesthetics in seductive ways.

6 works from a series of minimal compositions loosely based on the art & writings of Sol LeWitt, performed by the Edges Ensemble: Philip Thomas, James Saunders, Tim Parkinson, Angharad Davies, Stephen Chase & Rhodri Davies.

Recorded the same day as Brotzmann's "Nipples", pianist Schlippenbach's 2nd album was released on his own Quasar label in 1969, featuring Brotzmann(sax), Manfred Schoof (cornet), Michael Pilz (reeds), Paul Rutherford (trombone), Buschi Niebergall (bass) and Han Bennink (drums).

The sepiasonic ensemble, originally created by Claudio Puntin, Insa Rudolph and Samuel Rohrer, documented here on Arjunamusic, in improvisations, songs and soundscapes blend voice, 3 flutes, reeds, electronics and song in sublime ways.

Finally remastered, this is one of Smith's most obscure and satisfying early recordings with Kahil El'Zabar, Louis Myers, Joe Fonda, John Powell, Mchaka Uba, & Bobby Naughton.

3rd edition of this great live recording of Sun Ra and his Arkestra from 1980 in Switzerland, originally released as a double LP, and remastered for CD in 2010.

A diverse and fascinating release from clarinetist Michael Thieke, also on zither and providing field recordings, with guitarist Martin Siewert, accordionist Luca Venitucci, and two bassists--Christian Weber & Derek Shirley, and two drummers--Steve Heather and Eric Schaefer.

Cuban-born pianist David Virelles in a collaborative effort with legendary drummer Andrew Cyrille, bassist Ben Street, and Cuban folkloric percussionist/poet Roman Diaz, inspired by various aspects of Afro-Cuban religious practices.

Four recordings from the 1990 Latin America Tour of saxophonist Trevor Watts' Moire Music Drum Orchestra, with concerts from Venezuela and Mexico in a band with Nana Tsiboe, Nee-Daku Patato, Nana Appiah, Jojo Yates, Liam Genockey, and Colin Gibson.

Powerful debut from Vancouver guitarist Wilson's 6Tet after 4 years of musical investigations into collective improvisation, melody & noise, meter shifts, African Rhythms, &c.

Vancouver guitarist/composer Tony Wilson's sextet with Dylan van der Schyff, Peggy Lee, Paul Blaney, Dave Say and Kevin Elaschuk, extraordinary improvisation.

Inspired by the spiritual mythology of William Blake, this is part of Zorn's series of 21st century mystical works, alternately romantic, ominous, ecstatic, driving and meditative.

Originally released in Japan in 1992, "Elegy", one of Zorn's most important compositions, creates a mysterious world of erotic perversion.

John Zorn brings together two of his most admired groups, Bar Kokhba and The Dreamers, for an album of beautiful, melodic, exuberant and dynamic improvisation performed by a masterful set of players including Joey Baron, Trevor Dunn, John Medeski, &c.

Performed by the players from Electric Masada, The Dreamers combines a lifetime of Zorn's passion for wide-ranging styles and genres in amazing grooves and hooks.

The Ensemble Grizzana (Ryoko Akama, Mira Benjamin, Richard Craig, Emma Richards, Philip Thomas and Seth Woods) performs a series of delicate and beautiful chamber pieces by Swiss composer and clarinetist Jurg Frey, who also performs on clarinet.

Leading contemporary music ensemble Apartment House perform a new piece developing out of James Saunders's long-term modular project '#unassigned'; the new piece, "assigned #15" creates a mesmeric, dense, jungle-like soundworld across its 45 minutes duration.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.

A 4-part suite from oboe/english hornist Kyle Bruckman based on Thomas Pynchon's early novels, exhilarating jazz performed with Jason Stein (bass clarinet), Darren Johnston (trumpet), Jeb Bishop (trombone), Tim Daisy (drums), Jen Paulson (viola) and Anton Hatwich (bass).

Composer Lucier's score instructs the players to go to an outside environment and record by any means the sound situations of those environments, then in performance re-create, solely by means of your voices, instruments and memory, those outside sound situations.

Percussionist Michel F Cote takes his Mecha Fixes Clocks ensemble (Philippe Lauzier-sax, Elwood Epps-trumpet, Jean Rene-sax, Pierre-Yves Martel-feedback, Bernard Falaise-guitar, Guillaume Dostaler-piano) on a compelling audio tour of air travel.

A lively collection of extensive compositions by Szilard Mezei with Central European direction and a lot of improvised playing from the members of his energetic and sophisticated septet.

Guitarist Lundbom expands his Big Five Chord of Jon Irabagon (sax), Bryan Murray (sax), Moppa Elliott (bass) and Dan Monaghan (drums) to include Sam Kulik on trombone and Justin Wood (sax & flute) for a dynamic album of power jazz named after the prophet Jeremiah.

Young Belgian pianist & composer Bram De Looze in a new Septych (septet) orchestrated with two cellos, three horns, piano and drums from a tremendous set of players: Daniel Levin, Gebhard Ullmann, Robin Verheyen, Lester St-Louis, Bo Van Der Werf and Flin Van Hemmen.

Rutherford's appearance at Chicago's Empty Bottle Festival in 2002, his first visit to the US as a lead performer, performing this incredible 31 minute trombone solo, and then organising a septet with Jeb Bishop, Lol Coxhill, Mats Gustafsson, Fred Lonberg-Holm, Kent Kessler & Kjell Nordeson.

Tim Brady in an extraordinary collaboration mixing his rhythmic, jazz-influenced chamber music with Australia's dynamic and virtuosic Topology ensemble.

Melodic music recorded live in a Quebec church in 1989 with Jean-Denis Levasseur and Jean Derome on saxophones, Pierre Cartier on bass, and Pierre Tanguay on percussion.

A collection of miniature songs with mocking, satirical lyrics that reform out-of-date proverbs into modern pearls of wisdom, paired with improvisation and written composition.

Two albums together. "Carrousel": The Paris based Theo Ceccaldi Trio crosses improv with chamber music in a string trio of lyrical, subtle and advanced improvisation. "Can You Smile": Ceccarelli expands his trio with bassist/free vocalist Joelle Leandre for rich, interactive improvisation.