Documenting the complete performance at the now-shuttered Tokyo underground club SuperDeluxe, the trio of Keiji Haino on guitar, voice, flute, snare & oboe, Jim O'Rouke on 6-string bass, electric guitar, synth & electronics, and Oren Ambarchi on drums & percussion, performed for 2 hours in an amazingly diverse set of acoustic and electronic improvisation.

Electroacoustic composer Robert Cahen studied at ORTF and CNSM in Paris under Pierre Shaeffer, turning to video work in the 1970s and applying musique concrete concepts to moving image, these compositions recorded at the GRM studios between 1971 and 1974 show his mastery over sound and his expressive ability to morph transitions through rich sonic detail.

Composed using an "exquisite corpse" method during the pandemic, where each player provided a partially complete track with instructions to expand their concept, enlisting an incredible set of musicians across the US & Europe, directed by Moe! Staiano, including Jesse Quattro, Fred Frith, Carla Kihlstedt, GW Sok, Amy X Neuburg, Darren Johnston, &c &c.

While still a member of Henry Cow, guitarist Fred Frith released his first solo album simply titled Guitar Solos in 1974, a remarkable album of expression through preparations, treatments and effects; 50 years later Frith expands on that album with new compositions using a similar setup as the original, paired in this 2-LP release with the remastered original album.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

Spanish pianist Eva Novoa leads the trio of Drew Gress on bass and Devon Gray on drums in her second 577 album, and the first of two volumes with this trio, in a solid and lyrical traditional piano trio album of melodic themes, masterly trio interplay, swinging touches and strong grooves, augmented at times with a subtle electronic tapestry of modular synthesis provided by Gress.

Eftsoons (defined as "soon after") is the 1981 duo album from NRG Ensemble leader Hal Russell with ensemble saxophonist and Chicago mainstay saxophonist Mars Williams, who also performs on slide whistle, bells and "lots of other stuff", Russell also performing on cornet, vibraphone and toys; an exciting and energetic album of truly free, inspired playing!

Often performing together as a duo after their initial 2004 Chicago Tentet encounter, drummer/percussionist Paal Nilssen and multi-reedist Peter Brötzmann typically released albums of live performances, this 2015 studio date in Antwerp unique in their catalog, an exemplary set of recordings, particularly with Brötzmann on a new contra-alto clarinet and Paal adding gongs to their improvisations.

The first album under 577 label leader and drummer Federico Ughi's name in five years brings together the incredible bass skills of Brandon Lopez and expansive Argentinean keyboard sonics of Leo Genovese, the first of two planned volumes recorded in the studio for a boundary-less album of acoustic and electric improv influenced by the music and philosophy of Sun Ra.

Documenting the 1994 avant music drama composed by pianist Alexander von Schlippenbach and accordionist Sven-Ake Johansson, uber Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel (on the cause and effect of the disagreements over the building of the Tower of Babel) through a double LP, DVD, libretto and 16-page booklet in a solid box set.

The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz — integrating extended techniques and solid vibraphone work — with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums).

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c.

The chameleonic styles of Sean Ono Lennon are in full force on this instrumental record, merging rock, jazz, experimental and cinematic styles in captivating ways, performed with the spectacular ensemble of Devon Hoff (bass), Yuka Honda (electronics), Johnny Mathar (drums), João Nogueira (Wurlitzer), Ches Smith (drums), Michael Leonhart (trumpet) & Mauro Refosco (percussion).

The 12th album from Martin Küchen's Angles ensemble is expanded and developed with notations and string arrangements from Alexander Zethson, and the voice of Elle-Kari Sander, in an engrossing album of powerfully compelling jazz rhythms & soloing, orchestral swells and emphatic songs pivoting around the mythology of the nymph Calypso, woven into contemporary concepts; sensational!

Performing on prepared piano & accordion (Karin Johansson) and guitar & electronics (Fin Loxbo), this Swedish duo explore unhurried and varied soundscapes, their skill and discerning motion allowing individual sounds space for clear expression in virtual narratives, the album's tracks captured in a variety of locations including the resonance of an old water reservoir.

Inspired by the memoir from Swedish poet Tomas Tranströmer, this first album from the ORD quintet uses text from Tranströmer and original work from pianist & composer Karin Johansson and vocalist Jenny Willén, with trombonist Niclas Rhyd, reedist Gunnel Samuelsson and bassist Hasse Westling, in an exquisite set of introspective songs that bridge composed and improvised forms.

The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.

Conceived and constructed over 16 years, composer, electronic artist & percussionist Matt Weston employs graphic and personal notation systems with elements including clandestine recordings in concert halls and athletic buildings while they were not in use, rural field recordings, and the sound of cars driving over a bridge at Weston's conducting; unique and fascinating.

Recording in the Van Gelder studio in NJ, the Ghost Trees Duo of Seth Nanaa on drums and Brent Bagwell on tenor saxophone release an album of nine inventive dialogs, expressive and energetic jazz born from fifteen years working together, from the trio The Eastern Seaboard to their own hard-working duo and recent Ghost Tree Big Band project.

Appropriately recording in New Jersey in the Van Gelder Studios, the North Carolina sax & drum duo of Brent Bagwell and Seth Nanaa stand in the shadows of Coltrane & Ali or McHenry & Cyrlle on their fourth release, a 2-LP, 180gm red-vinyl album of swinging, structured free jazz with a lyrically inclined outside attitude; twelve tracks of concise and compelling dialogs.

Originally formed in 2005 by guitarist Pedro Gomes as a Portuguese free rock group, this Lisboa-based band has transformed into this burning quartet that bridges rock and free improv in both savage and brooding moments, from the superb quartet of Gomes on guitar, Pedro Sousa on saxophone, Gabriel Ferrandini on drums and Miguel Abras on electric bass.

The first spoken word LP by author, music journalist, poet, and head of Ecstatic Yod Records, Byron Coley, talking about underground cultural history in verse on Side A, and reading from his forthcoming novel, "Dominoes" on the B Side.

Four innovative and creative pianists performing solo at the Western Front between 1985 and 2015--Anthony Davis, Paul Plimley, Al Neil, John Kameel Farah--compiled on this extraordinary LP, the 2nd essential archive from one of Canada's most important performance spaces.

2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.

A live and studio rendition of Gifonni's solo composition for portable synth and analog filter, themed on the South American large vulture of the name Zamuro.

Approaching the concept of endless repetition, New York composer and pianist Phillip Golub (Tropos, Sarafand Ensemble, Cecil McBee) presents his debut solo piano album, a contemplative set of system-based looping phrases that open up to improvisational variety in live performance, here in four renderings that defy the categorization of a "loop".

A split 7" 45 with radical sonic experimenting quartet Great Architect with Brent Bagwell from Eastern Seaboard; and polyrhythmic experimenting quartet Moenda.

Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.

Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.

A 33 rpm 7" from Washington, DC sound artist Chester Hawkins, which "contains highly concentrated extracts" of two remixes of live recordings at Logan Fringe Arts Space and Red Onion Records, from his limited-edition USB release "Cops Need Serial Numbers"; mesmerizing and hypnotic electronics from a masterful performer and kosmiche explorer.

After riding through his city of Zurich to the Kunstraum Walcheturm studio in 2020, Jason Kahn was struck by the quiet aspects of the usually busy city, now quelled by pandemic; entering the studio feeling the desolation and strange sense of peacefulness in the midst of so much tragedy and suffering, he recorded these "songs" of passionate free vocal improvisations and acoustic guitar.

Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.

Jason Kahn developed these graphic scores, commissioned by the 2012 now NOW Festival in Australia, to push these specific players into situations outside of their comfort zone, as heard in this double LP which includes copies of the score plus notes and interviews.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

The first volume in an ongoing collaboration between composers Kenneth Kirschner and Joseph Branciforte, this work explores the application of software-based compositional techniques — including algorithmic processes, generative systems, and indeterminacy — performed in a superb ensemble including members of Flux Quartet and International Contemporary Ensemble.

First stock of this 1999 7" from French sound artist Eric La Casa created as part of Joe Colley's "Explorer" series, the title translating to "the shore breathing" where each composition develops from field recordings of water, the first part more naturalist and adhering to the initial recordings, the second using sound processing to create something unique and mesmerizing.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

Spanish sound artist and vocalist Mattin in his 6th "Songbook" album, performed with Farahnaz Hatam, Pan Daijing, Colin Hacklander, Werner Dafeldecker, and Dean Roberts, a vicious mix of essentially no-wave rock and experimental music, six songs at exactly six minutes each covering topics of the conflicts, confusion and frustrations of our modern age.

Lithuanian reedist Liudas Mockunas in an unusual record of clarinet and saxophone improvisations, from solo work of powerful technique to pieces using water prepared instruments to create a wealth of bubbling and aberrant sound on the instrument, side A presenting the 7 part "Hydration Suite", Side B the 3 part "Rehydration", and "Dehydration".

Brooklyn saxophonist Matt Nelson in a solo album of extended saxophone techniques along with a litany of guitar effects pedals, all run through a large 70's era Peavy combo amp with real-time feedback manipulation, a unique album of muscular playing and unusual soundscape.

The expansive mind of composer and experimenter Charlemagne Palestine presents an extended drone work performed on organ, building from a peaceful single note to a harmonically rich combination of tones with a haunting vocal quality, subtly shifting and building in momentum then slowly fading out to the 20 minute mark; an epic journey in polyphonic transition.

Inspired by Nikola Tesla and Karlheinz Stockhausen's collection of text pieces, "From the Seven Days", tuba player Dan Peck's solo album is an intense collection of deep tones in bold minimalism, and in clatteringly frightful tuba interactions.

In the spirit of Downtown NY by merging forms of jazz, rock and experimental music, Chris Pitsiokos bookends his album with two solo pieces, joining forces with NY electric guitarist Rick Eye for 4 tracks and drummer Jason Nazary joining for 3 tracks, as Pitsiokis performs on alto & baritone sax, harmonica, electric bass, guitar & drums, electronic instruments & voice.

A 7" 6 song release of Mike Pride's "punk" vocal troupe Punkappella, with Dusan Hedl, Bojan Tmoazic, Rick Klaus Theis, and Jessica Pavone on vocals; double sided sleeve contains lyrics for these unusual vocal vignettes.

After a 4-week residency in 2018 at The Burlington in Chicago, the quartet of Paul Giallorenzo (keys & electronics), Charlie Kirchen (bass), Ryan Packard (drums, electronics) and Ben LaMar Gay (cornet & electronics) workshopped their exploratory approach to free electric improv for 6 months before recording this mesmerizing version live at Chicago's Hungry Brain.

The Pre-Residents years, as exhumed from the band's extensive master tape archive. BLACK 2xLP. Double LP set featuring two live shows recorded in 1971 and 1972 plus the complete '1-10 (with a touch of 11)' album, recorded in 1972 and previously only released in short excerpts.

Merging disparate styles into music that is clearly jazz-based, warm and beautifully structured, Chicago drummer and composer Charles Rumback's 7th album as a leader assembles a large group of luminaries including Jim Baker, Ron Miles, Jason Stein, and Greg Ward for a set of instrumentals and songs that are effusive but never sentimental, a beautiful balance.

Skronky multi-faceted NY Downtown-style improvisation with an electric edge from the quintet of Chris Pitsiokis on alto sax, winds, electronics & samples, Wendy Eisenberg on electric guitar, Richard Lenz on electric bass, Kevin Murray on acoustic & electronic drums and Nick Neuburg on percussion, rolling and rollicking through riffs and scrabbly exploration.

Reminiscent of the packaging of early releases from The Ex, the vocalist from that band--G.W. Sok--provides the words for the first tracks on this 7" from Sleepytime Gorilla Museum drummer/composer Moe! Staiano's long-running band, a brutal wordplay stab at Russian president Putin for his invasion of Ukraine; plus a dub remix of a song on the upcoming full-length Surplus 1980 album.

Percussionist, Quakebasket label leader, and experimental sound artist Tim Barnes both subverts and respect the forms of electronica by turning it on its side, extracting unusual rhythms and structures from rhythmic elements and samples, at times following conventional direction and then breaking off into Barne's instinctive drive for abstraction and diversion.

The Norwegian big band Trondheim Jazz Orchestra joins together with the Swedish-origin trio The MaXx (Oscar Gronberg-keyboards, Petter Kraft-guitar & saxophone, Tomas Jarmy-drums) to develop and perform this monumental work of modern electric jazz, an abstract rock opera written specifically to leverage the power of the Trondheim Jazz Orchestra.

A unique album of self-aware conversation from Hong-Kai Wang and Mattin, who record themselves responding to their own dialog, addressing those responses to the audience and adding their reaction to the final recordings, creating an abstract spoken ambiance.

Known as a jazz bassist, Torbjörn Zetterberg mostly steps away from the big strings for a series of multitrack studio compositions on a variety of instruments electronic & acoustic, plus samples and voice, all performed by Zetterberg himself (with Konrad Agnas and Anna Hogberg adding input on a couple of tracks); powerful, urgent, impressive works from a truly well-rounded musician.

The Swedish title translating to "Species", the contemplatively elegant interactions between pianist Karin Johansson and tenor saxophonist Lisen Rylander are named for extinct species of animals and plants, as the two improvise over the loss of species that disappear from the earth every year, their wistful music augmented through preparations, kalimbas, live electronics and percussion.

Driven by compelling rhythms and subtle interactions that wind around them, the trio of guitarist Oren Ambarchi, bassist Johan Berthling and drummer Andreas Werliin expand their Ghosted concept in this second album, four diverse pieces fusing "funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries".

A impressive album of virtual guitar duos from Swedish-born and New York-based experimental guitarist Anders Nilsson, challenging himself to imagine playing the pieces as 4-handed piano music, or as performed on a kora, or by a string quartet, through three extended pieces that balance complex interaction with thoughtful beauty and instrospection; exceptional.

The Necks 16th release layers polyrhythmic material to form seething blocks of sound, in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics.

The sixth album in saxophonist and composer Henry Threadgill's Zood small ensemble project Zooid, a quintet with guitarist Liberty Ellman, tuba & trombonist Jose Davila, cellist Christopher Hoffman and drummer Elliot Humberto Kavee, following Threadgill's serial intervallic language compositions to create an amazingly intricate yet warmly embraceable avant jazz; exceptional!

Transforming a sense of isolation and separation into exuberant and pointed expression, drummer Mike Reed brings together this hybrid sextet of Chicago players, including cornetist Ben LaMar Gay, poet and spoken word artist Marvin Tate (D-Settlement), and members of Bitchin Bajas (Rob Frye, Cooper Crain, and Dan Quinlivan), for 9 heartfelt, intensely passionate pieces.

Based on a growing friendship and friendly improvisations developed between 2022 & '23, New York guitarist Wendy Eisenberg and saxophonist and activist Caroline Davis developed this set of ten songs--poignant, expressive, deeply personal, unconventional, illusory--performed with drummer Greg Saunier, reminding of the early Downtown NY scene in their confident fragility; beautiful.

The third part of the HYbr:ID series from electronic composer Alva Noto, aka Carsten Nicolai, investigating new approaches to composition through unique systems of musical notation and graphic scores, rendered in beautifully paced multi-spacial sound, this part influenced by the movement and subtle gestures of the traditional Japanese theater form, Noh.

Discovering the sounds of electromagnetic fields on trams in the city of Trondheim by wearing custom induction headphones, Christina Kubisch's work explores themes of the sounds of travel in this 3-part work for electromagnetic wave recording and six voices, commissioned by nyMusikk Trondheim and developed with Trondheim Voices, recorded live in Trondheim in 2022.

A mesmerizing and organically spiritual album of collective improv from three global travelers based around the NY and Chicago scenes--long-time collaborators William Parker, Cooper-Moore and Hamid Drake--their instrumentation on this beautiful album also uniquely global, including doson ngoni, shakuhachi, bass dudek, Serbian flute, Ney flute, ashimba, hoe-handle harp and frame drum.

Brooklyn saxophonist Sam Weinberg (W-2, Maestro Day) leads and composes half of the pieces for a trio with bassist Chris Lightcap and Tom Rainey, the other half collective interplay from three masterful players with a strong creative impulse and a subtle sense of humor, clearly in the jazz tradition but using modern approaches to expression that are delightfully optimistic.

An exploration of tonal interplay and contrasting rhythms from nine electric guitars, bass, and drums by West Coast percussionist and composer Moe! Staiano (formerly of Sleepytime Gorilla Museum), a work in three movements that features assertive rhythmic structures and intertwining string structures, balanced by beautifully ringing moments of introspection.

Composed using an "exquisite corpse" method during the pandemic, where each player provided a partially complete track with instructions to expand their concept, enlisting an incredible set of musicians across the US & Europe, directed by Moe! Staiano, including Jesse Quattro, Fred Frith, Carla Kihlstedt, GW Sok, Amy X Neuburg, Darren Johnston, &c &c.

Reissuing Annette Peacock and Paul Bley's live album from 1972, an electroacoustic jazz record using one of Robert Moog's earliest synthesizers, in a quintet with New Yorkers Mario Pavone on bass and Laurence Cook on drums, with Dutch avant jazz drummer Han Bennink joining them on tour, this album from two concerts at Club B14 in Rotterdam and Espace Cardin in Paris.

Assembled by Portuguese saxophonist Rodrigo Amado, this stellar quartet bridges nations with German pianist Alexander von Schlippenbach, Norwegian double bass player Ingebrigt Haker-Flaten, and American drummer Gerry Hemingway, presenting the extended, masterful collective title track, along with two shorter works, particularly revisiting Albert Ayler's "Ghosts".

First vinyl pressing of this '93 Berlin concert at Townhall Charlottenburg from the quartet of Peter Brotzmann on alto & tenor saxophones & tarogato, Toshinoro Kondo on trumpet, William Parker on double bass and Hamid Drake on drums, improvising under the influence and showing their love of saxophonist Albert Ayler through quotation and fragments of Ayler's work.

A new book of compositions and four interesting interpretations of Billy Strayhorn songs from trumpeter Dave Douglas' premier of a new quartet with tenor saxophonist James Brandon Lewis and two members of the post-rock trio Son Lux — guitarist Rafiq Bhatia and drummer Ian Chang — in a lyrically embraceable and sophisticated album dedicated to the gifts of life and music we all share.

The second album from Swiss improviser Jason Kahn and Taiwanese experimental vocalist Alice Hui-Sheng Chang, in eight pieces of free vocal improvisation recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan, an unusual collaboration of idiosyncratic interactions using a wide spectrum of vocal techniques.

The third chapter in Cuban-Born, New York-based drummer Francisco Mela's tribute to his legendary mentor and bandleader Mccoy Tyner, in a trio with William Parker on bass and Leo Genovese on piano, celebrating the avant side of Tyner's work with Coltrane and his own bands, and the influence he had on Mela in encouraging him to push the boundaries of his playing.

Pianist Alexander von Schlippenbach and clarinetist Rudi Mahall have been exploring the music of jazz and free improvisation for decades in their own bands or together in Globe Unity Orchestra; here they are heard in their essential element as a duo, pushing their music in rapid runs and elegant and emotional moments with imposing technique and authoritative confidence.

Their first time playing together as a trio despite many permutations in various projects over the years, the trio of Robert Mitchell (F-IRE Collective) on piano & percussion, Neil Charles on double bass and the remarkably collaborative drummer Mark Sanders, are heard in this 2nd part to their 2022 concert at London's Cafe OTO for three extended, free and very informed collective improvisations.

Recordings from the Berlin club Au Topsi Pohl where the [ism] piano trio of Pat Thomas on piano, Joel Grip on double bass and Antonin Gerbal on drums played 4 nights in a row, May 18-21, 2022, Thomas performing on a Bösendorfer grand piano, creating an omnipresent and precise sound that drove the band to great heights of interactive, warmly diverse playing.

Pushing the envelope on minimalism, Manfred Werder's 3 scores for "2003" present just 6 tones, the instructions telling 3, 2 or 1 performers to play a pitch or sound for 3-7 seconds twice during the performance; realized by Erik Carlson, Stephanie Richards, and D. Edward Davis.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

Chicago-based bass clarinetist-composer Jason Stein returns from a six-year hiatus as bandleader with a beautifully personal, nuanced, and expansive album, created with bassist Joshua Abrams (Natural Information Society), drummer Gerald Cleaver, and guitarist and co-producer Boon, in a suite of seven Stein compositions ranging from meditative calm to gripping intensity.

The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.

St. Louis violinist Alex Cunningham and Brooklyn pianist Eli Wallace debut as a duo with five extended improvisations, engaging in dynamic conversations that explore rapid melodic passages, complemented by textural piano preparations, creating diverse soundscapes ranging from intense energy to moments of thoughtful, unhurried interaction.

Returning to the electronic jazz approach of his album Multifariam, cellist Christopher Hoffman, composing with the core trio of Frank LoCrasto on keyboards and Bill Campbell on drums, is joined by luminaries such as Henry Threadgill, Ryan Scott, Anna Webber, and Alfred Colón on select tracks, releasing a lyrically compelling album that draws on a diverse range of influences.

A collection of songs exploring intimacy under colonialism by the writing duo of bassist and singer/lyricist Mali Obomsawin, a member of the Odanak First Nation and known for her work with the band Lula Wiles, and Chicago guitarist Magdalena Abrego, based in Cambridge, MA, featuring eight beautifully crafted pieces that showcase lyrical strength and astute observation.

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello.

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello.