A limited live album from German saxophonist Peter Brotzmann's long-running Full Blast trio with the precise and dynamic Swiss rhythm section of Marino Pliakas on electric bass and Michael Wertmuller on drums, captured at Audio Rebel, in Rio de Janeiro, Brazil in 2016 as they tear through a tumultuous set of five burning improvisations of passionate playing.

Six works by iconic composer Ellen Fullman in a duo with David Gamper, an original member of Pauline Oliveros' Deep Listening Band — ecstatic and mesmerizing improvisations recorded in the resonant space of the Headlands Center for the Arts in Marin, CA — plus 2 tracks of a duo between Ellen Fullman and Deep Listening Band founding member Stuart Dempster on trombone & didjeridu.

Saxophonist, clarinetist and flautist Nobuyasu Furuya's quintet with Rodrigo Pinheiro (piano), Eduardo Lala (trombone), Hernani Faustino (bass) and Gabriel Ferrandini (drums) playing Furuya compositions.

Fritz Welch and Guido Hennebohl present a strange and discomforting album of electronic madness, as they "rattle them pots and pans, slap-the-cheek slurps and stick sharp elbows into a web of goof-off electronics" as they pursue the message of freedom.

The GGRIL is a Canadian ensemble of musicians who experiment with various forms of interactions possible in an orchestra without a conductor, bringing together a dozen musicians from different backgrounds.

Derived from the name Georgios and its dual meaning of earth and work, drummer & composer John Hollenbeck (Claudia Quintet) developed these lyrical and sometimes pop-inspired compositions, along with arrangements of Sonny Bono's "Bang Bang" and Cyril Tawney's "Grey Funnel Line", performed with Anna Weber on sax & flute, Aurora Nealand on voice, keys & sax, and Chiquita Magic on keys & voice.

The second incarnation of the Detail trio of saxophonist Frode Gjerstad and drummer John Stevens with Kent Cart taking the role of double bass, is heard in this studio recording from 1990 at NRK-studio in Stavanger, Norway, a superb example of the nearly telepathic freedom four years of playing together afforded them, as heard in two extended, energetic improvisations.

A tremendous concert from the 1974, 105th NDR Jazzworkshop at the Funkhaus Hamburg from the influential free jazz ensemble Globe Unity Orchestra with a who's who of European Free Jazz players (Brotzmann, schoof, Parker, Rutherford, Bailey, Kowald, Bennink, Lovens, Schlippenbach, &c) in a Satirical Oratorio in seven parts with the NDR Choir, plus Schoof's "Kontraste Und Synthesen".

Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator and installation artist, creating unexpected aural environments exploring acoustic phenomena or creating acoustic sculptures using common materials like switches, balloons, hoses, cages, &c.

The 4th album from German saxophonist Peter Van Huffel's Gorilla Mask, the 3rd on Clean Feed, is another powerful blending of jazz and rock forms in restless and profoundly determined music, energetic but intelligently structured, with great riffs and melodic grooves from Roland Fidezius (electric bass) and Rudi Fischerlehner (drums and percussion).

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton GreenÐ-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

A split 10" vinyl album of two very different works: first French sound artist Jean-Philippe Gross in a sonic assault of garish rhythmic electronic persistence and noise; then the Golden Oriole instrumental rock duo of Kristoffer Riis on guitar and Thore Warland on drums in a compelling work of grooving structure with diverse percussive interaction.

A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.) playing original compositions as well as a cover of Mingus' "Goodbye Pork Pie Hat".

Composers and performers Jani Hirvonen and Johannes Schebler create a complex universe in sound & melody, a veritable forest of sound referencing global and spiritual environments, using warm instrumental sources, field recordings, world percussion and extended use of the studio in a satisfying series of journeys with a mysteriously transcendental and devotional feeling.

After their duo album A Map of Guilt and many albums together under various Fire! groupings, Swedish saxophonist Mats Gustafsson and electronic artist Joachim Nordwall face off again for a limited 7" single: two simmering dialogs, remarkable counterpunches of rumbling synthetics, instrumental noise, pulsating bass tones, heavy breath and terrifying innuendo!

Jade Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds.

Black Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds.

A conduction of an absolutely impressive ensemble of free and ea- improvisers on a powerfully diverse journey, from Anna Högberg & Gustafsson on sax, Susana Santos Silva on trumpet, Per-Åke Holmlander on tuba, Hedvig Mollestad on guitar, Dieb13 on turntables, Christof Kurzmann on lloopp & voice, Massimo Pupillo on bass, Gert-Jan Prins on drums & electronics, and Ivar Loe Bjørnstad on drums.

The soundtrack to the German film The Painter by director Oliver Hirschbiegel in collaboration with Oliver Hirschbiegel, the first side a diverse set of compositions from electronic musician Gudrun Gut, a one-time member of Einstürzende Neubauten; the second side a set of assertive acoustic improvisations from trumpeter Nate Wooley, alone or in duo with drummer Chris Corsano.

One of London's most significant and prominent free improvising double bassists, from Spontaneous Music Ensemble to London Jazz Composers Orchestra and innumerable projects with some of the globe's finest improvisers, entered the studio in 2019 to record this exceptional and diverse solo album of advanced forms and remarkably creative imagination.

The songwriting team of John Zorn and Jesse Harris, who worked together on Zorn's The Song Project, wrote these beautiful melodies & lyrics that merge elements of rock and jazz for singer Petra Haden, performed in a quintet with Jesse Harris on acoustic guitar, keys & background vocals, Kenny Wollesen on drums, percussion, Julian Lage on guitar, and Jorge Roeder on bass.

The third release from the collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook with Japanese legendary guitarist and vocalist Keiji Haino, for six rugged free rock improvisations captured live at the Astoria Hotel in Vancouver BC during Haino's 2019 tour of North America.

Mary Halvorson continues her string of excellent modern jazz albums with this octet release with fellow guitarist Susan Alcorn, Jonathan Finlayson (trumpet), Jon Irabagon & Ingrid Laubrock (sax), Jacob Garchik (trombone), John Hebert (bass) and Ches Smith (drums).

Limited edition LP of Brooklyn-based guitarist/composer Mary Halvorson's second recording with her amazing working quintet of trumpeter Jonathan Finlayson, saxophonist Jon Irabagon, bassist John Hebert, and drummer Ches Smith.

Unusual approaches to rock song and instrumentals from this French duo of Apolline Schöser & Nocola Henry in collaboration with Valentine Noiret, Daniel Dariel on Japanese vocals, Louis Claus on Indian flute and Marie-Laure Gucciardi for poetic writing in Italian, &c.; peculiar and compelling, somehow reminiscent of Etron Fou...

Washington, DC based electronic experimenter Chester Hawkins (Blue Sausage Infant) was commissioned by director Tim Ashby to compose this work for the soundtrack to his feature-length film "Pale Trees", Hawkin's music illustrating the film's gradient of psychological colors from darkness, rage, and vengeance through a mix of kosmische drone in a Tangerine Dream vein.

Washington, DC based electronic experimenter Chester Hawkins (Blue Sausage Infant) was commissioned by director Tim Ashby to compose this work for the soundtrack to his feature-length film "Pale Trees", Hawkin's music illustrating the film's gradient of psychological colors from darkness, rage, and vengeance through a mix of kosmische drone in a Tangerine Dream vein.

A dynamic collaboration between This Heat/Massacre legendary drummer Charles Hayward and the Dungeness improvising sound duo Harmergeddon of Polyphoniefae and Nathan Greywater, who use photophonics, electromagnetic fields and consumer electronic junk to create detailed and interactive sound environments that propel Hayward into exultant rhythmic territory.

Double bassist Shay Hazan, a member of the Albert Beger Quartet, provides the compositions for this 10" album recorded in Tel-Aviv,, a sextet that's essentially a double trio, with two tenor saxophonists (Albert Beger and Eyal Netzer), two drummers (Haim E. Peskoff and Ofer Bymel) and a secondary string from Nadav Masel playing a hamsa, a 5-stringed custom cello.

Inspired by European improvisation, 60's NY-loft-avant-garde and Ethiopian jazz, Heaven, the Norwegian collaborative project of Danish saxophonist Henrik Pultz Melbye and Norwegian drummer Ole Mofjell, merge rhythmic and melodic realms, adding stretches of noise and non-idiomatic sounds, in fast-paced, highly-energetic, and highly-informed performances.

Master trumpeter Thomas Heberer in a two part double LP release: "Klippe" in a trio with clarinetist Badenhorst and bassist Niggenhkemper; and "One" performing solo.

The late great saxophonist Julian Hemphill and bassist Peter Kowald, essential free jazz players from NY and Germany, performing solo and as a duo live at Kassiopeia, Wuppertal in 1987.

US Composer Sarah Hennies wrote these pieces for vibraphone for Lenka Novosedlíková to be performed at the church in Kyjatice, Slovokia, a medieval building the two discovered while traveling, and that they challenged each to bring life to the building while respecting it's contemplative character and using the psychoacoustic dimensions of space.

Odd popster Gerard Herman in songs using a combination of poetry, canned beats, field recordings, home made instruments, excerpts from his radio shows and other musique concrete elements.

Sealed new copy damaged in the post, dinged corners and bends but the LPs are in mint shape.

The first album from the amalgamated band name Herr Borrelgrip, a play on the names of alto saxophonist Pierre Borel and double bassist Joel Grip, developing their work in Stockholm, Berlin and Paris starting in 2008 as a performing duo, heard here in a beautiful gatefold double LP studio release with an extensive LP-sized booklet of text in French and images.

The first album from the amalgamated band name Herr Borrelgrip, a play on the names of alto saxophonist Pierre Borel and double bassist Joel Grip, developing their work in Stockholm, Berlin and Paris starting in 2008 as a performing duo, heard here in a beautiful gatefold double LP studio release with an extensive LP-sized booklet of text in French and images.

Using raw and primal rhythms, deep textures from amplified baritone saxophone and trance approaches to rock instrumental music balancing Steve Reich and Sunn O))), the French Hippie Diktat trio of Antoine Viard on baritone sax, Julien Chamla on drums and Richard Comte on guitar has toured Europe since 2011, here in recordings at l'Ecluse, in Reims from 2013.

The 3rd album from the French Hippie Diktat trio of Antoine Viard on baritone sax, Julien Chamla on drums and Richard Comte on guitar, drawing parallels to Sunn O))) and the raw power of Peter Brötzmann, here in a four-part work of primal rhythms and powerful textures, applying the use of space and timing around repetition to create a bedrock of brawny sound.

With many parallels to and collaborative work with Henry Threadgill, cellist Christopher Hoffman pens eight dynamic compositions for his superb quintet of Bryan Carrott on vibraphone, Rashaan Carter on bass, Craig Weinrib on drums and David Virelles on piano, merging melodic approaches to creative jazz with interesting structures and virtuosic soloing from all performers.

Reuniting bassist Dave Holland with saxophonist Evan Parker, a longtime friend from their early days in London, and joined by Craig Taborn on piano and electronics, and Ches Smith on percussion, as the group performs as a quartet and also in a variety of permutations of duo and trio configurations, in a set of rich and informed dialogs of masterful skill.

Cinematic aesthetics and themes from the Norwegian Holy Mountain duo, performing on the uncommon pairing of two instruments--accordion played by Andreas Angell, and drums with acoustic and electronic parts and vintage synthesizer played by Aleksander Tidemann--in their 3rd release inspired by the dystopian sci-fi visions of John Carpenter, Philip Glass and Daft Punk.

An idiosyncratic and wonderfully wild improvisational music theater group revolving around composer & cellist Tristan Honsinger, using spoken word and song through eclectic and active free improvisation including strings, reeds, trumpet, toy piano, tap dance, bass & drums, a truly unique and joyfully quirky album that fulfills Honsinger's goal of uniting music, theater & poetry.

A collosal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground.

NY drummer William Hooker performing with Darius Jones and Adam Lane at The Stone in NYC, and with Aaron Bennett, Weasel Walter and Damon Smith at The Hemlock Tavern in San Francisco.

After a six year break, the Humcrush duo of Stale Storlokken on keys and Thomas Stronen on drums & electronics return with this studio album of rhythmic angularities and experimental sound worlds, drawing on their experiences with bands including Supersilent, Food, Elephant9, Time is a blind guide, Meadow and Motorpsycho.

A concert in 1995 at Cafe Amores, in Hofu, Yamaguchi of the duo of Japanese percussionist Midori Takada and alto saxophone Kang Tae Hwan, both using exceptional and unusual approaches to their music, applying their backgrounds in free jazz, theater and studies in traditional African and Asian percussion to create a unique hybrid, from hypnotic to frenetic; fascinating.

Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music.

Taking their band name from a Thelonious Monk quote, the Norwegian power trio of vibraphone player Amund Storløkken Åse (son of keyboardist Ståle Storløkken and vocelist Tone Åse), guitarist Nicolas Leirtrø and drummer Øyvind Leite bridge the divide between 70's progressive rock, classical music, jazz and improvisation with a unique instrumentation.

The ISM trio brings together Berlin, UK and Paris improvisers Antonin Gerbal (drums), Pat Thomas (piano) and Joel Grip (double bass) for their second album since 2015, recording live at Tokyo's Knuttel House in 2018 for two extended improvisations, collective pieces that unfold from lyrical beginning into tightly packed exchanges of exhilarating blooms.

Commissioned for the Tang Museum's "The Second Buddha: Master of Time", the duo of percussionist Susie Ibarra and guitarist Tashi Dorji envision the legendary figure Padmasambhava, who brought Buddhism to Tibet, through two extended improvisations of close communication and tight interaction, including gamelan-like percussion and unusually tuned guitar abstractions.

The Ich Bin Nintendo trio of Christian Skar Winther (guitar & voice), Magnus Skavhaug Nergaard (bass) and Joakim Heibo Johansen (drums) take their improvised noise music into the post-punk world with demanding and energetic music that voices it's power and exultation.

The New York supergroup of Mary Halvorson on guitar, Tomas Fujiwara on drums, Benoit Delbecq on piano, and Taylor Ho Bynum on cornet & flugelhorn in a studio album with compositions from all 4 players, their friendship and history of working together bringing virtuosity, precision, freedom in exploration and exuberance to their collective conversations.

Crossing NY and Chicago artists, the quartet of Mike Ladd on vocals & synth, Jeff Parker on electric guitar, Tyshawn Sorey on drums, trombone & electric piano, and HPRIZM/High Priest on synth create thought-provoking spoken environments of intense improv.

After the collaboration of Illusion of Safety and Z'EV which culminated in a performance at Enemy in Chicago in 2007, Z'EV approached IOS member Daniel Burke to collaborate on an album, providing Burke with a number of short acoustic recordings which Burke developed into these compositions merging his own field recordings, sampling, electro-acoustics, and Eurorack modular synth.

Saxophonist Jon Irabagon continues his trajectory in creative new jazz with the release of this trio album with drummer Nils Are Dronen and guitarist John Hegre, recorded live in Berlin at N.K., and in Fukuoka, Japan at New Combo, each track an extended improvisation balancing beautiful tonal work with informed and aggressive interaction.

A cohesive suite in eight parts on dynamics, tone and vocal narration in acoustic jazz from the joining of the 20+ year Swedish duo project J/L Duo of saxophonist Johan Jutterstrom and drummer/percussionist Andreas Hiroui Larsson, Brooklyn-based pianist Adrian Knight and vocalist/lyricist Frew Elfineh Taha (also known under the moniker Black Fist).

Without referencing typical genre or style, the collaboration of sound artists Tim Barnes and Jeph Jerman moves a step forward with this 45 RPM LP release of texture and atmosphere, with assistance from Ken Vandermark, Jacob Duncan, Aaron Michael Bulter, Sara Saltau & Bret Berry.

Drummer Sven-Ake Johansson is also a poet, writer and visual artist; here he joined forced with Alexander von Schlippenbach in 1988 to record these songs, never previously released, sung in German and English, for a set of 9 fascinating narrations that engage the listener independent of language, as von Schlippenbach improvises with prodigious technique.

Originally issued in 1972 on the FMP label, drummer Sven-Ake Johansson follows his instincts in polyrhythmic drum improvisation, demonstrating the prowess that makes him such a capable sideman of Peter Brotzmann, Alexander Von Schlippenbach, &c., through three direct and compelling statements of powerful rhythms that layer time signatures and tempos, dynamics and pulse.

An album celebrating the unconquerable sun, imagined through rhythm, reeds, bass and sonic landscape, composed by Antwerp double bassist Hannes d'Hoine with multi-reedist Hanne De Backer on bass clarinet & baritone saxophone, slowly unfolding in light and dark tones and steady momentum, neither ambient nor excessive but richly building arrangements through which light emerges.

The 3rd album from the trio of Larry Ochs (Rova Saxophone Quartet) on tenor & sopranino saxophones, Downtown NY mainstay and West Coast migrant Mark Dresser on bass, and Ganelin Trio alumnus Vladimir Tarasov on drums and percussion, in four superb examples of collective improvisation captured live in two concerts in Berkeley and San Diego, CA in 2016.

Drawing on compositions from black artists who have created something uniquely their own--Sun Ra, Ornette Coleman, Roscoe Mitchell, Georgia Anne Muldrow--alto saxophonist Darius Jones pulls from the depths of emotion and vulnerability in five solo tracks recorded in Portland, deeply felt blues reflecting the black experience in America and the pain of isolation.

Drawing on compositions from black artists who have created something uniquely their own--Sun Ra, Ornette Coleman, Roscoe Mitchell, Georgia Anne Muldrow--alto saxophonist Darius Jones pulls from the depths of emotion and vulnerability in five solo tracks recorded in Portland, deeply felt blues reflecting the black experience in America and the pain of isolation.

The free improvising trio of saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald performing at Zeitgeist Multi-Disciplinary Arts Center in New Orleans in 2002.

Saxophonist and composer Crowmeat Bob's ensemble, Judge Schreber's Avian Choir, is a project name he's used to present his large ensemble pieces involving composition, improvisation, and conduction, here in a conducted collaboration with 15 bowed string players, a heavy metal rhythm section and Bob's own overdubs on reeds and guitar.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

The 2nd release from Jason Kahn, here on voice and resonator guitar, with Christian Wolfarth on Chinese Cymbal, an antique marching snare and objects, recorded after a series of concerts across Europe in the fall of 2019, Kahn applying a percussionist's perspective to his guitar by playing it as a lap slide, as the two invoke an unusual incantatory spirit from their improvisations.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten, for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

"This Forest" is a single sided LP from Italian noise artist Kam Hassah, dense stratas of sounds moving in hypnagocic ways, a gloomy forest of sounds.

Using the natural resonance of the Liepkalnis underground water reservoir in Vilnius, Lithuania, the Katarsis4 saxophone quartet of Arminas Bizys, Algirdas Janonis, Danielius Pancerovas and Kazimieras Jusinskas merge free improvisation, both melodic and of extended tetechniques, with composed forms and folk music, capturing this extended work of beguiling and powerful music.

Five freely improvised tracks recorded live in 2013 at London's Vortex Jazz Club from the trio of Stefan Keune on soprano & tenor sax, Dominic Lash on double bass, and Steve Noble on drums & percussion, playing demanding active work and more introspective inner dialog; exceptional!

Borbetomagus' Jim Sauter has been performing in a duo with drummer Kid Millions for several years, creating a blistering and urgent wail of free improvised energy, as heard on this two track 7 inch, succint sonic blasts of freedom.

Pulling inspiration from disparate influences such as early liturgical music, Ornette Coleman, Laurie Anderson, Yoko Ono, Milford Graves, and composers Morton Feldman and Lou Harrison, Kid Millions and Sarah Bernstein create a cyclical form of spontaneous thematic music through powerful electronics, wild vocalizations, and unrelenting drum textures.

Varying the instrument and proportions of acoustic or electric presentation straddling the foreground/background dynamic for each track, Appalachian Trance Metal guitarist Killick presents his first vinyl LP to extend his vast CD discography; a worthy and curious album of solo guitar, acoustic and electroacoustic work that belongs in any guitar enthusiast's collection.

A split 7": on one side Sleepytime Gorilla Museum percussionist/drummer/composer Moe! Staiano's West Coast rotating ensemble Surplus 1980 in a teaser for an upcoming release with G.W. Sok, Kyle Bruckmann, members of Fred Frith Trio and Total Shutdown; on the other side King Champion Sounds featuring G.W. Sok, formerly of the Dutch band the Ex.

Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double LP for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.

A collaborative album from Dutch sound artists M. Klein (Adept, Sweat Tongue) and Steffan de Turck (Staplerfahrer) using field recordings and keyboards in two extended sound collages that take familiar sounds and transform them into a journey through an imagined land, accompanied by melodic synthetic fragments, a reflective work like a lost memory.

Talented trumpeter and composer from New York Kirk Knuffke recording live at Roulette in 2009 in a trio with Kenny Wollesen on drums and Lisle Ellis on bass.

A mix of original compositions and collective improvisations from the NY trio of cornetist Kirk Knuffke, bassist Michael Bisio and pianist Matthew Shipp, in a double album of exemplary creative jazz from three players steeped in both tradition and forward-thinking approaches to improvisation, filled with spectacular playing from enthusiastic to introspective; a superb release.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

Originally released in 2001 on the Magaibutsu label, the 3rd studio album from Japan's Koenjihyakkei led by drummer/vocalist Yoshida Tatsuya energetically blends progressive rock, chamber rock, fusion and composed forms, here revisited for the 2nd time with the 2009 expanded reissue remixed again with new additions, plus three bonus tracks from a 2020 concert.

A reissue of the 2008 double LP, part of the continuing collaborations between great improvisers from around the globe with the Turkish Konstrukt quartet of Korhan Argüden on drums, Özün Usta on percussion, Umut Çağlar on guitar and Korhan Futacı on tenor & baritone saxophone, here joining with European Free Jazz legend Peter Brötzmann on alto & tenor saxophones and clarinet for this formidable studio recording from Istanbul.

A blistering set of improvisations featuring two electric guitarists--Konkstrukt's own Umut Caglar and NY Sonic improviser Thurston Moore--performing live at SalonIKSV in Istanbul, Turkey, blurring acoustics and electronics as the quintet creates intrepid environments for an intense journey in free improvisation, howling and biting along the way.