Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.

Norwegian saxophonist Frode Gjerstad started the forward thinking free improv group Detail in 1981 with Eivin One Pederson on keys and SME legend, drummer John Stevens; this live recording of the original lineup is a fantastic document of the roots of this important band.

A limited LP from the trio of European improvisers Giovanni Di Domenico on piano and Peter Jacquemyn on double bass with American drummer Chris Corsano, recording in the studio in Belgium, 2013, for 3 free improvisations of dexterous and expressive playing.

Two implicitly lyrical players -- trumpeter Kirk Knuffke and drummer Whit Dickey -- in their second album together of well-paced, thoughtful dialog, an intimate set of recordings that show the adept skills of both as they promote their inherent melodic intentions on their instruments, neither overpowering, but conversing in a warm and rewarding give and take.

High-charged improvisation balancing between free jazz, avantgarde and minimalism from the trio of American saxophonist John Dikeman, Belgian guitar experimentalist Dirk Serries, and legendary English drummer Steve Noble, performing at Soundsavers in London, 2015.

Live recordings from Salao, Brazil in 2016 by the quartet of John Dikeman on tenor saxophone, Luis Vicente on trumpet, Hugo Antunes on double bass, and Gabriel Ferrandini on drums, for two sets of exploratory and often explosive free jazz.

French sound artist Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

Originally released in 1980, this album reissues late trumpeter Bill Dixon's recording from Barigozzi Studio, in Milano, Italy in 1980, performing Dixon's tapestry-like compositions with Dixon on trumpet & piano, Arthur Brooks on trumpet, Stephen Haynes on trumpet, Stephen Horenstein on tenor & baritone saxophones, Alan Silva on bass, and Freddie Waits on drums.

The second in a 3-part series of vinyl releases for Tod Dockstader's "Aerial 1-3", his major work of electronic drone environments developed over 15 years, using over 90 hours of shortwave radio sources, cross signals and fragments, creating vast atmospheric clouds from which emerge voices, mutated conversations and unexpected patterns; amazing!

Fully free improvisation from Chicago musicians, electric guitarist Tashi Dorji and drummer/percussionist Tyler Damon, performing live in a concert at Horatio N. May Chapel in 2018, the resonance of the location adding a rich reverberant level to their evolving dialog, building to ecstatic sonic states and releasing to energetically ruminative discourse.

Beginning with a reimagining of the Civil Rights anthem "We Shall Overcome", trumpeter Dave Douglas' album is an emotional and powerful statement of human engagement towards justice--Racial justice; Climate justice; Voting justice; Gender justice--performed with Ryan Keberle on trombone, Fay Victor on voice, Camila Meza on voice, guitar, Jorge Roeder on bass and Rudy Royston on drums.

2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.

Double Bassist Mark Dresser, a mainstay of the Downtown NY scene as an improviser and composer, and also prominent on the US West Coast and as an international touring artist, releases a powerful album of distinctive solo playing, both technically and melodically, with 2 tracks caught live at the Umea Jazz Festival and others recorded at the University of California, San Diego.

A frequent collaborator with NY saxophonist and composer Tim Berne, French guitarist Marc Ducret takes on Berne's compositions, at times in multiple interpretations of the same work or by merging pieces together, performed with the superb support of trumpeter Fabrice Martinez, flutist Sylvaine Helary, trombonist Christiane Bopp and Ducret's son, cellist Bruno Ducret.

Drummer Chris Corsano meets UK improvisor Paul Dunmall on tenor sax and bagpipes for these 4 impulsive and lyrical improvisation, alternatingly sparse and impossibly textured.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker-Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

A tribute to John Coltrane from bassist Dominic Duval, tenor saxophone Jimmy Halperin and drummer Brian Willson with compositions like "Moments Notice", Naima" &c.

Four European pianists--Nicolas Horvath, Melaine Dalibert, Stephane Ginsburgh, Wilhem Latchoumia--perform New York legendary and radical avant composer Julius Eastman's powerful works for four pianists: the provocatively titled "Crazy Nigger" and "Evil Nigger", reflecting the biased culture he faced, written around 1980 using his organic principle of composition.

NY free jazz drummer and composer Harris Eisenstadt brings his talents to the compositional world with this four movement suite performed by the Mivos Quartet of Olivia De Prato, Josh Modney, Victor Lowrie and Mariel Roberts, a creative composition blending melodic and textural approaches to the strings in a bold rendering of Eisenstandt's work.

NY free jazz drummer and composer Harris Eisenstadt brings his talents to the compositional world with this four movement suite performed by the Mivos Quartet of Olivia De Prato, Josh Modney, Victor Lowrie and Mariel Roberts, a creative composition blending melodic and textural approaches to the strings in a bold rendering of Eisenstandt's work.

Drummer Harris Eisenstadt's beautiful nonet album contemplates Japanese woodbock print art through captivating compositions in a "Birth of the Cool" mode.

Swedish conceptual artist Leif Elggren developed this second album in his trilogy using "The Motor", a soundwork that he's built over many years from basic fragments of sound used in installations and performances, aggregated here in an expanded form as a continuous drone, harsh on the surface but complex in its layers and sonic collisions.

Kai Parviainen's Enema Syringe in a 7" release recorded in 1987, 14+ minutes of raw and primitive staccato electronics edgy with a darkly disordered mental state, a stark testimony to the tenacity of his work, which continues into the 2010s.

The French Dedalus Ensemble render three works from the ground-breaking ambient work of Brian Eno--Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985)--performed as an 11-piece acoustic ensemble and remaining faithful to the introspectively intelligent intention and peaceful elegance of Eno's original electronic works.

Led by Chicago percussionist and AACM member Kahil El'Zabar and founded in 1981, Ethnic Heritage Ensemble releases this album of Afro-centric spiritual jazz, El'Zabar's voice drawing us into the compelling rhythms and grooves he and cellist Ian Maksin provide as foundations for baritone saxophonist Alex Harding and trumpeter Corey Wilkes' profound soloing.

After a few years of working, touring and one-off performances in New York City with Mazz Swift (violin & voice), Ron Stabinsky (synthesizers) and Levy Lorenzo (percussion & electronics), trumpeter Peter Evans recorded this incredible album, a new direction in his work with small ensembles, incorporating electronics into his exceptional compositions for creative improvisation.

The Ex's first single from the Netherland unique and socially charged band The Ex of Terrie Ex on guitar, G.W. Sok on voice, Ome Geurt on drums and Bas on bass, starting a legacy of intelligent and pointed rock, improvised and experimental music that continues 40 years later, reissued as a 2020 Record Store Day release on colored 7" vinyl.

The open-minded and masterful trio of Frank Paul Schubert (sax), Mike Majkowski (bass) and Yorgos Dimitriadis (drums) recording 5 group compositions in the studio in Berlin, 2010.

Mesmerizing electric free improvisation from the Portugese quintet of Marcelo Dos Reis on guitar, Luis Vicente on trumpet, Joao Guimaraes on sax, Jose Miguel Pereira on double bass, and Joao Pais Filipe on drums, recording live at Salao Brazil in Coimbra, Portugal in 2014.

Jad Fair, vocalist and mastermind of Half Japanese, with the band Strobe Talbot (Nick Hobbs, Beng Gallaher, Andy Fisher), in a 33 rpm postcard flexi record of a song titled "Hunger", a limited and numbered edition of 250 copies with artwork from Jad Fair himself.

The Toronto-based duo of Colin Fisher on woodwinds and percussion and Carl Didur on keyboards and bass bridge acoustic and electronic improv with science fiction sensibilities in their two part "Exegesis", a critical exposition of un-genred music that borrows from global sources in service to their unusual and exotic tale; a wonderfully perplexing album.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

The 1st in SpleenCoffin's double-7" series, each featuring exclusive material and packaged in reclaimed 7" audio reel boxes, this volume featuring audio tracks by French synth duo FEMME; NYC's Sunk Heaven; a piece composed from a group recording of Jeph Jerman, Tim Barnes, Bill Hutson & Ten Byrnes; and a work from Romanian audio artist SOMNOROASE PĂSĂRELE.

Active Lisbon guitarist and producer André Fernandes formed the band Kinetic to perform the lyrically upbeat and sophisticated works of composers he admires--David Binney, Ohad Talmor, Akiko Pavolka, Sara Serpa, Perico Sambeat and Xan Campos--in a band that includes saxophonist Sambeat and pianist Campos, along with bassist Frederico Heliodoro and drummer João Pereira.

During the 2019 concert series dedicated to improvised music, "Improdimensija", Catalan pianist Agusti Fernández met with Lithuanian saxophonist Liudas Mockunas in the MAMAstudio in Vilnius to record the two part, 3 sections-each "Improdimensions", a masterwork of piano and sax dialog of incredible technique and taste, from rapid runs to profoundly impressionist sections.

Turning to one third of his more familiar Red Trio setting, percussionist/drummer Gabriel Ferrandini enlists bassist Hernani Faustino and tenor saxophonist Pedro Sousa (Sousa/Berthling/Ferrandini, PeterGabriel Duo) to perform 9 Ferrandini compositions named after streets in Lisbon leading from Ferrandini's house to his studio and then to ZDB.

Two works from French composer Luc Ferrari: "Music Promenade" (1964-69) an electroacoustic work for four stand-alone tape recorders presenting a series of colliding realistic sounds and sonic images; and "Unheimlich Schon" (1971), a quiet work of Musique concrete with spoken word--"How does a young woman breathe when thinking about something else?"

Translating to Paths of Light and Shadows, Argentine electronic composer Beatriz Ferreyra's 16-channel piece is inspired by astrophysics, the mystery of the pre-Big Bang era and uncanny motions of the unconscious mind; a major work of exploration through electronics and acoustic transformation, presented in two parts: "Abysmal Paths" and "Forgotten Paths".

An hallucinogenic and commanding blending of improvisation, song, spoken word, and tonal/timbral music from double bassist Christian Meaas Svendsen's Filosofer, creating beautiful sonic environments out of which voice and message emerge and submerge, buoyed by a string quartet (two violins and two double basses), computers, turntables, synths and samplers.

"Actions For Free Jazz Orchestra" was originally written by Polish composer Krzysztof Penderecki for the New Eternal Rhythm Orchestra, assembled by Don Cherry for the occasion and conducted by composer himself; this new extended reading and conduction of the score from 2018 was originated and directed by Mats Gustafsson, a powerful update and expansion of the original work.

The incredible Fire! Orchestra in a 21-piece rendition performs in the studio for an ecstatic album of free improvisation and song, with an amazing lineup including Mats Gustafsson, Mette Rasmussen, Johan Berthling, Hild Sofie Tafjord, Lotte Anker, &c. &c.

A one-side EP with a screen print on the B-Side, of a raucous, dark and incredibly epic journey in heavy electric jazz from Fire! configured as the quintet of Mats Gustafsson on bass saxophone, organ & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Stephen O'Malley on guitar and David Sandstrom on drums; awe inspiring!

An optimistic definition of "Defeat" through the exultantly dark and expressive work of Fire!, here as the quintet of Mats Gustafsson on flute, baritone sax & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Goran Kajfes on quartertone trumpet and Mats Aleklint on trombone & sousaphone, in five works of richly creative and modern improv.

The genre-defying trio Fire! with Mats Gustafsson on saxophones & electronics, Andreas Werliin on drums, percussion and effects, and Johan Berthling on upright and electric bass, blend heavy and dark elements of free improvisation, free rock, free blues, sound and noise, and sampled overlays in their latest, cultured and crude album of brooding and gripping music.

First conceived during the 2016 Forward Festival when noise guitarist Gene Moore and NYC experimental bassist Gene Janas invited noted avant-garde drummer Federico Ughi for the second part of their set, the results being so impressive that they asked saxophonist Paul Flaherty to join them to record this album and to perform at the Forward Festival 2017.

The ever-shifting lineup of jazz/no-wave/avant/aberrant improvisers The Flying Luttenbachers, anchored by drummer Weasel Walters, brings multi-reedist Matt Nelson, two guitarists (Brandon Seabrook & Henry Kaiser), bassist Tim Dahl and Brad Laner on synth for an aggressively informed and excitingly unpredictable album of superb playing and possibly bad intention; recommended!

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.

Weasel Walter is the constant in the no-wave influenced free improvising band Flying Luttenbachers, formed in 1991 and on hiatus since 2007; Walter reassembled the concept in 2018 for a tour in France, then again in 2019 with this lineup of saxophonist Matt Nelson, guitarist Brandon Seabrook and bassist Tim Dahl, recording this startling, demanding and excellent album.

The first release on the Swedish label Association For Free Improvised Music (FRIM) is the trio of Gustaf Hielm (Mats/Morgan Band) on bass, Elin Forkelid (Anna Högberg Attack!) on saxophones and Erik Carlsson (Swedish Azz, Skogen) on drums, a free-blowing session of heavy collective playing in the European Free Jazz tradition for two extended "Question" & "Answer" sessions.

Tkać means to weave, as Swedish electroacoustic sound artist Marta Forsberg interwines drones, first through a work of sound and light using frozen and processed violin sounds that slowly shift in minimal repetition; then in a synthetic work exploring darkness, light and colour by means of LED light, fabric, sequins, and minimalistic drone-based electronic music.

Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.

A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Pascal Bouscailloux, Jac Berrocal, Jean-Francois Pauvros, Roger Turner, &c.

An album of spoken word and sound, Jean-Francois Pauvros reads from Tristan Tzara's "L'homme Approximatif" (The Approximate Man) over flutes from Chicago producer and flautist Jamal Moss, AKA Hieroglyphic Being, and Jean-Marc Foussat on synth and voice, a mysterious album of subtle insinuation with an intriguing underpinning of electroacoustic sound.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

This forward-thinking Dutch quintet led by percussionist Pierre Courbois released this album in 1968, recording their percussion-centric and enthusiastic collective free jazz at the farm of vibraphonist Erwin Sommer, with trumpeter Boy Raaymakers, saxophonist Peter Van Der Locht and bassist Ferdinand Rikker'; a passionately joyful and impressive example of European Free Jazz.

Following jazz traditions blending lyrical and free approaches with unexpected twists and turns from the Norwegian quintet of Andree Roligheten on sax, Thomas Johansson on trumpet, Oscar Gronberg on piano, Jon Rune Strom on double bass, and Tollef Ostvang on drums.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Drummer Tomas Fujiwara's sextet is actually two trios interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson and Brandon Seabrook on guitar, and Taylor Ho Bynum on cornet and Ralph Alessi on trumpet, the pairings forming unisons and contrasts that add an unrestrained sense of enthusiasm and excitement to Fujiwara's sophisticated compositions.

The Full Blast trio of reedist Peter Brotzmann, bassist Mario Piakas and drummer Michael Wertmueller are joined by Ken Vandermark, Thomas Heberer and Dirk Rothbrust for an excellent concert at Donaueschinger Musiktage, 2010.

Full Blast, the long-running trio of Peter Brotzmann (reeds), Marino Pliakis (electric bass) and Michael Wertmuller (drums), recording in the studio for an album of seven masterful free improvisations of strong technical and powerfully intense playing.

A fierce display of raw free improvisation from a concert that closed the open-minded and essential New York City venue Tonic in 2007, from the the Full Blast trio of Peter Brotzmann on reeds, Marino Pliakas on electric bass, and Michael Wertmuller on drums, playing to a receptive and excited crowd, with Brotzmann speaking to the audience before the final burner.

A limited live album from German saxophonist Peter Brotzmann's long-running Full Blast trio with the precise and dynamic Swiss rhythm section of Marino Pliakas on electric bass and Michael Wertmuller on drums, captured at Audio Rebel, in Rio de Janeiro, Brazil in 2016 as they tear through a tumultuous set of five burning improvisations of passionate playing.

Six works by iconic composer Ellen Fullman in a duo with David Gamper, an original member of Pauline Oliveros' Deep Listening Band — ecstatic and mesmerizing improvisations recorded in the resonant space of the Headlands Center for the Arts in Marin, CA — plus 2 tracks of a duo between Ellen Fullman and Deep Listening Band founding member Stuart Dempster on trombone & didjeridu.

Saxophonist, clarinetist and flautist Nobuyasu Furuya's quintet with Rodrigo Pinheiro (piano), Eduardo Lala (trombone), Hernani Faustino (bass) and Gabriel Ferrandini (drums) playing Furuya compositions.

Fritz Welch and Guido Hennebohl present a strange and discomforting album of electronic madness, as they "rattle them pots and pans, slap-the-cheek slurps and stick sharp elbows into a web of goof-off electronics" as they pursue the message of freedom.

The GGRIL is a Canadian ensemble of musicians who experiment with various forms of interactions possible in an orchestra without a conductor, bringing together a dozen musicians from different backgrounds.

Derived from the name Georgios and its dual meaning of earth and work, drummer & composer John Hollenbeck (Claudia Quintet) developed these lyrical and sometimes pop-inspired compositions, along with arrangements of Sonny Bono's "Bang Bang" and Cyril Tawney's "Grey Funnel Line", performed with Anna Weber on sax & flute, Aurora Nealand on voice, keys & sax, and Chiquita Magic on keys & voice.

The hard-working duo Ghost Trees of saxophonist Brent Bagwell and drummer Seth Nanaa, extended their group to a 10-piece band of interesting orchestration--piano, vibraphones, sax, pedal steels guitar, bass, cellos and violas--taking over the Charlotte, NC Goodyear building to present their unique compositions blending conceptual composition and improvisation.

A live and studio rendition of Gifonni's solo composition for portable synth and analog filter, themed on the South American large vulture of the name Zamuro.

The second incarnation of the Detail trio of saxophonist Frode Gjerstad and drummer John Stevens with Kent Cart taking the role of double bass, is heard in this studio recording from 1990 at NRK-studio in Stavanger, Norway, a superb example of the nearly telepathic freedom four years of playing together afforded them, as heard in two extended, energetic improvisations.

A tremendous concert from the 1974, 105th NDR Jazzworkshop at the Funkhaus Hamburg from the influential free jazz ensemble Globe Unity Orchestra with a who's who of European Free Jazz players (Brotzmann, schoof, Parker, Rutherford, Bailey, Kowald, Bennink, Lovens, Schlippenbach, &c) in a Satirical Oratorio in seven parts with the NDR Choir, plus Schoof's "Kontraste Und Synthesen".

UK saxophonist Binker Golding (Binker & Moses) in a new trio with the powerful rhythm section of frequent collaborators, double bassist John Edwards and drummer Steve Noble, in a commanding album of free playing with titles referencing Coltrane, conveying a strong sense of both 60s and modern free playing throughout, propelled by tight and near-telepathic interaction.

Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator and installation artist, creating unexpected aural environments exploring acoustic phenomena or creating acoustic sculptures using common materials like switches, balloons, hoses, cages, &c.

The 4th album from German saxophonist Peter Van Huffel's Gorilla Mask, the 3rd on Clean Feed, is another powerful blending of jazz and rock forms in restless and profoundly determined music, energetic but intelligently structured, with great riffs and melodic grooves from Roland Fidezius (electric bass) and Rudi Fischerlehner (drums and percussion).

A split 7" 45 with radical sonic experimenting quartet Great Architect with Brent Bagwell from Eastern Seaboard; and polyrhythmic experimenting quartet Moenda.

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton GreenÐ-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

After work supporting Lee Morgan, Gerry Mulligan, Sonny Rollins, McCoy Tyner, Steve Lacy, Albert Ayler, Don Cherry, Cecil Taylor, &c., free jazz bassist Henry Grimes recorded this great example of his skills as a composer and leader, in a trio with Tom Price on drums and Perry Robinson, here in a definitive vinyl LP reissue of this exemplary album.

A split 10" vinyl album of two very different works: first French sound artist Jean-Philippe Gross in a sonic assault of garish rhythmic electronic persistence and noise; then the Golden Oriole instrumental rock duo of Kristoffer Riis on guitar and Thore Warland on drums in a compelling work of grooving structure with diverse percussive interaction.

A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.) playing original compositions as well as a cover of Mingus' "Goodbye Pork Pie Hat".

Composers and performers Jani Hirvonen and Johannes Schebler create a complex universe in sound & melody, a veritable forest of sound referencing global and spiritual environments, using warm instrumental sources, field recordings, world percussion and extended use of the studio in a satisfying series of journeys with a mysteriously transcendental and devotional feeling.

The 3rd phase of French sound artists Jean-Luc Guionnet & Thomas Tilly's art and research project, recorded at the Center for Contemporary Art at La Synagogue de Delme and joined by percussionist Will Guthrie, bagpiper Claude Grandjean, and violist Cyprien Busolini, creating a remarkably diverse installation of audio frequencies, voices, instrumental sections, rhythms and silence.