The "A" Trio is Mazen Kerbaj (trumpet), Sharif Sehnaoui (acoustic guitar), & Raed Yassin (double bass), performing live at the Konfrontationen Festival in 2012 for two engaging and unique improvisations of texture, tone and technique.

Live recordings from the LOFT in Koln, Germany from the 2nd Outlet trio, electro-acoustic improvisation with traditional elements.

Ecstatic and unusual free jazz recordings for Radio-Studio DRS Zurich from the 6ix-tet of Jacques Demierre on piano, Urs Leimgruber on saxophone, Okkyung Lee on cello, Thomas Lehn on synth, Dorothea Schurch voice and singing saw, and Roger Turner on percussion.

AMM (Eddie Prevost on percussion and John Tilbury on piano(+)) performing a 1 hour, 1 minute and 1 second live concert at the 2012 Festival of Traditional and Avant-Garde Music in Lublin, Poland in a beautiful melding of unconventional approaches to improvisation.

New 2008 recordings from AMM - Eddie Prevost & John Tilbury with John Butcher - performing at Trinity College of Music in Greenwich, England.

The first vinyl reissue of the classic 1966 debut album from AMM, AMMMusic with Keith Rowe's beautiful pop art cover and the terse aphorisms by the group that served as its original liner notes, an amazing achievement in non-idiomatic and forward-thinking improvisation.

AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser.

Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog.

Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music.

2010 recordings of AMM (pianist John Tilbury and percussionist Eddie Prevost) performing at the Dom Kultury Centre in Poland, three "paragraphs" of introspective and exceptional improvisation.

Since 1988 ARC have developed through improvisation a collective language that draws on the European textures of the violin family with a little bit of voice added.

Powerful debut release for three young musicians emerging onto the European electroacoustic improv scene, one of whom, Kanngiesser, has recently performed with AMM.

Two dense, 20-minute tracks of physical, visceral playing from prepared electric guitarist Simeon Abbot with the Bent Spoon Duo: percussionist Chris Dadge and viola/trombone player Scott Munro.

Longtime collaborators Abbott and Dadge release their first album together, a dizzying array of ideas and sounds recorded live at the monthly Calgary based Bug Incision concert series.

The Australian duo of pianist Chris Abrahams (Necks) & Berlin harpist Clare Cooper in a series of 198 short improvisations performed on Yamaha DX7 and the 14th century Guzheng harp, presented with 198 illustrations in an unusual and obsessively rewarding project.

Multi-reedist and sruti box player Lucio Capece and Necks keyboarist Chris Abrahams on FM synth recorded these thoughtful and thought-provoking improvised compositions over two years in Berlin.

"Four hands on one piano" from the duo of pianist Chris Abrahams (The Necks) and Magda Mayas, both improvising in Berlin at the Vivaldi Saal performance space using their piano, harpsichord, and harmonium.

"Novo Navigatio (New Journey) is the Abstractions' third and final release of innovative and cutting sonic landscapes. This is "Vision music" that consists of a colorful orchestration of vocals, saxophones, guitars, percussion, strings,...

Solo bass improvisations from Charleston improviser Branden Abushanab, 5 tracks using the strings, case, bridge and bow of the instrument for tempestuous and technical excursions.

Acid Mother Temple SWR merge's AMT's Kawabata Kakoto (guitar, voice,) and Tsuyama Atsushi (bass, vocals, sax) with Yoshida Tatsuya (Ruins, Koenji Hyakkei, &c), here in their 6th release, crazy prog-oriented rock of indescribable insanity and skill!

Formed in 2006, Andreas Trobollowitsch and Johannes Trondle create unusual works of spontaneous interaction shaped and structured in a conscious way - more real-time-composition than "pure improvisation".

Twelve short improvised pieces by Mike Adcock on a variety of different instruments that were recorded over a three year period.

Pianist Agnel, saxophonist Gauguet, and electronic/piano frame artist Neumann in 4 beautifully crafted pieces recorded using a spatialised sound system developed by Benjamin Maumus.

Six mysterious soundscapes from Sophie Agnel's bowed, plucked, strummed and struck prepared piano timbres in duo with Minton's grunts, gurgles and growls.

Sophie Agnel uses a startling array of objects and techniques in playing inside the prepared piano, demonstrated in these digital concerts recordings from 2008.

Confront/Sound 323's Mark Wastell meets three of Japan's most interesting minimal improvisers at Offsite in Tokyo, 2003 to perform this extraordinary two part work.

Two acoustic guitars collaborate in a beautiful and spare dialog, using extended techniques including bowing and percussive approaches that never detract from the sublime elements of their playing.

Eight duo improvisations on acoustic guitar and piano, with pianist Kawai preparing the piano with bolts, threads, &c. and Akiyama switching between prepared and slide guitar.

A surprisingly lyrical yet sparse session from the NY trio of Tetuzi Akiyama on guitar, Tim Barnes on percussion, and Masafumi Ezaki on trumpet, using their instruments in unusual and extended ways.

The guitar trio of Tetuzi Akiyama, Tom Carter and Christian Kiefer with guests Scott Leftridge on bass and Chip Conrad on percussion in a set of beautiful works bringing out the best of these 3 acclaimed players.

Akode is the UK/Norwegian quartet of Alan Wilkinson on saxophone & clarinet, Kim Johannesen on guitar, Ola Hoyer on double bass, and Dag Erik Knedal Andersen on drums, bring masterful experience and youthful enthusiasm together for a strong concert at Cafe Oto.

Hailing from Rotterdam's rich underground scene, the trio of Hugo Costa on alto sax, Goncalo Aleida on bass, and Philipp Ernsting on drums, with all 3 doubling on electronics, in a dramatic and energetic album bledning free jazz, improv, metal, and punk music.

New, Sealed Copy...

Ingar Zach in a trio with Spanish accordionist Esteban Algora and Italian flutist Alessandra Rombola in 6 varied pieces recorded in a stone church.

AMM percussionist Eddie Prevost playing all bowed sources in a subtle and ringing duet of bowing approaches with violinist Jennifer Allum of the London Post Quartet.

Members of Eddie Prevost's weekly improvisation workshops, violinist Jennifer Allum and cellist Ute Kanngiesser, recorded these 3 improvisations, running the gamut from spacious harmonics to vigorously weaving dialog, in 3 rooms of St Augustine's Bell Tower in London.

The Netherlands trio of Tobias Klein on reeds, Goncaio Almeia on double bass, and Martin van Duynhoven on drums, is inspired by all kinds of adventurous music of the last 50 years, on this album including compositions for Henry Threadgills, Oliver Lake, and Ornette Coleman.

Incredible understated improvisation from the trio of cellist Martine Altenburger, pianist Frederic Blondy,and saxophonist Bertrand Gauguet, exceptional journeys from three accomplished players.

This duet between cellist Altenburger and guitarist Russell was recorded at the Musique en Mouvement Festival Theatre du Jarnisy in 2008, an intense and intricate dialog of great dynamics.

Sophisticated free improv from percussionist Barry Altschul's 3Dom Factor trio of frequent collaborator Joe Fonda on bass and Mostly Other People Do the Killing's saxophonist Jon Irabagon, presenting new compositions plus an Annette Peacock piece and a little Monk.

Saxophonist Rodrigo Amado in a quartet with 2/3's of Red Trio - bassist Hernani Faustino and drummer Gabriel Ferrandini - and guitarist Manuel Mota adding unusual angles to their exemplary blues-based free improvisation.

Using an electric 12-string shruti stick, a Harry Partch guitar & percussion Anandan & Gzowski create amazing microtonal environments with growling vocal interventions.

The acclaimed daxophonist Hans Reichel meets shruti stick and metallophone inventor Ganesh Anandan for these expressive and unconventional dialogs.

NY bassist Jason Anastasoff composes map-based works using graphic & traditional notation, plus interpreted spoken work, peformed with Sean Ali (bass), Brad Henkel (trumpet), Nathaniel Morgan (sax), Owen Stewart-Robertson (guitar) and Jacob Wick (trumpet).

The 35 poems found on Fortner Anderson's "Solitary Pleasures", performed with Michel F Cote, Sam Shalabi and Alexandre St-Onge, speak of the obsessions, phantasies and encounters of Anderson's life.

A smaller than usual Freezone Appleby Festival, 2007 presents duos and trios with the excellent lineup of Paolo Angeli, Evan Parker and Ned Rothenberg.

Sardinian guitarist Paolo Angeli teams up with After Dinner/Volapuk violinist and singer Takumi Fukushima for a complex, unusual, and wonderfully embraceable work recorded live in Bologna.

The DVD movie and CD soundtrack of 10 years of Nanni Angeli's photo documentation of the strange story of Paolo Angelis exotic, extended giant Sardinian guitar.

Clean Feed's 2nd LP is their 4th Angles release, expanding saxophonist Martin Kuchen's band to 9 pieces with Mattias Stahl, Johan Berthling, Alexander Zethson, Mats Aleklint, Eirik Hegdal, Goran Kajfes, and Magnus Broo in an album of rare expressiveness and power.

Two aspects of reed & string duos, side A presents Chicago cellist Fred Lonberg-Holm with Danish/NY saxophonist Lotte Anker in 4 free improvisations of unusual technique; side B is UK saxophonist Dave Jackson & Dirk Serries on electric guitar for an extended improv live at Cafe Oto.

ap'strophe began working together in 2006 in search of a common sonoric space, which they found in the investigation of distinctive timbres between acoustic guitar and zither.

A combination of noise and free jazz with elements of no wave and hardcore, Aperiodic (Kevin Parrett, Ben Perkins, Matt Schulz) uses gu qin, rudra veena, and surbahar as well as standard Western instruments to create unique, improvised music.

2012 studio sessions recorded for BBC Radio 3 "Jazz on 3" from the trio of John Butcher (sax), John Edwards (bass) and Gino Robair (energised surfaces & synth), slowly unfolding dialogs using extended techniques and a focus on textural playing.

The trio of Akira Sakata on reeds & voice, Johan Berthling on bass, and Paal Nilssen-Love on drums & percussion in an intense set of free jazz denoted by the name Arashi (Storm), an apt description of the fury and irreproachable power of this trio's playing.

Piano prodigy Ariel, performing complex jazz compositions at the age of 9 (!) with infuences from Matthew Shipp, John Hicks, Kirk Lightsey, Uri Caine, Aaron Goldberg, &c.

Piano prodigy Ariel, performing complex jazz compositions at the age of 9 (!) with infuences from Matthew Shipp, John Hicks, Kirk Lightsey, Uri Caine, Aaron Goldberg, &c.

Free improvisation in the SME/Derek Bailey lineage from the duo of Stockholm-based John Arrias on sax and clarinet and Gothenburg-based Christian Munthe on acoustic guitar, using extended techniques with accessible language in unhurried and intertwining improvisations.

The trio of Mats Gustafsson on saxophone and electronics, keyboardist Pat Thomas and percussionist Roger Turner performing live in Derby in 1998, a challenging and fascinating set.

The Electroacoustic improv trio of Eric Leonardson (springboard & electronics), Julia E. Miller (guitar & electronics), and Christopher Preissing (flute & electronics), present 3 collective improvisations and 3 duos between Auris members and percussionist Gino Robair.

Recorded during Albert Ayler's 1964 European tour with Don Cherry on cornet, Gary Peacock on bass, and Sunny Murray on drums, perhaps Ayler's best band and most creative period, well captured at Hilversum in The Netherlands and for Danish Radio Copenhagen, Denmark.