The Texas duo of amplified & acoustic trombonist David Dove and Jawwaad Taylor on electronics, voice and trumpet, urban-oriented creative free improvisation in slowly evolving and evocative forms.

The Ember quartet's 2nd release recorded during the 2008 Ahornfelder Festival in Leipzig, an amazing live/studio album of distinct and clearly separated structured improvisations.

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

American noise from 910 Noise Collective artists August Traeger and Ryan Lewis, a mix of harsh and atmospheric sound in an EP of wild, untamed and surprising sound work.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

The duo of Richard Barrett and Paul Obermayer in 12 studio tracks of semi-composed electronics, and a live improvised tribute to Karlheinz Stockhausen.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

72 extractions of electroacoustic improvisation from saxophonist Christoph Gallio, and an accompanying DVD from director Beat Streuli, with music and sound coming from Dominique Girod (bass), Julian Sartorius (drums), Andrea Neumann (piano), and Ernst Thoma (synth).

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

Gigante Sounds's Jared Blum and Faith No More bassist Bill Gould collaborate on this album of dark drones and grainy guitar, a tense and eerie album of dark beauty.

Improvisers Craig Green (guitars, electronics) and Dave King (drums, percussion, organ) recorded and mixed this haunting album in two days, successfully creating a dark and moody virtual soundtrack.

The Grid Mesh trio performing live at The Loft in Cologne, dark and biting improv with an electroacoustic edge that shifts between playful dialog to massive walls of sound.

Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.

Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.

Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.

Odd popster Gerard Herman in songs using a combination of poetry, canned beats, field recordings, home made instruments, excerpts from his radio shows and other musique concrete elements.

A multinational jazz trio using compositional and improvisational approaches, led by drummer Dre Hocevar, with Bram De Looze on piano, and Lester St. Louis on cello, plus NY electronics artist Sam Pluta providing signal processing on the title track.

Referencing the work of French artist and composer Yves Klein, this large group of Creative Sources regulars perform the 4 part Monochrome Bleu Sans Titre, a subtle and rich work of acoustic and electronic improvisation.

The 3rd full length from Canada's Inhabitants expands the sonic experiments of this quartet's intuitive group improvisations, mixing rich feedback with alluring lyricism.

Edition Rz's "Parallele" series in a spiral bound catalog and 2 CDs from the 2000 Berliner Festival Neuer Musik with compositions by Francois Donato, Tom Johnson, Christina Kubisch, Alvin Lucier, &c.

Recorded in Brooklyn and Paris, this quintet crosses the threshold between jazz, rock and electronic sound with a somewhat dark intent, using guitar & sitar, organs, syths, pianos, drums, bass and sounds to evoke thick and extended psychedelic environments.

Improvising artists Catherine Jauniaux on voice, bird call, cupule, cazoo and eRikm on turntables, electronics, live sampling, architect lamp recorded these 17 pieces for the radio show A L'improviste by Anne Montaron for France Culture Radio.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

JC Jones on electroacoustic bass and live electronics performing duos with friends Harold Rubin, Ariel Shibolet, Maya Dunietz, Yuval Mesner, Josef Sprinzak, &c.

Vancouver-based Jay Crocker, half of Bent Spoon with Chris Dadge, in an album of electronics using homebuilt instruments and treatments, rhythmically based music with effective melodies and a quirky, sometimes lo-fi, but always engaging approach.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

Jason Kahn uses feedback and electronic noise to create a large work created from static, hiss, and unusual electronic sound, dynamic and ever-shifting aspects of both lovely and aberrant electronics, captivating in ever-shifting sounds that inform but do not overwhelm.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

Jason Kahn brought Olivia Block, Mark Trayle, and Ulrich Krieger together to create this work for the 2008 Cal Arts Center for Experiments in Art, Information and Technology Festival.

"This Forest" is a single sided LP from Italian noise artist Kam Hassah, dense stratas of sounds moving in hypnagocic ways, a gloomy forest of sounds.

KGB (Dougherty/Hennebohl/Cascone) in audio environments fromm 2 day-long performances in Berlin using a mix of found objects, constructions, machines, contact mics & traditional instruments.

2CD set with electronic and software-generated compositions by pioneer G.M. Koenig.

Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio.

Incredible and telepathic ea-oriented improv from violist Ernesto Rodrigues, saxophonist Martin Kuchen, cellist Guilherme Rodrigues, and electronicist Carlos Santos.

The dual alto saxophones of Martin Kuchen and Seymour Wright meet guitarist Keith Rowe for an impressive journey of free improvisation with Rowe taking the lead.

A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.

A sound track to the Malaysian stage play "Butterfly Lovers", which explores the themes of human relationships and emotions through a Zen perspective, from sound artist Goh Lee Kwang in a sextet that merges traditional Malaysian instrumentation and electronics.

Two extended works from Herbal International label leader Goh Lee Kwang: the two part "Vurnmmkied" the first of static sonic environments that slowly morph, while the second varies with a mix of subtle and harsh sound; "3753" contrasts with gentler, slower territory.

A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.

Dark electronic soundscapes with dark beats and vocal improvisations.

Intelligent Dark Electronica with a touch of Krautrock and experimental ambient.

An ambient electronic adventure driven by experimental touches of noise and glitch in a journey through moods of mystery, melancholy, eminent peril, and even elation inspired by the magickal strength of Aleister Crowley.

Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.

Site specific recordings made for two live performances in Le Havre and Liege (2010) by sound artists Eric La Casa and Cedric Peyronnet, one disc each of sound sculpted from the same field recordings, but with vastly different results.

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.

Incredible hybrid of styles from Houle, Zubot & Co., incorporating electro-acoustic, improvisation, folk-inspired melodies, samples and odd dialogue.

Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro-Liu in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.

The Canadian duo of reedist Philippe Lauzier and bassist Eric Normand freely improvise in sound environments that are both introspective and precarious, using subtle and aberrant approaches to playing that evoke unusual aspects of their instruments in oddly refined dialog.

Berlin sound artist Hanno Leichtmann's modern version of minimal music with strong connections to dub, ambient and club music, recorded with the help of Kai Fagaschinski (clarinet), Sabine Ercklentz (trumpet), and Alex Stolze (violin).

Taking their name from the German Town Bad Fallingbostel, this album collects recordings from the 3 year collaboration of these two improvising sound artists: Gunnar Lettow on prepared bass guitar, electronics & objects; and Korhan Erel on computer & controllers.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction.

Nate Wooley and Paul Lytton continue their collaborations, extending their new duo recordings with live tracks from The Stone in NYC with Ikue Mori, and at Chicago's Hideout with Ken Vandermark.

A soundtrack for their first retrospective exhibition at Mori Art Center in Tokyo in 2009-2010 commissioned to Yoshio Machida by legendary French jeweler Van Cleef & Arpels.

An alternative edit of the soundtrack for Makino Takashi's film In Your Star, an intense electronic work with beautiful microtonal and digital soundscapes.

Machinefabriek (Rutger Zuydervelt) in an EP of a long sine save compositions that creates a minimally moving piece of consonance and dissonance using beautifully recorded tones.

A live performance at Ephemere, Studio Loos in The Netherlands from Rutger Zuydervelt, AKA Machinefabriek, in a set that mixes his sources with recordings from the room, creating a dynamic and vibrant recording that ranges from subtle near-silence to thick electronic excitement.

After recording Stroomtoon in December 2011, electronic sound artist Rutger Zuydervelt wanted to capture more of the roughness and spontaneity of his live performances, so he recorded more material for this second installation.

Originally released in 2008 on Sentient Recognition Archive, "Vloed" is a collection of (slightly edited) live performances, recorded between 2006-08 in Amsterdam and Den Haag.

The quartet of Ken Vandermark on saxes, Christof Kurzmann on electronics, Devin Hoff on bass and Tim Daisy on drums trace women's influence on contemporary art, especially music, painting and photography, through 3 incredible examples of modern jazz.

The electroacoustic quartet of Christof Kurzmann (electronics), Devin Hoff (bass), Ken Vandermark (reeds) and Tim Daisy (drums) performing live in Lisbon, an innovative and significant band developing new languages for improvisation.

The trio of Tomas Korber on guitar & electronics, Christian Weber on double bass, and Christian Wolfarth on drums and percussion, unique electroacoustic improv recorded in the studio in Zurich, Switzerland.

A member of the French ONJ (Orchestre National de Jazz), saxophonist Metzger also works with a variety of real-time transformation music software; this is an excellent review of his compositions and his unique voice in modern improvisation.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

A map of the latitudes delineating the geographical area where the European - North American history of deforestation and resforestation has played out, in a work of guitar and field effects from Portugese artist Helen Mirra and sound artist Ernst Karel.

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

Contrasts of noise exploration and melodic interventions from Mr. Stonecipher, aka Ryan Lewis, employing a variety of approaches to soundwork both attractive and brutal.

Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.

A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.

Patrick McGinley (Murmer) in a series of bold experiments with untreated field recordings, exploring notions of musicality within the structures of found sound, written partially as a reaction against the idea of documentary or objective presentation of found sound.

The great Canadian magazine of improv and compositional music, with articles on Joelle Leandre, Tom Ze, James Rolf, Nicole Lizee, plus a 15 track CD including those artists.

The great Canadian magazine of improv and compositional music, with articles on Yannis Kyriakides, Charles Stankievech, Anna Friz, loK8Tr, plus a 12 track CD including those artists.

Canada's premiere new music magazine's Summer 2010 issue with articles on Marilyn Lerner, Richard Marsella, Richard Windeyer, Psychotropic Sonics, plus a 12-track CD.

The summer 2014 issue of Canada's premiere new music magazine and accompanying CD, with articles on Isaiah Ceccarelli, Petra Glynt, Erin Sexton, Caduc, Chiyoko Szlavnics, Louis Andriessen, Gil Delindro, plus reviews, listings, &c. &c.

On the cover, Jean Derome. Inside: Walter Smetak; Barbara Hannigan; Ian Tung; Cris Derksen; Alex Zhang Hungtai; plus reviews of recordings and events, a label profile, essays, &c. &c.

A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, whose work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.