Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

The live sound of Blue Sausage Infant, ranging from brutalist noise to textured drones, pounding neo-tribalism, krautrock-flavored psychedelia, or cut-ups of cultural artifacts.

The duo of Liz Allbee on trumpet and Anthea Caddy on cello in beautifully paced, mysterious improvisations using a minimal approach of extended and often disconcerting techniques augmented with subtle electroacoustic touches.

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

Borful Tang returns after a 3 year hiatus with this plunderphonic narrative work that cuts up vinyl, field recordings, Christian broadcasts and alien worshippers.

Borful Tang, the outer inter-dimensional exile, in a 2 CD set of live collaged field recordings, instrument recordings and dusty vinyl found-sound.

The 2nd release from Italian composer/performer Alessandro Bosetti and Australian pianist Chris Abrahams (The Necks), a very intimate album of sonic explorations that spans improvised fragments and original renditions of compositions like Steve Lacy's "Esteem" with Bosetti's lyrics.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

Deviant beauty from the trio of Heddy Boubaker (sax), Ernesto Rodrigues (viola) and Abdul Moimeme (prepared electric guitar), dark and sinister improv using extended techniques and a quietly turbulent approach.

Electroacoustic improvisation with unusual techniques from the sextet of saxophonist Sebastian Branche, laptop electronicist Thanos Chrysakis, saxophonist Tom Soloeitzik, guitarist James O'Sullivan, saxophonist Artut Vidal and clarinetist Jery Wigens.

Trombonist Gail Brand plays as part of a duo, trio, quartet and quintet in 13 improvised pieces that were recorded during three visits to San Francisco.

A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.

FIMAV performer and For4Ears artist Helene Breschand in a mysterious album of improvisational solo electric & acoustic harp and voice compositions.

Inspired by the work of Otomo Yoshihide, Martin Tetreault, and Ruins, Broken Record Chamber create and deconstruct music using and abusing turtables, guitars, electronics and drum machines.

The trio of Kyle Bruckmann, setting his oboe aside for minimoog; Scott Rosenberg on sax and winds; and Michael Zerang on percussion, in an unusual and unpredictable release of electroacoustic improvisation that amuses as much as it impresses.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

A split LP from two Bay area electronic composers inspired by the masters of tape and electronic music: Vulcanus 68 in a nostalgic rendering of spliced and collaged tape techniques; and Thomas Carnacki in an engaging collage of identifiable or sinister sound.

Using field recordings collected around the world, Kim Cascone has constructed a CD which is neither an exploration of inner space nor a meditation on hearing.

Kim Casone's Knotted Constellation is a cinematic sound narrative that moves the listener through a series of auditory fields, with contributions by C. Spencer Yeh, Darius Ciuta, &c.

A large improvised work from the quartet of Angelica Castello (amplified subcontrabass, paetzold recorder and electronic devices, Billy Roisz (electronics), Burkhard Stangl (electric guitar) and Dieb13 (turntables & klopfer) performing live at Alte Schmiede Wien, Austria in 2013.

1,111 vinyl records combined with a live performace by Doc Chad (prepared guitar & banjo) and Mark Dixon (homemade and robotic instruments) in a tribute to the number 11.

Reissue of the 1998 double CD release on Old Gold, compiling all of Chad's Amsterdamn based cassette Jungle Cookies series, eclectic audio collage songs.

24-track messed up montage from Doc Chad, dedicated to a woman who scammed many people by pretending to have cancer, a true horror show...

Eccentric tape collage from the CD re-master of Doc Chad's original cassette issue of "The Beat Goes On", strange, twisting and turning fragmented journeys of the familiar and bizarre.

The 1st part of Doc Chad's new "Concerto" series features a homemade Smoke Detector in a variety of instrumental settings involving organ, piano, a vintage Martin acoustic, the Bo Diddley Gretsch electric & Doc Chad's large scale percussion ensemble.

Double CD reissue of 2 of Doc Chad's 80s cassettes, combining two extended compositions utilizing home overdubbing and homemade instruments, released in their entirety.

A live recording at Cafe Oto in 2013 from this sextet in an extended and dynamic piece in which the musicians develop material they had presented in small groups in the first half of the concert, mixing improvised and prepared elements.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

Improvisations and realisations of indeterminate scores by Michael Pisaro and John Cage from this trio originally brought together by a reading of Cardew's "Treatise".

Live from Lisbon's Jazz em Agosto Festival, cornetist Rob Mazurek merges his Chicago and Sao Paulo Underground bands, adding bassist Matthew Lux and jazz legend tenor saxophonist Pharoah Sanders, for a potent blend of modern jazz, electronics, and free improvised music.

Their 6th duo album, cornetist/electronic artist Rob Mazurek & drummer/percussionist/electronic artist Chad Taylor's release is concerned with the balance between controlled and uncontrolled experiences.

Grey is the color of these murky recordings from Scott Konzelmann, AKA Chop Shop, sounding like they were recorded inside a furnace with distant punctuation occasionally contributing to the gloom of this oppressive audio environment.

7 works by Greek composer Jani Christou performed by the Oakland Symphony Orchestra, Rundfunkorchester Hanover, NDR, Ensemble "musik unserer zeit", and Christou himself.

Combining sound-synthesis with field recordings and percussion these three improvisers create electroacoustic environments from intricate tranquility to howling furies.

Detailed electro-acoustic improvisation from the trio of Thanos Chrysakis on MaxMSP & electronics, Wade Matthew on synth and field recordings, and Dario Bernal-Villegas on percussion.

This quintet use a wide range of sound sources inc. guitar, electronics, prepared piano and clarinet to create spectral and gestural sonic and harmonic fields.

Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).

Thanos Chrysakis with Dario Villega and Oli Mayne in improvised set using electronics, prepared pianos, percussion, &c, a colored palimpset of sound.

Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".

The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.

The 7 part "Knotted Alembic" is an improvisation between electroacoustic artist and label leader Thanos Chrysakis and Brazilian based Chilean pianist Philip Somervell performing inside and out of the piano.

The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.

The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.

A continuation of Chrysakis' "inscapes" series, compositions based on the structural and aesthetic capacity of sonic matter using field-recordings, synthesized & acoustic sounds.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

A collaboration between two Seoul, South Korean sound artists--Hong Chulki and Ryu Hankil--both performing on no-input mixer & objects for an album of electronic, glitch and sputtering sound with an extreme dynamic range and twisted purpose.

The first in a series of recordings from the shifting Circuit ea-improv ensemble, here with Trevor Taylor, Paul Dunmall, Jonathan Implett and Nick Stephens.

The 3rd CD in a series by the ea-improv group Circuit (Pat Thomas, Trevor Taylor, &c). music influenced by the japanese artist and illusionist Akiyoshi Kitaoka.

Percussionist Trevor Taylor's Circuit mixes acoustic instruments, electronics and real-time processing to morph alien sounding landscapes through well-honed improvising, here with Paul Dunmall, Hilary Jeffires, and Roberto Filoseta.

The UK electroacoustic improvising group led by FMR's label leader Trevor Taylor in two quartet recordings with Jonathon Seagroatt (reeds & electronics), Rob Stevenson (reeds & electronics), Steve Hubback (percussion) and and Geof Harris (bass).

The 5th release from the electronic and electroacoustic group Circuit, featuring Trevor Taylor and a changing set of collaborators, exploring improvisation with real time manipulation.

Frode Gjerstad's genre-bending Circulasione Totale Orchestra with Sabir Mateen, Anders Hana, Louis Moholo, Paal Nilssen-Love, Lasse Marhaug, &c. in a 2 disc set, one each live in 2010 from Oslo, and Philadelphia.

An audio and acousmatic documentary of the sounds along the St. Lawrence River, above and below water, and the voices of the people living around the shore.

Composer Clara Maida's compositions performed by Ensemble Resonanz, Kammerensemble Neue Musik Berlin, Ensemble Orchestral Contemporain,Arditti String Quartet, &c.