The Squid's Ear Magazine


Jooklo Trio (Genta / Vanzan / Lopez): It Is What It Is (Relative Pitch)

A raucous blast of free jazz, electrifyingly extending the Italian improv unit Jooklo Duo of drummer/percussionist David Vanzan and saxophonist Virginia Genta, here on amplified tenor & sopranino saxophones, with New York improviser Brandon Lopez on electric bass, burning six hair-raising pieces of aggressive free improv of exemplary relentlessness.
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





Product Information:

Personnel:



Virginia Genta-amplified tenor saxophone, sopranino saxophone

Brandon Lopez-electric bass

David Vanzan-drums, percussion

Click an artist name above to see in-stock items for that artist.



UPC: 6902249002744

Label: Relative Pitch
Catalog ID: RPR1119
Squidco Product Code: 29670

Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Digipack
Recorded at GSI Studios, in New York, by Jason Rostkowski.
Descriptions, Reviews, &c.

Artist Biographies

"Born 1984 in Italy, Virginia Genta is self-taught and plays all saxophones (tenor, soprano, baritone, alto), flutes, clarinet, plus some percussion and keyboards. Since 2003 she's been working with drummer and percussionist David Vanzan in several projects such as Jooklo Duo, Neokarma Jooklo Trio (or Sextet, Octet, Experience), Golden Jooklo Age, and the Jooklo Finnish Quartet. She started playing music from improvisation while quite young, and has always been moving in the music cosmos with a deep, natural and spontaneous approach to creation, constantly working to find the highest way of expression connected to the oneness of universe. Besides this, the devotion of Virginia finds freedom also through drawings and illustrations. A restless activity during the past few years (about 400 concerts and a countless amount of recording sessions, some of those released on labels like Qbico, Conspiracy, and her own Troglosound), brought her to collaborations with musicians like Chris Corsano, Paul Flaherty, Bill Nace, Sonny Simmons, Daniel Carter, Sabir Mateen, John Blum, John Paul Jones (Led Zeppelin), Takehisa Kosugi (Taj Mahal Travellers), Sonic Youth, Hartmut Geerken, Famodou Don Moye, Makoto Kawabata, Andrew Barker, Muruga Booker, Raymond Strid, among others. She's also a music collaborator of the Merce Cunningham Dance Company."

-Virginia Genta Website (http://virginiagenta.altervista.org/bio.htm)
1/12/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"[..] Composer/bassist, Brandon A. Lopez, deemed "The Ubiquitous Free Improv Bass Ace" by the Village Voice and said to play with a "Bruising Physicality" by the Chicago reader.

He was born and raised in the splendors of Northwestern New Jersey, in the shadow of the (New York) city. It was there that he cultivated a taste for the left of center musics and subsequently, dug graves.

He's had the pleasures of working with many of the world's luminary weirdos. Here's a list: Nate Wooley, William Parker, Chris Corsano, Justice Yeldham, Weasel Walter, Peter Evans, Tyshawn Sorey, Gerald Cleaver, Ingrid Laubrock, Tom Rainey, Tony Malaby, Paul Lytton, Mette Rasmussen, Jooklo Duo, Michael Foster, Leila Bordreuil, Jaimie Branch, Joe Morris, Brandon Seabrook, Cactus Truck, John Dykeman, Daniel Carter, and many others.

He's currently leads a trio dubbed "The Mess", another one called the Brandon Lopez Trio, works as a soloist and is formerly/currently/latterly writing more and more music. He may play some it sometime soon (see "gigs").

He attended New England Conservatory."

-Brandon Lopez Website (http://www.brandonlopez.nyc/)
1/12/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Italy on 1984, multi-instumentalist and mainly percussionist and drummer of the new avant-garde generation, self-thaught, active since 2003 with saxophonist Virginia Genta on several experimental music projects such as Jooklo Duo, Neokarma Jooklo Experience, trio, Golden Jooklo Age and the Jooklo Finnish Quartet. Pretty much involved in mixing up jazz with free music, and picking up knowledge in sound from ethnic cultures all over the world, he explores multi-rythms and sheets of sound, with a high attention given to natural and electronic sounds, including hand-percussions, gongs, cymbals, bells... A work mostly oriented on sound research and exploration, which is eventually leading him to the preparation of a new solo project for 2010, based on drums.

A restless activity (about 400 concerts) during these last six years, brought him to collaborations with people like John Paul Jones (Led Zeppelin), Takehisa Kosugi (Taj Mahal Travellers), Merce Cunningham Dance Company, Hartmut Geerken, Makoto Kawabata (Acid Mothers Temple), Andrew Barker, Muruga Booker, among others.

In the past 3 years, Vanzan has also recorded a countless amount of sessions which has been released on vinyls, cds, and tapes as gorgeous, rare, limited edition, already become collectors' stuff after only two years distance from their issue for record labels such as Qbico, Conspiracy, Troglosound.

Massively toured Europe, United Kingdom and U.S.A, plus opened concerts for bands like Sonic Youth, Borbetomagus, saxophonist Sonny Simmons and many others."

-Discogs (https://www.discogs.com/artist/832536-David-Vanzan)
1/12/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Valencia, Maria / Matt Moran / Brandon Lopez
Tarabita Espiral
(Relative Pitch)
Recorded live at IBeam in Brooklyn, the trio of María Valencia (alto saxophone, Bb clarinet), Matt Moran (vibraphone), and Brandon Lopez (bass, percussion) weave a richly textured improvisation of lyric tension and resonant space, where breath, metal, and wood converge in shifting layers of sound, balancing volatility with quiet reflection in an atmosphere of deep, intuitive dialogue.
Melting Mind (Genta / Mazzani / Vanzan / Poggi)
At Grnd Zero
(Relative Pitch)
A brutal and complex concert of processed sopranino saxophone, electric guitar and electronics from the long-running Italian quartet Melting Mind of Virginia Genta, Michele Mazzani, David Vanzan and Matteo Poggi, recorded during a 2019 tour of France at Grnd Zero in Lyon, a 33 minute performance of thick noise & feedback layered with inexplicable detail.
Moten, Fred / Brandon Lopez / Gerald Cleaver
S/T
(Relative Pitch)
Fred Moten, prolific poet, theorist, critic, English Professor and 2020 MacArthur Fellow, provides the insightful and incisive text fueling the improvisation of New York drummer Gerald Cleaver and contrabass player Brandon Lopez, the synergy of Moten's words reminding of Gil Scott-Heron or Amiri Baraka; issued on LP by Reading Group, this CD edition adds two tracks.
Lopez, Cecilia
Red (DB)
(Relative Pitch)
Argentinian sound artist based in NYC Cecilia Lopez engages fellow Brandon Lopez Trio double bassist Lopez and drummer Gerald Cleaver for a performance of improvisation, installation and architecture, using woven wire nets filled with instruments and hung from Roulette Intermedia's ceiling to act as a complex feedback organism with which the trio interacts.
MoE w/ Mette Rasmussen / Ikuro Takahashi
Painted
(Relative Pitch)
During their 2019 Japan Tour, the collaboration of the Norwegian experimental rock band MoE and alto sax virtuoso Mette Rasmussen extended their trio with legendary drummer Ikuru Takahashi to record this energetic, rough and tumble album exploring the boundaries between free improvisation, skronky rock, and other confrontational, conceptual crossover forms.
Ulher, Birgit / Franz Hautzinger
Kleine Trompetenmusik
(Relative Pitch)
Translating to "Little Trumpet Music", the duo of trumpeters Birgit Uhler and Franz Hautzinger, Uhler also performing on radio & objects, use extreme techniques and approaches to their improvisations, focusing on extraneous sounds from their instruments in enigmatic and captivating ways, expansively defining reductionism in masterfully idiosyncratic ways.
Neuringer, Keir / Shayna Dulberger / Julius Masri
Dromedaries II
(Relative Pitch)
Hard-edged free long form improvisation from the 2nd album from the Dromedaries trio of Keir Neuringer on saxophone, Shayna Dulberger on bass, and Julius Masri on drums, performing at Seizures Palace, in Brooklyn, using unusual rhythmic structures over which the trio's instrumental physicality ranges from savage playing to impressive flights of virtuosity.
Johnson, Hermione
Tremble
(Relative Pitch)
Using an imaginative set of piano preparations, Auckland, New Zealand pianist Hermione Johnson draws unusual timbral and tonal qualities from the prepared piano, deftly improvising with dexterous technical skills to create unusual rhythmic and timbral environments, each a marvelous, miniature universe of unexpected voicings, evoking gongs, guitars, kotos, &c.
Mattrey, Joanna
Veiled
(Relative Pitch)
The first solo record for NY violist Joanna Mattrey, performing also on the Stroh violin, in a deep exploration of the sound possibilities for both instruments, using preparations to alter the resonance of the viola, masking its overtly singing and beautiful nature and allowing for unexpected and unusual textures which weave around melodic lines; unique and fascinating.
Fisher, Colin Quartet
Living Midnight
(Astral Spirits)
Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.
Doneda, Michel / Le Quan Ninh
Thirty Ways To Avoid Talking
(Relative Pitch)
French free improvising soprano saxophonist Michel Doneda, using profoundly unusual techniques on the reed instrument, meets percussionist Le Quan Ninh, performing on "surrounded bass drum", a large drum affected by various objects across the skin, for 5 dialogs at Montreuil-sous-Bois, France, and then joined by noh theater drummer Shunichiro Hisada in Tokyo's Shushinkan Hall.
Baczkowski / Lopez / Corsano
Old Smoke
(Relative Pitch)
This smoking album of free jazz leads the New York trio of Steve Baczkowski on saxophone, Brandon Lopez on bass, and Chris Corsano on drums to fiery playing as they burn up the stage at Hallwall, in Buffalo, New York in 2018, over seven concise collective conversations expressing both passion, restraint, and profoundly masterful skill.
Gregorio, Guillermo / Brandon Lopez
12 Episodes
(Relative Pitch)
Known best for his Chicago trios, Argentinian born clarinetist Guillermo Gregorio joins forces with New York contrabassist Brandon Lopez for 12 "episodes" of free improvisation that never loses track of a jazz basis, both players using an arsenal of techniques, from circular breathing to extracting sound from the physical forms of their instruments.
Fish-Scale Sunrise (Ab Baars / Kaja Draksler / Joe Williamson
No Queen Rises
(Relative Pitch)
Their name taken from a poem by Wallace Stevens, the Netherlands-based trio of Ab Baars on sax and clarinet, Kaja Draksler on piano, and Joe Williamson on bass represent the spirit of the poem in seven compositions from Ab Baars plus two collective improvs, a great mix of serious and playful performance that diverts from detailed interaction to spacious reflectiveness.
Butcher, John / John Edwards / Mark Sanders
Last Dream Of The Morning
(Relative Pitch)
A studio album between three UK master improvisers -- John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums -- the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.
Wooley, Nate
Knknighgh (Minimal Poetry for Aram Saroyan)
(Clean Feed)
Pronounced as "knife", this new project from NY trumpeter Nate Wooley brings together Chris Pitsiokos on alto sax, Brandon Lopez on bass, and Dre Hocevar on drums in a fresh take on the concepts of free jazz, using short material composed by Wooley and based on the poetry of Aram Saroyan, used in looping and repeating structures that never sound as such.



Customers Who Bought This Item Also Bought:
Haker Flaten, Ingebrigt (Exit) Knarr
Drops
(Sonic Transmissions Records)
For their third studio release, bassist and composer Ingebrigt Håker-Flaten leads his (Exit) Knarr septet through graphic scores that blend visual art, mythology, electronics, and free jazz into a vivid collective process, the ensemble — now including Amalie Dahl and Marta Warelis — shaping long and short forms alike into explosive, texturally rich works of improvisational energy and imagination.
Haker-Flaten, Ingebrigt (Exit) Knarr
Breezy
(Sonic Transmissions Records)
Bringing together his Knarr ensemble for a second recording, bassist and composer Ingebrigt Håker Flaten leads Mette Rasmussen, Karl Hjalmar Nyberg, Erik Kimestad Pedersen, Oscar Grönberg, Jonathan F. Horne, Olaf Moses Olsen, Oddrun Lilja Jónsdóttir, and Joakim Rainer Petersen in an exuberant homage to Jaimie Branch, weaving spirited improvisation, textured arrangements, and collective joy into a vibrant and heartfelt statement.
Armaroli / Piccolo / Sharp
Imaginary Songbook [2 CDs]
(Dodicilune)
Through 64 succinct works, the trio of Sergio Armaroli (vibraphone), Steve Piccolo (electric bass, voices, electronics), and Elliott Sharp (guitars, soprano saxophone) unravels and reimagines the jazz tradition in fascinating fragments where familiar melodies, riffs, and harmonic cues flicker through an inventive, experimental interplay that blurs memory, abstraction, and improvisational wit.
Birge, Jean-Jacques
Centenaire De Jean-Jacques Birge - The 100th Anniversary (1952 - 2052)
(GRRR)
A retrospective spanning ten decades (1958-2018) celebrating Jean-Jacques Birgé's multifaceted career through compositions reflecting each era, blending archival recordings with new works through a remarkable ensemble of longtime collaborators, from brass and strings to electronics and voice; a sonic journey bridging past, present, and imagined futures with impressive orchestration and narrative.
Modney (Modney / Wooley / Gentile / Roberts / Pluta / Symthe / ...)
Ascending Primes [2 CDs]
(Pyroclastic Records)
Exploring tuning systems and the extremes of harmonicity and dissonance through compositions that employ prime numbers of players in solo, trio, quintet, septet, and undectet (11) configurations, violinist Modney takes listeners into transcendent and turbulent spaces spanning improvisation and composition, detailed in a 24-page booklet with collages from Ellsworth Kelly.
Easter Quartet, The (Weissenfels / Filliano / Grassi / Capp)
Light End
(Not Two)
From subtle dynamics to invigorating free exchanges, the collective improvising band Easter Quartet brings together New York luminaries Ken Filiano on bass with two drummer/percussionists--Lou Grassi and Todd Capp--and Leipzig, German pianist Simone Weissenfels, performing in the studio for three extended, forcefully confident, evolving improvisations.
Schouten / Courtois / Doronzo / Janssen
VOSTOK: Remote Islands
(Relative Pitch)
Inspired by Judith Schalansky's book "Atlas of Remote Islands: 50 islands I never set foot in and never will", the debut of the chamber improvising trio of Fie Schouten on clarinet & basset horn, Vincent Courtois on cello and Guus Janssen on piano, organ, harmonium & harpsichord reflect on these pristine and untouched areas of the earth in sublimely sophisticated conversation.
Nakamura, Toshimaru / David Lee Myers
Elements
(Surface World)
Two like-minded electronic sound & feedback artists, David Lee Myers, aka Arcane Device from NYC and Toshimaru Nakamura from Japan, use feedback matrices & modular electronicsĘ(Myers) and No-input Mixing Board (Nakamura) in a remote collaboration of alien overlays, sonic extensions and disruptive digressions through 12 complex and varying compositions.
Monteiro, Alfredo Costa
Abstand
(Hitorri)
Contrasting motion and static notes, Portuguese sound artist living in Barcelona, Alfredo Costa Monteiro uses a combination of two wind instruments--accordion and melodica--and the harmonic differences between their natural textures to create beautiful ebbs and swells of consonance and dissonance, applying feedback tuned to one or the other instrument to create subtle beat frequencies.
Mirarchi, David
Ink Folly, Orchid Gleam
(Unbroken Sounds)
Composer, poet and saxophonist David Mirarchi seeks to transform the written word into melodic, harmonic, rhythmic, and structural materials, using experimental compositional techniques, here recording in Brooklyn with trio of bassist Mathias Hojgaard Jensen and drummer Eliza Salem for a two part work transmuted from a two-part poem contrasting city life and nature.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC