"Exosphere is the follow up to Mekhaanu-La Foret des Mecanismes Sauvages(Insubordinations Netlabel, 2013) and like that album, Exosphere features Moimeme on his two home-made electric guitars, enhancers and assorted sound devices. The sole track is the forty-one-minute title track. Much of what Moimeme does here is a product of reverberation and what he does with that reverberation is remarkable. Listen at the sixteen-minute mark in and you'll hear something akin to a muted blast of trumpets. Further in there is the jangle of chimes and later still the approximation of piano keys. All these peripheral effects lie within a broader universe that is indeterminate in nature. Rarely does Moimeme incorporate a guitar-like dynamic-he plays his two custom guitars simultaneously using an electronic bow, amplified through a pre-amp and two speakers. He utilizes a gyroscope, music boxes and other objects to create an otherworldly soundscape. Exosphere was recorded live at The Church of SantaEngracia-now the Panteao Nacional-a 17th-century monument in Lisbon. The music can't be described in literal terms, nor is it meant to be. Moimeme has developed a method of making reverberation into an instrument that can stand alone. As a narrative Exosphere is both allegorical and conversant, always leading to another destination but never being obvious about where Moimeme intends to set down. In fact, the artist travels through backdrops that are only familiar enough to invite a double-take, a bit of misperception about the source of a sound or the direction it is coming from. There is some intangible quality to Moimeme's composition that makes one want to listen repeatedly. Exosphere is an extraordinarily unique and highly enjoyable album."-Karl Ackermann, All About Jazz