Finding common ground through independent work in Asheville, NC, drummer Jeff Arnal and modular synth experimenter Curt Cloninger started exchanging musical ideas, developing their concept to add powerful rhythmic elements into patterned energetic synthetics, building a language to improvise together and rework their material into these rich and exciting compositions.

"Percussionist Tim Barnes has a history of playing with experimentally minded folk like Jim O'Rourke, Ikue Mori, and many members of Japan's free improvisation scene. That he would release a solo percussion album as his first independen...

Bassist and composer Michael Bisio leads an exceptional quartet with Melanie Dyer on viola, Marianne Osiel on English horn, and Jay Rosen on percussion, blending Third Stream nuance with the fire of free jazz in an ever-flowing, deeply expressive set of improvisations, channeling rich orchestral textures and spontaneous interplay into a powerful and fluid genre-blurring journey.

A vital member of groups led by Jimmy Lyons, Bill Dixon, Cecil Taylor, Joe Morris and William Parker, bassoonist Karen Borca is heard in two Vision Festival performances under her own name performing her own compositions in trio, quartet and quintet formations with luminaries Rob Brown, William Parker, Reggie Nicholson, Susie Ibarra, Todd Nicholson, Paul Murphy and Newman Taylor-Baker.

Newly Distributed in 2021: Composer and jazz master Anthony Braxton performing on piano in a septet with saxophonists Jackson Moore and Andre Vida, bassist Eivind Opsvik and drummer Mike Szekely, exploring the compositions of Lennie Tristano plus peers Billy Bauer, Connie Crothers, Warne Marsh, Sal Mosca, &c.

Newly Distributed in 2021: Limited edition DVD plus audio files of two extended sets bringing saxophonist Anthony Braxton and cornetist Taylor Ho Bynum together live at Bezanson Recital Hall in Amherst, MA in 2010, performing compositions by both artists.

Newly Distributed in 2021: Trillium E is the first-ever studio recording of an Anthony Braxton opera, a deluxe 4-disc set of this surreal and witty installment in Braxton's ongoing Trillium cycle, and includes a booklet with libretto, photos, and critical essays.

Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.

Documenting six live performances with Anthony Braxton's Lorraine Trio featuring trumpeter Susana Santos Silva, accordionist/vocalist Adam Matlock, and Anthony Braxton, plus four studio recordings featuring Braxton, saxophonist James Fei, and bassists Zach Rowden and Carl Testa, in a solid box set of 10 CDs in five gatefold wallets with a 28 page booklet of notes by Anthony Braxton.

Newly Distributed in 2021: A 12-CD set presenting Braxton in dialogue with three distinctive duet partners: violinist Erica Dicker, vocalist Kyoko Kitamura and bassoonist Katherine Young, recorded in the summer of 2012 over two sessions with each player, a remarkable and expansive set of innovative and creative improvisation.

A 12-hour collection over 12 CDs of composer Anthony Braxton's Ghost Trance Music (GTM), a compositional system he developed with his superlative Tri-Centric Vocal Ensemble, GTM allowing the ensemble to generate a performance in real time in a mix of sung, spoken, and non-verbal utterances, with unpredictable and surprising results that reveal fascinating layers with each listen.

Newly Distributed in 2021: A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

Reflecting on the 1952 Van Gelder studio sessions of The Thelonious Monk Trio with bassist Gary Mapp and drummers Art Blakey or Max Roach, 2021 pianist Frank Carlberg and drummer Francisco Mela revisited those recordings with bassist John Hebert in new compositions absorbing and quoting those icon works, and on two tracks, improvising conversations with the one and only Monk.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

Meeting in Minneapolis, home of saxophonist & guitarist George Cartwright (Curlew), the quintet of Cartwright, Steve Hirsh on drums, Chad Fowler on stritch, Kelley Hurt on voice and Christopher Parker on piano have many collaborative and friendly connections, heard in their easy-going and informed dialog, with some quirks & comments tossed in to personalize these excellent studio sessions.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscape, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

Prolific and working incredibly fertile creative ground, New Yorkers Cooper-Moore, Tsahar and Taylor release their first as a trio on Tsahar's Hopscotch label.

A masterful solo piano performance from Marc Copland, recorded live in Lausanne as he duets with his own pre-recorded tracks, layering delicate yet harmonically rich improvisations in a deeply personal and intimate exploration of sound, blending standards by Monk, Coltrane, and Rodgers with originals, creating an introspective interplay that highlights his lyrical depth.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in a sequel to his Phantasmagoria album, a soulful, introspective and lyrical collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in an collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect; soulful and introspective, an album of poetic observation and reflection.

An exciting album of free jazz from the Australia/London-based Cyclone Trio, their name apt in the feverish interaction between saxophonist Massimo Magee and dual drummers Tony Irving and Tim Green on the opening work, the album patterned like a storm that slows introspectively for a quiet eye, then drums up a final gale force that dissipates to a sort of calm; brilliant.

Reinventing their band with the late drummer Alvin Fielder and saxophonist Kidd Jordan, the core trio of vocalist Kelley Hurt, pianist Christopher Parker and alto saxophonist Chad Fowler bring together drumming legend Brian Blade, bassist William Parker and trumpeter Marc Franklin for three extended works, rich journeys in expressive, soulful and lyrical free jazz

Legendary players, drummer Alvin Fielder, bassist William Parker, and saxophonist Kidd Jordan joined younger generation players pianist Christopher Parker, vocalist Kelley Hurt, and saxophonist Chad Fowler in New Orleans to record this exceptional album of modern jazz compositions primarily from Fowler, plus a collective improvisation and a narrative from Hurt.

A prime example of the early Bristol, UK jazz scene and saxophonist Paul Dunmall's association with it, this trio born out of the band Spirit Level where Dunmall and drummer Tony Orrell first worked, and double bassist Paul Rogers with whom Dunmall would go on to work in Mujician, here in two live recording with Dunmall on soprano and in a burning Coltrane mode; exceptional!

Longtime collaborators Lisa Mezzacappa and Jason Levis deepen their exploration of Wadada Leo Smith's Ankhrasmation language, interpreting his graphic score through an intuitive acoustic bass and drum dialogue shaped by years of study, live performance, and improvisational research, forging their own path through his modular notation in a dynamic and deeply immersive exchange.

The first trio collaboration between London pianist and innovator Pat Thomas and Swedish improvisers, Sture Ericson on saxophones, and Raymond Strid on drums, performing live at Cafe OTO in London in 2019 for four improvised soundscapes about the fictional character "Bagman", using extended and prodigious technique with both disruptive and melodic intentions.

An intimate sax and piano duo from two improvisers with a 30-year friendship--Chad Fowler and Christopher Parker--both living in the same block of Park Hill, Staten Island, forming a close musical bond that is heard in their confident exchanges, both playing together and in providing space for each to express themselves; a lovely album of warm and informed conversations.

A septet bridging generations of improvisers from Arkansas, Tennessee, Mississippi, DC, Minnesota, and NY, from Chad Fowler (sax & flute), George Cartwright (sax & guitar), Christopher Parker (piano), Kelley Hurt (voice), Luke Stewart (bass), Steve Hirsh (drums), and guest tenor saxophonist Zoh Amba, in four works reflecting our turbulent times, plus a tribute to Davey Williams.

Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums).

Free jazz recorded one person at a time from the duo of saxophonist Chad Fowler and WC "Chad" Anderson who, constrained by pandemic, chose to create "simulated concerts" by exchanging solo recording, each starting the process for different pieces and surprised at how "live" the results felt, as they built up the twelve excellent, rule-breaking tracks of this album.

With exceptionally quick spontaneity and astute anticipation, free improvising pianist Joel Futterman and drummer Steve Hirsh engage in a series of extended dialogs across two CDs of "Warp" & "Weft" in multiple parts, pushing each other in both technical and expressive interaction, weaving complex interplay with startling ease and creative intention.

Essentially a piano trio, Portuguese pianist and composer Leo Genovese leads his trio with Demian Cabaud on bass and renowned drummer Jeff Williams (Lookout Farm, Dave Liebman), also joined by Argentinian vocalist Nadia Larcheron for four pieces, Genovese's compositions using interesting structures that balance warmly lyrical and experimental approaches to modern jazz.

A fascinating debut from the trio GPS — clarinetist Guillermo Gregorio, saxophonist Jeff Pearring, and bassist Charley Sabatino — recorded in two sessions a year apart where they capture fourteen dynamic tracks of composed and spontaneous collective improvisation, blending intuitive interplay and diverse genre influences into a distinct, uncategorizable sound.

The 2nd Code Girl release from guitarist Mary Halvorson presents an embraceable and ambitious set of songs from 8 poetic forms for which Halvorson composed words & music, 3 of which are sung by Robert Wyatt, the others by Amirtha Kidambi, in a band with Thumbscrew members Michael Formanek (bass), Tomas Fujiwara (drums), plus Maria Grand (sax) and Adam O'Farrill (trumpet).

An inspired session of spontaneously lyrical collective interplay from drummer Steve Hirsh with pianist Eri Yamamoto and bassist William Parker (also performing on gimbri), recorded in a single afternoon at Brooklyn's Park West Studios, presenting four fully improvised pieces that balance nuance, empathy, and depth with free yet cohesive expression.

577 Records' experimental, electronic sub-label Positive Elevation releases this remix of Gerald Cleaver's Signs album, itself an innovative album of synthetic rhythms and sonic landscape, here reworked by producer Hprizm, aka High Priest of Antipop Consortium, channeling Cleaver's work into dream-like territory that re-thinks and re-paces the original.

A tribute to avant jazz saxophonist and composer Frank Lowe by assembling players who had never previously played together as a group, but who had all individually performed and been influenced by Lowe: Chad Fowler on saxophones, Christopher Parker on piano, Bernard Santacruz on bass, Anders Griffen on drums & trumpet, Kelley Hurt on vocals and Bobby Lavell on saxophone.

Drummer Ibarra's trio with Cooper-Moore and violinist Charles Burnham blur boundaries in a band of great versatility, taste and collective musicianship.

This NYC quartet with Josh Sinton, Reuben Raddin, Tomas Fujiwara, & Kirk Knuffke pays tribute to the music of Steve Lacy through reworkings of his compositions.

Two extended free electroacoustic improvisations in the AMM/London Improvisation Workshop vein, recorded live at London's Cafe OTO: first a prelude in the duo of Massimo Magee on electronics & saxophone and Joshua Weitzel on the 3-string Japanese shamisen; then expanded to a quartet with percussionist Eddie Prevost and Ken Ikeda on synthesizer.

Using double bass, violin and objects to affect their instruments, Amsterdam violinist Miriam Den Boer Salmón and Chilean double bassist Amanda Irarrazabal present ten succinct sonic landscapes through fully free improvisation, their interactions building and scraping, intersecting and interacting in fascinating and frightening ways.

An energetic and sophisticated album of free improvisation based around three compositions by and under the direction of Boston-based South Korean pianist Eunhye Jeong, in a quintet with Allison Burik on alto saxophone & bass clarinet, Max Ridley on double bass, Francisco Mela on drums and Mina Kim on cello, who also performs Jeong's solo work for cello on the center track.

Recorded at Vision Festival XXIV in June of 2019, legendary drummer Alvin Fielder's friends and long time partners Kidd Jordan on tenor saxophone, Joel Futterman on piano and William Parker on contrabass are joined by drummer/percussionist Hamid Drake for an emotional and potent swinging free jazz tribute to Fielder, who passed away in January of that year.

An album to absorb and get excited over, as Matt Lavelle pursues a long-running dream to bring his 12 Houses Orchestra to record, here in an incredible collection of compositions, just the first set of a larger concept of solid jazz pieces that pivot on astrology and numerology as reflected in time signature, bar lines, melody notes, chords, and intervals; powerful, lyrical, spectacular work!

A solo sax album of patterns and intersections from London writer, artist & musician Massimo Magee, influenced by a wealth of sources from Braxton to Stockhausen, each of the five parts of "Toneflower" affected through mic placement as Magee builds to wild expressiveness, transforming round tones into stratospheric pitches, using circular breathing for extended expressiveness; stunning!

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Drummer Donald Sturge Anthony McKenzie II trades off duos with a set of masterful musicians in the second volume of his "Silenced" project, here with guitarist Elliott Sharp for a complex and inspired dialog; with bassist Bill Laswell for a rich and moody soundscape; and with guitarist Vernon Reid in a piece for McKenzie's daughter; plus one solo drum piece.

A six track album from drummer Donald Sturge Anthony McKenzie II written about the abuse of force from those charged to protect us, in a series of duos with amazing performances from guitarist Nels Cline, saxophonist Arnold Lee, bassist Melvin Gibbs, bassist Dave Hofstra, guitarist Vernon Reid, and drummer/keyboardist CX KIDTRONIX; disturbing and important work.

Known for his guitar work, and more recently on the bass, here in an album of improvisation on the 5-string banjo and 4-string banjouke.

Following a string of successful live recordings on the Utech label, flutist and reedist Ras Moshe took his quartet with Dave Ross on guitar, Shayna Dulberger on bass, and Rashid Bakr on drums & percussion into the studio to record these six original compositions bridging traditional and modern aspects of free jazz and improvisation.

Influenced by both free jazz and Caribbean folk music, the NYC-based MPT Trio, led by Francisco Mela (Crash Trio, Joe Lovano, McCoy Tyner, John Scofield, Kenny Barron, Gary Bartz), presents a stylistically innovative sound on their debut album, presenting eight original pieces blending diverse musical traditions with contemporary & avant-garde jazz structures.

Performing as part of the Blow Out Festival 2019, the UK improvising trio Shifa, meaning "healing", of Rachel Musson on tenor saxophone, Pat Thomas on piano, and Mark Sanders on drums, are captured live in Oslo for four dramatic and masterful collective improvisations, passionate and building works, releasing their tension and rebuilding in powerful waves.

The debut solo album of London tenor saxophonist Rachel Musson, the title a wordplay on the spoken word interactions that accompanying her unique voice on the sax -- gritty melodic lines trading off with unusual asides and techniques -- engaging the listener as she interjects words, phrases and utterance that serve as jumping off points to direct her improvisations.

Experimental improvisation that moves in and out of jazz territory from the Chilean trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion, recording in the studio the day after their performance at the 2019 Relincha Festival in Ciudad de Valdivia, focusing on patterns of circularity and repetition to inform their playing.

A powerful and insightful fusion of jazz, spoken word, and improvisation, this evocative album led by Christopher Parker and Kelley Hurt explores themes of resilience, justice, and shared humanity through compositions by Oliver Lake, Donald Brown, and Bobby LaVell, with gripping performances by a stellar ensemble that includes Marc Franklin, Chad Fowler, Rodney Jordan, Darrian Douglas, Treasure Shields Redmond, &c.

Old Mountain is the Portuguese duo of pianist Pedro Branco and drummer João Sousa, drawing on melodic jazz of the past with a venturous twist, here in their 3rd album, dedicated to Misha Mengelberg, Masabumi Kikuchi, Thelonious Monk and Paul Motian, extended as a quintet with double bassists João Hasselberg & Hernani Faustino and tenor saxophonist Tony Malaby.

Reflecting on the 60th anniversary of Dr. Martin Luther King Jr.'s speech "I Have a Dream", pianist Aruan Ortiz is influenced by King's concepts of form and structure, assembling an incredible quintet including Don Byron on reeds, Pheeroan akLaff on drums, Yves Dhar & Lester St. Lousi on cello and narration by Mtume Gant, for a 7-song cycle musically depicting the turbulence of the time.

Celebrating the temerity and successes of the students known as the Arkansas "Little Rock Nine", who in 1957 set a precedent as they fought to enter a segregated high school, in six pieces written by pianist Christopher Parker and vocalist Kelley Hurt, who narrates the student's successes over the powerfully uplifting and reflective music of a six piece jazz band.

An open and free album of modern jazz evoking loft-style collective improvisation but controlled under the compositions of pianist Christopher Parker, in his debut album as a leader with the incredibly talented sextet of Kelley Hurt on vocals, Daniel Carter on winds, Jaimie Branch on trumpet, William Parker on bass and Gerald Cleaver on drums

Self-describing their approach to improvisation as a "free-range sonic stew", the trio of Jessica Pavone on viola & electronics, Lukas Koenig (MOPCUT) on drums and Matt Mottel (Talibam!) on keytar & guitar, find common ground in extended conversations, both through rapid and weaving interactions and in expansive evolutions of sweeping sonic inspiration.

Recording with the legendary rhythm section of bassist Reggie Workman and drummer Andrew Cyrille, tenor saxophonist Ivo Perelman and stritch & saxello player Chad Fowler perfectly complement each other as they play off and complete each other's lines and phrases under the support of astute foundational support, an exemplary album of collective, cross-generational free improvisation.

A series of succint conversations between long-time collaborators, saxophonist Ivo Perelman and pianist Matthew Shipp, each of twelve parts of their improvisation connecting through a shared approach and language, an unhurried but far-reaching set of dialogs from reflective to quick-witted exchanges in discourse that only two such masterful players could maintain.

The second installment from New York saxophonist Ivo Perelman and trumpeter Nate Wooley demonstrates the strong affinity between the two players, highlighting their impressive mastery of their instruments with a creative drive and quick responsiveness that sparks unique dialogs, full of powerful and sometimes unconventional technique and expression; a truly gratifying and remarkable set of improvisations.

Ten improvisations in the 3rd release of New York trumpeter Nate Wooley and tenor saxophonist Ivo Perelman's Polarity series, their dialogs an incredible weaving of creative ideas and technical prowess that started in 2020 after recording a series of larger group albums, their affinity and cooperative approach to instrumental dialog exceptional and exemplary.

Having previously released outdoor live performances integrating the sounds of NY into their expansive improvisations, the Playfield octet led by Daniel Carter with Ayumi Ishito (Sax), Eric Plaks (Piano & Rhodes), Aron Namenwirth (Guitar), Yutaka Takahashi (Guitar), Luisa Muhr (voice), Zachary Swanson (Bass) and Jon Panikkar (Drums) step inside to record three far-reaching and inclusive studio improvisations.

Meeting in the studio with an open mind to approach, guitarist Justin Purtill and long-time friend, pianist Leo Genovese, are joined by bassist Sean Conly to record this set of original Purtrill songs, along with songs by John Hurt, Joe Price, and the title track by Bob Dylan, a relaxed and expressive session of jazz-based originals and interpretations.

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

A soulful and even honky-tonk take on jazz from baritone saxophonist and vocalist Dave Sewleson, covering tunes like Nat King Cole's "Nature Boy" (two versions) or leaning back on riffs from popular music through lap steel guitarist Mike Neer, with Dave Hofstra on bass and Bernice "Boom Boom" Brooks on drums, a surprisingly enjoyable merging of popular and free playing.

Writer Iain Sinclair joins The London Experimental Ensemble to perform his narrative work, a sequel to Living With Buildings: And Walking With Ghosts, telling a surreal story of the imaginary 25-year journey of a whalebone box, told in detailed images and incredible sonic support through keys, strings, brass, winds, guitar, electronics and voice; profoundly powerful.

An extended improvisation performed live at Kuhlspot Social Club in Berlin from the Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on bass and Joshua Weitzel on guitar & shamisen (a 3-stringed traditional Japanese instrument), captured at their monthly series expanding the trio to a "Quartett" for fresh perspective, here with alto saxophonist Silke Eberhard.

The 2nd album from the trio of Keir GoGwilt on violin, Kyle Motl on bass and Nicolee Kuester on horn, the pieces combining original poems written by GoGwilt and Kuester with precise musical arrangement and poetic structures, around which the trio improvise with melodic and unexpected approaches, fascinating their listeners with peculiar insight and superb playing.

Each track named for the instruments used (aquaspring, overtone triangles, metronome & blowing tube, &c.) and inspired by a book from Elias Canetti, Spanish percussionist Vasco Trilla's creative improvisations reflect on the phrase: "every completely unknown language is a kind of acoustic mask; as soon as one learns it, it becomes a face, understandable and soon familiar."

Recording in Brooklyn, the trio led by Venezuelan guitarist Juanma Trujillo, with Costa Rican bassist Kenneth Jimenez and New York drummer Gerald Cleaver, merge avant jazz, heavy rock grooves with a Sonny Sharrock flavor, and abstract almost chamber jazz, a fascinating combination of contrasts that keeps the boundaries of their contours flexible and masterfully unpredictable.

Three creative young musicians in New York Tsahar, Mat Maneri and Black in a trio of warmly orchestrated free improv with witty restraint in extended conversation.

Performing at Astor Place in the East Village, NYC every Sunday for 3 years prior to this recording created the unique sound and tight interactions of these remarkable recordings.

Tsahar's New York Underground Orchestra with an all-star set of New York players including Okkyung Lee, Oscar Noriega, Matt Lavelle, Tatsuya Nakatani, &c. &c performing Tsahar's 10 part "labyrinth".

Tsahar's 60-minute suite with his NY heavyweights Zoanthropic Orchestra is a sort of self-portrait in sound, drawing on auditory memories from his childhood on.

A freestyling solo album from NY/Israeli saxophonist Assif Tsahar, performing on tenor sax and bass clarinet in an exciting three-part improvisation of avant forms of technical dexterity and extended range through emphatic and sustained expression of long lines and cycling figures that shift and transform; a great example of Tsahar's skill and imagination.

Alto saxophonist/composer Tsahar further investigates what 3rd stream music left behind, a gorgeous exploration of sound and movement with percussionist Nakatani and the KJLA String 4tet.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

Mist and mystery in pensive and meticulous improvisation from the Portuguese duo of trumpeter Luis Vicente and percussionist Vasco Trilla, their 2nd studio album after their 2019 Clean Feed release, exploring textures and timbres through extended techniques and detailed percussive interaction, as confident expressions rise and submerges in a wonderfully abstracted haze.

A warm and lyrical new quartet from pianist, vocalist, and melodica player Eri Yamamoto alongside Chad Fowler on alto sax & flute, Kevin Thomas on bass, and longtime collaborator Ikuo Takeuchi on drums, blending groove-driven jazz, free improvisation, and tender balladry with Yamamoto's distinctive touch, highlighted by playful interplay, beautiful melodies, and a soulful, unhurried charm.

Written in response to the excavation of slave quarters on the site of George Washington's President's House, Philadelphia saxophonist and former Cecil Taylor sideman Bobby Zankel presents a 6-section suite performed with Philly luminaries Jaleel Shaw (sax), Robin Eubanks (trombone), Diane Monroe (violin), Ruth Naomi Floyd (voice), Sumi Tonooka (piano), Lee Smith (bass) and Pheeroan AkLaff (drums).