"Ray Anderson has been continually noted as a contributor to the legacy of the slide trombone since his emergence in the 1970's, having won numerous Down Beat Critics Polls. He has shown remarkable musical range on the slide trombone and as a result reawakened interest in the instrument's expressive possibilities and sonic scope. He has led or co-led and composed for a daunting assortment of projects including tradition-minded ensembles, experimental groups, big bands, blues and funk projects and even a trombone quartet. He has performed and recorded with Anthony Braxton, David Murray, Charlie Haden's Liberation Music Orchestra, Dr. John, the George Gruntz Concert Jazz Band, Luther Allison, Bennie Wallace, Henry Threadgill, John Scofield, Roscoe Mitchell, the New York Composers Orchestra, Sam Rivers' Rivbea Orchestra and countless others. Anderson is a gifted teacher and has been the Director of Jazz Studies at Stony Brook University since 2003. Anderson has received grants from the National Endowment for the Arts, the Fund for U.S. Artists at International Festivals, the Oberon Foundation and Chamber Music America. In 2001 he became a John S. Guggenheim Fellow."

"Michael Moore was born (1954) and raised in Arcata, California, USA. After absorbing music at home, playing locally and attending The College of the Redwoods and Humboldt State University, he moved to Boston to study with Jaki Byard, Gunther Schuller, Ran Blake, Joe Allard, George Russell and Joe Maneri at the New England Conservatory of Music, graduating in 1977. After a year in New York City he travelled to Europe for the first time in the summer of 1978 to play with Available Jelly, the musical accompaniment to the Great Salt Lake Mime Troupe. Since 1982 he has made his home in Amsterdam, the Netherlands.

The early '80's found him working in the theater (Baal, Dogtroep, De Voorziening, Teo Joling, Mug met de Gouden Tand) and dance (Pauline De Groot, Katie Duck, Allessandro Certini, Shusaku Takeuchi and Virgilio Sieni) as well as various musical contexts such as Gijs Hendricks' Octet, Franky Douglas' Sunchild, Guus Janssen's Septet and Maarten Altena's Quartet and Octet. Later he played and recorded with the groups of Mark Helias, Gerry Hemingway, Sean Bergin, Maurice Horsthuis, Georg Graewe, Klaus Konig, Burton Greene (Klezmokum), Simon Nabatov, Dave Douglas, Myra Melford, Mark Dresser, Ig Henneman and others.

In 1986 he received the Dutch jazz award, the Boy Edgar Prijs. In '97 Trio Clusone was voted #1 acoustic group (Talent Deserving Wider Recognition) in Down Beat's Critics Poll; in 2000 - 2002 Moore was voted #1 clarinetist in the same poll. He was also voted winner of the Bird Award from the Northsea Jazz Fest in 2000.

Since '91 his activities as composer and performer have been documented both on his own recording label, Ramboy, and others including hatART, Palmetto, Gramavision, Between the Lines and Red Toucan. His playing and writing are to be heard on more than 80 CDs.

His activities as a concert designer came to the fore in '93 with a commission for YoYo Ma's Carte Blanche at the Concertgebouw, Amsterdam; a three day festival (Moore & more) in Bremen, Germany; Clusone & friends concerts in Italy and Holland, and a three-day Available Jelly Festival at the Felix Meritus concert hall in Amsterdam. In '94 he organized three evenings at De Singel in Antwerpen with Lee Konitz, Misha Mengelberg, Joey Baron, Marilyn Crispell, Gerry Hemingway, Kenny Wheeler, Mark Feldman and others.

His more recent activities include performances with his 'Fragile' Quartet, Michael Moore Quintet, Jewels & Binoculars - play the music of Bob Dylan, Misha Mengelberg's Instant Composers Pool Orchestra, the Magpie dance and music performance group, the Achim Kaufmann Trio, Benoit Delbecq, Oskar Aichinger (music of Carla Bley and Annette Peacock) and the Paul Berner band.

Michael Moore has a deep understanding of both the American jazz and the Dutch improvised music traditions, but his writing and playing are also influenced by music from other cultures. He has played Turkish music with Ogüz Büyükberber and Hüsnü Senlendirici, Malinese with Toumani Diabate, Keletigui Diabate and Habib Koite, Portuguese with Fernando Lameirinhas and Cristina Branco, and Brazilian with Rogerio Bicudo, Banda Mantiqueira and Paulo Moura. The musics of Sicily, Madagascar, Istria and Indonesia have also been particularly influential. He has collaborated with and been influenced by poets and poetry, dancers and other visual artists. Michael continues to write, improvise, play and prepare new releases for Ramboy and other labels."

"One marker of bassist Michael Formanek's creativity and versatility is the range of distinguished musicians of several generations he's worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson; starting in the '80s he played long stints with Stan Getz, Gerry Mulligan, Fred Hersch and Freddie Hubbard. (As a callback to those days, Formanek recorded with hardbop pianist Freddie Redd in 2013). The bassist has played a pivotal role on New York's creative jazz scene going back to the '90s when he notably led his own quintet and played in Tim Berne's barnstorming quartet Bloodcount. Nowadays Formanek's in the co-op Thumbscrew with Brooklyn guitarist Mary Halvorson and drummer Tomas Fujiwara.

Formanek is also a composer and leader of various bands. His principal recording and international touring vehicle is his acclaimed quartet with Tim Berne on alto saxophone, Craig Taborn on piano and Gerald Cleaver on drums, which records for ECM; 2010's The Rub and Spare Change and 2012's Small Places both earned coveted five-star raves in Down Beat. Formanek writes, and the quartet plays, compositions of great rhythmic sophistication that unfold in a natural sounding way - challenging music the players make sound like lyrical free expression. His occasional groups include the 18-piece all-star Ensemble Kolossus, roping in many New York improvisers he works with. Ensemble Kolossus recorded their first CD of all Formanek originals for the prestigious ECM label in December of 2014. The CD, The Distance was released in February 2016 and in addition to numerous other accolades also received a five-star review in Downbeat!

Formanek's other recordings as leader include Wide Open Spaces and Extended Animation for quintet and Low Profile and Nature of the Beast for seven players (all on Enja), and the solo album Am I Bothering You? (Screwgun). Mirage (Clean Feed) is by the occasional improvising trio of Formanek, tenor saxophonist Ellery Eskelin and pedal steel guitarist Susan Alcorn. Thumbscrew's 2014 debut is on Cuneiform Records. Michael Formanek has also made dozens of recordings as sideman, for among others Dave Ballou, Tim Berne, Jane Ira Bloom, Dave Burrell, Harold Danko, Marty Ehrlich, Tomas Fujiwara, Gary Thomas and Jack Walrath.

As composer of works for ensembles from duo to mixed jazz and classical orchestra, Michael Formanek has received institutional support from Chamber Music America, the Mid-Atlantic Arts Foundation, the Peabody Conservatory, the Maryland State Arts Council and the Virginia Center for the Creative Arts. As an educator, Formanek teaches bass and other jazz courses, and leads the Jazz Ensemble at Baltimore's Peabody Conservatory."

"Joe Hertenstein is among the busiest and most versatile drummers and band leaders of the improvised-music scene of New York City. Trained at the Hochschule for Music and Dance in Cologne, Germany, he came to New York in 2007 to complete his Master of Arts studies at City University of New York. His mission was to learn from and explore music with many master musicians, some of which he calls friends and colleagues by now. He hopes to encourage and experience the dialogue with all cultures through music, through the abstract, through friendship and inspiration.

Joe has released five albums as a leader with the bands HNH, POLYLEMMA, Future Drone and TØRN and many more as a sideman on labels such as MoersMusic, Cleanfeed, Red Toucan, jazzwerkstatt Berlin, Creative Sources, 2nd Floor/Loft-Cologne, Skirl, Leo, Engine, and Konnex.

He has performed at the Philharmonic in Cologne, and at the Moers Festival in Germany, the Warsaw Jazz Summer Days, the Bush Hall London for BBC, the Opera House in Toronto, the World Trade Center in Dubai, the John F. Kennedy Center for the Performing Arts in Washington DC, as well as Carnegie Hall, Webster Hall, Roulette, Issue Project Room, Dizzy's Club, The Stone, Nublu and the Vision Festival in New York City among many others.

In 2005, the magazine AllAboutJazzNewYork hailed his drumming style as "...shaping the music from the bottom up." and for April 2011, the Managing Editor of TheNYCJazzRecord, Laurence Donohue-Greene, selected Joe's album Crespect by TØRN as "Recommended New Release". The same year, the website www.allaboutjazz.com praised his album POLYLEMMA as thus: "The soloists' focused interactions intimate a highly artistic game plan that supersedes the tried and true." POLYLEMMA won Belgian music critic Stef Gijssels' freejazzblog's Happy-New-Ears-Award 2011 for most innovative listening experience. Joe's latest album HNH2 made it on Gijssels' list of top 10 albums of 2015: "Fantastic trumpet, bass, drums trio redefining the format through inventive music."

Some of the international festivals Joe has performed at are the Hoeilaart Jazzfestival Brussels (BE), JekerJazz Maastricht (NL), the Leverkusener Jazztage, Moers New Jazz Festival, Triennale 2007, ViveLeJazz (GER), Portalegre Jazzfest (PGL), Warsaw Jazz Summer Days (P), Vision Festival, Red Hook Jazz Festival and Nublu Festival NYC, Clean Feed Festival at The Stone NYC, and many more.

The growing circle of international musicians he has worked with include Ravi Coltrane, Kenny Werner, Chris Potter, Tim Hagans, Rufus Reid, Steve Wilson, Jay Anderson, Butch Morris, Juini Booth, Kenny Wollesen, Graham Haynes, Brandon Ross, Matthew Shipp, Elliott Sharp, Alvin Fielder, Doug Wieselman, Ken Filiano, Anthony Coleman, Tristan Honsinger, Damon Choice, Damon Smith, Daniel Levin, Michael Attias, Daniel Carter, Mossa Bildner, Phil Gibbs, Sylvain Leroux, Steve Swell, Mat Maneri, Darius Jones, Jon Irabagon, Sean Conly, Todd Neufeld, Leo Genovese, Mikko Innanen, Achim Tang, Thomas Lehn, Frank Gratkowski, Scott Fields, Dieter Manderscheid, Matthias Schubert, Thomas Heberer, Achim Kaufmann, Sebastian Gramss, Thomas Helton, Damon Smith, Blaise Siwula, Carsten Radke, Terrence Ngassa, Adam Rudolph's GO:Organic Orchestra and Karl Berger's Improviser's Orchestra. He was a member of Butch Morris' ensembles Nublu Orchestra and LuckyCheng Orchestra as well as Cologne's The James Choice Orchestra.

Hertenstein is a member of the Tim Hagans Quintet with Steve Wilson, Luis Perdomo/Leo Genovese and Jay Anderson. He is also the drummer for Thomas Helton's The Core Trio with Seth Paynter, which will release its second album featuring pianist Matthew Shipp in the summer of 2016 on Berlin's EvilRabittRecords.

2015 Joe was artist in residence at The Atlantic Center for the Arts, Florida. "