


The duo of bassist Jean-Jacques Avenel and alto saxophonist Daunik Lazro are captured live in 1980 at the Massy Library in France in an essential document of French free music, a marvel of liberated improvisation where Lazro's uncompromising voice meets Avenel's inspired and multifaceted playing, captured with clarity by engineer Jean-Marc Foussat in a performance both intense and deeply authentic.
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Jean Jacques Avenel-double bass
Daunik Lazro-saxophone alto
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UPC: 3491570067420
Label: Fou Records
Catalog ID: FR-CD 68
Squidco Product Code: 35567
Format: CD
Condition: New
Released: 2024
Country: France
Packaging: Cardboard Gatefold
Recorded at the library de Massy, in Massy, France, on Novembre 13th, 1980.
"Another recorded testimony from an era that's not entirely bygone. In my view, Daunik Lazro is, on alto saxophone, France's central "free" blower — right at the extreme's core. Uncompromising with regard to the prevailing conventions of jazz, classical, or pop. His comrade Jean‑Jacques Avenel contributes to that with pure joy. This is music of freedom, built around a few starting motifs that the two artists whirl, scratch, exceed, and burst apart.
This record is a marvel because it delivers the clearest recording we have of the Lazro phenomenon and the intense musical bond he then shared with his friend Jean‑Jacques Avenel. Avenel outdoes himself, showing remarkable skill in constructing every possible layer to enrich the music using the resources of his multifaceted playing. True artistry! The art of infinite rotation without going in circles.
The quality of the recording and the nuances of their live music easily surpass those that come through the groove in the solo and duo album by D. L. with J. J. A. released by Hat Hut under the title The Entrance Gates at Tshee Park. DUO is an essential piece of free music in France. You're never better served than by yourself — and that goes to Jean‑Marc Foussat, the providential sound engineer. Thanks be to him!
Mind you, though this disc is very faithful to the duo's music with all its nuances, here you'll find a performance that's calibrated yet intense — possibly influenced by the venue and its space, and the audience's attention. In other circumstances, Lazro could be unleashed, expressionist, flamboyant to the extreme (see CD Ecstatic Jazz by the Lazro-Avenel-Siegfried Kessler trio on FOU Records FR‑CD 55: more than that, you die!!). Here, he focuses on musical substance, varying effects at will and metamorphosing them with beautiful energy without becoming redundant. In that, he is truly pampered by his comrade, bassist Jean‑Jacques Avenel, who would later become one of the pillars of Steve Lacy's ensemble — that says a lot. JJA is inspired and inspiring, renewing forms, momentum, escape angles — full of energy. These artists are above all sincere and authentic; they play in the moment to build the most beautiful music possible, not to impress the audience, but only to speak to its heart."-Jean‑Michel Van Schouwburg

Artist Biographies
• Show Bio for Jean Jacques Avenel "Jean-Jacques Avenel, born 16 June 1948 in Saint-Nicolas-d'Aliermont ( Seine-Maritime ) and died 12 August 2014. He was a jazz bassist, a faithful companion to Steve Lacy, and participated in many other musical adventures. He was interested especially in African music, the kora and tradition Mandingo. Jean-Jacques Avenel was self-taught, although he subsequently benefit from the lessons of Kent Carte. He began his career by participating in the free jazz movement, playing with Steve Waring, Colette Magny, Don Cherry, and with Noah Howard, the quartet of Frank Wright and Intercommunal Free Dance Music Orchestra training François Tusques. He also accompanies the saxophonist Daunik Lazro. From 1975, he began to be associated with different formations led by Steve Lacy. Trio, sextet, quartet... But also the quintet consisting addition Lacy and Avenel, saxophonist Steve Potts, drummer Oliver Johnson and pianist Bobby Few, often with the singer Irene Aebi. A long collaboration begins. He accompanied Steve Lacy for nearly 30 years, performing in many festivals and other places in Europe and the United States, and participating in more than twenty albums recordings. He had also the opportunity to accompany Butch Morris in 1980, and David Murray in the 1990s. He participated in the achievements of Michel Edelin and particularly in the quartet with Simon Goubert and Jacques Di Donato since 1995. More recently, he worked with young European pianists Benoît Delbecq, and Gael Mevel. And with American Mal Waldron and Australian Chris Cody. Plus work with Richard Galliano, George Lewis, Pharoah Sanders, Archie Shepp, Dino Saluzzi, Paul Bley, and other. He also regularly collaborated with François Raulin. In 2000, at the 38th festival Roaring, Avenel, Raulin and Adama Drame together created the ARD trio, training mixing European jazz tradition and the Mandingo. Jean-Jacques Avenel passion for African music and plays the kora, in addition to the bass. In 2004, Avenel and Sissokho surrounded themselves Lansiné Kouyaté, Moriba Koita and Michel Edelin for Waraba project ( "the lion" in language Bamana ). Then in 2006, he formed the trio DAG Domancich and Simon Goubert. He died of cancer August 12, 2014." ^ Hide Bio for Jean Jacques Avenel • Show Bio for Daunik Lazro "The French saxophonist Daunik Lazro combines a tart, piercing tone with a quick mind and a flexible philosophy of music-making. His professional start was in bassist Saheb Sarbib's orchestra, a relationship he maintained through most of the '70s, which included three recordings. His first steps playing his own music involved a radical resizing of the cast on-stage, going from orchestra playing to solo saxophone concerts and duets. In the '80s, he busily played with many on the European improvised music scene, including bassist Jean Jacques Avenel, cellist Tristan Honsinger, violinist Carlos Zingaro, drummer Christian Rollet, and saxophonist Evan Parker, among others. In the mid-'80s, Lazro expanded his partnerships to include dance and theater projects, including work with the Company of the Chance. He formed a particularly fine trio in 1987 with fellow saxophonist Michel Doneda and the brilliant ppercussionistLê Quan Ninh, playing at many of the major European festivals and also touring in Canada. Duets with the American free improviser Joe McPhee are a 1991 discographical highlight, during a period when Lazro also began playing viola. In 1993, he started his own orchestra as well as a quartet called Outlaws in Jazz with Jac Berrocal, Didier Levallet, and Dennis Charles. In 1995, he toured Europe in a triple-threat combination with both McPhee and Parker, and the former artist also joined him in a quartet the following year with the superb British contrabassist Paul Rogers. In the late '90s, he continued involvement with a series of orchestra projects, often as a guest soloist." ^ Hide Bio for Daunik Lazro
9/10/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
9/10/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. John Tchicai In West-Africa Meets Jimmy Lyons In Maghreb 27:38
2. Cordered (For Steve Lacy and Anthony Braxton) 20:30

Improvised Music
Jazz
Free Improvisation
Collective & Free Improvsation
Duo Recordings
Stringed Instruments
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