Compact yet unpredictable electronic sound worlds that unfold through shifting textures, rhythmic abstraction, and dynamic synthesis, inviting listeners to embrace chance by playing the album on shuffle and discovering new interplay between evolving motifs, tactile synthesis, and subtle sonic gestures that balance thoughtful design with an open, exploratory spirit.

Experimental guitarist Fetusk and synthesist Steven Davis collaborate on a brooding electronic work where drones, processed guitars, beats, and field recordings merge into slowly evolving soundscapes, balancing industrial grit, ambient suspension, and textural density in a restrained, immersive exploration of atmosphere and transformation.

+DOG+ constructs sprawling, immersive noise landscapes across four extended pieces that juxtapose dense textural layering, dynamic distortion, and live improvisational intensity with shifting durations and visceral energy, capturing both studio-crafted depth and raw performance as the MA experimental project expands the boundaries of glitch-inflected sonic exploration and immersive audiovisual abstraction.

Dan Greenwood and Steve Davis fuse noise-driven textures and unpredictable sonic collisions into an uncompromising experimental work on III, channeling their rooted DIY and extreme aesthetics into fractured soundworlds that confront, unsettle, and expand the boundaries of underground audio exploration.

Operating under the Jaw Surgery moniker, Filipino noise artist Chester Masangya constructs a ritualized power-electronics work driven by distortion, breath, and deliberate restraint, where extended techniques, hostile pressure, and ceremonial pacing collide in a stark, uncompromising exploration of spiritual collapse, sonic violence, and meditative endurance at the outer limits of noise.

Steven Meketa, aka Meketa Power Electronics, in a solo work of sermons and electronics channels where Meketa's power electronics evoke a raw, faith-driven expression of endurance and confrontation, using grinding textures, spoken testimony, and sustained intensity to transform personal suffering into a stark and uncompromising sonic statement.

The second collaboration between Steve Davis and Jim Fellahean Szudy, recorded in 2025 and unfolding across fifteen carefully shaped tracks that move fluidly between droning loops, harsh noise, hypnotic textures, and death-ambient atmospheres, with each piece functioning as a self-contained narrative while contributing to a cohesive, emotionally charged whole of sustained intensity.

Recorded, mixed, and edited at Speed Semen Clove Factory in late 2024, Steve Davis (+DOG+) and Eric Wood (Bastard Noise) deliver two extended pieces of harsh electronics and processed sound, driven by abrasive vocals and bleak, mantra-like text, as dense noise pressure and corrosive timbral detail evolve over long durations into a sustained, confrontational sonic mass.

Working alone with electronics, radios, field recordings, homemade instruments, and voice, Georgy Orlov-Davydovsky constructs immersive electro-acoustic pieces shaped by specific physical environments, layering noise, drone, and fragile gestures into meditative sound narratives that explore borderline psychosonic listening states through dense textures and unstable sonic detail.

Under the Fortrexx moniker, Squidco's own Phil Zampino, aka CHANGES TO blind, shapes field recordings, samples, and electronics into subliminal sonic environments that drift and mutate beneath conscious attention, forming enveloping sound tapestries that fill silence without intrusion and function fluidly at low or high volume for contemplation, altered states, or quiet immersion.

A two-CD immersion in live experimental noise by +DOG+'s Steve Davis and core collaborators, documented across multiple U.S. cities in 2024-25, weaving together feral improvisation, layered electronics, ambient detours, and cathartic sonic eruptions into a raw and immersive journey through texture, intensity, and collective sound exploration.

A collaborative ambient work from sound artists, LA-based guitarist Fetusk and Massachusetts-based synthesizer Steven Davis, blending subtly layered guitars, drones, and synth textures in a spacious, contemplative environment that unfolds slowly and delicately, drawing the listener into a refined and immersive electroacoustic soundscape.

Recorded across two seasons in coastal Oregon, Yachats showcases the late Heather Chessman and Roger Smith as Juice Machine, sculpting fragile, tape-based electro-acoustic collages that blend field recordings, loops, and discreet electronics into seven immersive vignettes — each a poetic meditation on place, memory, and sonic texture.

Two live performances from Norwegian sound artist Sindre Bjerga, capturing his signature blend of cassette-manipulated drones, lo-fi electronics, abstract vocal elements, and field-recorded textures in evolving soundscapes that evoke intimate, surreal, and psychedelically fractured environments.

Belgian sound artist Carlo Steegen delivers a solo work of dense, textural abstraction under his Last Action moniker, blending elements of noise, industrial atmospheres, and electroacoustic experimentation into a raw and immersive studio performance recorded in the summer of 2024.

A raw and punishing split release from UK noise artists Abrasion Addict (Joe Fowler) and Animal Machine (Bohr Ernst), presenting studio and live recordings — including a 2017 Brighton performance — of unrelenting sonic extremity, where dense textures, abrasive dynamics, and fractured structures embody the visceral force of the harsh noise underground.

A split release pairing Rubbish's abrasive industrial textures with Wallmart's ambient dissonance, presenting six tracks that explore themes of consumerism and surveillance through experimental noise compositions.

A high-decibel collaboration between harsh noise veteran Steve Davis (+DOG+) and Cleveland sound artist Jim Fellahean Szudy (Fellahean), recorded in Massachusetts and Ohio, blending subterranean industrial textures with metal scraping, low drones, and brutal sonic ruptures across 14 dynamic tracks, delivering an hour of immersive and confrontational electro-industrial experimentation.

A visceral plunge into the depths of experimental noise from Massachusetts sound artist Magical, this release juxtaposes brief, deceptively titled tracks with relentless sonic assaults and divisive vocal moments, creating a disorienting yet compelling experience that shifts between the brutal and the mysterious.

A sprawling double-CD of feral live improvisations recorded across Northeastern U.S. venues in 2023-2024, this fifth volume from +DOG+ brings together noise and experimental artists Steve Davis, Bobby Almon, Chuck Foster, Edward Giles, LOB, and Mackenzie Kourie in shifting configurations that conjure raw energy, anarchic spontaneity, and ecstatic sonic disarray.

The trio of Toshiji Mikawa on electronics, Jun Numata (Doubtmusic) on guitar & electronics and Martin Escalante on saxophone for a superbly noisy and chaotic attack captured in Tokyo at Bar Isshee in 2023, two all-out assaults of clear electronic mayhem that would sit shoulder-to-shoulder with Borbetomagus and their kind; terrifyingly awesome!

Recorded in March 2024 using an 8-track borrowed from Peter Duimelinks, Frans de Waard's Modelbau project presents a dark drone piece that envelops listeners in rich, immersive textures, exemplifying his adept manipulation of lo-fi equipment to create profound ambient soundscapes.

An enigmatic 2-CD release of glacial dark ambient and pulsing glitch from the elusive project Money, where each track-titled simply "money" — unfolds like a slow-moving tectonic shift, sculpting ominous, hollow textures with unsettling momentum; a minimalist package and a deeply immersive sonic enigma of brooding presence and uneasy stillness.

Exploring the intersection of harsh noise, spoken word, and conceptual composition, Peter J. Woods constructs a sonic meditation on Samuel Beckett's Molloy, weaving fragmented text, tense ambience, and intense sonic ruptures into a dynamic and gripping experience, where shifting textures and calculated silences evoke both philosophical depth and visceral tension.

A collage of reinterpretations based on original tracks composed by Nil by Nose to accompany graffiti-covered train videos, this remix album features a diverse range of experimental artists reimagining those quick, raw compositions into a wildly creative and unpredictable audio journey through sound, decay, rhythm, and noise.

A fierce and immersive set of three extended noise pieces from the six-member experimental collective of Steve Davis, Bobby Almon, Chuck Foster, Edward Giles, LOB, and Mackenzie Kourie, recorded in multiple locations, blending dense textures, static-laced improvisation, and electroacoustic intensity into a raw and unapologetically visceral listening experience.

Live recordings from four Northeast U.S. performances by subservientdominance, the solo project of Doug DeWalt, blending power electronics, harsh noise, and deep vocal-driven textures into a visceral exploration of sonic dominance, with each set presenting a uniquely aggressive and immersive approach to raw electroacoustic intensity.

An intense and texturally rich album from the Los Angeles duo of Kevin Bernier and Steve Davis, blending heavy guitar drones, rhythmic pulses, post-rock structures, and synth atmospheres across six expansive tracks that oscillate between moody abstraction and beat-driven momentum, forging a dark yet melodic hybrid of noise, ambient, and industrial-infused experimentation.

A long-running experimental noise unit led by Steve Davis and featuring Lob Instagon, +DOG+ craft a subtle and textural set of eighteen lo-fi electroacoustic improvisations recorded in Massachusetts, California, and Rhode Island, blending electronics, field recordings, and minimalist structures with a calm, intimate, and exploratory aesthetic.

A dynamic, spontaneous duo collaboration by percussionist Tracy-Lisk and multi-disciplinary performer Andrea-Pensado, this LEM-347 release unfolds through drumming, cymbal washes, voice and live electronics into a fluid, improvisatory dialogue that balances rhythmic sensitivity and textural exploration within an intimate, acutely reactive sound world.

Integrating live coding, field recordings, IFM synthesis, and an array of electroacoustic instrumentation, the trio of Al Margolis, Walter Wright, and Sara Bouchard craft an unbounded and exploratory work that embraces technological transformation and sensory disruption, channeling Marshall McLuhan's insights into a richly layered and prophetic sonic landscape.

An enigmatic electroacoustic project from Mexico City, E.O.C. (Engineering Of Consent) crafts layered, dramatic, and immersive soundscapes that blend dark ambient, noise, and experimental textures into a compelling exploration of human nature, perception, and the subtle forces shaping collective experience.

Blending layered studio experimentation with raw live performance, the mysterious Thee Checkered Shoe Dude's album traverses glitchy textures, looped electronics, and spontaneous energy, recorded in Miami and on stage in Phoenix and Sacramento, for a vibrant and unpredictable electroacoustic journey that bridges structured sound design and chaotic improvisation.

The debut full-length from Lawry Romani's noise/drone project Zilmrah blends manipulated samples, modular synths, and handcrafted electroacoustic instruments into intriguingly distorted yet spacious soundscapes, balancing hypnotic rhythms with dadaist absurdity and dense sonic experimentation in a captivating journey of cut-up electronics and immersive drones.

Experimental composer Caleb Chase presents 15 succinct electroacoustic pieces that delve into intricate sound spatialization and panning techniques, crafting immersive auditory environments where layered textures and dynamic movements reveal hidden sonic details, rewarding attentive listening through headphones or stereo speakers.

A relentless and immersive sonic experience from Estonian experimental guitarist Threes And Will and noise artist Huerequeque, through two unrelenting compositions of heavy, pulsating guitar noise, evoking a throbbing, menacing atmosphere with an almost meditative intensity, channeling the South African Boer War into a raw and uncompromising exploration of texture, density, and sound.

Brazilian noise artist Jhones Silva, aka God Pussy, delivers a brutal, uncompromising conglomerate of harsh electronic textures, abstract noise, and aggressive sonic distortion, employing pedals, synths, radios & noise generators in an intense DIY exploration of social chaos, urban corruption, and humanity's unfulfilled desire for freedom through confrontational electroacoustic compositions.

A large-scale and meticulously deconstructed sonic exploration from Howard Stelzer, weaving layers of manipulated cassette tapes, tape players, and speakers with extensive processing from sonic luminaries Ralf Wehowsky, Brendan Murray, Linda Aubry Bullock, Bruno Duplant, Fani Konstantidou, and Andrew Zukerman — for a dense and unpredictable landscape where textures dissolve and reform in shifting abstractions.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

An album of dense electronics, drums and gongs from Vermont drummer and experimenter Jabe Ledoux, aka Jo Bled, and Pittsburgh noise artist RJ Myato, co-founder of NNN Coalition and curator of Enforced Existence label, in three works from assertive jumbles of sound, to buzzy drones with muted percussion and ending with an ocean of blurred and swooping harmonics.

Eight distinctive works for electronics and sound from the alter ego of Roger H. Smith, using noise, percussive elements and unusual synthetics, layered around static and arpeggiated rhythms and punctuated with strange asides, the works run from 3:14 to 18:37 and were developed over a year and half; an excellent introduction to the sonic diversity Chefkirk revels in.

Two long-standing experimental sound projects join together as Legendary Bastard Noise, aka Eric Wood and +DOG+, aka Steve Davis, combine for two extended and well-paced works of dark sonics and electronics, the first piece "Misery Milestone" a haunting and desolate soundscape with disruptive punctuation; the 2nd "Beneficiary: Earth" adds agonizing voice to a work of global arpeggiation and destruction.

Elka Bong is the experimental sound art duo of Al Margolis and Walter Wright, here joined by guests Andrea Pensado on voice and electronics and Steve Davis on electronics, Margolis performing on synth, electric guitar & objects, and Weiss on Board Weevil and drum kit, in a mix of improvisation, extended technique, cacophony and indeterminacy.

Daniel Sine, aka L'eclipse Nue, in his third releases on Love Earth Music and his first on vinyl, the title evoking the sense of joyful noise and ritual aspects to his work through eight pieces of divergent sonic experiments, recalling the work he participated in Japan through bands with Le Chien Nu and SHROUD OF VAPOUR.

Each side of this LP from The Haters mastermind GX Jupitter-Larsen is a minimalistic noise work in the style of The Haters, built from loops and extraneous sounds, obscure and curious and each side ending with a giggle; you either need more of this kind of sonic opaqueness, or perhaps you too are a Hater.

A duo recorded in Tokyo in 2019 as a live performance, and through remote collaboration on the internet, between NY sound artist Victoria Shen, who focuses her work on extreme textures and gestural tones, using "chaotic sound" to oppose signal and information to elude traditionally embedded meaning, and Japanese noisician Toshiji Mikawa of Hijokaidan & Incapacitants fame.

An apt description for the layers of sonic decay and deteriorated sounds, loops and errata that underpin each of the five tracks on this elusively restrained noise album, Juice Machine, aka Roger H. Smith (Chefkirk) and Heather Chessman, use mangled field recordings and concrete elements of blurred looping structures and aberrant interjection, each unique work a fascinating curiosity.

Love Earth Music label leader and sound artist Steve Davis' +DOG+ project is joined by a cast of noise and sound artists--Bobby Almon, Chuck Foster, Edward Giles, Jack Szymczak, LOB, Mackenzie Kourie, Ron Karlin--for a mix of rich sonic assaults, collage constructions and possibly some live captures, in an interesting and well-produced collection of diverse approaches to sound.

The third album from the collaboration of sound artists Howard Seltzer, who typically works with consumer grade tape players, and Brian Grainger, head of the Milieu Music mailorder label, in an extended work of textural cassette sound, field recordings, drone music and modular synthesis, a journey through rich and well-controlled sound.

Two CDs presenting a series of recordings captured live in venues throughout northeast America between 2021 and 2023, led by +DOG+ sound artist Steve Davis with Bobby Almon, Chuck Foster, Edward Giles, Jack Szymczak, LOB, Mackenzie Kourie, Ron Karlin, at venues and festivals including Sonorium at SATV, Buddyfest, Milwaukee's Jazz Gallery Center, &c. &c.