A concert recording on the occasion of the 10th anniversary of Einstein Kultur in Munich from the quartet of Erhard Hirt on guitar & computer and Paul Lytton on drums, percussion & objects (half of the Quartet XPACT) plus Harri Sjostrom on soprano & sopranino saxophones and Philipp Wachsmann on violin & electronics, presenting a remarkable set of collective ea-improvisations.
Eight studio compositions recorded in Kingston, London in 2022 between FMR label-leader Trevor Taylor on percussion and electronics, and violinist Philipp Wachsmann, also processing his sound through electronics, the two finding common ground and great compatibility in reserved pacing that seemingly allows each note and gesture to express itself fully.
To celebrate its 50th year since bassist Barry Guy assembled the London Jazz Orchestra for its first 1970 performance on BBC Radio, the now multinational band convened in Poland in 2020 for a series of concerts at Alchemia Club and Manggha Hall in configurations of duos to quintets, culminating in a full ensemble performance of two magnificently powerful works: "Flow" and "Harmos-Krakow".
All three having met in the London Improvisers Orchestra, Neil Metcalfe on flute and violinist Philipp Wachsmann each worked with drummer Emil Karlsen in separate projects including Tern, and then at Karlsen's suggestion creating this new Spaces Unfolding trio, heard in their first album, recording in the natural resonance of St. Mary's Old Church in Stoke Newington.
Both members of Evan Parker's Electro Acoustic-Ensemble and Colourscape, the ea-improv duo of Philipp Wachsmann on violin & viola and Lawrence Casserley using a signal processing instrument and percussion, are heard in these 2012 studio recordings in Buckinghamshire in 9 wide-ranging dialogs exploring permutations of playing, processing and transforming their instruments.
Philipp Wachsmann's acoustic violin is routed through his own electronics and then fed into the Live Electronic Sampling & Transformations (LiSa) systems of Michael Bunche, processed and re-performed using time-based transformations shaped by gestural input or as static samples, creating new and unexpected trajectories, sounds snd forms for Wachsmann's playing.
Beginning their collaboration during the 1970s in the Chamberpot Ensemble, the duo of violinist Philipp Wachsmann and keyboard and electronic improviser Matthew Hutchinson are heard in live recording from three London Concerts in 2002 & 2003, Wachsmann's violin extended via live signal processing and transformations, extending their dialogs in expansive ways.
Recordings from a unique concert at the Synagogue in Oerlinghausen, Germany in 1996 between long-term collaborators Philipp Wachsmann and artist Sarah Brigitte Eckel, Wachsmann improvising in the resonance of the synagogue on violin, viola, electronics & tape in response to Eckel's exhibition extemporizing five canvas painting and a floor installation.
Free string improvisations from Philipp Wachsmann on violin, David Leahy on double bass and Bruno Gustralla on cello, creating subtle and spacious intersections of strings that focus on unusual techniques, melodic fragments spliced over resounding bowing, plucking and instrument errata, while percussionist Trevor Taylor adds sparse punctuation; inscrutably authoritative improv.
14 musicians from 9 different countries in various collaborative groupings performing acoustic & electronic free improvisations, the focus on soundscape and limited to 15 minute performances, developed by saxophonist Harri Sjöström in 2013 as "SoundScapes Festivals" and presented in Helsinki and now in Munich as part of the art-project "Aspects of Free Improvisation 2021".
The second in Discus Music's "Unreleased" series selected from percussionist and electronics legend Tony Oxley personal collection, here in three configurations: a quintet with Barry Guy, Dave Holdsworth, Howard Riley and Paul Rutherford; a quintet with Howard Riley, Larry Stabbins, Phillip Wachsmann and Hugh Metcalfe; and a duo with Stefan Hoekler.
Evan Parker's Electroacoustic Ensemble, merging reeds, strings and percussion with live signal processing to create something indescribably transformative is further amplified with the addition of free improvising vocalist and Tuvan throat singer Sainkho Namtchylak, adding an unearthly layer of interaction and transmogrification to this incredible 1996 FIMAV performance.
This 1995 double CD presents the London Jazz Composer's Orchestra 1987 performances at Rote Fabrik, in Zurich, Switzerland and at the 1988 Taktlos-Festival, in a large ensemble that included Barre Philips, Dave Holland, Paul Lytton, Tony Oxley, Howard Riley, Evan Parker, Paul Dunmall, Trevor Watts, Paul Rutherford, Radu Malfatti, Jon Corbett, Phillip Wachsmann, &c.
Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.
Quartet, trio and duo sessions between Paul Medley on alto saxophone & bass clarinet, Trevor Taylor on percussion & electronics, Matthew Hutchinson on piano, and Philipp Wachsmann on violin & electronics; improv and ea-improv that uses space and patient pacing, merging approaches from Circuit Electro-Acoustic Ensemble with an overall acoustic chamber feel--beautiful.
UK percussionist and electronic artist Trevor Taylor's Circuit project in an extended electroacoustic version with Jon Seagroat on reeds & electronics, Tim Chatzigiannis on computer & electronics, Mathew Hutchinson on piano, Paul Medley on reeds, and Philipp Wachsmann on violin & electronics, in carefully controlled and sublimely detailed improvisation.
LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.
Reissuing the 1977 album from UK guitarist Ian Brighton, written as an instrumental story for children, apparently very sophisticated children, in a mix of composed and freely improvised passages, using non-idiomatic approaches with unusual and extended techniques, open atmospheric passages and strange transitions, a peculiar and wonderful album of imaginative playing.
Trevor Taylor's Circuit electroacoustic ensemble, here as a quartet with Paul Dunmall on saxophone, Ashley John Long on double bass, Philipp Wachsmann on violin & electronics, and Trevor Taylor on percussion & electronics, recording at Kingston University for the five-part work "DE" "CE" "EM" "BE" "R", intricate and introspective improv that builds and recedes through restrained squalls.
The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.