The first meeting between Art Ensemble of Chicago saxophone legend Roscoe Mitchell and the long running improvisational trio of Sandy Ewen (guitar), Damon Smith (double bass) and Weasel Walter (drums), in an epic 72-minute recording captured live at Duende in Oakland, CA in 2014, an amazing display contrasting control & chaos, form and deconstruction; exemplary!

Dedicated to Dada legend Hugo Ball, founder of the Cabaret Voltaire, through modern interpretations of six sound poems written by Ball in 1916, performed at BIMHUIS in 1989 by the trio of Jaap Blonk (voice), Bart van der Putten (saxophone) and Pieter Meurs (double bass); and in 2013 at radio station KUHF by the duo of Jaap Blonk and Damon Smith on double bass.

Discovered in a box of recordings in BPA's possession, this recording from 2003 restores a stimulating freely improvised studio encounter between then-West Coast frequent collaborators, double bassist Damon Smith and percussionist Gino Robair, in a trio with Austrian alto saxophonist & bass clarinetist Tanja Feichtmair, mastered to pristine quality by Weasel Walter.

An unusual duo of double bass, voice, hammered dulcimer, recorder, slide whistle, and various objects, recorded in 2019 between bassist Damon Smith and Sarah Ruth Alexander, freely improvising through nine pieces that show the breadth of creative imagination and powerful technical skills of each; curiously compelling, unpredictable and marvelously diverse.

Two performances of Chicago reedist and composer Guillermo Gregorio's graphic score "Moholy 2", inspired by the artwork of László Moholy-Nagy, recorded in two conductions at the Experimental Sound Studio in Chicago in 2007 & 2008 by the trio of Gregorio on clarinets & alto sax, Damon Smith on double bass, and Jerome Bryerton on percussion, cymbals and drums.

Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.

Performing at the Gottfried Duren/arToxin at Galerie ar Toxin in 2019, the trio of Udo Schindler on clarinet, bass clarinet & alto horn, Damon Smith on double bass, and Karina Erhard on C flute & alto flute present a sophisticated set of free improvisations with a chamber improv feeling, using tremendous technique and intent listening through six fascinating dialogs.

Three quartet improvisations and six duo combinations between Dan Clucas on cornet, Jeb Bishop on trombone, Damon Smith on double bass, and Matt Crane on drums, recording in the studio in Rhode Island, 2018, the various permutations of each player elucidating the full group interactions through focused and captivating investigations of instrumental combinations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

Recording at the Lilypad in Cambridge, MA, the Boston-area trio of pianist Pandelis Karayorgis, bassist Damon Smith, and drummer Eric Rosenthal are captured in concert for an adventurous album of free improvisation, Karayorgis's compositions leading this piano trio of magnificent mastery into buoyantly exciting interaction as they take their listeners to a dizzying precipice edge.

Performing live at Lily Pad in Cambridge, MA, the trio of free jazz piano legend Burton Green in a trio with bassist Damon Smith and drummer Ra-Kalam Bob Moses, in 6 collective improvisations, with impressive playing from all three as they segway through the three part "Life's Intense Mystery", taking exploratory moments and even some "Kid Play" inbetween.

Contrasting his concurrent piano trio album with Nate McBride and Luther Gray, "Pools", "Cliff" is a first encounter between Boston-area pianist and composer Pandelis Karayorgis and drummer Eric Rosenthal with double bassist Damon Smith, recently migrated from the West Coast, as the three present a concentrative album of collective improvisation revealing three masterful players.

One of the core ensembles in Boston's Evil Clown collective led by multi-reedist David Peck is Leap of Faith, a uniquely inspired collective free improv band with unusual instruments and percussive devices, here in a live concert at Outpost 186 as quintet with Glynis Lomon on cello, Damon Smith on bass, Silvain Castellano on bass, and Yuri ZBitnov on drums & percussion.

Two fascinating experimental concepts executed by Roger Turner, Henry Kaiser, Martin Kuchen, Damon Smith, Jeff Coffin, Ed Pettersen, Tania Chen, & Jordan Muscatello; Disc 1, each musician improvised alone to NASA recordings from the Voyager spacecraft, the results mixed together over the Voyager track; Disc 2, three improvisers play together in response to Voyager tracks.

Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith.

German reeidst Frank Gratkowski in a trio with West Coast percussionist Jerome Bryerton and bassist Damon Smith, in an album of free music that blends the sensibilities of free improv with contemporary compositional music.

The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.

1. Ma(R)Ker #1 4:32

2. Ma(R)Ker #2 4:38

3. Ma(R)Ker #3 3:30

4. Ma(R)Ker #4 5:55

5. Ma(R)Ker #5 6:15

6. Ma(R)Ker #6 3:04

7. Ma(R)Ker #7 5:23

8. Ma(R)Ker #8 4:59

9. Ma(R)Ker #9 3:42

10. Ma(R)Ker #10 8:13

11. Ma(R)Ker #11 5:34

Unusual improvisational forms from the quartet of saxophonist Paul Hartsaw, guitarist Kristian Aspelin, bassist Damon Smith and percussionist Jerome Byrerton, recording in Oakland, CA in 2006.