Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text.

Three soundtracks to movies from sound artist Eric La Casa, developed for directors Luke Fowler, Christian Jaccard and Marie-Christine Navarro, organizing sounds from field recordings, with Navarro's soundtrack complemented by organ recordings from Jean-Luc Guionnet.

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.

Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.

Using "recordings" and "devices", this is the first release from the long-standing collaboration of Eric La Casa and Taku Umani, 15 untitled tracks of curious and subtly discursive sound work recorded in a diverse set of locations.

Jean-Luc Guionnet and Eric La Casa in a work for the Uninstal Festival interviewing inhabitants of Glasgow in their home spaces, the results organized into compositions blending spoken word, music, improvisation and field recordings; each CD unveils the process of the composition.

Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.

Site specific recordings made for two live performances in Le Havre and Liege (2010) by sound artists Eric La Casa and Cedric Peyronnet, one disc each of sound sculpted from the same field recordings, but with vastly different results.