An impressive live performance at Exploratorium Berlin in 2024 as part of the international symposium Musicians' Perspectives on Improvisation, which explores the practices, ideas, visions and theories of improvising musicians, from the trio of John Butcher on saxophones, Luigi Marino on cymbals, zarb, zarb e zurkhaneh & feedback devices, and Mark Wastell on percussion.

During cellist and Confront label-leader Mark Wastell's 2022 residency at the East London Hundred Years Gallery he recorded four solo recordings, using his acutely creative approach to the strings in unique ways for each recording, which he then layered in the studio without edits to create this wildly and often psychedelically stochastic orchestral work.

Extending the duo of British improvisers, legendary vocalist and leader of London's The Gathering, Maggie Nicols, also performing on taps and percussion, and Confront label-leader, percussionist Mark Wastell performing on cymbals and frame drum, with Swedish percussionist Matilda Rolfsson on bass drum, captured in a captivating concert at All Ears in Oslo in 2023.

An interpretation and reimagining of the opening track of Coltrane's Meditations, from the UK trio of Ed Jones on tenor & soprano saxophones, Dominic Lash on double bass and Mark Wastell on tam tam, gongs, cymbal & percussion, performed live at Cafe OTO in London in 2023, transforming the original recording's density into a slowly opening, evolving work of beauty.

Beginning in February 2022 on the 1st Saturday of the month Mark Wastell would bring his cello to the Hundred Years Gallery in London with the grace of gallery owners Graham MacKeachan and Montse Gallego and play, not as a performance, not as a rehearsal, just to play and record his improvisations as he expands his reach on the instrument, heard here in 17 fascinating excerpts.

An extended improvisation interweaving acoustic and electronic instruments in a beautifully coherent evolution of mysterious and approachable sources, from the trio of Jan Bang, David Toop and Mark Wastell, combining tam tams, gongs, flutes, lapsteel, live sampling, gongs, brushes, elastic, paper and more to captivate the curious listener.

Reissuing their limited 2014 release on Joachim Nordwall Editions, the Oceans Of Silver & Blood duo of Joachim Nordwall on analog synthesizer, effects & tape and percussionist Mark Wastell on tam tam and timpani present two pieces, the first an environmental work underpinned by subtle percussion, the second a richly resonating work of threatening warmth.

A comprehensive album of live performances from IST (Rhodri Davies: harp, preparations; Simon H. Fell: double bass, preparations; Mark Wastell: violoncello, preparations) between 1996 and 2000, beginning with their concert at Club Orange in London and including concerts in London, Billericay, Norwich and Cambridge, with a 20 page booklet of photos and text from the band & collaborators.

After twenty years playing together, the Sealed Knot trio of Burkhard Beins on amplified percussion, Rhodri Davies on amplified lap harp, and Mark Wastell on dual 32 past tam tams, gongs & nepalese singing bowls, performed live at Cafe OTO to record this beautifully captured, contemplative concert of tone, texture and ringing sound, like a 20-year dream reflected.

UK sound artist Fermata Ark, aka Harry Smith, composed this work from improvisations recorded by Mark Wastell performing on cello, double bass and harmonium, and Spencer Grady performing on 5-string banjo, ebow, violin bow and brass slide, creating an extended work of immersive and mesmerizing textures and tones, sounds rising and falling in sublime and passionate ways.

Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions.

Lapsteel guitarist and electronic artist Mike Cooper and percussionist Mark Wastell, employing a paiste 32" tam tam and a shruti box, pay homage to the large acoustic sound mirrors used in Britain from 1916 to 1930 as an early form or radar, each of their detailed improvisation referencing one of the locations on the British south and northeast coasts.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

Violinist and percussionist Nick Smith, having access to St. Mary's Church at Great Baddow for music performance and rehearsals, made his first use of the space in 1996 in a duo with Mark Wastell on violincello, preparations and percussion, where they used the acoustics of the church to enhance their detailed and absorbing improvisations.

The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound.

ist (The Improvising String Trio) of Rhodri Davies (harp), Simon H. Fell (bass) and Mark Wastell (violincello) performing at The Natural Music Club in London, 1997, using unorthodox techniques in indeterminate systems and free improvisation for fascinating results.

Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.

Ist - Rhodri Davies (harp), Simon H. Fell (double bass) & Mark Wastell (violoncello) - recorded this fascinating, quietly active lower case work at Total Music Meeting in Berlin 2001.

Since 1995 the string trio of Rhodri Davies, Simon H. Fell & Mark Wastell have created sparse, introspective improvisation, performing here at the Contemporaneamente festival in Lodi, Italy.

For a decade this trio has created some of the most interesting electroacoustic improvisation, captured in a 38 minute performance at the Ear We Are Festival in Biel, Switzerland, 2007.

A live presentation at the Shunt Lounge, London Bridge in November of 2006, including an AMM duo of John Tilbury and Eddie Prevost.

Tim Barnes on snare drum and amplification and Mark Wastell on amplified textures, tuned metal, making small, mostly unidentifiable sounds with a Cage-style open flair.