Named for a Don Cherry composition included on this album, the core trio of The Thing--Mats Gustafsson on reeds, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums--is joined by saxophonist and pocket trumpter Joe McPhee, recording classic free jazz and harmolodic pieces by Don Cherry, Ornette Coleman, James Blood Ulmer, Frank Lowe, & Joe McPhee.

Not Two Records celebrates their 20th Anniversary with a festival in Wlen, Poland, inviting 13 of the finest European & US improvisers--Guy, Leandre, Mazur, Nilssen-Love, Kaucic, Fernandez, Gustafsson, Vandermark, Trzaska, Brotzmann, Swell, Holmlander, & Homburg--performing in configurations from duo to quintet, released in a limited 5-CD wooden box set.

Two thirds of the free jazz group "Boom Box"--saxophonist Thomas Borgmann and drummer Willi Kellers--and referencing that band's 2011 album titled Jazz, Keys & Screws is rounded out as a trio with double bassist Jan Roder, following the format of Jazz with compositions from each player following head/solo format, fueled by each player's extensive experience.

A unique album blurring acoustic recordings from saxophonist Mats Gustafsson with the electronic machinations and rhythms of Wendy Gondeln, aka Albert Oehlen, a German experimental electronic artist, the two inviting Martin Siewert for additional guitar on two tracks, and Wolfgang Voight to remix two tracks; funky, unpredictable, amusing, and seductively tantalizing.

Drawing on many collaborations, from Peter Brotzmann's large groups to Gustafsson's The Thing, this duo album recorded in 2008 is finally issued to unleash 1 blistering album of saxophone duos, Joe McPhee on altos sax, alto clarinet, pocket trumpet and voice, with Gustafsson on baritone and slide saxophone, alto fluteophone and live electronics; brace yourself!

Unexpected directions in this meeting between Swedish saxophonist Mats Gustafsson and Chicago vibraphonist Jason Adasiewicz, in an introspective album of beautiful tonal conversations, relaxed and sophisticated dialogs that mostly eschews the more aggressive side of both musicians in deference to a thoughtful, reflective and elegant set of tunes.

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