Explosive, psychedelic music from the trio of Jean Derome, Fred Frith, and Pierre Tanguay recorded and mixed by Myles Boisen.

Live recordings and Derome's first release under his own name, inspired by Japanese magic squares and haikus, and performed in a group including Actuelle collective members Pierre Tanguay and Pierre Cartier.

Using saxophones and their voices, Jean Derome and Joane Hetu create songs of improvisation that invoke their primal human nature in creative and beautiful ways.

Excellent recording made while on a canoe and camping trip by 11 improvisers from the Montreal musique actuelle scene on their fourth expedition of the kind.

In his release titled "The Fabric Shop", Jean Derome sews together 69 short improvised pieces into a solo album of random organization.

A work that pays homage to chilly northwest winds, sparkling winter light, the February moon, and the tedium and the exasperation of March , all of which allow the emotional excitement of winter to show through.

The second release by the trio of Evidence (Pierre Carter, Jean Derome, Pierre Tanguay) who are devoted to the great jazz music of Thelonious Monk.

A 1998 soundtrack by composer Jean Derome that was created for a film by John Walker that was conceived as a "suite in black and white" that gradually builds as it progresses.

Saxophonist, vocalist, and composer Joane Hetu is joined by Jean Derome, Diane Labrosse, and Pierre Tanguay for a collection of songs celebrating love and life.

Using saxophones and their voices, Jean Derome and Joane Hetu create songs of improvisation that invoke their primal human nature in creative and beautiful ways.

Percussionist Danielle Palardy Roger's first major solo composition in 13 pieces which is performed by Claude Beaugrand, Jean Derome, André Duchesne, Joane Hétu, Diane Labrosse, and Martin Ouellet.

A tribute to the music of Thelonious Monk by the group Evidence, comprised of Pierre Cartier (bass), Jean Derome (reeds) and Pierre Tanguay (drums).

The duo of Jean Derome and Rene Lussier on their third album of composition and improvisation that was recorded live with no overdubs.