The second album from New York trumpeter Peter Evan's band Being and Becoming stretches out his concepts in five extended works that dovetails superb contemporary jazz — integrating extended techniques and solid vibraphone work — with beautifully rich and explorative passages, masterfully performed with Joel Ross (vibes), Nick Jozwiak (bass) and Michael Shekwoaga (drums).
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Sample The Album:
Peter Evans-trumpet, piccolo trumpet
Joel Ross-vibraphone, percussion
Nick Jozwiak-bass
Michael Shekwoaga Ode-drums
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Label: More Is More
Catalog ID: MI 231
Squidco Product Code: 34139
Format: LP
Condition: New
Released: 2023
Country: USA
Packaging: Gatefold LP
Tracks 1-4 recorded at Seizure's Palace, in Brooklyn, New York, May 2nd and 3rd, 2022, by Jason LaFarge.
"The highly anticipated second album from Being And Becoming, featuring a continuous journey through 4 distinct musical compositions, symphonic in scope and delivery.
The music on this record has been workshopped, performed, and refined over two years, and introduces a new member to the band, drummer Michael Shekwoaga Ode. Returning on vibraphone is the inimitable Joel Ross and the virtuoso bassist Nick Jozwiak. The music on the album was recorded at the famous Seizure's Palace Studio in Brooklyn, NY and mixed and mastered with great attention to detail by Mike Pride."-More Is More
"With sprawling, often super long explorations all part of the action, the main drama of the record is in the interplay between high wire trumpeter Peter Evans and the Boswell to his Dr Johnson vibist Joel Ross. Wrapped by a rumble of bass from Nick Jozwiak and always-on drumming from Michael Shekwoaga Ode, Ars Memoria with its thoughtful and often airy feeling doesn't easily belong to any category. Recorded in New York in 2022 and 23 with the title track a live glimpse of the band, you get an easy sense of an experimental mindset at play which has crucially reached some sort of solution in exploring the challenging musical directions the band members are seeking together. Certainly you gain a sense of resolution in each piece whether on the edgily ambient 'Salah' or plangent 'Opus 5'. Evans once again displays what a world class player he is."-Marlbank
Also available on Compact Disc.Get additional information at Marlbank
Artist Biographies
• Show Bio for Peter Evans "Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011." ^ Hide Bio for Peter Evans • Show Bio for Joel Ross "For the past several years, Joel Ross has been refining an expression that's true to his sound and his generation. In 2019, the vibraphonist-composer released his anticipated Blue Note debut KingMaker to eruptive critical acclaim. He's topped the DownBeat Critics Poll Rising Star category for vibraphone and in 2017, he became one of the youngest artists to receive a coveted Residency Commission from The Jazz Gallery. With the release of Who Are You? (Blue Note, 2020), Ross shares the culmination of a year-long exercise in experimenting and risk-taking on and off the bandstand. Inspired by mentor Stefon Harris' empathetic, whole-self approach to articulation, Ross has adopted an entire ethos dependent on truthful, ongoing communication. Honesty persists throughout his sets. And with each release, he reaffirms a commitment to authentic discourse, particularly among the members of his band Good Vibes: Jeremy Corren, Immanuel Wilkins, Kanoa Mendenhall and Jeremy Dutton. A steadfast improviser, Ross saturates live sets with a lyrical intuition that's equally grounded in melody and phrasing. He plays the moment. Rather than impose energies on the music, he allows moods to set, linger and transform. In recent years, he's engaged established artists of similarly tenacious voices, including Makaya McCraven (Universal Beings, 2018), Maria Grand, Kassa Overall, Nicole Mitchell, Gerald Clayton, Melissa Aldana (Visions, 2019), Walter Smith III (In Common, 2018), Georgia Anne Muldrow, Jure Pukl (Broken Circles, 2019), Rajna Swaminathan, Wynton Marsalis & the Jazz at Lincoln Center Orchestra and Marquis Hill (Modern Flows Vol. 2, 2018), who penned liner notes for Who Are You? Playing thoroughly in the broad, resonating tradition of Black music, Ross draws inspiration for his layered expression from vital, intersecting scenes of his native Chicago. Imbibing nuanced traditions from improvised music hubs to the church, he embraced a range of gestural possibilities he'd begin refining in New York. After graduating from University of the Pacific in Stockton, California, Ross pursued a Bachelor of Fine Arts in Jazz Studies from The New School in downtown Manhattan. Now based in Brooklyn, he regularly performs across the country and around the world. As a leader, he's appeared at such storied venues and iconic events as Smalls Jazz Club, Umbria Jazz Festival, The Jazz Gallery, Winter Jazz Fest, Newport Jazz Festival, Dizzy's Club, BRIC Jazz Festival, The Blue Whale, North Sea Jazz Festival, The Brubeck Institute and Kuumbwa Jazz Festival, among others. A highly sought collaborator, he's performed at Jazz at Lincoln Center, The Village Vanguard, SF Jazz, Duc des Lombards, Ronnie Scotts, Jazz Standard, Red Sea Jazz Festival, Yoshi's Oakland and California Jazz Conservatory. Playing thoroughly in the broad, resonating tradition of Black music, Ross draws inspiration for his layered expression from vital, intersecting scenes of his native Chicago. Imbibing nuanced traditions from improvised music hubs to the church, he embraced a range of gestural possibilities he'd begin refining in New York. After graduating from University of the Pacific in Stockton, California, Ross pursued a Bachelor of Fine Arts in Jazz Studies from The New School in downtown Manhattan. Now based in Brooklyn, he regularly performs across the country and around the world. As a leader, he's appeared at such storied venues and iconic events as Smalls Jazz Club, Umbria Jazz Festival, The Jazz Gallery, Winter Jazz Fest, Newport Jazz Festival, Dizzy's Club, BRIC Jazz Festival, The Blue Whale, North Sea Jazz Festival, The Brubeck Institute and Kuumbwa Jazz Festival, among others. A highly sought collaborator, he's performed at Jazz at Lincoln Center, The Village Vanguard, SF Jazz, Duc des Lombards, Ronnie Scotts, Jazz Standard, Red Sea Jazz Festival, Yoshi's Oakland and California Jazz Conservatory. Folkloric resonance incubates Ross' artistry. Improvising melodies or composing at the piano, he leaves space for a theme to emerge and evolve, always inviting creative response. Nimble, virtuosic lines approximate speech. He often transitions among the roles of storyteller, protagonist and supporting character. His sophomore release for Blue Note Who Are You? features Good Vibes at their most synchronous." ^ Hide Bio for Joel Ross • Show Bio for Nick Jozwiak "Nicholas Jozwiak was born in the Chicagoland area to a family of musicians. He studied classical piano at a young age followed closely by the double bass. His first teacher was young bassist educator Virginia Dixon, followed by the enigmatic former principle of the Honolulu Symphony, Tony Monaco. Discovering jazz and improvisation in high school, Nick was invited to study at the Dave Brubeck Summer Jazz Colony, (under Ingrid Jensen and Geoffrey Keezer), the Vail, Colorado Jazz Workshop (under John Clayton) and the Berklee Summer Jazz Workshop (under Terri Lynne Carrington). He also performed as principle bassist for the Chicago Youth Symphony's 2006-2007 season, performing Brahms, Strauss and Barber in Eastern Europe. In 2007 Nick moved to New York City to attend the New School for Jazz and Contemporary Music. There he studied with William Parker, Mark Helias, Ben Street, Richard Boukas and Ron Petrides, developing a strong appreciation for abstraction, experimentalism, free jazz and improvisation. Meanwhile, Nick participated in a rich DIY scene in the Bushwick, Brooklyn area, centered around two sister venues, the Freedom Garden and 1012 Willoughby, performing and organizing shows. Performances range from live collage art, conductions, free improvisations, experimental ensemble compositions and drone-based, throat-sung solos. As a prolific sideman he has made acid-country music on tour with Jolie Holland, burning straight ahead jazz with Kimberly Thompson, bubble gum folk with Oh! My Blackbird, pop-rock on tour with Dylan Gardner, improvised performance art with Jay-Zee Sushi Car and Muyassar Kurdi, neo-soul/r&b with José James, and forward-thinking contemporary jazz with Aaron Burnett." ^ Hide Bio for Nick Jozwiak • Show Bio for Michael Shekwoaga Ode "Michael Shekwoaga Ode is an Nigerian-american drummer, composer, and educator. A student of Music and Drum Icon Billy Hart, Ode has been blessed to tour, record, play, and study with some of the most iconic and innovative artists in the history of music. Michael is now living in NYC playing around the city with his carious ensembles, as a sideman, and touring internationally with his own projects and some of the most influential musical voices of our times." ^ Hide Bio for Michael Shekwoaga Ode
11/8/2024
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11/8/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/8/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/8/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
SIDE A
1. The Cell 11:42
2. Nowhere 19:52
SIDE B
1. Nowhere (Continued) 19:52
2. Salah 6:51
3. Opus 5 3:59
Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Quartet Recordings
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