The Squid's Ear Magazine


Leap Of Faith: Transmutations (Evil Clown)

Leap of Faith (David Peck on reeds, winds & percussion and Glynis Lomo on cello & aquasonic) are joined by saxophonist Bonnie Kane, former Cecil Taylor bassist Albey onBass, John Loggia on drums, Joel Simches performing real time processing, and in his debut with the Boston collective, Chris Alford on guitar & signal processing, in a dynamic jazz-oriented extended set.
 

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David Peck (PEK)-clarinet, contralto clarinet, contrabass clarinets, sopranino saxophone, alto saxophone, tenor saxophones, alto flute, bass tromboon, tarota, novation peak, moog subsequent, prophet, syntrix, Linnstrument controllers, 17 string bass, fog horn, [d]ronin, spring and chime boxes, Tibetan bowl, almglocken, crotales, orchestral chimes, brontosaurus bells, tank bells, gongs, plate gong, balafon, glockenspiel, log drums, wood blocks, temple blocks, chimes, orchestral anvils, baby bomb piano, orchestral castanets, Englephone, gopichand

Glynis Lomon-cello, aquasonic, voice

Bonnie Kane-tenor sax, flute, electronics

Chris Alford-guitar, signal processing

Albey onBass-fretless bass guitar, novation peak, gong

John Loggia-drums, Tibetan bowls, gomg, percussion

Joel Simches-real time signal processing


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Label: Evil Clown
Catalog ID: 9315
Squidco Product Code: 33829

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack
Recorded at Evil Clown Headquarters, in Waltham, Massachusetts, on July 14th, 2022.

Descriptions, Reviews, &c.

"Bonnie Kane, an Evil Clown regular, hosts a series in Holyoke MA called the Friday Experiment. It's a great monthly series with each night featuring tight sets by several bands and a group jam at the end. Holyoke is about 90 minutes west of the Boston Area, so Bonnie travels a ways to get here for Evil Clown sessions. Bonnie's drummer John Loggia has also appeared on several Turbulence Orchestra sessions with Bonnie and a bunch of other horn players. They have been a duet for the last 6 or 7 years and have also played together in various other settings.

Albey onBass (Balgochian) showed up in Boston about two years before the pandemic with his wife, the poet Jane Spokenword. Albey rapidly became an Evil Clown regular performing many times in a bunch of the ensembles. Just before the pandemic Albey and Jane moved to New Orleans where they stayed through the virus. About a year back, they returned to New York but are also frequently in Boston. I schedule as many sets as I can when I know Albey will be in town.

Newbie Chris Alford makes his debut Evil Clown appearance on this session. He lives still in New Orleans, but his wife is originally from the Boston area. They were in town for about a month and Albey reached out asking if he could join in on this set. Albey, and generally everyone, is welcome to suggest players for the roster, so I immediately agreed!

Leap of Faith has had a huge number of configurations of guests over the years. Sometimes we play with musicians who play at the quiet end of the dynamic spectrum, usually we play with musicians who vary the dynamics significantly over the course of the improvisation, and sometimes we play loud and strong throughout.... This set definitely belongs to the last group and is the most like the free improvisation school of Energy Music currently in the Leap of Faith catalog. Metal Chaos Ensemble and Simulacrum are the Evil Clown ensembles that tend to be louder and have more rock elements. For Transmutation, the Energy Music dynamic is apparent, but the music has more free jazz elements than rock elements...

Leap of Faith is the core duet of the Leap of Faith Orchestra (LOFO) comprised of PEK on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice. The ensemble is based in Boston and dates back to the early 90s. We utilize a huge arsenal of additional Evil Clown instruments to improvise long works featuring transformations across highly varied sonorities. At times, the core unit has been a trio or even a quartet. The longest running core unit was comprised of PEK, Glynis and drummer Yuri Zbitnov, who played for the last couple of years of the archival period and the first 5 years of the reboot starting in 2015. The ensemble has always been highly modular, and our many recordings (well over 100) feature the core unit in dozens of configurations with a huge list of guests and occasionally as only the core unit with no guests. Currently, the core unit is the duet of PEK and Lomon and we are regularly presenting LIVESTREAMs to YouTube from Evil Clown Headquarters with other guest performers."-David Peck, from the liner notes


Artist Biographies

"PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds.

PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language.

During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone.

PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe.

At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period.

Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015.

Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles).

The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below.

The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist

Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail.

For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November.

The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature).

Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve."

-All About Jazz (https://musicians.allaboutjazz.com/pek)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Improvising cellist, vocalist and aquasonic player Glynis Lomon graduated from Bennington College in 1975 with a degree in Music/Black Music. At Bennington she studied with musician/composer Bill Dixon and continued to perform and record with his ensembles until his recent death. Glynis has also been privileged to play with Arthur Brooks, Jimmy Lyons, Cecil Taylor, Butch Morris, William Parker, Joe Morris, Greta Buck, Masashi Harada, Lowell Davidson, Raqib Hassan and many others. For almost a decade she and multi reed player PEK performed in the Boston area with their group Leap of Faith."

-Evil Clown Website (http://www.giantevilclown.com/bio-glynis-lomon-.html)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dedicated improvisor and electro acoustic pioneer, Bonnie Kane's music is formed from equal exposure to the avant-garde, hard core and the psychedelic.

Integrating saxophone, flute, feedback and electronics, her solo and group work traverse the genres of noise, free jazz and improvisation, psych rock, jam band, and bio-composition. She brought her "Fresh Sound Guarantee" to her first show at the Rochester Planetarium, performances at a Bosnian refugee camp, outdoor festivals, art spaces, rock, jazz, and punk clubs. She has toured nationally and worldwide, performing extensively throughout her Eastern USA base.

A bandleader since the 1990s, with over 30 releases, those she has performed and recorded with include: John Spencer, Tatsuya Nakatani, Chris Forsyth, Kevin Shea, Shayna Dulberger, Jeffrey Hayden Shurdut, Blaise Siwula, Ernesto Diaz-Infante, Chris Welcome, Federico Ughi, Walter Wright, Andrea Pensado, Chris Strunk, and John Loggia. New collaborations are continually evolving."

-Bonnie Kane Website (http://bonniekane.com/bio/)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"New Orleans based improviser/guitarist/composer Chris Alford utilizes a spherical approach in his artistry. In one hemisphere is the deep tradition of jazz and blues languages of the past and in the other is avant-garde, unconventional, creative syntax. Warping the old with the new, Alford keeps his feet rooted in the ground all the while looking beyond the horizon. He is just as likely to galvanize an audience with peculiar, angular, sharp flourishes as he is to allure with luscious, atmospheric harmony and melodies. An openness to sound and collaboration allows Alford to shape and guide the music in an organic flow.

Alford earned music degrees from The Chicago College of Performing Arts and Belmont University. Alford has had the opportunity to study with Henry Johnson, Regi Wooten, John McLean, Joe Morris, Hank Mackie and Chester Thompson. Chris Alford has performed with legends of jazz and creative music including: Cassandra Wilson, Ra Kalam Bob Moses, 2Face Idibia, Jerry Jemmott, Rhonda Richmond, Leslie Hunt, Ezra Brown, James Singleton , Tim Berne, Albey Balgochian, John Sinclair, Reginald Veal, Algerbra Blessett, Jeb Bishop, Mino Cinelu, Dennis Warren, Mike Burton, Tim Green, Mike Dillon, London Branch,Luke Stewart, Aurora Nealand, Rob Cambre, Hellen Gillet, Gregoire Maret, Robert Walter, Grayhawk Perkins, Evan Gallagher, Matt Ulery, Reed Mathis, Michael Vatcher, Simon Berz, Dr.Jeff Albert and many more. Alford fulfills his passion for creative music education through his teaching, both in the community and at the University of Southern Mississippi, where he was on the Jazz department faculty from 2007- 2019."

-Chris Alford Website (https://chrisalfordmusic.com/bio)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Albey Balgochian performs on bass, who has performed with Cecil Taylor, Paul Rishell and has led his own band.

-Albey onBass Website (http://www.albeybalgochian.com/index.html)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

John Loggia is a Boston-area drummer who has worked with Bonnie Kane, Blaise Siwula, and the Evil Clown Collective band Turbulence.

-Squidco 11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joel Simches: A multi-instrumentalist born 10/18/65, Joel Simches has been an active member of the Boston music scene for 35 years, played in well over 40 bands, traveling the world as a musician, audio engineer, tour manager and record producer. He has worked with a diverse array of bands including Walter Sickert & the Army of Broken Toys, DeVotchKa, Bang Camaro, Dresden Dolls and Big Dipper, to name a few. He has also written for The Noise and Boston Soundcheck Magazine. Currently a staff engineer at Watch City Studios, Joel also plays in Count Zero, Joe Turner and the Seven Levels, Butterscott, Nisi Period, Didactics, Curious Ritual and is executive producer/talent booker of On The Town with Mikey Dee on WMFO."

-Evil Clown (http://www.giantevilclown.com/bio-joel-simches.html)
11/27/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Transmutations 1:09:53

Related Categories of Interest:


Improvised Music
Free Improvisation
Boston Area Improvisers
Electro-Acoustic
Electro-Acoustic Improv
Septet recordings
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Evil Clown.


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