The Squid's Ear Magazine
Squidco's Record Store Day Sales, Save 10%, 15% or 50% Fri-Sunday!


Simulcrum

Meditations on Reality

Simulcrum: Meditations on Reality (Evil Clown)

Simulacrum is an offshoot of Metal Chaos Ensemble featuring 3 the core members David Peck on reeds & winds, an arsenal of percussive devices & narration, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar, & electronics, joined on this set by Michael Caglione on saxophones, plate gong & spring & chime rod boxes, and Joel Simches providing perturbations.
 

Price: $10.75
Price Was: $11.95
Squidco RSD 2024 Sale!:
Save $1.20




Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



David Peck (PEK)-clarinet & contralto clarinets, alto & tenor saxophones, tarota, bass flute, kora, tank cello, melodica, slide whistle, novation peak, moog subsequent, prophet, syntrix, arp odyssey, lfo synths, Linnstrument controllers, [d]ronin, daxophone, baby bomb piano, 17 string bass, spring & chime rod boxes, almglocken, Tibetan bowl, crotales, gong, plate gong, brontosaurus & tank bells, temple blocks, log drums, balafon, glockenspiel, xylophone, orchestral chimes, 5 hole Russian flute, fog horn, voice

Michael Caglianone-soprano, alto & tenor saxophones, [d]ronin, spring & chime rod boxes, plate gong, crotales, Englephone

Bob Moores-Modified trumpet with pickups horn and mouthpiece played through Zoom pedal and Ampkit, Mustang modified tenor guitar played through Ampkit on iPhone 13, kracklebox, MainStage softsynths on MacBook Air with full keyboard, ARP Odyssey emulator on iPad with mini keyboard, vocal emanations on microphone through pedal chain, log drums, temple blocks, wood blocks, 17 string bass

Eric Woods-analog synthesis, novation peak, moog subsequent, prophet, Englephone, 17 string bass, gong

Joel Simches-live to 2 track recording, perturbations


Click an artist name above to see in-stock items for that artist.




Label: Evil Clown
Catalog ID: 9313
Squidco Product Code: 33827

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack
Recorded at Evil Clown Headquarters, in Waltham, Massachusetts, on July 7th, 2022.

Descriptions, Reviews, &c.

"Simulacrum is an offshoot of Metal Chaos Ensemble featuring 3 the core members PEK on all my stuff, Eric Woods on analog synth, and Bob Moores on space trumpet, guitar, and electronics. The basic idea of this band is to increase the amount of electronics, to keep the ancillary percussion and loose the drum set, along with PEK and Bob holding down the horn parts. Even without the drums, this set tilts more in the noise direction than typical of Metal Chaos Ensemble.

[..]

This quartet has played as 4 of the 6 players in a MCE sets a bunch more times... Things are really gelling, and the electronics have taken a comfortable center stage on more recent Simulacrum albums. This time, Mike Caglianone, appears as a guest with the core trio, and the quartet really sings, producing one of the strangest efforts yet from this band.

Bob Moores is one of the most frequent Evil Clown contributors besides Glynis, appearing on well over 50 of our albums in most of the ensembles. At a the most recent Turbulence performance Bob busted out, for the very first time, some weird sting-of-consciousness vocalizations. These cray little stories make a reappearance here in half a dozen or so sections. When I asked Bob for his instrumentation this time he gave me this: "vocal emanations on microphone through pedal chain".

Despite being a quartet instead of quintet for this set, we produced a prototypical Simulacrum session, thick with electronic sounds, horns, and the broad palette percussion of an Evil Clown Livestream set."-David Peck, from the liner notes


Artist Biographies

"PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds.

PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language.

During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone.

PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe.

At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period.

Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015.

Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles).

The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below.

The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist

Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail.

For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November.

The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature).

Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve."

-All About Jazz (https://musicians.allaboutjazz.com/pek)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Michael Anthony Caglianone is an American sax player, producer, recording, mixing & mastering engineer, voice-over actor, co-founder of Studio 7A West. Based out of Boston, MA. He is known for the band Zen Bastards.

-Discogs (https://www.discogs.com/artist/378779-Michael-Caglianone)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bob Moores Having spent most of his life flying under the radar working on obscure projects that may some day come to the light of day, trumpeter/guitarist/composer/improviser/artist/photographer/poet/conceptualist Bob Moores has finally started to emerge into the light playing in the free improvisation collective Fable Grazer and through his solo project Resonator.

Having played every kind of music imaginable on trumpet in every kind of setting from classical to funk to blues to R&B to pop punk and metal to jazz, in small and large ensembles, Bob has settled on playing only freely improvised music at this stage of his evolution, both in group situations and as a solo artist. Moores is an exponent of what he calls unschooled primitive coloristic guitar having started to play in earnest with Fable Grazer.

He has been composing music since he was a child and composes and arranges for a variety of ensembles types, instrumentations and genres."

-Evil Clown Website (http://www.giantevilclown.com/bio-bob-moores.html)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Originally trained as an electric bassist in funk and jazz in high school, Eric's interest in new music began after studying at Northeastern's Music Technology program, composing acousmatic music on the computer, with an interest in mixed electronic works for live performance, as well as algorithmic and chance operations. While at Northeastern, Eric honed his improvisation skills in the Electronic Music Ensemble, performing pieces such as John Zorn's "Cobra" and Stockhausen's "From the Seven Days".

After college, Eric began playing mandolin as a founding member of the improv collective Fable Grazer. Craving more of the sonic flexibility of his earlier computer music work, Eric was drawn to modular synthesizers in 2012, which has became his primary instrument. He records and performs solo work under the moniker Machine Machine that are largely unedited, improvised recordings. Last year, Eric went on his first nation-wide tour as the synth player in the psychedelic electronic folk trio Vilicon Sally."

-Evil Clown (http://www.evilclown.rocks/bio-eric-woods.html)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joel Simches: A multi-instrumentalist born 10/18/65, Joel Simches has been an active member of the Boston music scene for 35 years, played in well over 40 bands, traveling the world as a musician, audio engineer, tour manager and record producer. He has worked with a diverse array of bands including Walter Sickert & the Army of Broken Toys, DeVotchKa, Bang Camaro, Dresden Dolls and Big Dipper, to name a few. He has also written for The Noise and Boston Soundcheck Magazine. Currently a staff engineer at Watch City Studios, Joel also plays in Count Zero, Joe Turner and the Seven Levels, Butterscott, Nisi Period, Didactics, Curious Ritual and is executive producer/talent booker of On The Town with Mikey Dee on WMFO."

-Evil Clown (http://www.giantevilclown.com/bio-joel-simches.html)
4/17/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Meditations on Reality 1:10:04

Related Categories of Interest:


Improvised Music
Free Improvisation
Boston Area Improvisers
Electro-Acoustic
Electro-Acoustic Improv
Quintet Recordings

Search for other titles on the label:
Evil Clown.


Recommended & Related Releases:
Turbulence Orchestra
Dynamos
(Evil Clown)
PROMO W/ CUT CORNER
Simulcrum
Meditations on Reality
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Transmutations
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Time And Symmetry Entwined
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Action As Thought, Thought As Action
(Evil Clown)
PROMO W/ CUT CORNER
Simulacrum
Homunculus
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Taxonomic Dilemma
(Evil Clown)
PROMO W/ CUT CORNER
Axioms
Abstract Intensions
(Evil Clown)
PROMO W/ CUT CORNER
Expanse
Swathe
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Degrees Of Freedom
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith Chinese Orchestra
Jade Mirror of the Four Unknowns
(Evil Clown)
A unique and fascinating edition of the Leap of Faith Orchestra, bringing special guests Jimmy Zhao, Yazhi Gao, Jiaxin Winky Wan, Ziya Gao, and Jiangcheng Guan performing on Chinese instruments to join with the core duo of David Peck on clarinets, saxophones, clarinets & flutes, Glynis Lomon on cello, aquasonic & voice, along with percussionist/drummer Michael Knoblach.
Turbulence Orchestra
Find The Loophole
(Evil Clown)
PROMO W/ CUT CORNER
Perturbations
Deviations Of A System
(Evil Clown)
PROMO W/ CUT CORNER
Simulacrum (Peck / onBass / Moores / Simches)
Semblance
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Spectral Sequences
(Evil Clown)
PROMO W/ CUT CORNER
Turbulence
Inversion
(Evil Clown)
PROMO W/ CUT CORNER
Metal Chaos Ensemble
Project Wildfire
(Evil Clown)
PROMO W/ CUT CORNER
Turbulence Orchestra
Wind Shear
(Evil Clown)
PROMO W/ CUT CORNER
Expanse
Chromatic Spectrum
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Cosmic String Loop
(Evil Clown)
PROMO W/ CUT CORNER
Axioms
Meaning And Truth
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
Coherent Alternatives
(Evil Clown)
PROMO W/ CUT CORNER
Leap Of Faith
The Symbolic Method
(Evil Clown)
PROMO W/ CUT CORNER
Simulacrum
Mechatronics
(Evil Clown)
PROMO W/ CUT CORNER
Neurodivergent
Cosmic Collisions
(Evil Clown)
A new ensemble emerging out of the Boston collective band Expanse with David Peck on reeds, percussion and innumerable instruments, Count Robot on voice & tapes, DNA Girl on guitars & mandolin, Tim Mungenast on guitar, and Michael Caglianone on reeds & winds, all adding percussion and electronics from the Evil Clown arsenal, exploring aspects of group improvisation.
Turbulence Orchestra
Trapped In A Whorl
(Evil Clown)
PROMO W/ CUT CORNER



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC