The Squid's Ear Magazine


Euphotic (Bryan Day / Tom Djll / Cheryl E. Leonard): Isopleths (Public Eyesore)

"The previous time the name Euphotic appeared in these pages was not about a work for a trio of musicians who now deliver 'Isopleths', but as the title of a release by Chihei Hatakeyama and Corey Fuller (Vital Weekly 1033). The word mea...
 

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UPC: 195269038168

Label: Public Eyesore
Catalog ID: PE146
Squidco Product Code: 33261

Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Cardstock Gatefold Sleeve, Sealed
Recorded in San Francisco, California, in 2018, and Betalevel, Los Angeles, California, in 2019. Mastered by Thomas Dimuzio.


Personnel:



Cheryl Leonard-objects

Tom Djll-trumpet, electronics

Bryan Day-invented instruments


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Descriptions, Reviews, &c.

"The previous time the name Euphotic appeared in these pages was not about a work for a trio of musicians who now deliver 'Isopleths', but as the title of a release by Chihei Hatakeyama and Corey Fuller (Vital Weekly 1033). The word means "noting or pertaining to the layer or zone of seawater that receives enough sunlight for photosynthesis to occur, varying greatly with season and latitude, from 0 to 1,200 feet (0-360 meters)". "The trio here is Bryan day on invented instruments, Tom Djll on trumpet and electronics and Cheryl Leonard on driftwood, sand, rocks, feathers, marsh reeds, penguin bones, pine needles and oyster shells. That is three quite different approaches to creating sounds, ranging from natural objects, a real instrument and whatever Day uses (I believe something with strings and wood). The seven pieces on this release were recorded in 2018 and 2019 and are pieces of improvised music. Here too they deliver quite the variety of approaches. 'Pluton', for instance,starts out with some heavy noise with much distortion on the electronics, while in other pieces the emphasis lies on the use of 'small' sounds, at times touched upon carefully and at other times hectic and chaotic. Like a jazz trio, it seems that sometimes an instrument takes the lead, such as the trumpet in 'Bristlemouth', but that too isn't the principle idea of these improvisations; just as easily everything appears on an equal level, with nobody leaping out, such as in 'Echolucation', which also uses quite a bit electronics on Djl's part. Sometimes, this comes across as very traditionally improvised, albeit with less non-conventional sound devices, and sometimes not all, working from a microsound level, exploring small sound events. In the time-span of forty-eight minutes they cover a lot of ground and there is plenty to discover on the grounds. This is quite a beautiful release."-Frans de Waard, Vital Weekly


Artist Biographies

"Tom Djll studied electronic music with Stephen Scott at the Colorado College, working with the EMS Synthi 100 system at Packard Hall. In 1978 and 79 Djll studied at the Creative Music Studio in Woodstock, NY, with Roscoe Mitchell, Anthony Braxton, Wadada Leo Smith, George Lewis, the Art Ensemble of Chicago, Karl Berger and many other giants of new music. He spent the years 1981-1993 working with the Serge Modular Music System before enrolling in Mills College Contemporary Music Program, where he extended his quest to develop and integrate an idiosyncratic trumpet language into an electronic sound environment, while also pursuing advanced improvisation studies, formally, with Pauline Oliveros, and, informally, with Jack Wright. While at Mills, Djll concentrated on microtonal composition, split-tone trumpet technique, and computer music. He also worked extensively with Chris Brown, resulting in contributions to Brown's recordings LAVA (Tzadik) and DUETS (Artifact).

Further refinement of trumpet languages and free improvisation with his band GROSSE ABFAHRT was undertaken from 1999 - 2010, published on the Emanem, Creative Sources, and Setola di Maiale labels. Beginning in 2012, Djll gradually re-introduced electronics into his sound-set. The results are heard in projects like hackMIDI (extreme electro-mechanical piano music), piano + analog electronics in TENDER BUTTONS (with Tania Chen and Gino Robair), delicate environments in EUPHOTIC (with Cheryl Leonard and Bryan Day), austere acoustic spaces with KOKUO (Kanoko Nishi-Smith, John McCowen, Jacob Felix Heule, and Kyle Bruckmann) and ongoing sessions and performances within the lively and ever-evolving Bay Area scene, including: Tim Perkis, Amanda Chaudhary, Jordan Glenn, Clarke Robinson, Suki O'Kane, Matt Ingalls, Tom Nunn, bran(...)pos, and Karen Stackpole.

Obligatory list of famous musicians Djll has played and/or recorded with:

Roscoe Mitchell, David Toop, Fred Frith, William Winant, Rova Saxophone Quartet, Pauline Oliveros, Ava Mendoza, John Butcher, Vladimir Tarasov, Le Quan Ninh, Tania Chen, Wobbly, Frank Gratkowski, Miya Masaoka, nmperign, Tatsuya Nakatani, Vijay Iyer, and Zeena Parkins."

-Tom Djll Website (http://tomdjll.com/)
6/7/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Sulfolobus 06:33

2. Histioteuthis bonnellii 05:58

3. Pluton 08:21

4. Lithotroph 07:38

5. Bristlemouth 05:24

6. Echolocution 06:43

7. Flinch Flies 06:51

Related Categories of Interest:

In Stock, Not Yet Cataloged

Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Objects and Home-made Instruments
Trio Recordings

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