Two New York improvisers — percussionist Nava Dunkelman and violinst Gabby Fluke-Mogul — sharing a background from Mills College and work with luminaries including Fred Frith, present their extroverted approaches to free improvisation in these eleven assertive dialogs recorded in the studio, their compatibility and love of unusual techniques evident.
In Stock
Quantity in Basket: None
Log In to use our Wish List Shipping Weight: 2.00 units
Sample The Album:
Personnel:
Click an artist name above to see in-stock items for that artist.
Descriptions, Reviews, &c.
Nava Dunkelman-percussion
Gabby Fluke-Mogul-violin
Click an artist name above to see in-stock items for that artist.
UPC: 5904224871611
Label: Relative Pitch
Catalog ID: RPR1166
Squidco Product Code: 33097
Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded at GSI Studios in Manhattan, New York, by Jason Rostkowski.
"Incinerating sound together since 2014, Nava Dunkelman and gabby fluke-mogul combine their expansive palettes with finesse, creating a fierce dialect of their own. Violin and percussion combust viscerally through spirit and song. Forged in flame, Dunkelman and fluke-mogul honor ritual and celebrate their rich sonic hues in their duo release, Likht. -Relative Pitch
The Squid's Ear!
Artist Biographies
• Show Bio for Nava Dunkelman • Show Bio for Gabby Fluke-Mogul "Gabby Fluke-Mogul (b. 1991) is an improviser/composer living in New York. They exist within the threads of improvisation, the jazz continuum, noise, & experimental music. Their playing has been described as "embodied, visceral, & virtuosic." Gabby is humbled to have collaborated with Kyle Bruckmann, Nava Dunkelman, Wendy Eisenberg, Fred Frith, Jordan Glenn, Phillip Greenlief, Jacob Felix Heule, Brandon Lopez, Lisa Mezzacappa, Kanoko Nishi-Smith, Pauline Oliveros, & Danishta Rivero, among many other musicians, poets, dancers, & visual artists. GFM holds a MFA in Music Performance & Literature from Mills College, a BA in Music & Education from Hampshire College, & a Deep Listening certificate from The Center for Deep Listening at Rensselaer." ^ Hide Bio for Gabby Fluke-Mogul
11/29/2023
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Carmine 02:19
2. Momo 03:22
3. Momiji 08:26
4. Rosada 02:42
5. Enji 02:09
6. Royt 05:48
7. Merah 04:14
8. Kohaku 04:49
9. Cereza 02:05
10. Carmesi 04:17 11. Lust 03:50
Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Stringed Instruments
Percussion & Drums
Duo Recordings
New in Improvised Music
Recent Releases and Best Sellers
Search for other titles on the label:
Relative Pitch.
 | Wooley, Nate / Mutual Aid Music Four Experiments [4 CD BOX SET] (Pleasure of the Text Records) |
| Engaging an expanded version of the ensemble from his Mutual Aid Music, trumpeter Nate Wooley provides scores for his players in various configuration that challenge concepts of group composition, instrumental sound and resonance, idealized tones and the human voice, the development of melody and harmony in compositions, &c.; performers include Wooley, Seymore Wright, John McCowen, Gabby Fluke-Mogul, Cory Smythe, Luke Stewart, Eric Wubbels, &c. | |
 | Fluke - Mogul, Gabby Love Songs (Relative Pitch) |
| Promo copy with line thru bar code. An album of raw and emotional "love songs", 17 unique solo violin improvisations and vocal utterance as the New York improviser runs her bow with passionate openness and intimacy through raspy edges, ardent plucking, introspective aching, and moments of beauty, all displayed through immense technique and powerful control over her instrument. | |
 | Seabrook, Brandon brutalovechamp (Pyroclastic Records) |
| Looking to create a sound realm that would reflect more life and less process, NY guitarist/banjo player Brandon Seabrook takes his 8-piece ensemble Epic Proportions on a truly epic journey through "lyrical melodies, dynamic improvisations and manic counterpoint", showing great evolution and development as a contemporary composer and player; "Brutal is beautiful". | |
 | Fluke-Mogul, Gabby Threshold (Relative Pitch) |
| Promo copy with line thru bar code. | |
 | Kasten-Krause, Tristan / Jessica Pavone Images of One (Relative Pitch) |
| Violist Jessica Pavone and double bassist Tristan Kasten-Krause found they shared a similar aesthetic in sound and sonic structure while working together in other ensembles, their debut developed over two seasons of experimentation with string interactions of consonance and dissonance using distinct timbres and textures, heard in four patiently unfolding compositions. | |
 | Fields, Scott Ensemble Sand (Relative Pitch) |
| Scott Field's 9-part Sands for 20 instrumentalists, three singers, and a conductor, in this case Fields himself, employs a modular performance system that integrates composition and improvisation, the conductor selecting modules from melodies, phasing patterns, long tones, improv elements, fragmented short stories, &c., spontaneously assigned live; a fascinating accomplishment. | |
 | Bogacz, Santiago / Emiliano Aires Retrato Anos Despues (Relative Pitch) |
| With nine years of work together, the Uruguayan duo of guitarist Santiago Bogacz, aka Matador, and clarinetist Emiliano Aires have developed a near-telepathic dialog of sharp-edged interactions through technically rapid exchanges and plateaus of anxious reserve; exhilarating work heard here in 9 vehement and creatively urgent improvisations. | |
 | Mattrey, Joanna / Gabby Fluke-Mogul Oracle (Relative Pitch) |
| Performing on viola, violin and a stroh (a string instrument mechanically amplified by a metal resonator and horn attached to its body) the NY duo of Joanna Mattrey and Gabby Fluke-Mogul present eight dialogs of ominous and prophetic divination, titles including "The Vision", "The Potion" or "The Omen", as they weave and tear at their strings in startling and impressive ways. | |
 | Lee, Charmaine / Fred Lonberg-Holm / Gabby Fluke-Mogul / Joanna Mattrey / Weston Olencki Live in Accord [CASSETTE w/ DOWNLOAD] (Notice Recordings) |
| Four configurations of far-reaching free improv at Notice Recordings's 2021 event in Accord, NY: a solo performance by Charmain Lee on voice & electronics; a duo between Lee and Weston Olnecki on synths & trombone; a trio from Gabby Fluke-Mogul on violin, Fred Lonberg-Holm on cello and Joanna Mattrey on viola; a duo between Lonberg-Holm and Olencki. | |
| Fluke - Mogul, Gabby Love Songs (Relative Pitch) |
| An album of raw and emotional "love songs", 17 unique solo violin improvisations and vocal utterance as the New York improviser runs her bow with passionate openness and intimacy through raspy edges, ardent plucking, introspective aching, and moments of beauty, all displayed through immense technique and powerful control over her instrument. | |
 | Kaluza, Anna / Jan Roder Am Frankfurter Tor (Relative Pitch) |
| Collaborating since 2004, Berlin alto saxophonist Anna Kaluza and double bassist Jan Roda--a member of Kaluza's Quartet with trombonist Christof Thewes and drummer Kay Lübke--in a studio album of duo improvisations, documenting their live performances in the same configuration since 2020 through ten succinct dialogs of informed affinity. | |
 | Garcia, Violeta / Chris Pitsiokos Uanmortaim (Relative Pitch) |
| From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation. | |
| Fluke-Mogul, Gabby Threshold (Relative Pitch) |
| Applying extended techniques from rubbing & scraping to sawing and striking, New York violinist Gabby Fluke-Mogul presents a bold solo violin album of 6 pieces with titles like "Bruise" or "Teeth", drawing an incredible gamut of unusual sounds from the violin and its body, occasionally adding vocal utterance, all laid out with a wonderfully quirky sense of timing. | |
 | Greenlief, Phillip Barbedwire: 37 Graphic Scores For Trio Volume One (Creative Sources) |
| Four trios perform selections from composer and reedist Phillip Greenlief's BARBEDWIRE - 37 Graphic Scores For Trio, featuring John Bischoff, Kyle Bruckmann, Mark Clifford, Evelyn Davis, Tim Decillis, Gabby Fluke Mogul, Jane Rigler, and Tim Perkis, each composition a unique sonic sculpture, creating a diverse set of unique recordings realized by consummate performers. | |
 | Frith, Fred All Is Always Now (Live at the Stone) [3 CDs] (Intakt) |
| Guitarist Fred Frith performed 80 concerts at NY's The Stone between 2006-2016, in diverse configurations of duos, trios, quartets and large ensembles with some of the planet's finest improvisers, of which 23 recordings, titled from NY Times headlines of each concert's day, are presented in this essential 3-CD package, which includes a 24 page booklet detailing the collection. | |
 | Reid, Tomeka / Filippo Monaco The Mouser (Relative Pitch) |
| Tomeka Reid is a Chicago based cellist, composer and free improviser, versed in classical and jazz contexts, here in a duo with Italian drummer Filippo Monaco recording in his studio in Milano, a lively conversation of extended acoustic improvisation using diverse techniques and approaches with an arsenal of percussive instruments; impressive and engaging. | |
 | Lubelski, Samara / Bill Nace S/T (Relative Pitch) |
| Issuing on CD the duo album of violinist Samara Lubelski and guitarist Bill Nace, originally released on Nace's Open Mouth label early in 2018, presenting a series of psychedelic textural works, Lubelski creating vibrant and reiterating structures that Nace uses as a foundation for swells and expressive emanations; hypnotic and mesmerizing. | |
 | Cohen, Greg Golden State (Relative Pitch) |
| A set of playful, upbeat duos from West Coast-born bassist Greg Cohen and NY guitarist Bill Frisell, celebrating Cohen's home state of California in 6 originals and 3 California covers. | |
Customers Who Bought This Item Also Bought:
 | Nebbia, Camila Una Ofrenda A La Ausencia (Relative Pitch) |
| Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects. | |
 | Dorner, Axel / Allemano, Lina Aphelia (Relative Pitch) |
| Bringing together two exceptional trumpeters approaching their instruments in innovative ways--Berlin trumpeter Axel Dorner and Toronto trumpeter Lina Alleman--in duos and virtual ensembles, each of the eight improvisations titled for lesser-known, smaller celestial bodies, the album title referring to the furthest distance an object achieves while orbiting the sun. | |
 | Ghost, The Michael Foster's (Foster / Radichel / Sullivan) Vanished Pleasures (Relative Pitch) |
| Following NY saxophonist Michael Foster's interest in free jazz, noise and the pre-AIDS era of sexual freedom in the gay community, expressed in a sax-bass-drums trio with Philadelphia double bassist Jared Radichel and drummer Joey Sullivan, drawing on pre-composed structures, melodies, samples, and improvisation to reflect both the joy and anxiety of the queer experience. | |
 | Eberhard, Silke / Celine Voccia Wild Knots (Relative Pitch) |
| A sax & piano duo from German saxophonist Silke Eberhard and French pianist Céline Voccia, recording in the studio in Berlin as they draw from free jazz and contemporary compositional sources in quick-witted exchanges of powerful technique and creative drive, or contemplative environments of unusual concepts; an extremely well matched and complementary pair. | |
 | Dietrichs (Camille Dietrich / Don Dietrich) Catch the Leaves (Relative Pitch) |
| Definitely of the Borbetomagus mold, the duo of tenor saxophonist Don Dietrich and cellist Camille Dietrich, his daughter who grew up under the influence of that band's relentlessly aggressive free jazz, here in a live performance at Tubby's in Kingston, New York for four burning improvisations that take apart a tree, leaving the audience to catch the fragments; terrifyingly intense! | |
 | Mortagua, Goncalo / Ernesto Rodrigues / Guilherme Rodrigues / Gunter "Baby" Sommer Not Bad (Creative Sources) |
| Spanning three generations of improvisers, the duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues join with tenor saxophonist Gonçalo Mortágua and legendary percussionist Gunter Baby Sommer to record eleven diverse improvisations in the studio in Berlin, naming the quartet "Not Bad", an extreme understatement for their unique chamber influences of European Free Jazz. | |
 | McPhee, Joe Quartet +1 Kirk Knuffke Keep The Dream Up (Listen! Foundation (Fundacja Sluchaj!)) |
| Long a fan of his music, NY trumpeter Kirk Knuffke joined with saxophonist Joe McPhee and his quartet of Christof Knoche (bass clarinet), Michael Bisio (bass) and Jay Rosen (drums), following Knuffke's wife's advice to "keep the dream up" as the quintet recorded a series of exceptional collective improvisations, one Knuffke compositions and at Knuffke's request, a poem/"Invocation" from McPhee. | |
 | Sanders, Mark / Emil Karlsen Muted Language (Bead) |
| Steering far from pyrotechnics or histrionics, the drum duo of UK legend Mark Sanders and Norwegian residing in the UK and part of the new direction of Bead Records, Emil Karlsen, present six percussion improvisations that focus on textural interaction, melodic progression, polyrhythms, and sonic excitement through percussive elements; an exceptional duo. | |
