A well-balanced and often scorching performance at Igreja do Espírito Santo in Portugal from trumpeter Luis Vicente, presented as two long improvisations each comprised of two works inspired by childhood times in a rural environment and by everyday life at home during pandemic, performed with the outstanding quartet of saxophonist John Dikeman, bassist Luke Stewart and drummer Onno Goevart.
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Sample The Album:
Luis Vicente-trumpet, composition
John Dikeman-tenor saxophone
Luke Stewart-double bass
Onno Goevart-drums
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UPC: 5609063006209
Label: Clean Feed
Catalog ID: CF620
Squidco Product Code: 32940
Format: CD
Condition: Sale (New)
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Igreja do Esp’rito Santo, in Caldas da Rainha, Portugal, on July 19th, 2021, by Ricardo Pimentel.
"This international quartet first stepped on a stage in July 2021, on a tour of seven cities in Portugal supported by the GDA Foundation.
Their support gave Portuguese trumpeter Luis Vicente the opportunity to put together a stellar band of John Dikeman, a renowned North American saxophonist based in Amsterdam, with whom Vicente has built a fruitful relationship alongside William Parker and Hamid Drake; the North American bassist, Luke Stewart, highlighted by Downbeat magazine as "one of the 25 most influential jazz musicians of his generation", dued to his collaborations with Irreversible Entanglements, Moor Mother, Rob Mazurek's Exploding Star and Jaimie Branch; and Onno Govaert, an outstanding Dutch drummer and a frequent figure on many European stages.
House in the Valley sends us back to Vicente's pandemic routine, with the presence of his daughter Luísa, a true inspiration for the leader, who names one of the most festive and daring works of the album "Luisa's Laugh".
It is a contemporary creation, free and open in its interpretation. This album is inspired by childhood memories, spent at the house of Luis' maternal grandparents, in a rural environment between meadows and valleys. The album sounds like a ritualistic ceremony, an invitation to dive into the present moment and into the communion of each person with their inner self and with their surroundings.
House in the Valley has a contemporary edge and a free, exploratory, intriguing and attractive approach under an undeniable influence of the "ancestral" masters from the 60s and early 70s, blended with a fresh combination between composition and improvisation. The overall effect is that music achieves an immediately open expression, unconstrained by tonal limitations, rhythmic predetermination, or harmonic rules." "-Clean Feed
Artist Biographies
• Show Bio for Luis Vicente "Luis first picked up a trumpet when he decided to participate in a Philarmonic Association. Later he had private classes with Tomás Pimentel.He attended the Escola de Jazz Luís Villas Boas/ Hot Club de Portugal, where he had the chance to study with João Moreira, Tomás Pimentel, Vasco Mendonça, Afonso Pais, Filipe Melo, Bruno Santos e André Fernandes. During these years, he also participated in workshop with musicians such as Evan Parker, Chris Speed, Mário Laginha, David Binney, Jesse Davis, Julian Arguelles, Ohad Talmor, André Fernandes, Pedro Madaleno e Phil Grenadier. He already played in dozens of venues and festivals in Portugal and across Europe. He performed and recorded with Carlos Zingaro, Wilbert De Joode, Akira Sakata, Johannes Bauer, Oori Shalev, Jorrit Dijkstra, Kaido Yutaka, Jasper Stadhouders, Giovanni Di Domenico, Mary Oliver, Nuno Rebelo, Jonathan Hafner, André Fernandes, Joost Buis, Marco Franco, Steve Heather, Mette Rasmussen, John Dikeman, Roberto Negro, João Lobo, Hugo Antunes, Valentin Ceccaldi, Seppe Gebruers, José Ernesto Rodrigues, Onno Govaert, Rodrigo Amado, Tó Trips, Luís Lopes, Federico Pascucci, Théo Ceccaldi. Currently he plays his own tunes in trio and quartet and is a member of : Vicente|Marjamaki; Clocks& Clouds; Fail Better!; Twenty One 4tet; Deux Maisons; Chamber 4; W.A.S?; Jasper Stadhouders' International Improv Esnsemble." ^ Hide Bio for Luis Vicente • Show Bio for John Dikeman "John Dikeman was born in Nebraska in 1983 and grew up in Kemmerer, Wyoming. Thanks to the extreme isolation of his hometown, he spent most of his free time practicing and studying music. He quickly discovered the music of John Coltrane, Cecil Taylor, John Zorn, and Albert Ayler and instantly connected to the unmatched expressive power of free jazz. John was very fortunate to meet and collaborate with many excellent improvisers at a rather early age. Dikeman started performing professionally at the age of 16 after meeting New Mexican guitarist Stefan Dill who became a mentor for John. Stefan also introduced Dikeman to Jack Wright who was living in Boulder, Colorado at the time. Jack would prove to be one of John's biggest influences and a long time collaborator (as well as short term landlord). John also spent a summer in Arkansas where he was able to woodshed and perform with saxophonist Keefe Jackson and bassist Jon Barrios. Dikeman left Wyoming in 1999 to study saxophone and composition at the Interlochen Arts Academy and then briefly at Bennington College where he attended courses with drumming legend Milford Graves and was also able to collaborate regularly with drummer Ben Hall. John also studied privately with Joe Maneri during this period. John then moved to New York City for one year where he worked as a satellite dish technician while performing as much as possible. After NYC, John moved to Philadelphia. Frequent collaborators of this time included Daniel Carter, Lukas Ligeti, and Ty Cumbie in The Color Now Band, Nate Wooley, Mike Pride, Jonathan Vincent, Jack Wright, Toshi Makihara, Jon Barrios, Kurt Heyl, Zack Fuller, Reuben Radding, Ava Mendoza, Raed Yassin, Daniel Carter, Jonathan Fretheim, Mike Barker and many others. In 2004, Dikeman moved to Cairo, Egypt. In the three years he was there, he worked regularly as a performer, studio musician, and teacher. He performed as a soloist with the Cairo Symphony Orchestra, played and traveled throughout North Africa with Nubian pop star Mohamed Mounir, led his own jazz bands which performed weekly in downtown Cairo, performed and recorded with DJ Haze, played countless weddings and party's with The Riff Band, and served as the saxophonist in most Egyptian bands that needed one. He also performed at the Lebanese improvised music festival, Irtijal, in 2005 and 2006. John moved to Amsterdam in December of 2007, after a brief stay in Budapest, Hungary. Since arriving in Amsterdam, John has jumped at the chance to re-enter the world of improvised music. John performs regularly in the Netherlands in venues including the Bimhuis, Paard van Troje, Café Wilhelmina, Paradox, Lindenberg, OT301, etc... John is also a curator for the OT301 New Music and Dance Program as well as the Tabula Rasa series at the Maarten Luther Kerk. Since moving to Amsterdam John has performed with Joe McPhee, Han Bennink, Andy Moor, Terrie Ex, Roy Campbell, Hilliard Greene, Mike Reed, Jeb Bishop, Ab Baars, Nate McBride, Fred Lonberg-Holm, Michael Vatcher, Jason Roebke, Wilbert De Joode, Dirk Bruinsma, Jasper Stadhouders, Onno Govaert, Andrea Taeggi, Frank Rosaly, Klaus Kugel, Yedo Gibson, Renato Ferreira, Raoul van der Weide, Eric Boeren, Viljam Nybacka, Wim Jenssen, Oscar Jan Hoogland, Ivo Bol, Alfredo Genovesi, Meinrad Kneer, Gerri Jager, Stevko Busch, and numerous other musicians from the Dutch and international improvisation scene." ^ Hide Bio for John Dikeman • Show Bio for Luke Stewart "Luke has pursued a vast number of creative projects over the years. He plays bass and saxophone with DC-based indie rock band Laughing Man, who has performed at historic venues in the city including the Black Cat and St. Stephen's Church, opening for national acts such as The Evens, Wavves, Junkyard Band, and Wale. He has also played saxophone with his own experimental group Ziggurat, as well as various special collaborative performances throughout the East Coast. As an electronic artist, he has been showcased in local exhibitions alongside legendary hip hop artist Grap Luva, and DC beatmaker Damu the Fudgemunk. He has also been a participant of Sonic Circuits' Festival of Experimental Music, performing on the same bill as cellist Okkyung Lee, as well as performing in other venues alongside instrument builder Layne Garrett and saxophonist Sam Hillmer (Diamond Terrifier). He is also a member of experimental electronic trio Mind Over Matter, Music Over Mind, which has participated in numerous festival performances, including Sonic Circuits' Festival and Noise Fest at George Mason University. On the jazz side, Luke has performed at many of DC's historic venues including Bohemian Caverns, Twins Jazz, and HR-57. He had the honor of studying and performing with saxophonist Hamiett Bluiett. Recently he lead a 12-member ensemble in an hour-long tribute to John Coltrane on his birthday at the legendary Bohemian Caverns. He is also a member of Trio OOO, a collaborative ensemble featuring saxophonist Aaron Martin, and drummer Sam Lohman. More recently he has helped establish CapitalBop.com, a DC-based jazz website and 501c3 non-profit organization, as its Avant Music Editor. Through the site, he has helped launch a live jazz performance series dubbed the "DC Jazz Loft", presenting some talented jazz artists in and around the DC area. He has also presented other jazz performances in his "Red Door Loft" series at the now-closed Goldleaf studios, as well as shows at CD Cellar in Arlington, VA, Bossa Bistro and Lounge, and DIY space the Paperhaus, where his performance curation was picked by Bob Boilen as one of the best shows of 2012. He is also an Artist-In-Residence at the art space Union Arts and Manufacturing, in Washington, DC, where he regularly rehearses his numerous musical projects as well as hosts special performances and workshops. During the day, he is the Production Coordinator for WPFW 89.3FM, as well as the host of THE VIBES edition of Overnight Jazz, weekly eclectic jazz program which showcases music from various sources in Luke's musical explorations. Through WPFW he has had the privilege of working with some seminal figures in music and social justice such as Chuck Brown, Yusef Lateef, Randy Weston, Muhal Richard Abrams, Juma Sultan, and Amiri Baraka. He has had the opportunity of producing many successful programs including a month-long commemoration of Black Music Month., featuring notably the reunion of trombonist Phil Ranelin and saxophonist Wendell Harrison from the Tribe organization of Detroit. He also co-produced a month-long tribute to pianist Horace Tapscott Los Angeles based community organization UGMAA (Union of God's Musicians and Artists Ascension). He also produced Washington, DC's first live radio appearance of political prisoner Mumia Abu-Jamal on the program Jazz and Justice with Tom Porter." ^ Hide Bio for Luke Stewart
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/5/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Anahata + Little Dance 24:52
2. Luisa's Laugh + House In The Valley 42:24
Clean Feed
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Quartet Recordings
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