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Zorn, John / Eugene Chadbourne

John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Plays The Book Of Heads

Zorn, John / Eugene Chadbourne: John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Pl (Tzadik)

The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.
 

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product information:


UPC: 702397839521

Label: Tzadik
Catalog ID: CD-TZA-8395
Squidco Product Code: 32663

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack
Recorded at the Kompo Cultural Center, in Gyungee, Korea, on August 22nd, 2007, by Kenji Shimoda.


Personnel:

John Zorn-composer

Eugene Chadbourne-acoustic guitar, electric guitar

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Artist Biographies:

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
1/25/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.

Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.

Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."

-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
1/25/2023

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track listing:


1. Etude #2 2:32

2. Etude #29 5:05

3. Etude #17 3:32

4. Etude #33 2:25

5. Etude #23 3:19

6. Etude #16 4:09

7. Etude #27 1:22

8. Etude #35 6:53

9. Etude #22 8:02

10. Etude #34 2:12

11. Etude #8 5:48

12. Etude #12 2:39

13. Etude #5 4:18

14. Etude #1 6:59

15. Etude #3 4:00
sample the album:








descriptions, reviews, &c.

"Composed in 1976 and studied by guitarists the world over, The Book of Heads is one of Zorn's most popular and oft-performed compositions. Concentrated into 35 "heads" that can be used as jumping off points for improvisation, the score uses an hermetic language of meticulously notated sounds inspired by contemporary classical extended techniques, cartoons, film noir, Zen philosophy, and the idiosyncratic guitar languages of free improvisation via Chadbourne, Frith, Bailey et al.

Interpreted here by the madcap virtuoso they were originally created for: Eugene Chadbourne, they receive a passionate and creative interpretation-looser, wilder and more open than the textbook readings of James Moore and Marc Ribot. Vexingly entertaining, this curious release contains fifteen of the original 35 etudes: sixty minutes of the most gonzo music ever created for solo guitar!"-TZadik

Related Categories of Interest:


Tzadik
Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Zorn. John
Chadbourne. Eugene
Guitarists, &c.
Solo Artist Recordings
New in Improvised Music
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